Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

A CARVED BEECHWOOD CONSOLE TABLE, Louis XVI style, with a semicircular simulated marble top, on spiral fluted supports, teide; together with AN ANTIQUE Wine Table, modern, on

tripod supports, diam. and a set of four ebonised and carved mirror back panels, each by

A CARVED MAHOGANY STOOL, George II style, with a floral tapestry seat, on cabriole legs with claw and ball feet, wide; together with a smaller Stool, with tapestry seat and

cabriole legs
wide

A WALNUT KERB STOOL, Queen
Anne style, with floral tapestry seat and shell
carved cabriole legs, wide.; together with

AN ANTIQUE Stool, William and Mary style,
with a tapestry seat and turned legs joined by
•X’-shaped stretchers, -wide

A PAIR OF MAHOGANY TWO TIER
BUFFETS by Holland and Sons, Victorian,
with turned supports, on brass castors, rear
supports stamped. ‘Holland and Son’. wide.

A ROSEWOOD STOOL, Victorian, the two supports each with four scrolls joined by a turned and carved stretcher, with a moire fabric seat,

AN ANTIQUE BERGERE SUITE, 18th Century, comprising: a three seat settee and two chairs,

AN ANTIQUE DROP LEAF TABLE, George II, with an oval moulded top, on turned tapered legs with pad feet, wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, incoporating a display case with hinged lid above a pair of glazes doors enclosing two shelves, on tapered square legs, wide.

AN ANTIQUE ‘D-END DINING TABLE, George III style, the crossbanded top with reeded edge with a leaf insertion, on turned pedestals and tripod legs, ivide extended For colour

illustration see page

A SET OF SIX MAHOGANY DINING
CHAIRS, George III style, with shield backs
incorporating urn and wheat sheaf motif,
with tapestry seat, on tapered square legs,

AN ANTIQUE LINEN PRESS, George III, the dentil cornice above panel doors, interior now lacking, on chest comprising of two short and two long drawers, faults, high by wide.

AN EBONISED BOOK TABLE, Victorian, with a circular top and two galleried three-armed shelves revolving on a pillar and a tricorn base, high

A PAIR OF MAHOGANY ARMCHAIRS, English, circa , and Another very similar, George III, circa , each with pierced serpentined toprail and three matching crossbars, with stuffed

seats and square legs

A PAINTED CHEVAL MIRROR, George IV, circa  the frame now grained as maplewood, high  —

A CIRCULAR MAHOGANY THREE-TIER DUMB WAITER, George II, on a triple baluster stem, plain cabriole legs with pointed pad feet, high by diam.

AN ANTIQUE SIDEBOARD, George III and later, with a serpentine top above an arrangement of drawers, on tapered legs with spade fee, uncle

AN ANTIQUE AND INLAID SHAVING STAND, Edwardian, with a mirror back and compartments above a drawer and a door, on tapered legs with an undertier, wide.

TWO SIMILAR CARVED AND GOLD PAINTED FOOTSTOOLS, Louis XV style, with tapestry seats and cabriole legs; together with another tapestry footstool,

AN ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR, William IV, covered in floral patterned fabric, on reeded turned legs with brass castors

PARCEL-GILT CONSOLE TABLE, French, CIRCULAR OCCASIONAL TABLE, Louis XVI style, ANTIQUE SMALL BUREAU

AN ANTIQUE PEDESTAL TABLE,
Regency, the rectangular tilt-top above a
quadruple base with reeded cappings and
castors, cm. -wide.

A CARVED GILTWOOD CHEVAL
FIRESCREEN, Louis XV style,
the scroll cresting above an Aubusson tapestry panel after Boucher, depicting a pair of lovers in a garden, on scrolled cabriole supports, cm. high by cm. wide. —

A GREEN VELVET UPHOLSTERED ARMCHAIR, WIIIiam and Mary style, on scrolled front legs joined by a carved stretcher,

AN ANTIQUE AND CANED LIBRARY ARMCHAIR, George III style, with loose velvet-covered cushions, on tapered square legs ending in brass cappings and castors,

A WALNUT AND PARCEL-GILT WALL MIRROR, George II, the bevelled plate within a fretwork frame, faults, cm, high

A PAINTED AND PARCEL-GILT CONSOLE TABLE, French, late 19th Century and 18th Century style, with a serpentine green marble top above a pierced frieze centred by swags, on

cabriole supports joined by a shell stretcher, faults to marble top, cm. high by cm. wide.

AN ANTIQUE PEDESTAL TABLE, George IV, with a rectangular tilt-top and a quadruple splayed base, top split, cm.
wide.

AN ANTIQUE TWO-PIIIAR DINING TABLE, George III style, with a reeded edge, raised on turned columns and downswept legs with brass cappings and castors, with one extra leaf, cm.

long by cm. wide.

AN ANTIQUE DINING CHAIR, George III, with a pierced splat and tapered square legs; together with AN ANTIQUE semi¬circular Side Table, George II style, with a drawer, on cabriole

legs ending in claw and ball feet, cm. wide.

AN OVAL PAPIER-MACHE CELLARET, Victorian, late 19th Century and 18th Century, painted as burr yew and with two gilt-painted bands, with loop handles and metal liner, cm. wide.

A CARVED AND GILT GESSO WING ARMCHAIR, Louis XVI-style, late 19th Century and 18th Century, upholstered in cream fabric, on cabriole legs, faults,

A ROSEWOOD AND INLAID CENTRE TABLE, late Victorian, of octagonal form, with an undertier, cm. wide.

A CARVED ROSEWOOD CHEVAL FIRESCREEN, Victorian, with a floral needlework panel and spiral supports, on cabriole legs, faults, cm.

