Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

ANTIQUE NARROW BOOKCASE, A CARVED ROSEWOOD TEA TABLE, A CARVED WALNUT ARMCHAIR, CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR

A CARVED AND SILVER GESSO
ARMCHAIR, Louis XIV style, with cut
velvet upholstery, on scrolled supports, faults

A WALNUT CUSHION FRAME WALL
MIRROR, George I, with an arched fretwork
cresting and a later plate. high

A BUTTON UPHOLSTERED
ARMCHAIR, Victorian, covered in green
dralon and with turned feet, on castors

A PAIR OF MAHOGANY SHIELD BACK’ ARMCHAIRS, George III style, with pierced splats, drop-in seats and tapered square legs

AN ANTIQUE NARROW BOOKCASE, George III style, with an astragal door above a cupboard door, on bracket feet, high by wide.

AN ANTIQUE AND PARCEL GILT
WALL MIRROR, George II style, with an
eagle cresting, later gold painted, high

A CARVED GILTWOOD WALL
MIRROR, Continental, 18th Century, with a
pierced ribbon tied cresting above a later
rectangular plate, faults, high

A CARVED HARDWOOD FOLDING
ARMCHAIR, Burmese, 18th Century, with a
caned back and seat flanked by griffon
carved arms’

A CARVED ROSEWOOD TEA
TABLE, Victorian, with a turned pedestal
support, on quadruple splayed legs,
wide’

AN ANTIQUE TEA TABLE, George
III, with a rectangular fold-over top, on
moulded square legs, restored,
wide

A CARVED AND GILT GESSO
CORNER WALL BRACKET, 18th Century,
with an atlante support, wide.

AN ANTIQUE CARD TABLE, George
II,with a rectangular fold-over top and a
drawer, on lappet carved legs and pad feet,
faults, restoration to drawer, wide.

AN ANTIQUE REVOLVING
BOOKCASE, Edwardian, with a square
satinwood banded top and open splat sides,
on a cruciform base, wide.

A CARVED WALNUT ARMCHAIR, late 18th Century, style, with tapestry upholstery and spiral twist supports joined by stretchers

A SET OF THREE MAHOGANY DINING CHAIRS, George III, each with triple pierced splats, drop-in seats and tapered square legs joined by stretchers; together with a pair of mahogany

Dining Chairs, George III, with arched pierced splat backs and tapered square legs

A WALNUT STOOL, Victorian, of elongated rectangular form with an upholstered seat, on cabriole legs, wide.
AN ANTIQUE AND INLAID ARMCHAIR, Edwardian, with a partially upholstered back, pierced splats and padded seat, on cabriole legs

AN ANTIQUE LINEN PRESS, George
III,with a moulded top above a pair of
spandrel inlaid doors, on bracket feet,
wide

AN ANTIQUE BEER ENGINE, Victorian, with triple ceramic and brass pumps, wide.

A CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR, Victorian, inlaid with stringing, the floral tapestry back and seat on turned fluted legs

A SET OF MAHOGANY QUARTETTO TABLES, George III style, with rectangular tops, ring-turned supports and splayed feet, wide.

CONTINENTAL FURNITURE, French kingwood and crossbanded semi-circular serpentined Jardinieres, French Empire mahogany Cupboard-on-Chest, French kingwood Vitrine

A pair of French kingwood and
crossbanded semi-circular serpentined
Jardinieres,  with gilt-metal
and porcelain mounts, the top with a
gallery, liner and cover, the shaped
frieze above conjoined scroll supports
joined by an X-shaped stretcher, on
sabots, mounts partially lacking, cm. wide.
ft. m.

A Dutch marquetry and mahogany
framed Toilet Mirror,  the
rectangular plate above a plinth and
drawer, on tapered square feet, cm.
wide. lft. Vin.

A French Empire mahogany Cupboard-on-Chest,  the
moulded cornice above a mirror panelled door flanked by pIIIars with engine-turned brass mounts, below are three long drawers, on a plinth base and tapered square feet, cm. high

by cm. wide. ft. in.

