Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

AN ANTIQUE CHIFFONIER, ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, PAIR OF CARVED GILTWOOD FOOTSTOOLS, GESSO FRAMED RECTANGULAR WALL MIRROR

AN ANTIQUE CHIFFONIER, Victorian, with a raised open tier back and spiral twist pilasters.

AN ANTIQUE THREE DOOR WARDROBE, Victorian, including a mirror panel, on a plinth base, high by wide. For colour illustration see pas;e

AN EBONISED AND THUYA WOOD MUSIC CANTERBURY, Victorian, including turned supports and apron drawer, wide.

A ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, late Victorian, with carved and pierced splats, upholstered in claret dralon, on cabriole legs, comprising four side chairs, a

cpair of tub shaped armchairs and a settee, wide.

AN UPHOLSTERED ARMCHAIR, 18th Century, with gold damask loose cover, on bun feet and castors; together with an upholstered armchair with worn damask cover; and an upholstered

armchair, covered in green fabric, on rocking action

AN ANTIQUE OVAL PEDESTAL TABLE, George III, the altered top above quadruple reeded splayed legs and castors, wide’

AN ANTIQUE OVAL TILT-TOP TRIPOD TABLE, George III, on a baluster turned pillar. wide.

A GILT GESSO AND GLAZED NEEDLEWORK FIRESCREEN, Louis XV style, mid 18th Century, with chinoiseric panel and splaved feet, piults.
wide

AN ANTIQUE PEDESTAL
PEMBROKE WORKTABLE, George III,
made-up, with a drawer and tripod base,
wide. when closed

A PAIR OF CARVED MAHOGANY
STOOLS, George III style, with stuffed
yellow fabric seats, wide.

A GILT PAINTED GESSO FRAMED OVERMANTEL MIRROR, Victorian, with arched pediment and female mask to frieze, some moulding lacking, wide.     —

A WHITE PAINTED FRAME OVERMANTEL MIRROR, Edwardian, in the George III style, with Corinthian pillars and cherub mask, the oval bevelled plate flanked bv a pair of rectangular

plates,
wide

A WHITE PAINTED FRAME
OVERMANTEL MIRROR, Edwardian, in
the George III style, with Corinthian pillars and
cherub mask, the oval bevelled plate flanked
a pair of rectangular plates,
wide

A WHITE PAINTED MARBLE TOP CABINET, Victorian, with pilaster terminals, the pair of oval glazed doors flanked by bowed glass doors, plinth base lacking, wide.
AN ANTIQUE OCTAGONAL TILT-TOP TRIPOD TABLE, George III, made-up, the later base with slender baluster pillar, wide
For colour illustration see pa^e

AN ANTIQUE DRESSING TABLE,
George III, the rectangular hinged cover
with cusped corners, the fitted interior
including a mirror, on moulded square legs,
wide.

AN ANTIQUE D’-END DINING TABLE IN TWO PARTS, George III, now without a central section, on square legs, wide.

A PAIR OF CARVED GILTWOOD FOOTSTOOLS, in the French style, with cane seats and cabriole feet,
wide

A WHITE PAINTED STANDING CORNER CUPBOARD, Regency with later painting, the upper doors now lacking and revealing shelves within a moulded architectural arch, below are a pair of

panel doors and a plinth base, high by wide.”

AN ANTIQUE OVAL PEDESTAL WORK TABLE, George III and later, with hinged top and tripod base, wide.

A GILT GESSO FRAMED RECTANGULAR WALL MIRROR, Victorian, the decorative surround with jasperware style plaque to the frieze, wide., and a small green mottled marble top console

table, Italian 18th Century style, with gilt caryatid support, wide.

MAHOGANY BIRDCAGE’ TABLE, GILT FRAMED FRETWORK WALL MIRROR, MAHOGANY BUREAU,  SECRETAIRE CABINET, MOTHER OF PEARL INLAID WRITING BOX

AN OAK JOINT STOOL, Charles II,
now with stained finish, restored including later
timber, cm. wide..

AN ANTIQUE BIRDCAGE’
TABLE, 19th Century and 18th Century, the associated circular
tilt-top above a tripod base, cm. diam.

A KIDNEY SHAPED WALNUT
WRITING TABLE, Victorian, including a
gallery and turned end supports, cm. wide..