A MARQUETRY CIRCULAR OCCASIONAL TABLE, Louis XVI style, with gilt metal-mounts and a drawer, on tapered square legs, cm. diam.

A CARVED GILTWOOD LANTERN,
Venetian,  of pentagonal form
with pierced panels, now raised on a velvet
pole set into a painted base, cm.
high

A CARVED OAK CABINET, Victorian, with a raised open-tier back above an arrangement of drawers and doors. cm. wide.

AN ANTIQUE WARDROBE, late Victorian, including mirror doors and drawers, cm. high by cm. -wide.

A CARVED OAK PRESS CUPBOARD, 19th Century and 18th Century style, modern,
including a pair of tracery panel doors.
cm. wide.

AN ANTIQUE SMALL BUREAU, George III style, with four drawers, on bracket feet, cm. wide.

AN ANTIQUE TRIPOD TABLE, late th /early 19th Century and 18th Century, the tilt top now with foliate carving, cm. diam.

MAHOGANY DISPLAY CABINET, VERNIS MARTIN VITRINE, SCULPTURAL MANTEL CLOCK, GILTWOOD SIDE CABINET, KINGWOOD VENEERED OCCASIONAL TABLE, ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP

A MAHOGANY DISPLAY CABINET, Paris, circa 1900,
with a bow-fronted glazed door and serpentine sides on cabriole legs with gilt-bronze mounts, 151cm high, 65cm wide.

A VERNIS MARTIN VITRINE, Paris, circa 1900,
the arched serpentine glazed door with glazed sides
above a painted Vern’s Martin scene,
176cm high, 71cm wide.

A PAIR OF WALNUT STOOLS, circa 1900,
in Louis XV manner, the molded leaf-carved frames with padded open arms, sprung serpentine seat and ‘X’ legs,
66cm wide .

A FRENCH ROSEWOOD AND VERNIS MARTIN
VITRINE,
circa 1890,
the double serpentine door with convex glazed sides and rustic scenes below, with gilt-bronze mounts,
175cm high, 90wide .

A   LARGE   NAPOLEON    III    SCULPTURAL MANTEL CLOCK, Paris, circa 1855,
the movement contained in a carfare marble breakfront plinth surmounted by a gilt-bronze figure of a sleeping lady, loosely draped in a chit on; with key, pendulum and pendulum

adjustment key, 59cm high, 63.5cm .

A CARVED GILTWOOD SIDE CABINET, Paris, circa 1890,
in Louis XVI manner, with a marble top above a frieze drawer and a Vern’s Martin panel, flanked by bevel-glazed doors and sides, divided by twist-turned columns, with six

shelves and key,
125cm high, 131cm wide, 51.5cm deep.

A PAINTED PANEL, mid 19th century,
centered by a dancing female figure in a painted
frame of ribbons and flowers,
198cm high, 120cm wide.

A NAPOLEON III KINGWOOD SECRETAIRE A
ABATTANT,
circa 1855,
with a white marble top above three dummy drawers  enclosing  a writing  surface  and  four serpentine  drawers  below,   the  whole  quarter-veneered and cross banded, 127cm

high, 66cm wide.

A VERNIS MARTIN DISPLAY CABINET, Paris, circa 1900,
in Louis XVI manner, with a bevel-glazed door above a panel painted with a young couple, flanked by convex doors on columnar supports with toupee feet
149cm high, 85cm wide.

A KINGWOOD CARTONNIER, Paris, circa 1930,
in Louis XV manner, of serpentine outline, quarter-veneered with tulipwood cross banding, enclosing four pigeon-holes, with gilt-bronze mounts,
35cm high, 75cm wide.

A GERMAN MAHOGANY CARD TABLE, possibly Altoona, circa 1840,
the   rectangular   hinged   swiveling   top   on   a hexagonal baluster support with scrolled legs and ceramic castors, 86.5cm wide.

A NAPOLEON III  KINGWOOD VENEERED OCCASIONAL TABLE, Paris, circa 1860,
the circular top formerly with a liner from a jardiniere or incorporating a porcelain dish with a gilt-bronze gallery on square cut cabriole legs and brass castors,
73cm high, 34cm diameter.

AN UNUSUAL SMALL NAPOLEON III WRITING TABLE,
Paris, circa 1860,
the superstructure with three drawers above a leather-lined writing slide and a drawer, on cabriole legs joined by a platform X-stretcher, the whole inlaid with a kingwood

three-dimensional trellis centered by flowers, with gilt-bronze mounts, 85 cm high, 99cm wide .

A MAHOGANY AND GILTWOOD MOUNTED DISPLAY CABINET, Paris, circa 1890,
of architectural form, the cresting above a bevel-glazed door and sides with five drawers below, the whole fluted and paneled and set with leaf-cast gilt-bronze mounts, with key

and two shelves, 194cm high, 95cm wide, 48cm deep

A CARRARA MARBLE MANTEL CLOCK, made by Bendy of Paris, circa 1890,
the white enamel dial with the retailers name, Ellington in a wasted case with a verse antic marble banding, 32cm high.

AN ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP, early 20th century,
inlaid with pink roses on a white marble ground, 30cm square.

A BOULLE SIDE CABINET, Paris, circa 1855,
in Louis XV manner, ebony veneered with a brass and tortoiseshell inlaid drawer and two cupboards on cabriole legs, with key, 135cm high, 76cm wide (4ft 5in, 2ft 6in).

A PAIR OF EBONISED BEECHWOOD FOLDING
ARMCHAIRS,
possibly French, circa 1880,
each with simulated bamboo folding frame now
with applied velvet seats.

A FRENCH MAHOGANY DISPLAY CABINET, circa 1900,
with a bowed glazed door and serpentine glazed sides, enclosing two glass shelves with a gilt-metal gallery on cabriole legs, 141cm high, 68.5cm wide .

