Antique Cupboard

BEECHWOOD CANTERBURY, George III style, ANTIQUE PEDESTAL DESK, ANTIQUE LINEN PRESS, AN ANTIQUE PEDESTAL TABLE

A BEECHWOOD CANTERBURY, George III style, modern, with three divisions, on turned feet, wide.   —

A WALNUT AND PINE CHEST OF DRAWERS, early 18th Century, now in two parts with two short and three long drawers, faults, wide.

A WALNUT AND INLAID MIRROR BACK SIDEBOARD, Victorian, with a marble top above mirror and solid panel doors, high by wide.

A CARVED HUANG HUALI
WRITING DESK, Chinese, late th
Century, the asymmetrical raised open shelf
back above and arrangement of drawers and
cabriole supports. wide.—

AN ANTIQUE LINEN PRESS, William IV, with a pair of panelled doors enclosing sliding traxs. formerly with a lower section, icide—

AN OAK PARTNER’S WRITING TABLE, Victorian, the leather inset top above six opposing frieze drawers, on reeded turned legs lacking castors, high by wide.,-.

AN ANTIQUE PEDESTAL DESK,
modern, the leather inset top with bowed
wings above an arrangement of drawers and
doors, on splaved bracket feet. wide.

A WALNUT PEDESTAL DESK, modern, the leather inset top above an arrangement of drawers and cupboard doors, on bracket feet. u>ide

AN ANTIQUE D’-END DINING TABLE, George III style, modern, with ebonised stringing and twin turned pedestals, on splaved tripod bases ending in brass paw castors. long extended

including three leaf insertions”

A TEAK TWO TIER SIDE TABLE, modern, with a slightly dished top and square legs, wide.; together with AN ANTIQUE Side Cabinet, modern, with a pair of drawers above fielded panel

doors, wide.

A SMALL YEW-WOOD CHEST OF DRAWERS, modern, with a serpentine top above four drawers and bracket feet, wide.; together with a small mahogany drum Table, modern, with a leather

inset top above drawers, open shelves and a pedestal base,  diam.

AN ANTIQUE SIDEBOARD, George III style, modern, including a bowed frieze drawer and a fluted apron, on tapered legs with spade feet, wide.

AN ANTIQUE DAVENPORT, late
Victorian, by Maple if Co.. with a real and
dummv drawers, turned pilasters and bun
feet, one drawer bearing the maker’s name G.
Bradley and date , another drawer stamped
Maple is Co. Ltd., wide.

AN ANTIQUE PEDESTAL TABLE, George III style, with an oval top and quadruple splayed legs ending in brass castors, wide.   ”

AN ANTIQUE CABINET, the cupboard door incorporating two late 18th Century Japanese ivory mounted panels, wide.

AN ASH RUSH SEAT ARMCHAIR, 18th Century, with a spindle back and turned supports

A FIGURED WALNUT
AND EBONISED SECRETAIRE CABINET,
Victorian, with a raised mirror back above a
fall-front and a drawer, on tapered square
legs with stretchers and spade feet, faults,
wide.

AN ANTIQUE WASHSTAND, Victorian, the moulded top above two drawers, supported on twin turned end-supports , faults, wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular top on a hexagonal column, on a triform base with later castors, faults, diam.

AN EBONISED GESSO POLESCREEN, early Victorian, with a needlework panel and a triform base, distressed.

PAINTED AND UPHOLSTERED CHAIR, Louis XV style, BAMBOO DISPLAY CABINET, ANTIQUE AND MARQUETRY DISPLAY CABINET

A WALNUT SEWING TABLE, Mid
18th Century, with a circular hinged top
enclosing a lined well, on a turned baluster
column on scrolled tripod feet,
wide.

AN ANTIQUE DRAWING ROOM SUITE, Early 18th Century, comprising of a settee, wide., an armchair and a side chair, with carved top rail and open arms above a button back and

upholstered seat, on sabre legs with claw feet

A PAINTED AND UPHOLSTERED CHAIR, Louis XV style, covered in striped brocade, on cabriole legs and scroll feet,

AN ANTIQUE TRAY-TOP
COMMODE, George III, with alterations,
with top fully enclosed by gallery, above two
doors over a pot drawer, faults,
wide

AN ANTIQUE TRAY-TOP
COMMODE, George III, the top enclosed by
a gallery, above a single door and pot drawer
both decorated with geometric stringing, on
chamfered and reeded legs, faults,
wide

AN ANTIQUE SOFA TABLE, William IV, with a re-finished top above two frieze drawers opposite two dummy drawers, on a turned and reeded pedestal with a quatreform base, one flap

replaced, wide. when open

A BAMBOO DISPLAY CABINET, Early 18th Century, with lacquer top above a glazed door, enclosing two shelves, on splayed feet, wide.

AN OAK SETTLE, Part 18th Century, with a high back incorporating fourteen fielded panels and a post extending beyond, above a bench seat with an arm at one end, distressed, high

by wide.

A CARVED OAK CABINET BOOKCASE, Flemish, 18th Century, the flared cornice above glazed door, a drawer and a cupboard door, on a plinth base, high by wide.

