Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

Regency mahogany rail-back Armchairs, Library Bookcase, George III shield-back Armchairs, Regency mahogany Architects Table

A set of six George III mahogany rail-back Chairs,  with satinwood banding and pierced and carved mid-bars, the stuffed seats covered in gold fabric, on turned and tapering

legs

A pair of Regency mahogany rail-back Armchairs,  with clasp-shaped mid-bars, reeded arms and stuffed seats, on ring turned tapering legs, restored

A Regency mahogany Writing Desk,  with inset hinged writing slope revealing a well, below are fluted pIIIars, the back with carved scroll supports, now lacking a mirror panel,

on turned and gadrooned feet, cm. wide. ft.

A set of four Regency mahogany rail-back Chairs,  including two armchairs, with clasp-shaped mid-bars and stuffed seats covered in gold figured velvet, on ring turned tapering

legs, restored

A pair of George III mahogany
semi-circular Tea Tables, the fold-over
tops with broad satinwood crossbanding
and satinwood strung borders, the
tapered square legs with collars, faults,
.cm. wide. ft.

A set of six Regency mahogany
rail-back Chairs,  including
two armchairs, with rope-twist mid-bars
and Trafalgar seats, on moulded sabre
legs, restored

A set of six George III mahogany
Chairs,  the reeded back
supports with leaf carved surmounts, the
shaped cresting rail with an oval banded
medallion above a pierced vase-shaped
splat, the stuffed seats covered in flame
stitch needlework, on turned tapering
legs, restored

| A George III mahogany break-
front Library Bookcase,  the
moulded cornice above four geometric and astragal doors enclosing adjustable shelves, below are a pair of fielded panel doors enclosing two folio divisions, flanked by eight

short drawers, on a plinth base, restored, cm. high by cm. wide. ft. in.

A George III satinwood Pembroke
Table,  inlaid with ebonised
and satinwood stringing, the rectangular
top with kingwood crossbanding above a
frieze drawer, the tapered square legs
surmounted by burr walnut veneered
insets, ending in brass cappings and
castors, top split, restored,  by cm. fully
extended ft. in. by ft. hin.

A George III maho gany cylinder
Bureau Bookcase,  the
pediment with paterae carving, the dentIIIed cornice and pear-drop frieze above a pair of ogee arched astragal doors enclosing adjustable shelves, the bureau with an inset

adjustable slide, pigeon-holes and small drawers, below are three long graduated drawers, on shaped bracket feet, cm. high by cm. wide. ft. lin.

A Regency mahogany Writing
Table,  inlaid with ebonised
stringing, the rectangular top with a
gilt-tooled leather inset top with canted
corners, the frieze with three drawers to
the opposing sides, the solid end
supports with a pole stretcher, scroll
angle brackets and disc motifs, on block
feet and concealed castors, cm.

A pair of George III shield-back
Armchairs,  the later painted
and gilt frames with stuffed backs,
padded arms and bowed seats covered in
damask, on turned and fluted tapering
legs, restored, bearing the trade label of
Norman Adams, London

A George III satinwood Sofa
Table,  with satinwood
banding and ebony stringing, the frieze
with a real and dummy drawer to the
opposing sides, the tapered square legs
ending in brass cappings and castors,
cm. wide.

A WIIIiam IV carved mahogany
and upholstered Settee,
covered in pale-green dralon, the detachable back with a scallop-shell and pierced foliate cresting, the vase-shaped arm facings with floral scroll, the anthemion apron above

carved and shaped feet, cm.

A Regency mahogany Architects
Table, attributed to GIIIow of Lancaster, the hinged top rising in two sections with ratchet supports, the frieze drawer simulating two drawers and revealing an inset slide,

with rising section and pen-tray, below is a well flanked by six lidded compartments with oval inlaid alphabet titles, the turned and reeded tapering legs ending in brass

cappings and castors, cm. wide. ft. in.

A similar table was formerly at Heaton Hall, Lancashire. See Antique Collector, April , Heaton Hall, Figure .

A set of four George III
satinwood and painted Armchairs, circa
with ebonised stringing, the foliate
cresting rails above vase splats and cane
seats, on turned tapering legs, restored

A George I walnut and parcel-gilt
frame Wall Mirror,  the later
rectangular bevelled plate with a scroll
pediment and pierced cartouche, the
wings with pierced festoons, below is a
shaped apron and paterae, cm. high by
cm. wide. ft. by ft. HVin.

A George II carved giltwood
frame Wall Mirror,  with
pierced scroll surround, eagle surmount
and cartouche apron, restored, cm. high
by cm. wide. ft. llin. by ft.