AN AUSTRIAN PARCEL-GILT LIT A BALDEQUIN,
by Fohr of Vienna, circa 1880,
in French Louis XVI style, the canopy and side rails carved with guilloche, the arched headboard with scallop-shell, parcel-gilt on a grey ground, extensively repainted with

gold paint, with an Austrian metal label O.F6hr, Vienna 170cm wide (5ft 7in)
By repute this bed was used by ‘Sissi’, Empress Elizabeth of Austria during her prolonged stay in Ireland in the first half of 1879. The bed was part of the refurnishing for the

Empress at Summerhill, Co. Meath, the property of Lord Longford. Her visit to Ireland is mentioned in a supplement to the Irish Times, Saturday, 29th April, 1978 ‘When Royalty

Came to Dublin’.

IBERIAN MAHOGANY DISPLAY TABLE, BIEDERMEIER MAHOGANY SOFA, MAHOGANY CONSOLE TABLE, BIEDERMEIER BIRCHWOOD BED, CARVED GILTWOOD CONSOLE TABLE

A   RESTAURATION   BRONZE   AND   GILT-BRONZE CLOCK, circa 1820,
the circular dial contained in a plinth surmounted by a seated figure of a huntress, 45cm .

A COLONIAL TEAKWOOD CUPBOARD, early 19th century,
with a pair of paneled doors above two short drawers flanked by further paneled doors, 195cm high, 137cm wide, 53cm deep.

AN IBERIAN MAHOGANY DISPLAY TABLE, circa 1825,
with hinged oval glazed top and dolphin support, 86cm high, 70cm wide, 49cm deep.

A PAIR OF NEAPOLITAN BRONZE HANGING OR STANDING OIL-LIGHTS, mid 19th century,
in antique style, hanging from two dolphins and each with two oil-spouts and two lion torsos, 30cm high, 32cm wide.

A BIEDERMEIER MAHOGANY SOFA, circa 1825,
with simple frame and stuffed back and seat, 214cm wide (7ft).

A SCANDINAVIAN BIEDERMEIER MAHOGANY PIER-GLASS AND TABLE, circa 1830,
the arched plate with gothic cresting carved with leaves, the table with gothic frieze and leaf-carved supports,
301cm high, 95cm wide, 45cm deep.

A     GERMAN     MAHOGANY     SECRETAIRE
CABINET,
mid 19th century,
with arched cresting above a drawer, a paneled fall-front and three further drawers, 183cm high, 99cm wide, 49cm.

A MAHOGANY CONSOLE TABLE, ITALIAN OR
FRENCH,
circa 1825,
with mottled yellow marble top, beaded frieze and two receded and leaf-carved scroll legs ending in paw feet.

A BRASS-INLAID ROSEWOOD SOFA, circa 1825, probably Iberian colonial,
with arched leaf-carved back, paneled over scroll arms and winged paw feet,
183cm wide .

A CONTINENTAL CHINOISERIE FIGURE possibly Italian, circa 1900,
the paper mace Mandarin standing on a pine plinth,
89cm high .

A BIEDERMEIER MAHOGANY SOFA TABLE, circa 1820,
the rectangular top with two hinged panels, with two drawers in the frieze, scroll legs and arched stretcher,
76cm high, 142cm wide, 63cm deep (2ft 6in, 4ft 8in).

A PAIR OF LOUIS-PHILIPPE BRONZE AND GILT-BRONZE CANDELABRA, circa 1835,
each with four candle-nozzles held aloft by a troubadour style figure, 49.5cm high (192in).

AN ITALIAN WALNUT X-FRAME STOOL, 19th century,
the support in the form of lion masks with hairy paw feet, each side centered by a lion mask.

A   SCANDINAVIAN   MAHOGANY  VENEERED CENTRE TABLE, circa 1870,
the twelve-sided top with concave borders segment ally veneered on a flower-carved tripod base,
123cm diameter.

A PAIR OF FRENCH BRONZE, GILT-BRONZE AND MARBLE CANDELABRA SUPPORTS, first half 19th century,
each in the form of a winged cherub standing on a drum-shaped base, 75cm high (29in).

A BIEDERMEIER BIRCHWOOD BED, circa 1825,
the paneled headboard with pediment cresting, the footboard faced by two pairs of columns, 176cm wide, 195cm long.

AN    UNUSUAL    PAIR    OF    BIEDERMEIER MAHOGANY CACHEPOTS, circa 1820,
the octagonal bell-shaped tops raised on bulbous soles and flared bases,
48cm high, 27cm wide.

A FRENCH KINGWOOD CENTRE TABLE, Napoleon III, Paris circa 1850,
the oval serpentine top in kingwood with tulipwood cross banding, the concave support on quadruple down swept legs,
142cm wide.

A FRENCH GILT-BRONZE AND FRUITWOOD
LYRE CLOCK SET,
by Kinable of Paris, circa 1900,
in Louis XVI manner, the dial signed, with an oval base and a bimetallic pendulum with a moving circlet of brilliants, flanked by a pair of conforming candelabra,
the clock 46cm high.

AN UNUSUAL CARVED GILTWOOD CONSOLE TABLE,
late 18th/early 19th century,
with rectangular grey marble top, guilloche frieze, the scroll legs headed by scallop shells and carved with piaster’s and leaves, the stretcher centered by a large scallop

shell,
95cm high, 91.5cm wide
A PAIR  OF NAPOLEON  III  SMALL  GILT-BRONZE CANDLEABRA, Paris, circa 1870,
each with a boy and a girl sitting in a two-light rose
candleabra.