A WALNUT SIDE CHAIR, George
I, with shell carved cabriole legs, on claw and
ball feet, restored.

AN ANTIQUE AND
INLAID ETAGERE, Edwardian, with two tiers, on tapered square legs and spade feet joined by stretchers, cm. wide.

AN ANTIQUE AND PARCEL GILT FRAMED FRETWORK WALL MIRROR, George III style, with an eagle surmount and bevelled plate, cm. high

by cm. wide.

A SET OF FIVE MAHOGANY RUSH SEAT CHAIRS, George II provincial, with pierced vase shaped splats and square legs
A LARGE MAHOGANY LIBRARY
BOOKCASE, WIIIiam IV, of inverted
breakfront form, the moulded terminals with
scroll corbels, cm. high by cm. long

AN ANTIQUE CABINET
BOOKCASE, WIIIiam IV, ensuite to the
previous lot, cm. high by cm. wide.

A SATINWOOD AND
KINGWOOD CROSSBANDED OVAL
PEMBROKE TABLE, George III, with a
bow front frieze drawer, on tapered square
legs with collars, faults, cm. wide. when closed

AN ANTIQUE BUREAU, George
III, including a crossbanded fall and fluted
quadrant pilasters, restored, cm. wide.

A GILT GESSO WALL MIRROR,
Regency with alterations, the verre eglomise
anthemion frieze panel above columnar
mouldings, cm. wide.

AN ANTIQUE TRAVELLING SECRETAIRE CABINET, 19th Century and 18th Century with alterations, the fall front revealing stationery

compartments, cm wide.

TEA CADDIES, WRITING BOXES, ETC.
AN ANTIQUE TEA CADDY,
George III, with brass mouldings and a void
interior, cm. wide.

A ROSEWOOD AND MOTHER OF PEARL INLAID WRITING BOX, Victorian, including a pair of inkwells with plated covers, cm. wide.

A ROSEWOOD AND BRASS BOUND WRITING BOX, George IV, including an heraldicn escutcheon stamped Thompson patent, one glass

inkwell lacking, cm. wide.

THREE VARIOUS BOXES, 19th Century and 18th Century, comprising a walnut writing box including a pair of inkwells, cm. eise, a

walnut and parquetry writing box, cm. wide. and AN ANTIQUE two division sarcophagus tea caddy, cm. wide., faults

AN OAK TANTALUS, Victorian, including silver and plated mounts; together with three cut glass decanters and stoppers, key

lacking, cm. wide.

A TORTOISESHELL VENEERED TEA CADDY, Regency, of sarcophagus form with two divisions, faults, cm. wide.

AN INLAID MAHOGANY TRAY,
Edwardian, of oval form, with brass carrying
handles. cm. wide.

A WALNUT AND ROSEWOOD WRITING SLOPE, early Victorian, with brass escutcheons. cm. wide.

LOUIS XV BRASS TWO-LIGHT BOUILLOTTE LAMPS, CHARLES X MARQUETRY TEMPLE CLOCK, RESTAURATION MAHOGANY BUREAU PLAT, MAHOGANY  AND  MARQUETRY WORK TABLE, LOUIS XVI TULIPWOOD GAMES TABLE

AN EMPIRE TOLE PEINTE AND GILT-BRONZE
SMALL CASKET, circa 1810,
of  sarcophagus   form,   mounted   with   classical
figures, raised on turned feet,
11cm high, 16.5cm wide, 8.5cm deep (4in, 61hin, 3in).

A  PAIR   OF   BRONZE  AND   GILT-BRONZE
CHENETS,
circa 1825,
each with a seated sphinx, with scrollwork and mask
apron and spirally turned feet,
26cm wide (Win).

A PAIR OF LOUIS XV BRASS TWO-LIGHT BOUILLOTTE LAMPS, mid 18th century,
each with an adjustable toe painter shade, the curved candle-branches with circular drip-pans and nozzles above a shaped thumb piece, raised on a stepped molded octagonal base;

each with a wick trimmer and snuffer.

AN OVAL TOLE PEINTE TRAY, circa 1830,
with a painted oval showing Napoleon and a painted inscription on no passer pas, with a later painted leafy border.

