Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

AN ANTIQUE CHIFFONIER, ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, PAIR OF CARVED GILTWOOD FOOTSTOOLS, GESSO FRAMED RECTANGULAR WALL MIRROR

AN ANTIQUE CHIFFONIER, Victorian, with a raised open tier back and spiral twist pilasters.

AN ANTIQUE THREE DOOR WARDROBE, Victorian, including a mirror panel, on a plinth base, high by wide. For colour illustration see pas;e

AN EBONISED AND THUYA WOOD MUSIC CANTERBURY, Victorian, including turned supports and apron drawer, wide.

A ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, late Victorian, with carved and pierced splats, upholstered in claret dralon, on cabriole legs, comprising four side chairs, a

cpair of tub shaped armchairs and a settee, wide.

AN UPHOLSTERED ARMCHAIR, 18th Century, with gold damask loose cover, on bun feet and castors; together with an upholstered armchair with worn damask cover; and an upholstered

armchair, covered in green fabric, on rocking action

AN ANTIQUE OVAL PEDESTAL TABLE, George III, the altered top above quadruple reeded splayed legs and castors, wide’

AN ANTIQUE OVAL TILT-TOP TRIPOD TABLE, George III, on a baluster turned pillar. wide.

A GILT GESSO AND GLAZED NEEDLEWORK FIRESCREEN, Louis XV style, mid 18th Century, with chinoiseric panel and splaved feet, piults.
wide

AN ANTIQUE PEDESTAL
PEMBROKE WORKTABLE, George III,
made-up, with a drawer and tripod base,
wide. when closed

A PAIR OF CARVED MAHOGANY
STOOLS, George III style, with stuffed
yellow fabric seats, wide.

A GILT PAINTED GESSO FRAMED OVERMANTEL MIRROR, Victorian, with arched pediment and female mask to frieze, some moulding lacking, wide.     —

A WHITE PAINTED FRAME OVERMANTEL MIRROR, Edwardian, in the George III style, with Corinthian pillars and cherub mask, the oval bevelled plate flanked bv a pair of rectangular

plates,
wide

A WHITE PAINTED FRAME
OVERMANTEL MIRROR, Edwardian, in
the George III style, with Corinthian pillars and
cherub mask, the oval bevelled plate flanked
a pair of rectangular plates,
wide

A WHITE PAINTED MARBLE TOP CABINET, Victorian, with pilaster terminals, the pair of oval glazed doors flanked by bowed glass doors, plinth base lacking, wide.
AN ANTIQUE OCTAGONAL TILT-TOP TRIPOD TABLE, George III, made-up, the later base with slender baluster pillar, wide
For colour illustration see pa^e

AN ANTIQUE DRESSING TABLE,
George III, the rectangular hinged cover
with cusped corners, the fitted interior
including a mirror, on moulded square legs,
wide.

AN ANTIQUE D’-END DINING TABLE IN TWO PARTS, George III, now without a central section, on square legs, wide.

A PAIR OF CARVED GILTWOOD FOOTSTOOLS, in the French style, with cane seats and cabriole feet,
wide

A WHITE PAINTED STANDING CORNER CUPBOARD, Regency with later painting, the upper doors now lacking and revealing shelves within a moulded architectural arch, below are a pair of

panel doors and a plinth base, high by wide.”

AN ANTIQUE OVAL PEDESTAL WORK TABLE, George III and later, with hinged top and tripod base, wide.

A GILT GESSO FRAMED RECTANGULAR WALL MIRROR, Victorian, the decorative surround with jasperware style plaque to the frieze, wide., and a small green mottled marble top console

table, Italian 18th Century style, with gilt caryatid support, wide.

AN ANTIQUE BOW-FRONT CHEST, A CHINOISERIE DRAWING ROOM SUITE, MARBLE TOP OCCASIONAL TABLE, AN ANTIQUE MIRROR

AN ANTIQUE BOW-FRONT CHEST, nd quarter 18th Century, with an inlaid
frieze above two short and three long drawers, on splayed bracket feet. wide.

AN ANTIQUE CHEST, late George III,
with two short and three long graduated
drawers, on splayed bracket feet.

TWO MAHOGANY TORCHERES, of late Georgian design, each with circular tops, reeded turned stems and tripod bases. HI high and high

AN ANTIQUE CHEYAL WRITING TABLE, early 18th Century, inlaid on both sides with a musical motif, fault.
wide

AN ANTIQUE D-SHAPE TABLE, George III, with a satinwood inlav. on reduced tapered square legs.
wide”

AN OAK TRIPOD TABLE, late George
III,with a circular tilt-top. on a knopped
turned stem with cabriole legs, top split, bearers
replaced, diam.