FRENCH MAHOGANY CYLINDER BUREAU, CHARLES X LOOKING-GLASS, RESTAURATION MAHOGANY SECRETAIRE, RESTAURATION MAHOGANY SOFA, BIEDERMEIER FRUITWOOD  SECRETAIRE

A    RESTAUTRATION    PARCEL-GILT
MAHOGANY BERGERE, circa 1820,
with curved stuffed back, dolphin arm supports and loose-cushioned bow-fronted seat.

A FRENCH MAHOGANY CYLINDER BUREAU, late 18th/early 19th century,
with galleried white marble top, the paneled cylinder front enclosing drawers and with three drawers below, with pull-out leather-lined writing-surface, a drawer in the paneled

frieze and fluted tapering legs,
95cm high, 68cm wide, 40cm.

A CONSULAT MAHOGANY SOFA, circa 1800,
the shaped back with lion terminals, on fluted tapering legs with paw feet,
167cm wide .

AN EMPIRE GILTWOOD PIER-GLASS, circa 1810,
the rectangular plate contained within a leaf-carved frame; now inset with a late 18th century allegorical English engraving.
A MAHOGANY COMMODE, circa 1900,
in Louis XVI manner, the breakfront grey marble
top above three drawers on fluted tapering legs,
81cm high, 120cm wide, 45cm deep.

A PAIR OF GILT-BRONZE CHENETS, late 18th/early 19th century,
the base faced by a balustrade and surmounted by an urn with satyr mask handles,
40cm high, 37cm wide.
A somewhat similar pair of chants is depicted in the portrait by Danloux of the Baron de Besenval, illustrated, La Folie dArtois, Paris 1988.

A CHARLES X LOOKING-GLASS, circa 1825,
the later rectangular plate contained within a frame painted behind glass with leaves and scrollwork, 81cm high, 65cm wide.

A LOUIS XVI BEECHWOOD DESK ARMCHAIR INDISTINCTLY STAMPED BY THE MAKER, circa 1780,
with petal-carved frame, arched upholstered back, caned loose-cushioned serpentine seat and spirally fluted tapering legs.

A PIEDMONTESE PARCEL-GILT FRUITWOOD BED,
late 18th century,
each corner carved with a stylized garland, on fluted tapering legs,
191cm long, 148cm wide, 89cm deep.

A   LOUIS   XVI   MAHOGANY   BOUILLOTTE
TABLE,
circa 1785,
with circular white marble top, the frieze with two slides and two drawers, raised on fluted tapering legs,
70 cm high, 64cm diameter.

A RESTAURATION MAHOGANY SECRETAIRE, circa 1820,
with a Belgian fossil marble top, a drawer in the frieze above a fall-front enclosing a fitted interior and with three drawers below,
143cm high, 96cm wide, 42cm deep .

A PAIR OF SMALL COMMODES, Paris, circa 1900,
in Louis XVI manner, the ‘D’ shaped white marble tops with a gallery above two drawers on fluted tapering legs, veneered in mahogany with brass fillets,
82cm high, 73cm wide, 41cm deep

A LOUIS XVI MAHOGANY SMALL CONSOLE
DESSERTE,
circa 1785,
with galleried white marble top, a drawer in the
paneled canted frieze, the fluted supports joined
by a shelf and raised on tapering feet,
82cm high, 81cm wide, 32cm deep.

A PAIR OF GILT-BRASS WALL-LIGHTS IN DIRECTOIRE STYLE,
the  back-plates  formed  of ribbon-tied  arrows centered by a mask and supporting two candle-branches, 57cm high.
A RESTAURATION MAHOGANY SOFA, circa 1820,
with molded frame, slightly arched stuffed back, scroll arms, stuffed seat and scroll feet, 196cm wide.

A     RESTAURATION     PROVINCIAL     SIDE
CABINET,
circa 1820,
with rectangular white marble top, two drawers in the frieze above two arched cupboards flanked by corbel supports,
102cm high, 141cm wide, 57cm deep.

A   PAIR   OF   BRONZE  AND   GILT-BRONZE
CANDELABRA,
circa 1840,
each with a central nozzle and six scroll branches raised on receded and leaf-cast stem and tripod base, 73cm high.

A BIEDERMEIER MAHOGANY SECRETAIRE, circa 1830,
with a fall-front, fitted interior and drawers, flanked by free-standing columns,
158cm high, 108cm wide, 53cm deep.

A BIEDERMEIER FRUITWOOD  SECRETAIRE
CHEST,
circa 1820,
with fitted drawer above three recessed drawers flanked by ebonized pilasters,
104.5cm high, 108cm wide, 56cm deep.

A GILT-BRONZE BOUILLOTTE LAMP IN DIRECTOIRE STYLE,
with three adjustable candle-branches, fluted stem and basket base, 65.5cm

A SET OF FOUR GLASS AND METAL HANGING LIGHTS,
large and thistle-shaped, engraved with flowers and leaves on a ruby red ground and with pressed metal borders.

A   RESTAURATION   BIRCHWOOD   TEMPLE
CLOCK,
circa 1820,
the  circular dial  signed  Buscarlet d Paris and supported within  the  four  columns,  the  case banded in ebony, 43cm high, 24cm wide (17in, 9in).

ITALIAN PAINTED CHAIRS, LOUIS XVI GILT-BRONZE MANTEL CLOCK, RESTAURATION GILT-BRONZE FENDER, ROSEWOOD MARQUETRY DOUBLE SECRETAIRE, LOUIS XVI PAINTED PROVINCIAL BATHING CHAIR

A SET OF TEN ITALIAN PAINTED CHAIRS, six late 18th century, four later,
with molded frames, stuffed rectangular backs, stuffed drop-in seats and fluted tapering legs, repainted with trailing flowers and leaves on a creamy yellow ground.