A  PAIR   OF   BRONZE  AND   GILT-BRONZE
CANDELABRA,
circa 1840,
each with six branches centered by an eagle, on receded column and tripod base, 65cm high .

A PAIR OF BRONZE AND GILT-BRONZE TAZZE, mid 19th century,
with scroll handles, the plinths faced by bearded masks,
31cm high (12in).

A PAIR OF TOLE PEINTE JARDINIERES,
each decorated with trophies and neo-classical figures on a yellow ground, raised on paw feet above a square base,
30cm high (12in).

A CHARLES X MARQUETRY TEMPLE CLOCK, circa 1825,
the pediment and base  inlaid with  arabesque scrollwork,   the  dial  and  movement  supported between the four columnar supports, 47cm high, 24cm wide, 14cm deep.

A PAIR OF BRONZE AND GILT-BRONZE VASES, circa 1840,
cast with drunken cherubs, on tall plinths,
33.5cm high.

A PAIR OF FRENCH GILT-BRONZE AND ONYX SMALL VASES, Paris, circa 1880,
the fluted bodies with gilt-bronze rams’ head masks,

A NAPOLEON III GILT-BRONZE MOUNTED AGATE BOWL, Paris, circa 1870,
the well-figured stone held by foliate masks with ‘ruby-jeweled’ eyes on a leaf-cast support, 12cm high.

A BRONZE AND GILT-BRONZE FENDER IN EMPIRE STYLE,
cast with swans and surmounted by seated sphinxes, 102cm wide (3ft 5in).

A RESTAURATION MAHOGANY BUREAU PLAT, circa 1820,
with rectangular leather-inset top, three drawers in
the frieze and square tapering legs,
75 cm high, 130cm wide, 71cm deep.

AN   EMPIRE   BRONZE   AND   GILT-BRONZE
CLOCK,
circa 1810,
the dial signed d Paris and contained within an altar with winged terms and trochees at the corners and a scene of a sacrifice below the dial, 29cm high, 21cm wide, 12cm deep.

A    LOUIS    XVI    MAHOGANY    CONSOLE
DESSERTE,
circa 1785,
with galleried mottled green marble top, a drawer
in the paneled frieze, the fluted supports joined by
a shelf and raised on toupee feet,
86cm high, 127cm wide, 50cm deep.

A  DUTCH  MAHOGANY  AND  MARQUETRY WORK TABLE, circa 1820,
with circular hinged top enclosing a fitted interior, on a turned column and concave-sided triangular base; now inlaid with floral parquetry, 77cm high, 46cm diameter.

A   BALTIC   BRASS-MOUNTED   MAHOGANY
COMMODE,
late 18th century,
the frieze drawer above two long drawers with
canted corners, on fluted tapering legs,
89cm high, 121cm wide, 58cm deep.

A DUTCH MAHOGANY SIDE TABLE, circa 1820,
of semi-circular form with a drawer in the frieze, mirrored back and columnar front supports; now inlaid with floral parquetry,
78cm high, 76cm wide, 36cm deep .

A LOUIS XVI TULIPWOOD GAMES TABLE, 1785,
the removable rectangular top inlaid on one side},; with a coequal board and lined with baize on the ivy reverse, with a backgammon well below, two small drawers in the frieze

and square tapering legs, 73cm high, 100cm wide, 61cm deep.

A SWEDISH PAINTED AND PARCEL-GILT PIER-GLASS AND TABLE, early 19th century,
the rectangular divided plate surmounted by fruit and flowers, the table with spirally fluted legs, the top and base painted in imitation of porphyry; with label Filverkad Vide

I Frisks Spiegel Fabrik vid Storlorgel Stockholm.

FRENCH MAHOGANY BEDSIDE TABLE, DIRECTOIRE MAHOGANY TRICTRAC TABLE, FRENCH GILTWOOD DUCHESSE BRISEE, PAINTED AND PARCEL-SILVERED ARMCHAIRS, ITALIAN OR IBERIAN, FRENCH GILT-BRONZE-MOUNTED WHITE MARBLE VASES

A DUTCH MARQUETRY DUMB WAITER, part 18th century,
with three circular tiers and a tripod base, 115cm high, 63.5cm diameter.