A CHINOISERIE DRAWING ROOM SUITE, Edwardian, lacquered throughout in black and gilt, comprising: a two seat settee with a butterflv shaped back and cabriole legs, a corner

armchair, and an open back tub chair.

AN ANTIQUE TABLE VIRINE, 18th Century, with a green fabric lining, on tapered square legs. $wide.

AN ANTIQUE SIDE TABLE, George II, formerly a tea table, the rectangular top with a frieze drawer, on lappet caned turned tapering legs, on pad feet, fault.
wide

AN ANTIQUE’ TRIPOD TABLE, nd quarter 18th Century, the rectangular tilt-top above a ring turned stem, on cabriole legs. wide. ”

AN ANTIQUE PEMBROKE TABLE, George IV, the rectangular top and hinged flaps above two drawers on a tapered square and four leaf-carved cabriole legs with brass castors, wide.’

AN ANTIQUE DROP LEAF TABLE, George II style, with an oval top. on turned tapering legs with pad feet. wide.

AN ANTIQUE BOOKCASE, William
IV,door with brass grill, the sides, base and
frieze with gadroon beading, bun feet.

AN ANTIQUE DRESSING TABLE
MIRROR, early Victorian, with scrolled
supports and a three drawer plinth base, on
bun feet, loose apron, wide.

A LACQUER CABINET ON STAND, 18th Century and later, the two doors and sides with gilt decoration on a black ground, on a carved giltwood stand, altered, wide.

AN ANTIQUE AND INLAID BUREAU, Edwardian, with three drawers, on bracket feet, faults, wide.

A MARBLE TOP OCCASIONAL TABLE, the inset top early 18th Century, the circular specimen parquetry marble top with cabriole legs, diam.—

AN ANTIQUE ADJUSTABLE CIRCULAR STOOL, William IV, the upholstered seat on tripod support,

AN ANTIQUE DROP LEAF TABLE,
George IV, the hinged top on four ring
turned legs with brass casters
wide

AN ANTIQUE WASHSTAND, Victorian, the top galleried on three sides above an arrangement of five drawers, on turned baluster legs, wide.

AN ANTIQUE MIRROR, George II style, of architectural form with broken pediment cresting, high

A CIRCULAR GILTWOOD GIRANDOLE, Regency style, with a convex plate, incorporating scrolling candle brances and an eagle cresting,  high, together with an oval gilt gesso mirror,

George III, high

LACQUER PAPIER MACHE TRAY, BURR WALNUT WEDGE SHAPED WRITING SLOPE, ROSEWOOD CHESS TABLE, SHIELD SHAPED DRESSING TABLE MIRROR

A PAPIER MACHE WRITING SLOPE, Victorian, painted with bouquets of flowers, the velvet lined interior with gilt decoration, cm. wide.: and an oriental mother of pearl inlaid box.

rectangular, depicting figures in a landscape. cm. wide.

A BLACK LACQUER PAPIER MACHE TRAY, Victorian, impressed Clay, King st, Covt. Garden, oval, gilded and painted with flowers and foliage, cm. wide.

A ROSEWOOD AND BRASS
BOUND WRITING BOX, George IV,
including spear head motifs, one glass inkwell
lid lacking, cm. wide.

A BLACK LACQUER
AND MOTHER OF PEARL INLAID
WORK BOX, Japanese, 19th Century and 18th Century, of
sarcophagus form, the interior with a tray,
faults, cm. wide.

A BURR WALNUT WEDGE
SHAPED WRITING SLOPE, Victorian,
including two inkwells with gilt tops, cm.
wide.

A CARVED AND PARCEL GILT ADAM STYLE TORCHERE, early 19th Century and 18th Century, on
triple supports with rams masks and hoof
feet, cm. high

AN OAK PEDESTAL DESK, Victorian, with a central hinged leather inset top above an arrangement of eight drawers, cm. wide.

A WALNUT AND INLAID OCCASIONAL TABLE, 19th Century and 18th Century, with alterations, on a spiral-twist stem, cm. wide.; together with an Iron Music Stand, with AN ANTIQUE

music rest bearing the trade label of Alfred Carter Holborn Viaduct, cm. wide.