A   SWEDISH   PAINTED   AND   PARCEL-GILT SMALL CYLINDER BUREAU, late 18th century,
the roll-top with a ribbon-tied spray of flowers, concealing a fitted interior with six drawers and an arched door, on square fluted tapering legs, 109cm high, 82cm wide, 50cm

deep
A very similar table is in the collection of Gustavo, 7th Due d’Otrante at Elghammar House, Sweden, illustrated in Hakan Groth, Neoclassicism in the North, London, 1990. Another

is illustrated in Sigurd Wallin, Nordiska Museets mobler Svenska Herremanshem, 1979.

A LOUIS XVI GILT-BRONZE MANTEL CLOCK, circa 1785,
the circular white enamel dial signed Angelino a
Paris, surmounted by the seated figure of Diana and
her hound, the shaped plinth with a frieze of
frolicking cherubs, on tasseled feet.

AN EMPIRE MAHOGANY GUERIDON, circa 1815,
with veered antic marble top, the three columnar
supports joined by cross-bars.

AN    EGYPTIAN    REVIVAL    ENAMEL    AND SILVERED BRASS CASKET, circa 1880,
the cover with a reclining female figure, the whole decorated with Egyptian scenes and symbols, raised on recumbent sphinxes,
23cm high, 32cm wide, 22cm wide.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE MANTEL CLOCK, circa 1820,
the circular dial contained within a sphere flanked
by a standing female figure and a flaming torch,
surmounted by Cupid, the rectangular plinth faced
by posies and garlands, on square feet.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE FENDER, circa 1825,
the plinths surmounted by cornucopia with boars’ heads, the central pole above a line of graduated rosettes,
minimum 110cm wide, maximum 150cm wide .

A RESTAURATION GILT-BRONZE FENDER, circa 1820,
each plinth surmounted by a lion fighting with a snake,
minimum 98cm wide, maximum 150cm wide .

A   RESTAURATION   BRONZE   AND    GILT-BRONZE FENDER, circa 1820,
faced with gilt-bronze masks and rosettes,
minimum 130cm wide, maximum 150cm wide .

A  RESTAURATION   MAHOGANY   DRESSING
TABLE,
circa 1815,
the oval plate with columnar supports, the table stand with white marble top, a drawer in the frieze and scroll front legs,
144cm high, 77cm wide, 45cm deep.

A RESTAURATION PROVINCIAL FRUITWOOD
BUREAU-CABINET,
circa 1820,
the upper part with a pair of glazed doors, the lower part with a sloping front enclosing a fitted interior above two long drawers,
209.5cm high, 107cm wide, 58cm deep.

A RARE ROSEWOOD MARQUETRY DOUBLE SECRETAIRE,
circa 1825, French or Spanish,
the two paneled fall-fronts inlaid with arabesque scrollwork and raised on fluted and scroll supports, 146cm high, 117cm wide, 67cm deep.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE LION, circa 1825,
shown recumbent, the plinth faced by a flower-filled tizzy and bearing a coat of arms, 26cm high The arms are those of Counts Szecheny de Sarvary-Felso-Videk of Hungary (created

Counts on 7th September 1697), ref. J. B. Rietstap, Armorial General. This family played a very important role in the history of Hungary.

A PAJR OF SWEDISH GRANITE COLUMNS,
with Empire style guilloche mounts in gilt bronze,
TWO SIMILAR PAIRS OF GILT-BRONZE WALL-LIGHTS, 19th century,
each with two candle-nozzles supported on a ring issuing from a lions mask, 16cm deep.

A LOUIS XV BEECHWOOD COMMODE CHAIR, mid 18th century,
with caned back and seat, the apron and sides carved with scrollwork; bearing the stamp Hilliard

A PAIR OF RESTAURATION  GILT-BRONZE AND MARBLE TAZZE, circa 1825,
each plinth faced by a palm wreath.

A PAIR OF GILT-BRONZE CHENETS, circa 1810,
with artichoke finials and faced by swans, bearing an inventory mark EL surmounted by a crown .

A LOUIS XVI PAINTED PROVINCIAL BATHING CHAIR,
circa 1785,
the loose caned low back and sliding seat above a tile basin supported on square legs, 70cm high, 59cm wide, 67cm deep .A virtually identical fauteuil blain de siege is at the

Mused
des Arts et Traditions Popularizes in Paris. Nicole De
Reyna’s, he mobile domestique, illustrates this
example. This kind of chair
usually existed in a round or oval shape, while the
rectangular form is considered
rarer.

A    SET    OF    THREE    PAINTED    CHAIRS, PROBABLY VIENNESE, circa 1800,
with arched curved backs, stuffed seats and saber legs, delicately painted with flowers and scrollwork on a pale blue ground.
TWO     VERY     SIMILAR     RESTAURATION MAHOGANY ARMCHAIRS, circa 1830,
with curved backs, scroll arms, stuffed seats and cabriole legs.

A     RESTAURATION     MAHOGANY     DESK
ARMCHAIR,
circa 1825,
the curved back with lion mask terminals, with stuffed seat and turned tapering legs.

GILTWOOD FIRE-SCREEN, NEAPOLITAN BONE-INLAID EBONISED WOOD TABLE CABINET, PAINTED WOOD POODLE, LOUIS XVI PROVINCIAL OAK AND CHESTNUTWOOD ARMOIRE

A GILTWOOD FIRE-SCREEN, circa 1900,
incorporating a panel of 18th century Chinese wallpaper depicting a mother and two children in a pavilion; on scroll feet, 120cm high, 63cm wide.

A   NEAPOLITAN   BONE-INLAID   EBONISED WOOD TABLE CABINET, mid 17th century,
with hinged lid above a pair of doors enclosing a
fitted interior, and with a drawer below.