A SMALL FRENCH MAHOGANY BEDSIDE TABLE,
probably Paris, circa 1890,
in Louis XVI manner, with a three-quarter gallery above three drawers, veneered in mahogany and applied with gilt-bronze mounts, 73cm high, 44cm wide .

A SET OF SIX DUTCH MARQUETRY DINING
CHAIRS,
circa 1800,
each with a pierced stick splat, stuffed serpentine
seat and square tapering legs inlaid with simulated
fluting.

A DUTCH MAHOGANY SECRETAIRE, circa 1790,
with a white marble top above a drawer and a fall-front enclosing a fitted interior with two cupboards below, inlaid with coequal banding and fluting, 160cm high, 100cm wide,

47cm deep.

A GILTWOOD WINDOW SEAT, probably French, circa 1870,
in Louis XV manner, with padded arm supports and padded sprung seat on leaf-carved cabriole legs.

A PAIR OF FRENCH MARBLE CANDLESTICKS, Paris, circa 1880,
in Louis XV/XVI Transitional manner, each with three rams’ heads hung with chains leading to pied de birches.

A   LARGE   FRENCH   GILT-BRONZE   WALL
CLOCK,
Paris, circa 1880,
in Transitional manner, the case hung with drapery
and laurel leaves surmounted by an urn, with key,
sunburst pendulum and pendulum adjustment key,
105cm high.

A    DIRECTOIRE MAHOGANY TRICTRAC TABLE,
circa 1795,
the rectangular top lined with baize on one side
and leather on the reverse, opening to reveal a
backgammon well with a drawer at either end and
raised on square tapering legs,
73cm high, 113cm wide, 56cm deep.

A FRENCH GILTWOOD DUCHESSE BRISEE Paris, circa 1890,
in Louis XV style, with a large berg ere and smaller
chair   centered   by  a   stool,   with   flower-carved
molded frames on cabriole legs,
190cm long approx.

A GENOESE STAINED WOOD ARMCHAIR, circa 1780,
the carved back surmounted by a leopard’s mask, the caned, loose-cushioned seat raised on fluted tapering legs.

A   LOUIS   XVI   MAHOGANY   AND   BRASS-MOUNTED SIDE CABINET, circa 1785,
with shaped white marble top above three frieze
drawers, with open galleried shelves flanking a
central cupboard, on fluted square tapering legs,
103cm high, 108cm wide, 41cm deep.

A     PAIR     OF     DIRECTOIRE     PAINTED
ARMCHAIRS,
circa 1795,
with scroll backs, fluted arm supports, bow-fronted seats and fluted baluster legs.

A NORTH EUROPEAN CENTRE TABLE, German or Danish, circa 1840,
the molded circular grey marble top on quadruple down swept legs with wood castors, 100cm diameter.

A PAIR OF PAINTED AND PARCEL-SILVERED ARMCHAIRS, ITALIAN OR IBERIAN, circa 1785,
with guilloche-carved frames, oval stuffed backs, stuffed seats and fluted tapering legs
The back of these armchairs is loosely based on a design by Boucher le Jeune, illustrated by Svend Eriksen, Earlo Neo-Classicism in France, fig. 497. Compare also the design by

Jose Francisco de Paiva (1744-1824), illustrated, Jose Francisco de Paiva, Ensemblador e Architecto do Porto

A LOUIS XVI GILT-BRONZE AND MARBLE MUSICAL CLOCK BASE, circa 1785,
with galleried top and rounded ends, filled with fluted pilasters and gilt-bronze balusters, the base with a plaque of cherubs; central plaque replaced, converted to a

jardiniere,
33.5cm high, 56cm wide .
A BRONZE AND GILT-BRONZE SURTOUT DE TABLE, POSSIBLY FRENCH OR VIENNESE, circa 1860,
the flared vase with mythological figures, supported by three winged female monopodia, on a dish with palmettos and leafy motifs,
36cm high, 45cm diameter.

A SET OF THREE FRENCH PARCEL-GILT-BRONZE DESK OBJECTS, circa 1890,
in Empire Revival manner, comprising a pair of bookends each with a seated Egyptian figure and a sphinx presser peppier, on molded red marble bases,
the paperweight 23cm long (9ins).