A Dutch marquetry and   An Italian 19th Century and 18th Century-style  A French walnut and kingwood
mahogany Games Table,  thecarved and gilt-gesso framed Wallcrossbanded Card Table,
rectangular fold-over top revealing aMirror,  of octagonal form,with gilt-metal mounts, the rectangular
chessboard inset within borders withwith chamfered margin plates and boldserpentined fold-over top revealing a
playing card and domino motifs, ongadrooned border, cm. high by cm.baize lining, the shaped apron above
tapered square legs, cm. wide. ft. in.wide. ft. lin. by ft. Vin.        square cabriole legs ending in sabots, top
—with two distressed corners, cm. wide.
ft. lin.

A French kingwood Vitrine,
with gilt-metal mounts, the
domed cornice above a door and shaped
sides with glazed panels, the lower part
painted in the Vernis Martin manner with
lovers and landscapes, the square splayed
legs ending in sabots, the velvet-lined
interior with glass shelves, cm. high by
cm. wide. ft. Vin. by ft.  in.

A Louis XV-style walnut and
kingwood crossbanded Bureau Plat,
with gilt-metal mounts, the
rectangular serpentined top with a tooled
leather inset and marquetry border, the
frieze with three drawers and three
opposing dummy drawers, on square
cabriole legs

A French ebonised and gilt-metal
mounted Pietra-Dura Side Cabinet, circa
, banded in brass, the pair of doors
applied with carved stone flowers, fruit
and birds flanked by fluted Corinthian
pIIIars and a pair of bowed glazed doors,
the velvet-lined interior with shelves, on
a plinth base and turned feet, faults,
cm. high by cm. wide. ft. by
ft. m.
Formerly the property of Lord Palmerston.

A Dutch marquetry and
mahogany Cylinder Bureau,
in two parts, the three frieze drawers
above the rising section operated by the
slide, the shaped and stepped interior
with short drawers, pilaster drawers and
tambour cupboard, the ogee-shaped base
with three long drawers and a valanced
apron, the projecting corners with
gilt-metal mounts and ending in splayed
feet, cm. high by cm. wide. ft. lin.
by ft. HVin.

A Milanese walnut and
marquetry Commode,  with
quarter veneers, arabesque motifs and
satinwood banding, together with
roundels depicting mythological
characters, the three long drawers
flanked by floral spray terminals, on
tapered square feet, restored, cm. high by
cm. wide. ft.  in. by ft. llin.

A Lombard walnut and ivory
inlaid small Commode,  with
two drawers, the square cabriole legs
joined by later stretchers, faults, cm.
high by cm. wide. ft. in. by ft. lin.

Two similar Dutch marquetry,
walnut and beech Chairs in the th
Century style,  with solid
vase-shaped splats and slip-in
saddle-shaped seats, on cabriole legs,
faults

A French carved walnut and
upholstered corner Chair,
covered in floral tapestry, the shaped
apron above moulded cabriole legs and
scroll feet

A French kingwood Meuble
dAppui,  with serpentined
front, gilt-metal mounts and marble top,
the bombe door and sides painted in the
Vernis Martin manner with lovers and
landscapes, the interior with a shelf, the
splayed feet ending in sabots, cm. high
by cm. wide. ft. in. by ft.

A French kingwood and
marquetry Secretaire-a-Abattant, circa
the shaped front with canted
corners, the breche dalepe marble top
above a frieze drawer and a fall revealing
a shelved recess and two drawers, below
are three drawers and cabriole feet,
cm. high by cm. wide. ft. in. by
ft. lVin.

A Dutch walnut Display Cabinet
in the 19th Century and 18th Century style,
with domed cornice and canted corners, the carved surmount above a pair of astragal doors enclosing serpentine shelves, the ogee-shaped apron with a drawer, on carved claw and

ball feet, fitted with electric light, cm. high by cm. wide. ft. in. by ft.