A PAINTED AND PARCEL-GILT DOOR FRAME, ITALIAN OR SPANISH, second quarter 19th century,
the domed top with scrollwork and an eagle supported by two marbleized pillars carved with rosettes and cherub faces,

A FRENCH RED BOULLE COUNTER BOX, Napoleon III, Paris, circa 1860,
of rectangular serpentine form, with removable
counter trays,
31cm by 24cm.

AN ITALIAN CARVED GILTWOOD CONSOLE, mid 18th century,
with serpentine top painted to simulate Siena
marble, on an elaborate pierced scrollwork support
entwined with flowers and leaves,
57cm high, 49cm wide, 25cm deep .

A NORTH ITALIAN CARVED GILTWOOD FRAME,
mid 18th century,
the molded frame carved with flowers and leaves and with pierced scroll cresting, 82cm high, 50cm wide

AN UNUSUAL PAINTED WOOD POODLE, late 18th/19th century,
shown recumbent, with lion cut and glass eyes, on a rectangular marbleized base, 35cm wide A VENETIAN LACQUER CASKET, mid 18th century,
of serpentine form decorated with gilt chino series on a scarlet ground,
14cm high, 42cm wide, 23cm deep .

A PAIR OF BRONZE CANDLESTICKS IN THE STYLE OF MEISSONNIER, 18th/19th century,
each with a cherub on a scroll-work base, 8cm high

A  PAIR   OF  FRENCH  RED   TOLE PEINTE
JARDINIERES, 19th century,
decorated with classical figures and cornucopias, on paw feet, raised on square marbleized plinths, 37.5cm high

A    GILT-BRONZE    REDUCTION    OF    THE WARWICK VASE, mid 19th century,
37cm wide (14V2in).

AN  UNUSUAL TULIPWOOD AND WALNUT SIDE TABLE, DUTCH OR GERMAN, circa 1740,
with shaped cross-banded top, the serpentine frieze with one long and two short drawers, the cabriole legs with pointed pad feet, 77cm wide .

A DUTCH MARQUETRY DROP-LEAF TABLE, mid 18th century and later,
the rectangular top elaborately inlaid with birds, flowers, urns and gods, the frieze with a drawer and raised on cabriole legs,
74cm high, 133cm wide, 102cm deep (2ft 5in, 3ft 4in).

AN UNUSUAL PARQUETRY CENTRE TABLE, late 18th/early 19th century, perhaps Brazilian,
the rectangular top with a geometric design, the frieze inlaid with stripes and raised on square tapering legs,
77cm high, 101cm wide, 62cm deep.

A   LOUIS   XVI    PROVINCIAL    OAK   AND CHESTNUTWOOD ARMOIRE, circa 1780,
the molded cornice carved with leaves above a basket of flowers, the pair of paneled doors also carved with baskets of flowers, on scroll feet, 225cm high, 168cm wide, 63cm

deep.

A RARE SET OF EIGHT GERMAN COLLAGE
PICTURES,
mid 18th century,
mainly in gouache and silk, of figures including beggars, huntsmen and a French cook; in gilt wood frames.

AN   UNUSUAL   MARQUETRY   SECRETAIRE, ITALIAN OR SPANISH, circa 1870,
with a drawer above a fall-front enclosing a well-fitted interior and with two doors below, inlaid overall with elaborate flower and scrollwork parquetry incorporating cherubs,

masks, birds and exotic beasts,
150cm high, 66cm wide, 42cm deep.

A   LOUIS   XV   PAINTED   AND   GILTWOOD
TRUMEAU,
mid 18th century,
the rectangular plate surmounted by a cartouche-shaped painted panel of a scene gallant; the frame later painted
187cm high, 80cm wide.

A DUTCH MAHOGANY SIDE-CABINET, circa 1775,
of breakfront form, with veered antic marble top, two doors, chamfered corners inlaid to simulate fluting, and cabriole feet,
96cm high, 132cm wide, 58cm

A LOUIS XV BEECHWOOD ARMCHAIR, circa 1760,
with flower-carved molded frame, loose cushion seat and cabriole legs.

ANOTHER      LOUIS      XV      BEECHWOOD
ARMCHAIR,
mid 18th century,
with padded back, seat and arms, the top-rail carved similarly to the seat-rail with flowers, on cabriole legs.

IBERIAN PARQUETRY COMMODE, ITALIAN GILTWOOD LOW ARMCHAIR, LOUIS XVI STYLE LOW CHAIRS, ITALIAN OLIVEWOOD PARQUETRY COMMODES, LOUIS XVI PAINTED ARMCHAIR

AN IBERIAN PARQUETRY COMMODE, circa 1770,
of breakfront form with two drawers and cabriole legs; replaced marble top,
88cm high, 98cm wide, 58cm deep .

A FRENCH GILTWOOD SOFA, circa 1900,
in Louis XV style, the molded arched flower-carved frame with down swept inscrolled arms, with sprung seat on cabriole legs, with traces of original machine-made floral

upholstery, 177cm wide .

A   LOUIS   XVI   PROVINCIAL   MAHOGANY
COMMODE,
circa 1785,
with three long drawers and turned tapering feet headed by gutter,
83cm high, 102cm wide, 48cm deep .

A PAIR OF LOUIS XVI STYLE LOW CHAIRS, second half 19th century,
the oval padded backs with molded leaf-carved beaded frames, on fluted tapering legs.

AN ITALIAN GILTWOOD LOW ARMCHAIR, second quarter 19th century,
with arched stuffed back panel, piaster-carved arms with rams’ mask terminals, stuffed seat and X-frame supports with hoof-feet
An identical armchair, described as Roman, early 19th century, is illustrated, Mobili Italiani Otto cento, Giorgio Mandatory and Associate.

A CARVED GILTWOOD GIRANDOLE GLASS, circa 1770, possibly Spanish,
with central rectangular plate contained within a border of smaller plates and a frame of leaves, fruit and scrollwork,
105cm high, 54cm wide.