AN ANTIQUE AND ROSEWOOD CHESS TABLE, part 19th Century and 18th Century, with a pair of drawers containing chess pieces and a turned stem, on a triform base, cm.
wide.

A PAIR OF RED LACQUER AND PARCEL GILT PEDESTALS, Oriental, with scale carved tops and bases divided by pierced fret stems, cm. high

A WALNUT AND ASH SIDE TABLE, part 19th Century and 18th Century, with a drawer, on chahfered square legs, cm. wide.
MAHOGANY DUMB WAITER, early
Victorian, with three tiers, on turned
supports and ceramic castors, cm.
wide.

AN ANTIQUE SHIELD SHAPED DRESSING TABLE MIRROR, George III style, with a three drawer serpentine base, on bracket feet, cm. wide.

AN ANTIQUE RECLINING ARMCHAIR, early Victorian, with distressed upholstery and arm rests, on reduced turned feet.

A PINE KNEEHOLE DRESSING TABLE AND MATCHING WASHSTAND, Victorian, decorated throughout with painted stringing and anthemion motifs, the washstand with a tiled back and marble

top, the dressing table cm. wide.; the washstand cm. wide.

A CARVED WALNUT ROCOCO STYLE MIRROR, late 19th Century and 18th Century, of arched form, cm. high

AN OAK DRAUGHTSMANS TABLE, Victorian, with a ratchet adjusted top, on trestle shaped supports joined bv a turned stretcher, cm. wide.
A ROSEWOOD STOOL, WIIIiam IV, with a tapestry seat, on X-frame supports.
cm. wide.

A HUANG HUALI LOW TABLE,
Chinese, late 19th Century and 18th Century, with a pierced
frieze and inwardly scrolling supports, one
loose panel, cm. wide.—

AN ANTIQUE AND BEECHWOOD DISPLAY CABINET, Edwardian, with astragal doors and a pair of drawers, on tapered square legs, one glass panel damaged, cm. high by cm. wide.

A BRASS AND MARBLE COFFEE TABLE, modern, with a simulated bamboo frame, cm. wide.

AN ANTIQUE OCCASIONAL TABLE, Victorian, with a drawer, on turned legs and castors, cm. wide.

MAHOGANY DISPLAY CABINET, VERNIS MARTIN VITRINE, SCULPTURAL MANTEL CLOCK, GILTWOOD SIDE CABINET, KINGWOOD VENEERED OCCASIONAL TABLE, ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP

A MAHOGANY DISPLAY CABINET, Paris, circa 1900,
with a bow-fronted glazed door and serpentine sides on cabriole legs with gilt-bronze mounts, 151cm high, 65cm wide.

A VERNIS MARTIN VITRINE, Paris, circa 1900,
the arched serpentine glazed door with glazed sides
above a painted Vern’s Martin scene,
176cm high, 71cm wide.

A PAIR OF WALNUT STOOLS, circa 1900,
in Louis XV manner, the molded leaf-carved frames with padded open arms, sprung serpentine seat and ‘X’ legs,
66cm wide .

A FRENCH ROSEWOOD AND VERNIS MARTIN
VITRINE,
circa 1890,
the double serpentine door with convex glazed sides and rustic scenes below, with gilt-bronze mounts,
175cm high, 90wide .

A   LARGE   NAPOLEON    III    SCULPTURAL MANTEL CLOCK, Paris, circa 1855,
the movement contained in a carfare marble breakfront plinth surmounted by a gilt-bronze figure of a sleeping lady, loosely draped in a chit on; with key, pendulum and pendulum

adjustment key, 59cm high, 63.5cm .

A CARVED GILTWOOD SIDE CABINET, Paris, circa 1890,
in Louis XVI manner, with a marble top above a frieze drawer and a Vern’s Martin panel, flanked by bevel-glazed doors and sides, divided by twist-turned columns, with six

shelves and key,
125cm high, 131cm wide, 51.5cm deep.

A PAINTED PANEL, mid 19th century,
centered by a dancing female figure in a painted
frame of ribbons and flowers,
198cm high, 120cm wide.

A NAPOLEON III KINGWOOD SECRETAIRE A
ABATTANT,
circa 1855,
with a white marble top above three dummy drawers  enclosing  a writing  surface  and  four serpentine  drawers  below,   the  whole  quarter-veneered and cross banded, 127cm

high, 66cm wide.