A French walnut Gueridon,  with gilt-metal and porcelain mounts, the raised open tier above a cupboard and shaped apron, the square cabriole legs ending in sabots, cm. wide.

lft.

A French thuyawood and ebonised Centre Table,  with gilt-metal and porcelain mounts, inlaid with satinwood arabesques and stringing, the oval serpentined top above a shaped

frieze, the square cabriole legs joined by an X-shaped stretcher with a turned vase finial, cm. wide. ft. llin.

A Dutch marquetry and walnut
Bureau,  in two parts, the
upper section of ogee shape, the fall
revealing a stepped and fitted interior,
the base with a frieze drawer above a
shaped apron, on square cabriole legs,
cm. high by cm. wide. ft. in. by
ft. Vin.

A Louis XVI gilt and ivory
painted Chair,  the
rectangular stuffed back and bowed seat
covered in brocade, on turned and
stop-fluted tapering legs, stamped
A. GaIIIiard, distressed

An Italian 19th Century and 18th Century-design giltwood and later painted Cassone, made-up, with red reserved panels of stylised strapwork within blue borders, the panel front

depicting a marriage scene flanked by respective armorial crests, the sides decorated with lion masks suspending ribbon-tied fruit, on carved block feet, cm. high by cm. wide.

ft. by ft.

A Louis XV kingwood small Armoire,  the serpentine brown and grey veined marble top of arc-en-arbalette form, with a pair of conforming crossbanded cupboard doors enclosing oak

shelves and with canted and serpentine sides, on short cabriole legs with gilt-bronze acanthus mounts, cm. high by cm. wide.

MAHOGANY SUITE OF SEAT FURNITURE, Louis XVI style, CARVED OAK AND GLAZED CABINET BOOKCASE, WALNUT KNEEHOLE DESK

AN ANTIQUE SETTEE, George III,
with nailed upholstery and loose covers, on
tapered square legs, one leg off, cm.

AN ANTIQUE ARMCHAIR, George III. with a pierced splat and drop-in seat, on square legs, old repairs

A NEST OF THREE CORNER TABLES, Chinese, lacquered in black, red and gilt, with bow front tops, cm. wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular tilt-top and triform base, cm. diamete

A CARVED MAHOGANY SUITE OF SEAT FURNITURE, Louis XVI style, covered in ivory floral fabric, comprising: a pair of armchairs and a settee, cm. wide.

AN ANTIQUE FRAMED FOUR¬FOLD SCREEN, Victorian, with later leaf branch embroidered panels, each fold cm. high by cm. wide.

AN ANTIQUE PEDESTAL SIDEBOARD, Regency, the pair of doors with pIIIars, and with a cellaret drawer, cm. wide.

AN ANTIQUE CHEVAL MIRROR, part early 19th Century and 18th Century, with a rectangular bevelled plate and splayed feet, cm.
wide.

A CARVED OAK AND GLAZED CABINET BOOKCASE, Flemish, 19th Century and 18th Century, with spiral twist pIIIars, cm. high by cm. wide.

AN ANTIQUE SIDEBOARD, George
III,with a bow-front cutlery drawer, on
tapered square legs, cm. wide.

AN ANTIQUE ARMCHAIR, WIIIiam
IV,with rail back and turned legs

AN ANTIQUE AND INLAID CHESS TOP TABLE, 19th Century and 18th Century, on a tripod base, restored, cm. diameter

AN ANTIQUE TWO TIER SIDE TABLE, Edwardian, with two drawers and Corinthian pIIIar supports, cm. wide.

A SABICU PEDESTAL CARD TABLE,
Victorian, on a quatreform base, cm.
wide.

AN OAK BOW-FRONT CORNER CUPBOARD, part 19th Century and 18th Century, on a plinth base, cm. wide., and a carved mahogany framed Overmantel, late Victorian, with a cartouche

shaped and bevelled plate, cm. wide.