A PAIR OF FRENCH GILT-BRONZE MOUNTED VASES,
probably Paris, circa 1880,
each with a square cut blue porcelain body with elaborate laurel cast gilt-bronze handles, now fitted as lamps.

A PAIR OF LOUIS XVI STYLE CANDLESTICKS, mid 19th century,
after a model by Devours, the stem with three adored  female  terms,   the  round  base  with garlands of husks and a guilloche border, 29cm high.

A PAIR  OF FRENCH  CARVED  GILTWOOD
ARMCHAIRS,
circa 1900,
in Louis XVI manner, the arched flower head and
leaf-carved frames flanked by quivers of arrows, with
sprung seats on tied receded legs.

A LOUIS XVI MARQUETRY TABLE DE CHEVET, circa 1780,
the rectangular galleried top with an associated floral parquetry panel, the fall-front inlaid with an oval panel of cherubs, the sides with urns and the back with a musical

trophy, raised on husk-inlaid square tapering legs joined by a shelf inlaid with a poodle on a cushion,
71cm high, 41cm wide, 30cm deep.

A DUTCH MARQUETRY CUPBOARD, circa 1800 and later,
the rectangular top inlaid with ribbons and butterflies, the long drawer inlaid with shells above two doors with vases and birds, on square tapering fluted legs,
83cm high, 89cm wide, 43cm deep.

AN UNUSUAL PAIR OF ITALIAN OLIVEWOOD PARQUETRY COMMODES, 18th century,
the tops, sides and concave fronts inlaid with a
simple geometric design and each containing two
drawers, raised on tall shaped legs,
79cm high, 131cm wide, 51cm deep.

A DUTCH MAHOGANY SMALL COMMODE, circa 1760,
of serpentine bombe form, with two drawers, the larger incorporating a shaped apron, on cabriole legs,
70cm high, 80cm wide, 47cm deep

AN ITALIAN PAINTED BED, late 18th/early 19th century,
with shaped head board and four turned posts, 155cm wide.

AN ITALIAN GILTWOOD LOOKING-GLASS, circa 1760,
the shaped plate surrounded by leafy scrollwork and surmounted by a winged female mask, 233cm high, 192cm wide (7ft 7in, 6ft 4in).

A LOUIS XVI PAINTED ARMCHAIR, circa 1785,
with molded frame, arched upholstered back, padded arms, stuffed bow-fronted seat and fluted tapering legs.

A DUTCH MAHOGANY DUMB WAITER, circa 1780,
with three graduated circular tiers and tripod base;
now inlaid with floral parquetry,
117cm high, diameter of largest tier 61cm.

A DUTCH MAHOGANY BREAKFAST TABLE, circa 1780,
the rectangular top with two flaps and a drawer in
the frieze, on square fluted tapering legs,
70cm high, 110cm wide, 52cm deep (2ft 4in, 3ft 4in,

A LOUIS XVI PROVINCIAL SMALL WRITING
TABLE,
circa 1785,
the rectangular top inlaid with a coequal-board design, the frieze with two drawers and raised on turned tapering legs,
69cm high, 85cm wide, 46cm deep (2ft 3in, 2ft 9V2in, 6in).

A  DUTCH   MARQUETRY  TEA   OR   GAMES
TABLE,
circa 1800,
the rectangular hinged top on circular tapering legs with pad feet, inlaid with floral parquetry on a mahogany ground, 113cm wide (3ft 82in).

SET OF FOUR ‘GEORGE II’ MAHOGANY ARMCHAIRS, PAINTED DISPLAY CABINET, WILLIAM IV MAHOGANY CARD TABLE, LACQUER SOFA TABLE, WALNUT GATE-LEG TABLE

А SET OF FOUR ‘GEORGE Ii’ MAHOGANY
ARMCHAIRS each with a rectangular
back with a serpentine top-rail and
pierced splat, the outcurve arms above
a stuffed drop-in seat on cabriole legs,
stamped 4587, possibly Portuguese, late
I9th century

A GOOD SATINWOOD AND PAINTED DIS-
PLAY CABINET with a pair of interlaced elliptically glazed doors above a projecting brushing slide with two short drawers above two cupboards, on bracket feet, painted

throughout with husks, flowers and dancing figures, 70 by 34in; 178 by 86.5cm, with alterations, late 19th century

А SET OF TEN ‘GEORGE III’ MAHOGANY
DINING CHAIRS, including two arm-
chairs, each with an arched top-rail
and pierced splat carved with husks
above a stuffed drop-in seat on molded
square tapering legs, c. 1880

A WILLIAM IV MAHOGANY CARD TABLE,
the ‘D’-shaped top enclosing a playing surface on a square stem with chamfered corners and a concave-sided base with paw feet, 29l by 36in; 75 by 92cm, c. 1835

A BURR-WALNUT OCCASIONAL TABLE with
a circular cross-banded top above а lower tier with a triple balustrade for magazines, on a fluted baluster stem and tripod base, 30 by 18lin; 76 by 47cm, c. 1870

А PAPIER-МАСНE OCCASIONAL TABLE, the
lobed gilt top inlaid with flowers on а baluster column and lobed base, 23in; 58.5cm wide, 1840′j
И
A WALNUT WING ARMCHAIR in late 11th
century style, the tall padded back and sides above scroll padded arms and stuffed cushion, on baluster and octagonal tapering legs joined by а molded curved stretcher centered

by an urn, c. 1870

AN  EBONIZED WOOD  AND  MOTHER-OF-
PEARL SIDE CHAIR with a serpentine top-rail inlaid with mother-of-pearl above a triple splat centered by a panel painted and inlaid with flowers, the caned seat on turned out

swept legs joined by stretchers, c. 1850

AN S. HILLE & SON ‘CHINESE CHIPPENDALE’ SATINWOOD  LACQUER  DRAWING-ROOM
SUITE comprising A Breakfront Display Cabinet on Stand with a cornice hung with bells, 85 by 50in; 216 by 127cm; A Fire Surround with corbel supports, 52 by 66in; 132 by 168cm;