A   PAIR    OF   LOUIS   XVI    GILT-BRONZE
CASSOLETTES,
circa 1780,
each in the form of a covered urn, the lids also
forming candle-nozzles, flanked by lion masks and
garlands, on fluted columns with square bases,
28cm .

A PAIR OF FRENCH GILT-BRONZE-MOUNTED WHITE MARBLE VASES, circa 1900,
in Louis XVI style, each ovoid body with detachable lid and a pair of loop handles,
26cm high .

SET OF FOUR ‘GEORGE II’ MAHOGANY ARMCHAIRS, PAINTED DISPLAY CABINET, WILLIAM IV MAHOGANY CARD TABLE, LACQUER SOFA TABLE, WALNUT GATE-LEG TABLE

А SET OF FOUR ‘GEORGE Ii’ MAHOGANY
ARMCHAIRS each with a rectangular
back with a serpentine top-rail and
pierced splat, the outcurve arms above
a stuffed drop-in seat on cabriole legs,
stamped 4587, possibly Portuguese, late
I9th century

A GOOD SATINWOOD AND PAINTED DIS-
PLAY CABINET with a pair of interlaced elliptically glazed doors above a projecting brushing slide with two short drawers above two cupboards, on bracket feet, painted

throughout with husks, flowers and dancing figures, 70 by 34in; 178 by 86.5cm, with alterations, late 19th century

А SET OF TEN ‘GEORGE III’ MAHOGANY
DINING CHAIRS, including two arm-
chairs, each with an arched top-rail
and pierced splat carved with husks
above a stuffed drop-in seat on molded
square tapering legs, c. 1880

A WILLIAM IV MAHOGANY CARD TABLE,
the ‘D’-shaped top enclosing a playing surface on a square stem with chamfered corners and a concave-sided base with paw feet, 29l by 36in; 75 by 92cm, c. 1835

A BURR-WALNUT OCCASIONAL TABLE with
a circular cross-banded top above а lower tier with a triple balustrade for magazines, on a fluted baluster stem and tripod base, 30 by 18lin; 76 by 47cm, c. 1870

А PAPIER-МАСНE OCCASIONAL TABLE, the
lobed gilt top inlaid with flowers on а baluster column and lobed base, 23in; 58.5cm wide, 1840′j
И
A WALNUT WING ARMCHAIR in late 11th
century style, the tall padded back and sides above scroll padded arms and stuffed cushion, on baluster and octagonal tapering legs joined by а molded curved stretcher centered

by an urn, c. 1870

AN  EBONIZED WOOD  AND  MOTHER-OF-
PEARL SIDE CHAIR with a serpentine top-rail inlaid with mother-of-pearl above a triple splat centered by a panel painted and inlaid with flowers, the caned seat on turned out

swept legs joined by stretchers, c. 1850

AN S. HILLE & SON ‘CHINESE CHIPPENDALE’ SATINWOOD  LACQUER  DRAWING-ROOM
SUITE comprising A Breakfront Display Cabinet on Stand with a cornice hung with bells, 85 by 50in; 216 by 127cm; A Fire Surround with corbel supports, 52 by 66in; 132 by 168cm;

A Rectangular Centre Table with a plate glass top, the scrolled corners hung with bells, 40in; 102cm wide; A Mirror with a Pagoda cresting with inset beveled corners, 30 by

46in; 76 by 117cm; А Pair of Elaborate Tri-Form Standard Lamps, each surmounted by a Japanese porcelain figure, 82in; 208cm; A Set of Six Wall Lights, each with canted sides

above a gallery with two candle-arms, 16lin; 42cm; A Twelve-Arm Chandelier, 26in; 66cm wide; A Pair of Armchairs with pierced beaks and stuffed drop-in seats; A Pair of Side

Chairs with painted lacquer splats; A Duet Stool with a stuffed rectangular lid, 32lin; 82cm wide; A Berger Suite comprising a triple-chair-back Settee and two deep Armchairs

with numerous loose cushions, the whole Suite lacquered with chino series, the lights fitted for electricity, 1920’s
Similar furniture is illustrated in Halle, 75 Years of British Furniture, by Sutherland Lyell. Hillel was making this style of furniture between 1918 and 1939.