A WALNUT KNEEHOLE DESK, Victorian, with an inset top and nine drawers, formerly a dressing table, cm.
wide.

AN ANTIQUE AND INLAID MUSIC STOOL, Edwardian, with hinged seat and square splayed legs, bearing label Palmers, Kettering, cm. wide.

AN ANTIQUE COMMODE, George
III, with alterations, with a gallery, cupboard
and two drawers, cm. wide.

A PAIR OF CARVED OAK HALL
CHAIRS, Victorian, with lion mask roundels
and spiral reeded legs

AN ANTIQUE RAIL BACK ARMCHAIR, Regency, on ring turned legs.

ITALIAN PAINTED CHAIRS, LOUIS XVI GILT-BRONZE MANTEL CLOCK, RESTAURATION GILT-BRONZE FENDER, ROSEWOOD MARQUETRY DOUBLE SECRETAIRE, LOUIS XVI PAINTED PROVINCIAL BATHING CHAIR

A SET OF TEN ITALIAN PAINTED CHAIRS, six late 18th century, four later,
with molded frames, stuffed rectangular backs, stuffed drop-in seats and fluted tapering legs, repainted with trailing flowers and leaves on a creamy yellow ground.

A   SWEDISH   PAINTED   AND   PARCEL-GILT SMALL CYLINDER BUREAU, late 18th century,
the roll-top with a ribbon-tied spray of flowers, concealing a fitted interior with six drawers and an arched door, on square fluted tapering legs, 109cm high, 82cm wide, 50cm

deep
A very similar table is in the collection of Gustavo, 7th Due d’Otrante at Elghammar House, Sweden, illustrated in Hakan Groth, Neoclassicism in the North, London, 1990. Another

is illustrated in Sigurd Wallin, Nordiska Museets mobler Svenska Herremanshem, 1979.

A LOUIS XVI GILT-BRONZE MANTEL CLOCK, circa 1785,
the circular white enamel dial signed Angelino a
Paris, surmounted by the seated figure of Diana and
her hound, the shaped plinth with a frieze of
frolicking cherubs, on tasseled feet.

AN EMPIRE MAHOGANY GUERIDON, circa 1815,
with veered antic marble top, the three columnar
supports joined by cross-bars.

AN    EGYPTIAN    REVIVAL    ENAMEL    AND SILVERED BRASS CASKET, circa 1880,
the cover with a reclining female figure, the whole decorated with Egyptian scenes and symbols, raised on recumbent sphinxes,
23cm high, 32cm wide, 22cm wide.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE MANTEL CLOCK, circa 1820,
the circular dial contained within a sphere flanked
by a standing female figure and a flaming torch,
surmounted by Cupid, the rectangular plinth faced
by posies and garlands, on square feet.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE FENDER, circa 1825,
the plinths surmounted by cornucopia with boars’ heads, the central pole above a line of graduated rosettes,
minimum 110cm wide, maximum 150cm wide .

A RESTAURATION GILT-BRONZE FENDER, circa 1820,
each plinth surmounted by a lion fighting with a snake,
minimum 98cm wide, maximum 150cm wide .

A   RESTAURATION   BRONZE   AND    GILT-BRONZE FENDER, circa 1820,
faced with gilt-bronze masks and rosettes,
minimum 130cm wide, maximum 150cm wide .

A  RESTAURATION   MAHOGANY   DRESSING
TABLE,
circa 1815,
the oval plate with columnar supports, the table stand with white marble top, a drawer in the frieze and scroll front legs,
144cm high, 77cm wide, 45cm deep.

A RESTAURATION PROVINCIAL FRUITWOOD
BUREAU-CABINET,
circa 1820,
the upper part with a pair of glazed doors, the lower part with a sloping front enclosing a fitted interior above two long drawers,
209.5cm high, 107cm wide, 58cm deep.