A George III mahogany Chest-on-
Chest,  with inlaid frieze and
chevron banding, the sides in pine, the
two short and three long graduated
drawers flanked by canted corners, below
are three long graduated drawers, on
shaped bracket feet, cm. high by
cm. wide. ft. Vin.

LACQUER PAPIER MACHE TRAY, BURR WALNUT WEDGE SHAPED WRITING SLOPE, ROSEWOOD CHESS TABLE, SHIELD SHAPED DRESSING TABLE MIRROR

A PAPIER MACHE WRITING SLOPE, Victorian, painted with bouquets of flowers, the velvet lined interior with gilt decoration, cm. wide.: and an oriental mother of pearl inlaid box.

rectangular, depicting figures in a landscape. cm. wide.

A BLACK LACQUER PAPIER MACHE TRAY, Victorian, impressed Clay, King st, Covt. Garden, oval, gilded and painted with flowers and foliage, cm. wide.

A ROSEWOOD AND BRASS
BOUND WRITING BOX, George IV,
including spear head motifs, one glass inkwell
lid lacking, cm. wide.

A BLACK LACQUER
AND MOTHER OF PEARL INLAID
WORK BOX, Japanese, 19th Century and 18th Century, of
sarcophagus form, the interior with a tray,
faults, cm. wide.

A BURR WALNUT WEDGE
SHAPED WRITING SLOPE, Victorian,
including two inkwells with gilt tops, cm.
wide.

A CARVED AND PARCEL GILT ADAM STYLE TORCHERE, early 19th Century and 18th Century, on
triple supports with rams masks and hoof
feet, cm. high

AN OAK PEDESTAL DESK, Victorian, with a central hinged leather inset top above an arrangement of eight drawers, cm. wide.

A WALNUT AND INLAID OCCASIONAL TABLE, 19th Century and 18th Century, with alterations, on a spiral-twist stem, cm. wide.; together with an Iron Music Stand, with AN ANTIQUE

music rest bearing the trade label of Alfred Carter Holborn Viaduct, cm. wide.

AN ANTIQUE AND ROSEWOOD CHESS TABLE, part 19th Century and 18th Century, with a pair of drawers containing chess pieces and a turned stem, on a triform base, cm.
wide.

A PAIR OF RED LACQUER AND PARCEL GILT PEDESTALS, Oriental, with scale carved tops and bases divided by pierced fret stems, cm. high

A WALNUT AND ASH SIDE TABLE, part 19th Century and 18th Century, with a drawer, on chahfered square legs, cm. wide.
MAHOGANY DUMB WAITER, early
Victorian, with three tiers, on turned
supports and ceramic castors, cm.
wide.

AN ANTIQUE SHIELD SHAPED DRESSING TABLE MIRROR, George III style, with a three drawer serpentine base, on bracket feet, cm. wide.

AN ANTIQUE RECLINING ARMCHAIR, early Victorian, with distressed upholstery and arm rests, on reduced turned feet.

A PINE KNEEHOLE DRESSING TABLE AND MATCHING WASHSTAND, Victorian, decorated throughout with painted stringing and anthemion motifs, the washstand with a tiled back and marble

top, the dressing table cm. wide.; the washstand cm. wide.

A CARVED WALNUT ROCOCO STYLE MIRROR, late 19th Century and 18th Century, of arched form, cm. high

AN OAK DRAUGHTSMANS TABLE, Victorian, with a ratchet adjusted top, on trestle shaped supports joined bv a turned stretcher, cm. wide.
A ROSEWOOD STOOL, WIIIiam IV, with a tapestry seat, on X-frame supports.
cm. wide.

A HUANG HUALI LOW TABLE,
Chinese, late 19th Century and 18th Century, with a pierced
frieze and inwardly scrolling supports, one
loose panel, cm. wide.—

AN ANTIQUE AND BEECHWOOD DISPLAY CABINET, Edwardian, with astragal doors and a pair of drawers, on tapered square legs, one glass panel damaged, cm. high by cm. wide.

A BRASS AND MARBLE COFFEE TABLE, modern, with a simulated bamboo frame, cm. wide.

AN ANTIQUE OCCASIONAL TABLE, Victorian, with a drawer, on turned legs and castors, cm. wide.

WALNUT WALL MIRROR, EBONISED AND IVORY INLAID JARDINIERE TABLE, CARVED WALNUT SIDE CHAIR, UPHOLSTERED WING ARMCHAIR

A MAHOGANY BOOKCASE, George III, made-up, the corbel applied cornice above a pair of astragal glazed doors enclosing adjustable shelves, on bracket feet, 190cm. high by 150cm.

wide.