AN  EBONY-VENEERED  AND  AMBOYNA
DISPLAY CABINET, the cornice an incised Vitruvius scroll, above a pair of glazed doors enclosing shelves, the canted sides with outset columns, with gilt-brass egg and dart

moldings, 43 by 48in; 109 by 122cm, c. 1860

A MAHOGANY BREAKFAST TABLE, the
rectangular tip-top above a fluted column and down swept legs with paw feet and brass castors, 281 by 49in; 72.5 by 126cm, 1890/1900

A MAHOGANY WRITING DESK, the Super-
structure with a central balustrade flanked by two sections of four short drawers, the front with a sloping writing surface flanked by two flat writing surfaces, the frieze with

three drawers above three further drawers in each pedestal, 46 by 54in; 117 by 137cm, c. 1860

A MAHOGANY ARMCHAIR, the molded frame with scrolled arms, button-upholstered back, sprung seat on cabriole legs with white ceramic castors, third quarter of the 19th century

А WALNUT GATE-LEG TABLE in Well-
figured wood, the oval cross-banded top on turned trestle supports and white ceramic casters, 40in; 101.5cm wide open, English, c. 1880

А ROSEWOOD CENTRE TABLE of serpentine outline with a drawer at either end on а ‘jeweled’ and gadrooned trestle support, 58in; 147.5cm long, 1840′.

A LACQUER SOFA TABLE, the top and flaps painted within a gilt stylized foliate border, the frieze with two drawers on a trestle base joined by a stretcher on out swept legs, 30

by 62in; 76 by 159cm, c. 1920

A MAHOGANY STAND with three rails and a divided umbrella stand with removable drip tray below, 75 by 51in; 190.5 by 129.5cm, c. 1880

AN EBONIZED WOOD FIRE-SCREEN, the
molded frame carved with ‘C’-scrolls and shells enclosing a petit point panel worked with a young man in 18th century dress watching a lady at her embroidery, on scroll feet,

431 by 28in; 110 by 71cm, c. 1850

A WALNUT PEDESTAL DESK with three frieze drawers and three drawers in each pedestal, with a green leather top, 49in; 124.5cm wide, c. 1880, cleaned

А GOOD GILT SUITE IN LOUIS XVI STYLE,
comprising six Chairs and two Arm-
chairs, each with a padded back and
sprung seat on fluted legs; A Settee,
68in; 173cm wide; Two Mirrors with
triple plates surmounted by a ribbon-
carved oval panel, 90in; 228.5cm high,
62in; 157.5cm wide; An Oval Side
Table with a fawn marble top, 32in;
8lem wide; A Pier Table with a fawn
marble top, 57in; 145cm wide; А
Torch ere with a circular marble top,
50in; 127cm wide; A Virtue with а
glazed door and sides below a ribbon-
tied cresting, 72in; 183cm high, 32in;
8lem wide; and A Pelmet with а
ribbon-carved cresting, 79in; 20lem
wide, c. 1900, re-gilded

A  MAHOGANY  NARROW  BOOKCASE,  the
molded cornice above a pair of glazed doors enclosing shelves with recessed ebonized roundels above a pair of panelled cupboard doors, 951 by 541 by 14in; 243 by 138.5 by

35.5cm, c. 1850
The narrow proportions of this bookcase suggest that it was made for a recess and has not been altered from a large bookcase

A  WILLIAM  IV  SET  OF  MAHOGANY
SHELVES, the superstructure with two pierced sides with carrying handles above a scroll cresting centred by а rectangular panel above three shelves, 18 by 36in; 46 by 91cm, c.

1835

A SET OF MAHOGANY WALL SHELVES with
an arched back above three graduated shelves, 22 by 39in; 56 by 99cm, c. 1840

AN ELIZABETHAN REVIVAL ROSEWOOD
PRIE-DIEU with a padded top-rail with a padded oval back and twist-turned supports, the button-upholstered seat on cabriole legs, c. 1840

AN UNUSUAL SATINWOOD AND MAR-QUETRY LIBRARY BOOK CABINET, the
outset top with a leather writing surface, the central frieze drawer indistinctly stamped Hunter, above a kneehole, flanked by shelved sections and a frieze drawer, on square

tapering supports, inlaid throughout with masks, stylised foliage and chequer bandings, 36 by 84in; 92 by 214cm, third quarter of the 19th century