A RARE ROSEWOOD MARQUETRY DOUBLE SECRETAIRE,
circa 1825, French or Spanish,
the two paneled fall-fronts inlaid with arabesque scrollwork and raised on fluted and scroll supports, 146cm high, 117cm wide, 67cm deep.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE LION, circa 1825,
shown recumbent, the plinth faced by a flower-filled tizzy and bearing a coat of arms, 26cm high The arms are those of Counts Szecheny de Sarvary-Felso-Videk of Hungary (created

Counts on 7th September 1697), ref. J. B. Rietstap, Armorial General. This family played a very important role in the history of Hungary.

A PAJR OF SWEDISH GRANITE COLUMNS,
with Empire style guilloche mounts in gilt bronze,
TWO SIMILAR PAIRS OF GILT-BRONZE WALL-LIGHTS, 19th century,
each with two candle-nozzles supported on a ring issuing from a lions mask, 16cm deep.

A LOUIS XV BEECHWOOD COMMODE CHAIR, mid 18th century,
with caned back and seat, the apron and sides carved with scrollwork; bearing the stamp Hilliard

A PAIR OF RESTAURATION  GILT-BRONZE AND MARBLE TAZZE, circa 1825,
each plinth faced by a palm wreath.

A PAIR OF GILT-BRONZE CHENETS, circa 1810,
with artichoke finials and faced by swans, bearing an inventory mark EL surmounted by a crown .

A LOUIS XVI PAINTED PROVINCIAL BATHING CHAIR,
circa 1785,
the loose caned low back and sliding seat above a tile basin supported on square legs, 70cm high, 59cm wide, 67cm deep .A virtually identical fauteuil blain de siege is at the

Mused
des Arts et Traditions Popularizes in Paris. Nicole De
Reyna’s, he mobile domestique, illustrates this
example. This kind of chair
usually existed in a round or oval shape, while the
rectangular form is considered
rarer.

A    SET    OF    THREE    PAINTED    CHAIRS, PROBABLY VIENNESE, circa 1800,
with arched curved backs, stuffed seats and saber legs, delicately painted with flowers and scrollwork on a pale blue ground.
TWO     VERY     SIMILAR     RESTAURATION MAHOGANY ARMCHAIRS, circa 1830,
with curved backs, scroll arms, stuffed seats and cabriole legs.

A     RESTAURATION     MAHOGANY     DESK
ARMCHAIR,
circa 1825,
the curved back with lion mask terminals, with stuffed seat and turned tapering legs.

LOUIS XV BRASS TWO-LIGHT BOUILLOTTE LAMPS, CHARLES X MARQUETRY TEMPLE CLOCK, RESTAURATION MAHOGANY BUREAU PLAT, MAHOGANY  AND  MARQUETRY WORK TABLE, LOUIS XVI TULIPWOOD GAMES TABLE

AN EMPIRE TOLE PEINTE AND GILT-BRONZE
SMALL CASKET, circa 1810,
of  sarcophagus   form,   mounted   with   classical
figures, raised on turned feet,
11cm high, 16.5cm wide, 8.5cm deep (4in, 61hin, 3in).

A  PAIR   OF   BRONZE  AND   GILT-BRONZE
CHENETS,
circa 1825,
each with a seated sphinx, with scrollwork and mask
apron and spirally turned feet,
26cm wide (Win).

A PAIR OF LOUIS XV BRASS TWO-LIGHT BOUILLOTTE LAMPS, mid 18th century,
each with an adjustable toe painter shade, the curved candle-branches with circular drip-pans and nozzles above a shaped thumb piece, raised on a stepped molded octagonal base;

each with a wick trimmer and snuffer.

AN OVAL TOLE PEINTE TRAY, circa 1830,
with a painted oval showing Napoleon and a painted inscription on no passer pas, with a later painted leafy border.

A  PAIR   OF   BRONZE  AND   GILT-BRONZE
CANDELABRA,
circa 1840,
each with six branches centered by an eagle, on receded column and tripod base, 65cm high .