AN OAK AND MAHOGANY HANGING CORNER CUPBOARD, George III, the moulded cornice above a pair of panelled doors enclosing shaped shelves, 89cm. wide.

A WALNUT WALL MIRROR, WIIIiam III, the later rectangular plate within a cushion frame, 39c’m. wide, together with a rectangular wall mirror, WIIIiam III style, the cushion frame

with a band of stylised foliage, 44cm. wide.

A MAHOGANY TOILET MIRROR,
George III style, the oval plate above a three
drawer serpentine box base, 41cm wide,
together with a crossbanded mahogany
Sutherland table, George III style, with
canted corners and square legs, 45cm.

George II style, with a swan-neck
pediment, bevelled plate and composite
pilasters, on an easel suppojZWm. high by
98cm.

A CARVED WALNUT SIDE CHAIR,
Italian, 19th Century, with a pierced spindle
back and solid seat; together with a gold
painted compostion wall mirror, 18th Century-
style, with a pierced cresting, 100cm. high.

AN EBONISED AND IVORY INLAID
JARDINIERE TABLE, 19th Century, on
turned and fluted parcel gilt supports, 71cm.
wide.

TEA CADDIES, WRITING BOXES, ETC.

A WALNUT SATIONERY CABINET, Victorian, of wedge shaped form, the rising top above a pair of doors and a drawer, 33cm. wide.

A BRASS-BOUND ROSEWOOD WRITING SLOPE, 2nd quarter 19th Century, of typical form with a fitted interior, 50cm. wide.

A SATINWOOD AND EBONY STRUNG PAINTED BOX, Edwardian, decorated with floral sprays, 26cm. wide.

A ROSEWOOD AND MAHOGANY
POPE JOAN BOARD, 2nd quarter 19th
Century, of octagonal form with an embossed
gilt-metal finial and gilt labelled divisions,
31cm. wide.

A BLACK AND GILT JAPANNED TRAY, early 19th Century, of rounded rectangular form, warped, 69cm. wide.

A WALNUT BALLOON BACK
ARMCHAIR, Continental, mid-
19th Century, with pink dralon upholstery
and cabriole legs.

A SET OF FIVE MAHOGANY DINING CHAIRS, Victorian, with balloon shaped backs and drop-in seats, lappet carved turned legs.

A MAHOGANY BUTLER’S TRAY ON STAND, early 19th Century, with pierced carrying handles and X-shaped supports, 69cm. wide.

AN OAK HALL TABLE, Victorian, the raised back above a frieze drawer, on panelled tapering square legs, 91cm. wide.

AN UPHOLSTERED WING ARMCHAIR, part 18th Century, on cabriole legs with pad feet, one leg detached.

A MAHOGANY AND UPHOLSTERED ARMCHAIR, Victorian, with a buttoned tub shaped back.

A GOLD PAINTED ARMCHAIR, George III with alterations, the oval padded back and seat, on moulded square tapering legs, distressed.

BOWFRONT CHEST OF DRAWERS, ROSEWOOD AND INLAID SETTEE, BREAKFRONT SIDEBOARD, DRAWLEAF DINING TABLE

A ROSEWOOD AND INLAID SETTEE, Victorian, with upholstered and pierced back above a sprung seat, on turned legs.

A MAHOGANY CAMPAIGN CHEST, Victorian, stamped PEIRCE, NORTH, in two parts, with brass inset corners, on later bun feet, 98cm. wide.

A MAHOGANY BOWFRONT CHEST, Regency, the six drawers inlaid throughout with ebonised stringing, on bracket feet, 122cm. wide.

A SET OF EIGHT OAK DINING CHAIRS, 18th Century style, including two armchairs, with arcaded spindle backs, solid seats and on turned legs.

A PINE BREAKFRONT LIBRARY BOOKCASE, 20th Century, the moulded cornice above glazed doors, the lower part with panelled doors, on a plinth base, 224cm. high by 214cm. wide.

A MAHOGANY INVERTED BREAKFRONT SIDEBOARD, George III style, the central drawer flanked by a deep drawer and a cupboard, on fluted tapering square legs, 169cm. wide.

A CARVED OAK PEDESTAL DESK, Late Victorian, the inset top above three frieze drawers, raised on a pair of pedestals each containing three drawers, and on a plinth base, mask

handles, 122cm.

A MAHOGANY CABINET CHEST,
eorge III, with an arrangein freight
drawers above panelled cupSaardyrmte,
99cm. wide.