A VERNIS MARTIN DISPLAY CABINET, Paris, circa 1900,
in Louis XVI manner, with a bevel-glazed door above a panel painted with a young couple, flanked by convex doors on columnar supports with toupee feet
149cm high, 85cm wide.

A KINGWOOD CARTONNIER, Paris, circa 1930,
in Louis XV manner, of serpentine outline, quarter-veneered with tulipwood cross banding, enclosing four pigeon-holes, with gilt-bronze mounts,
35cm high, 75cm wide.

A GERMAN MAHOGANY CARD TABLE, possibly Altoona, circa 1840,
the   rectangular   hinged   swiveling   top   on   a hexagonal baluster support with scrolled legs and ceramic castors, 86.5cm wide.

A NAPOLEON III  KINGWOOD VENEERED OCCASIONAL TABLE, Paris, circa 1860,
the circular top formerly with a liner from a jardiniere or incorporating a porcelain dish with a gilt-bronze gallery on square cut cabriole legs and brass castors,
73cm high, 34cm diameter.

AN UNUSUAL SMALL NAPOLEON III WRITING TABLE,
Paris, circa 1860,
the superstructure with three drawers above a leather-lined writing slide and a drawer, on cabriole legs joined by a platform X-stretcher, the whole inlaid with a kingwood

three-dimensional trellis centered by flowers, with gilt-bronze mounts, 85 cm high, 99cm wide .

A MAHOGANY AND GILTWOOD MOUNTED DISPLAY CABINET, Paris, circa 1890,
of architectural form, the cresting above a bevel-glazed door and sides with five drawers below, the whole fluted and paneled and set with leaf-cast gilt-bronze mounts, with key

and two shelves, 194cm high, 95cm wide, 48cm deep

A CARRARA MARBLE MANTEL CLOCK, made by Bendy of Paris, circa 1890,
the white enamel dial with the retailers name, Ellington in a wasted case with a verse antic marble banding, 32cm high.

AN ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP, early 20th century,
inlaid with pink roses on a white marble ground, 30cm square.

A BOULLE SIDE CABINET, Paris, circa 1855,
in Louis XV manner, ebony veneered with a brass and tortoiseshell inlaid drawer and two cupboards on cabriole legs, with key, 135cm high, 76cm wide (4ft 5in, 2ft 6in).

A PAIR OF EBONISED BEECHWOOD FOLDING
ARMCHAIRS,
possibly French, circa 1880,
each with simulated bamboo folding frame now
with applied velvet seats.

A FRENCH MAHOGANY DISPLAY CABINET, circa 1900,
with a bowed glazed door and serpentine glazed sides, enclosing two glass shelves with a gilt-metal gallery on cabriole legs, 141cm high, 68.5cm wide .

AN AUSTRIAN PARCEL-GILT LIT A BALDEQUIN,
by Fohr of Vienna, circa 1880,
in French Louis XVI style, the canopy and side rails carved with guilloche, the arched headboard with scallop-shell, parcel-gilt on a grey ground, extensively repainted with

gold paint, with an Austrian metal label O.F6hr, Vienna 170cm wide (5ft 7in)
By repute this bed was used by ‘Sissi’, Empress Elizabeth of Austria during her prolonged stay in Ireland in the first half of 1879. The bed was part of the refurnishing for the

Empress at Summerhill, Co. Meath, the property of Lord Longford. Her visit to Ireland is mentioned in a supplement to the Irish Times, Saturday, 29th April, 1978 ‘When Royalty

Came to Dublin’.

LOUIS-PHILIPPE ‘BOULLE’ INKSTAND, PAINTED IRON SINGLE BEDSTEADS, MALTESE FRUITWOOD CENTRE TABLE, ALPINE CARVED PINE HALL STAND, ITALIAN TRIPOD TABLE

A LOUIS-PHILIPPE ‘BOULLE’ INKSTAND, Paris, circa 1830,
in Louis XIV manner, with two hobnail glass bottles and convex sides inlaid with figures from the
Commedia del’Arte.

A PAIR OF PAINTED IRON SINGLE BEDSTEADS,
probably French, circa 1890,
the arched tubular frames with a dragon cresting,
the head and footboards painted with rococo
foliage applied with abalone, with side-rails,
90cm wide, 206cm long .
.
A GERMAN MAHOGANY DECANTER SET, late 18th/early 19th century,
the exterior inlaid with tassels and pattered, the interior with six decanters, two flasks and a tray all decorated with gilding,
23cm high, 30cm wide, 19cm deep.