A PAIR OF BRONZE AND GILT-BRONZE TAZZE, mid 19th century,
with scroll handles, the plinths faced by bearded masks,
31cm high (12in).

A PAIR OF TOLE PEINTE JARDINIERES,
each decorated with trophies and neo-classical figures on a yellow ground, raised on paw feet above a square base,
30cm high (12in).

A CHARLES X MARQUETRY TEMPLE CLOCK, circa 1825,
the pediment and base  inlaid with  arabesque scrollwork,   the  dial  and  movement  supported between the four columnar supports, 47cm high, 24cm wide, 14cm deep.

A PAIR OF BRONZE AND GILT-BRONZE VASES, circa 1840,
cast with drunken cherubs, on tall plinths,
33.5cm high.

A PAIR OF FRENCH GILT-BRONZE AND ONYX SMALL VASES, Paris, circa 1880,
the fluted bodies with gilt-bronze rams’ head masks,

A NAPOLEON III GILT-BRONZE MOUNTED AGATE BOWL, Paris, circa 1870,
the well-figured stone held by foliate masks with ‘ruby-jeweled’ eyes on a leaf-cast support, 12cm high.

A BRONZE AND GILT-BRONZE FENDER IN EMPIRE STYLE,
cast with swans and surmounted by seated sphinxes, 102cm wide (3ft 5in).

A RESTAURATION MAHOGANY BUREAU PLAT, circa 1820,
with rectangular leather-inset top, three drawers in
the frieze and square tapering legs,
75 cm high, 130cm wide, 71cm deep.

AN   EMPIRE   BRONZE   AND   GILT-BRONZE
CLOCK,
circa 1810,
the dial signed d Paris and contained within an altar with winged terms and trochees at the corners and a scene of a sacrifice below the dial, 29cm high, 21cm wide, 12cm deep.

A    LOUIS    XVI    MAHOGANY    CONSOLE
DESSERTE,
circa 1785,
with galleried mottled green marble top, a drawer
in the paneled frieze, the fluted supports joined by
a shelf and raised on toupee feet,
86cm high, 127cm wide, 50cm deep.

A  DUTCH  MAHOGANY  AND  MARQUETRY WORK TABLE, circa 1820,
with circular hinged top enclosing a fitted interior, on a turned column and concave-sided triangular base; now inlaid with floral parquetry, 77cm high, 46cm diameter.

A   BALTIC   BRASS-MOUNTED   MAHOGANY
COMMODE,
late 18th century,
the frieze drawer above two long drawers with
canted corners, on fluted tapering legs,
89cm high, 121cm wide, 58cm deep.

A DUTCH MAHOGANY SIDE TABLE, circa 1820,
of semi-circular form with a drawer in the frieze, mirrored back and columnar front supports; now inlaid with floral parquetry,
78cm high, 76cm wide, 36cm deep .

A LOUIS XVI TULIPWOOD GAMES TABLE, 1785,
the removable rectangular top inlaid on one side},; with a coequal board and lined with baize on the ivy reverse, with a backgammon well below, two small drawers in the frieze

and square tapering legs, 73cm high, 100cm wide, 61cm deep.

A SWEDISH PAINTED AND PARCEL-GILT PIER-GLASS AND TABLE, early 19th century,
the rectangular divided plate surmounted by fruit and flowers, the table with spirally fluted legs, the top and base painted in imitation of porphyry; with label Filverkad Vide

I Frisks Spiegel Fabrik vid Storlorgel Stockholm.

ITALIAN BUREAU, DUTCH PALISSANDERWOOD COMMODE, WALNUT DESK ARMCHAIR, DUTCH MAHOGANY CHAIRS, ITALIAN WALNUT GAMES TABLE, LOUIS XV PROVINCIAL LOW TABLE

AN ITALIAN BUREAU, part circa 1740,
the curved paneled front opening to reveal a fitted interior with three drawers below and cabriole legs; later decorated with polychrome birds and flowers on an ochre ground,
103ch high, 104cm wide, 51cm deep (2ft2in, 3ft 5in, 8in).