A MAHOGANY PEDESTAL TEA
TABLE, George IV, the rounded rectangular
top on a reeded column and leaf carved
downswept legs, ending in brass cappings
and castors, one castor detatched, 106cm.
wide.

A MAHOGANY DROPLEAF WRITING TABLE, George III, the rectangular top with hinged leaves, above a drawer fitted with a writing slope and side drawer, on a tapering column and

downcurved legs, top split, 103cm. wide extended.

A MAHOGANY TEA TABLE, George III, the rounded rectangular top raised on tapering square legs headed by inlaid oval paterae, 92cm. wide.

A MAHOGANY BOWFRONT CHEST OF DRAWERS, 1st half 19th Century, with two short and three long graduated drawers, on bracket feet, faults, 110cm. wide.

A MAHOGANY TOILET MIRROR, George III style, the oval plate above atwo drawer box base, 59cm. wide, together with a brass bedhead, Victorian, with turned uprights, 143cm. wide.

A MAHOGANY BREAKFRONT SIDEBOARD, George III style, with two central drawers flanked by curved cupboard doors, on tapering square legs, 183cm.
wide.

A MAHOGANY INVERTED
BREAKFRONT SIDEBOARD, Regency, the
raised back above three drawers and four
panelled doors, flanked by twist pIIIasters and
on turned tapering legs. 192cm. wide.

AN OAK BUREAU, George I, with
restoration, the fall enclosing a fitted interior
of drawers and pigeon holes, above a well
and two short and two long graduated
drawers on bracket feet, faults. 89cm.
wide.

A CHESTERFIELD SOFA, late
Victorian, with buttoned trellis upholsterv.
and on ring turned legs ending in brass
cappings and castors.

AN OAK DRAWLEAF DINING
TABLE, 16th Century style, with a foliate
carved frieze above lobed cup-and-cover
supports joined by stretchers, 266cm. long
extended.

A MAHOGANY UPRIGHT PIANO,
Bechstein, circa 1924, numbered 124644 on
the metal frame, with a plain panelled case,
150cm. wide, together with a mahogany piano
stool, the lifting seat raised on cabriole legs,
58cm. wide.

AN EBONISED GRAND PIANO, Bluthner, circa 1920, numbered 100542, on tapered square legs, 173cm. long.

MAHOGANY DECANTER ВОХ, ROSEWOOD WRITING SLOPE, TORTOISESHELL WORK-BOX, CHINESE EXPORT TEA CADDY,  MINIATURE OAK CHEST, CALAMANDER  MIRROR

A MAHOGANY DECANTER ВОХ in the form
of a stationery box, the interior with three cut-glass decanters and stoppers, 19 by 23.5cm, c. 1910

A POLLARD OAK TEA CADDY OF RECTANGULAR SARCOPHAGUS FORM, the top
panel inlaid with cube parquetry, the interior with two lidded containers, 14iin; 36cm wide, c. 1850

THREE BOIS DURCI PORTRAIT PLAQUES
entitled ‘Shakespeare’, ‘Beethoven’ and ‘Giuseppe Garibaldi’, stamped Bois Darcy.

A BURR-WALNUT JEWEL ВОХ, with а
domed and studded brass-bound lid, 7in; 18cm wide, c. 1870

A BRASS COLUMNAR STANDARD LAMP
with fluted supports and paw feet, fitted for electricity 60in; 152.5cm, c. 1920

A PAIR OF GILT-BRASS ROCOCO REVIVAL
CANDLESTICKS cast with ‘C’-scrolls and acanthus, 31 cm, c. 1850

AN OAK AND MOLDED GLASS TANTALUS
with two small scent bottles and stoppers, 8in; 20.2cm, c. 1900

A ROSEWOOD WRITING SLOPE,  14in;
35.5cm wide, and A Mahogany Slope,
20in; 5lem wide, both third quarter of
the 19th century

A BURR-WALNUT WRITING SLOPE with а
fitted and leather-lined interior, the edges brass-bound, 44.5cm wide, with presentation plaque.