A NAPOLEON III MARBLE INSET SMALL BOX, by Giroux, Paris, circa 1860,
the rectangular casket with five black marble panels inset with red black and green mother-of-pearl and scalable, the lock-plate signed MaisonAlph. Giroux Paris; with key,
21cm wide.

AN ENGLISH PORCELAIN MOUNTED SMALL CASKET,
Victorian, circa 1860,
of rectangular form, the lid inset with a porcelain panel, the gilt-bronze casket engraved with flowers; with key.

A MALTESE FRUITWOOD CENTRE TABLE, circa 1825,
the top inlaid with an ebonized Maltese cross, with four drawers and four dummy drawers in the frieze, on a turned leaf-carved support and triangular base,
72cm high, 54cm diameter An almost identical table is illustrated, Antique
Maltese Furniture, by Joseph Galea-Naudi and Denise
Micallef.

A MAHOGANY CENTRE TABLE, probably French, late 19th century,
the oval white and grey-veined carfare marble top, a milled gilt-bronze border, the paneled frieze set with two circular jasper plaques, on ribbon-tied gadrooned tapering legs,

75cm high, 87cm wide.

A SORRENTO PARQUETRY CENTRE TABLE, circa 1840,
the top inlaid with a Neo-classical chariot within a radiating geometrical design supported on a turned tripod base with herringbone base, 75cm high, 80cm wide.

A FRENCH IVORY MIRROR, circa 1880,
the arched cresting with an armorial device flanked by sea horses, plumed helmets and the monogram
CR,
85cm high 57cm wide.

AN ALPINE CARVED PINE HALL STAND, German or Swiss, circa 1880,
in the form of a bear at the bottom of a tree with a cub in the upper branches
203cm high (6ft 8in).

A GERMAN HISTORISMUS INLAID CABINET, circa 1890,
in Renaissance Revival manner, the inlaid doors flanked by caryatids with a projecting lower part above a pair of cupboard doors the whole inlaid with parquetry foliage and

masks, on a walnut ground with ebony banding and red tortoiseshell panels,
230cm high, 150cm wide.

AN ITALIAN ENGRAVED GLASS MIRROR, Venice, circa 1900,
the canted beveled frame with an outer border etched with flowers below a pierced cresting, 140cm high, 90cm wide (4ft 7in).

A SMALL GILT-BRONZE CHANDELIER, Paris, circa 1880,
the tri-form cage with three seated cherubs supporting nine acanthus cast candle arms, the top stamped H Beau,
80cm high, 70cm diameter.

A FRENCH VERNIS MARTIN DISPLAY CABINET,
provincial, circa 1900,
the arched cresting above a serpentine glazed door and sides and a vermin martin panel on cabriole legs, with gilt-bronze mounts and enclosing two shelves; with key,
166cm high, 82cm wide .

A VERNIS MARTIN VITRINE, Paris, circa 1900,
in Louis XV manner, the arched serpentine door and sides with glazed panels above painted scenes, veneered in rosewood with gilt-bronze mounts, 190cm high, 84cm wide (6ft 3in,

2ft 9in).

A PATINATED AND GILT-BRONZE WALL-LIGHT,
Paris, circa 1890,
in Louis XV manner, with a naked female figure holding a dolphin below four scrolling candle-arms, fitted for electricity,
69cm by 54cm.

AN ITALIAN TRIPOD TABLE, probably Florence, circa 1860,
the circular black marble top inlaid with white roses, on parcel-gilt and ebonized tripod support, 76cm high, 61cm diameter.

AN   UNUSUAL  NAPOLEON   III   COMBINED WORK AND WRITING TABLE, Paris, circa 1850,
the fitted writing drawer with a writing slide operating in conjunction with a sliding top and a workbox below, on ebonized in swept legs with gilt-bronze mounts, the whole

inlaid with a brass flower-head trellis,
77cm high, 57cm wide.

A NAPOLEON III BOULLE DRESSING TABLE, by Vader of Paris, circa 1855,
in Louis XV manner, with a serpentine hinged lid enclosing two trays and a mirror with a work box below, on cabriole legs, the lock signed Vader a Paris, the woodwork stamped CD

700, 71cm high, 61cm wide.

AN ITALIAN PIETRA DURA AND GILTWOOD TRIPOD TABLE, circa 1875,
the circular top inlaid with flowers, raised on a fluted stem and flower and piaster-carved scroll feet,
78cm high, 51cm diameter.