A Rectangular Centre Table with a plate glass top, the scrolled corners hung with bells, 40in; 102cm wide; A Mirror with a Pagoda cresting with inset beveled corners, 30 by

46in; 76 by 117cm; А Pair of Elaborate Tri-Form Standard Lamps, each surmounted by a Japanese porcelain figure, 82in; 208cm; A Set of Six Wall Lights, each with canted sides

above a gallery with two candle-arms, 16lin; 42cm; A Twelve-Arm Chandelier, 26in; 66cm wide; A Pair of Armchairs with pierced beaks and stuffed drop-in seats; A Pair of Side

Chairs with painted lacquer splats; A Duet Stool with a stuffed rectangular lid, 32lin; 82cm wide; A Berger Suite comprising a triple-chair-back Settee and two deep Armchairs

with numerous loose cushions, the whole Suite lacquered with chino series, the lights fitted for electricity, 1920’s
Similar furniture is illustrated in Halle, 75 Years of British Furniture, by Sutherland Lyell. Hillel was making this style of furniture between 1918 and 1939.

AN  EBONY-VENEERED  AND  AMBOYNA
DISPLAY CABINET, the cornice an incised Vitruvius scroll, above a pair of glazed doors enclosing shelves, the canted sides with outset columns, with gilt-brass egg and dart

moldings, 43 by 48in; 109 by 122cm, c. 1860

A MAHOGANY BREAKFAST TABLE, the
rectangular tip-top above a fluted column and down swept legs with paw feet and brass castors, 281 by 49in; 72.5 by 126cm, 1890/1900

A MAHOGANY WRITING DESK, the Super-
structure with a central balustrade flanked by two sections of four short drawers, the front with a sloping writing surface flanked by two flat writing surfaces, the frieze with

three drawers above three further drawers in each pedestal, 46 by 54in; 117 by 137cm, c. 1860

A MAHOGANY ARMCHAIR, the molded frame with scrolled arms, button-upholstered back, sprung seat on cabriole legs with white ceramic castors, third quarter of the 19th century

А WALNUT GATE-LEG TABLE in Well-
figured wood, the oval cross-banded top on turned trestle supports and white ceramic casters, 40in; 101.5cm wide open, English, c. 1880

А ROSEWOOD CENTRE TABLE of serpentine outline with a drawer at either end on а ‘jeweled’ and gadrooned trestle support, 58in; 147.5cm long, 1840′.

A LACQUER SOFA TABLE, the top and flaps painted within a gilt stylized foliate border, the frieze with two drawers on a trestle base joined by a stretcher on out swept legs, 30

by 62in; 76 by 159cm, c. 1920

A MAHOGANY STAND with three rails and a divided umbrella stand with removable drip tray below, 75 by 51in; 190.5 by 129.5cm, c. 1880

AN EBONIZED WOOD FIRE-SCREEN, the
molded frame carved with ‘C’-scrolls and shells enclosing a petit point panel worked with a young man in 18th century dress watching a lady at her embroidery, on scroll feet,

431 by 28in; 110 by 71cm, c. 1850

A WALNUT PEDESTAL DESK with three frieze drawers and three drawers in each pedestal, with a green leather top, 49in; 124.5cm wide, c. 1880, cleaned

А GOOD GILT SUITE IN LOUIS XVI STYLE,
comprising six Chairs and two Arm-
chairs, each with a padded back and
sprung seat on fluted legs; A Settee,
68in; 173cm wide; Two Mirrors with
triple plates surmounted by a ribbon-
carved oval panel, 90in; 228.5cm high,
62in; 157.5cm wide; An Oval Side
Table with a fawn marble top, 32in;
8lem wide; A Pier Table with a fawn
marble top, 57in; 145cm wide; А
Torch ere with a circular marble top,
50in; 127cm wide; A Virtue with а
glazed door and sides below a ribbon-
tied cresting, 72in; 183cm high, 32in;
8lem wide; and A Pelmet with а
ribbon-carved cresting, 79in; 20lem
wide, c. 1900, re-gilded

A  MAHOGANY  NARROW  BOOKCASE,  the
molded cornice above a pair of glazed doors enclosing shelves with recessed ebonized roundels above a pair of panelled cupboard doors, 951 by 541 by 14in; 243 by 138.5 by

35.5cm, c. 1850
The narrow proportions of this bookcase suggest that it was made for a recess and has not been altered from a large bookcase

A  WILLIAM  IV  SET  OF  MAHOGANY
SHELVES, the superstructure with two pierced sides with carrying handles above a scroll cresting centred by а rectangular panel above three shelves, 18 by 36in; 46 by 91cm, c.

1835

A SET OF MAHOGANY WALL SHELVES with
an arched back above three graduated shelves, 22 by 39in; 56 by 99cm, c. 1840

AN ELIZABETHAN REVIVAL ROSEWOOD
PRIE-DIEU with a padded top-rail with a padded oval back and twist-turned supports, the button-upholstered seat on cabriole legs, c. 1840

AN UNUSUAL SATINWOOD AND MAR-QUETRY LIBRARY BOOK CABINET, the
outset top with a leather writing surface, the central frieze drawer indistinctly stamped Hunter, above a kneehole, flanked by shelved sections and a frieze drawer, on square

tapering supports, inlaid throughout with masks, stylised foliage and chequer bandings, 36 by 84in; 92 by 214cm, third quarter of the 19th century