A STAINED GLASS HANGING LAMP SHADE
of rectangular form with beveled, clear and red glass painted with flowers, 36cm, 1880’s

A ‘GEORGE III’ mahogany mirror, with a beveled plate with a gilt phoenix cresting and a shell inlaid in the apron, 36in; 91.5cm, c. 1900

A BURR-WALNUT WRITING SLOPE with а
domed cover and hinged front panel applied with pierced gilt-bronze mounts, the interior with a writing surface and compartments and three secret drawers, 61 by 15in; 16.5 by

38cm, c. 1860

A WALNUT STATIONERY ВОХ, the sloping
lid enclosing a fitted interior above а drawer, 14 by 17in; 35 by 43cm, c. 1880, with key
LUSTRES

A PAIR OF CUT-GLASS AND GILT-BRONZE-
MOUNTED LUSTRES, with reverted rims hung with faceted droplets, gilt-bronze stems enclosing a faceted jewel and on raised circular lobed feet, the whole with star and

hobnail-cut decoration,28cm, 1870’s

A  REGENCY  ROSEWOOD  CASKET,  the
domed top inlaid with a shell, the frieze with a single drawer, the sides with lion head and ring handles, 23cm square, c. 1820

A TORTOISESHELL WORK-BOX, the rectangular top enclosing fitted compartments with lids, 9 by 28cm, early 19th century

A BURR-CHESTNUT WORK-BOX, the rectangular top with chamfered sides enclosing a lift-out tray with lidded compartments, the sides with gilt-bronze handles, on bail feet, 15 by

28cm, early 19th century

A PAIR OF WALNUT BRACKETS, each with а ribbon-tied double tassel supporting an eagle above а ‘С scroll and two candle-arms, 38in; 97cm, fitted for electricity, second quarter of

the 19th century

A WILLIAM IV ROSEWOOD AND BOULLE TEA
CADDY, the domed top and sides inlaid with brass scrollwork, on bun feet, 18 by 32cm, c. 1835

A CHINESE EXPORT TEA CADDY, the
Gadrooned top and concave-sided frieze painted, the interior with two pewter tea containers, 15 by 28cm, early 19th century

A  BRASS  JARDINIERE, the  circular  top
with a brass-studded base on paw feet, 14 by 19in;., mid I9th
century

A BRONZE COLZA OIL LAMP with a double lip cast with masks and cast and pierced with laughing masks, applied at the shoulder with a dragon handle, on a fluted stem and square

base, 12in; 30.5cm, c. 1840

A PAIR OF BRASS CANDELABRA, each With
a baluster candlestick supporting three nozzles, 19fin; 50cm, mid 19th century

A COPPER BEDWARMER with an ebonized turned fruitwood handle, 42in; 107cm, mid 19th century

A BRASS COOPERED OAK EWER, 54.5cm, c.
A MINIATURE OAK CHEST of  short
and three graduated long drawers, 52 by 49cm, second half of the 19th century

A ROSEWOOD  WRITING  SLOPE  of rectangular form, with brass clasps, the fitted interior with a spring-loaded ’secret’ drawer, 20in; 5lem wide, third quarter of the 19th century

A SET OF CAST-IRON FIRE  IRONS, prizing two andirons, а poker, a pair of tongs, a shovel and a centre, each cast with a claw holding a brass bail, the andirons with

ball-and-claw feet, 14in; 36cm, third quarter of the 19th century

A JONES AND WILLIS BRASS EWER, the
inside base stamped Jones and Willis, 18in; 46cm, c.

A BRASS COTTON-REEL STAND with а
central stem supporting three tiers each pierced by six cotton-reel stems surmounted by figures of women, on a leaf-cast base and mahogany plinth, 44cm, c. 1870

AN AESTHETIC WALNUT HANGING CUP-
BOARDJ the architectural pediment with three hammered brass plaques above three sliding tiers, one lacquered with birds, 25 by 22in; 63 by 56cm, 1880’s

A STAINED GLASS PANEL with six Central
roundels painted with various monastic scenes within borders painted with scrolling leaves and an outer border of trees in forests and portrait medallions of young princesses,

49 by 70in; 125 by 178cm, now with cast-iron frame, c.

A BURR-WALNUT  TRAVELLING WRITING
box, the solid walnut interior with а stationery rack and a writing slope, 17in; 43cm wide, 1880’s

A CAST-IRON ROUNDEL OF RUBENS, the
bearded man wearing a large hat and embroidered smock, inscribed Petrels Paul us Rubens and C. Bovver St. Notes Hunts, 23in; 58.5cm, c. 1880

A ‘GEORGE II’ MAHOGANY MIRROR, the rectangular plate with a shaped apron and cresting, 211 by 15in; 54.5 by 38cm, late 19th century

A  CALAMANDER  MIRROR  with  a  rect-
angular plate and molded frame, 63 by 52cm, mid 19th century

A COPPER CHARGER by John Pearson, the reserve with ducks, the raised rim with birds in flight signed J. Pearson, 1893 2043, 52cm, c. 1893