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the ‘D’-end top on ring turned pillars and splayed tripod bases with brass paw castors, long extended including two leaf

insertions

A CARVED OAK MIRROR BACK
SIDEBOARD, Flemish, late 18th Century,
with an arched grotesque mask cresting and
spiral twist supports above an arrangement of
drawers and cupboard doors, high by
wide.

A CARVED OAK ARMCHAIR,
Italian, late 18th Century, of Dantesca form,
with a grotesque mask carved back and a
distressed hide seat—

AN ANTIQUE CHAIR, George III,
with pierced splat and slip-in turquoise velvet
seat, on square legs, another mahogany chair.
George III, with reeded stick back, matching
stuffed seat and tapered square legs together
with a red walnut or mahogany armchair.
George III, with pierced splat and slip-in pale
green velvet seat, on square legs

AN ANTIQUE DROP-
LEAF DINING TABLE, George II, with a
rectangular top above turned tapering legs with pad feet, wide. extended

AN ANTIQUE AND MARQUETRY DISPLAY CABINET, Continental, late 18th Century, with gilt-metal mounts and a glazed door, on cabriole legs, -wide     —

AN ANTIQUE PEMBROKE TABLE, George III, with a rectangular top and a drawer, on moulded square legs joined by later stretchers, wide. extended   —

AN ANTIQUE ARMCHAIR, George III style, with a pierced splat back, burgundy velvet upholstered seat and tapered square legs

A CARVED BEECH WOOD FAUTEUIL, French, with a caned back and serpentine seat, on cabriole legs, faults to caning—

AN ANTIQUE DINING CHAIR, George III with later
carving, the rectangular stick back above and upholstered seat, on tapered square legs

A ROSEWOOD MUSIC CANTERBURY, Victorian, with a pierced fret gallery above and open tier with a fall flap and a drawer below, on turned feet, wide.

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

A CARVED BEECHWOOD CONSOLE TABLE, Louis XVI style, with a semicircular simulated marble top, on spiral fluted supports, teide; together with AN ANTIQUE Wine Table, modern, on

tripod supports, diam. and a set of four ebonised and carved mirror back panels, each by

A CARVED MAHOGANY STOOL, George II style, with a floral tapestry seat, on cabriole legs with claw and ball feet, wide; together with a smaller Stool, with tapestry seat and

cabriole legs
wide

A WALNUT KERB STOOL, Queen
Anne style, with floral tapestry seat and shell
carved cabriole legs, wide.; together with

AN ANTIQUE Stool, William and Mary style,
with a tapestry seat and turned legs joined by
•X’-shaped stretchers, -wide

A PAIR OF MAHOGANY TWO TIER
BUFFETS by Holland and Sons, Victorian,
with turned supports, on brass castors, rear
supports stamped. ‘Holland and Son’. wide.

A ROSEWOOD STOOL, Victorian, the two supports each with four scrolls joined by a turned and carved stretcher, with a moire fabric seat,

AN ANTIQUE BERGERE SUITE, 18th Century, comprising: a three seat settee and two chairs,

AN ANTIQUE DROP LEAF TABLE, George II, with an oval moulded top, on turned tapered legs with pad feet, wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, incoporating a display case with hinged lid above a pair of glazes doors enclosing two shelves, on tapered square legs, wide.

AN ANTIQUE ‘D-END DINING TABLE, George III style, the crossbanded top with reeded edge with a leaf insertion, on turned pedestals and tripod legs, ivide extended For colour

illustration see page

A SET OF SIX MAHOGANY DINING
CHAIRS, George III style, with shield backs
incorporating urn and wheat sheaf motif,
with tapestry seat, on tapered square legs,

AN ANTIQUE LINEN PRESS, George III, the dentil cornice above panel doors, interior now lacking, on chest comprising of two short and two long drawers, faults, high by wide.

AN EBONISED BOOK TABLE, Victorian, with a circular top and two galleried three-armed shelves revolving on a pillar and a tricorn base, high

A PAIR OF MAHOGANY ARMCHAIRS, English, circa , and Another very similar, George III, circa , each with pierced serpentined toprail and three matching crossbars, with stuffed

seats and square legs

A PAINTED CHEVAL MIRROR, George IV, circa  the frame now grained as maplewood, high  —

A CIRCULAR MAHOGANY THREE-TIER DUMB WAITER, George II, on a triple baluster stem, plain cabriole legs with pointed pad feet, high by diam.

AN ANTIQUE SIDEBOARD, George III and later, with a serpentine top above an arrangement of drawers, on tapered legs with spade fee, uncle

AN ANTIQUE AND INLAID SHAVING STAND, Edwardian, with a mirror back and compartments above a drawer and a door, on tapered legs with an undertier, wide.

TWO SIMILAR CARVED AND GOLD PAINTED FOOTSTOOLS, Louis XV style, with tapestry seats and cabriole legs; together with another tapestry footstool,

AN ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR, William IV, covered in floral patterned fabric, on reeded turned legs with brass castors