AN ITALIAN PAINTED DISPLAY CABINET, late 19th century,
the triple arched top with carved gilt wood cresting above three glazed doors, the ‘D’ part with cupboards flanking a shelf, painted with flowers on a green ground,
213cm high, 128cm

A DUTCH MAHOGANY ARMCHAIR, circa 1770,
with molded frame, stuffed back, arms and seat and cabriole legs.

A LOUIS XV WALNUT DUCHESSE BRISEE, circa 1750,
the molded frame carved with flower heads, the berg ere section with arched back curving into the padded arms with down-swept supports, on cabriole legs, the end section of

similar form and with lower berg ere end; partly re-railed and foot tips replaced,

A DUTCH PALISSANDERWOOD COMMODE, mid 18th century,
of shallow serpentine form with molded front, three drawers and projecting corners continuing to the bracket feet, 72cm wide (2ft 41Mn).

A DUTCH MARQUETRY TOILET-GLASS, 18th century and later,
in the form of a miniature bureau with shaped front and three drawers and surmounted by a rectangular swing mirror,
87cm high, 43cm wide, 23cm deep.

A PAIR OF DUTCH MAHOGANY CHAIRS, circa 1775,
with molded frames, the stuffed backs headed by crests of figures and the motto Primus e Stripe, the stuffed seats raised on cabriole legs

AN UNUSUAL FRENCH GILT-BRONZE HALL
LANTERN,
Paris, circa 1890,
the five sides divided by a molded cage frame held by scrolled acanthus, with glass panels, 90cm high .

A PAIR OF LOUIS XV GILT-BRONZE WALL-LIGHTS, mid 18th century,
each with two asymmetric candle-branches and a leaf-cast back-plate; drilled for electricity, 41cm high, 36cm .

A PAIR OF LOUIS XV BEECHWOOD LOW
CHAIRS,
mid 18th century,
with padded backs, the molded frames carved with flowers and leaves, on cabriole legs.

A SET OF THREE ITALIAN PAINTINGS ON GLASS,
mid 18th century,
of pastoral scenes with figures and animals; in
gilt wood frames,
23cm high, 30cm wide (9in, 12in).

A LOUIS XV GILTWOOD CONSOLE, mid 18th century,
with serpentine fleur de lecher marble top, pierced scrollwork frieze, double scroll legs and leafy stretcher,
78cm high, 77.5cm wide .

A WALNUT DESK ARMCHAIR, in Louis XV style,
with molded flower-carved frame, arched caned back, loose-cushioned seat and cabriole legs.

A FRENCH PAINTED CANVAS SCREEN IN LOUIS XV STYLE,
the four arched leaves painted with scenes in the style of Parliament on a stone colored ground,
161cm high, width of each leaf 54cm.

MARQUETRY     CORNER

A     PAIR     OF CUPBOARDS, one Louis XV, circa 1770, the other a later copy,
both of serpentine form with fleur de lecher marble top and each with a door inlaid with a ribbon-tied bunch of roses,
91cm high, 93cm wide, 65cm deep.

A PAIR OF LOUIS XV PAINTED AND PARCEL-GILT ARMCHAIRS STAMPED I B BOULARD, circa 1760,
with molded flower-carved frames, cartouche-shaped backs, serpentine-fronted seats and cabriole legs.

AN ITALIAN WALNUT GAMES TABLE, circa 1760,
the hinged box top fitted for chess, draughts and back-gammon, with a drawer in the frieze and cabriole legs,
83cm high, 59cm wide, 52cm deep.

A LACQUER COMMODE IN LOUIS XV STYLE, early 20th century,
of serpentine bombe form, the black marble top
with two slides below, containing two drawers and
decorated with figures and animals, including a
tiger and an elephant, on splayed legs,
84cm high, 81cm wide, 49cm deep .

A LOUIS XV PROVINCIAL LOW TABLE, mid 18th century,
the shaped top above a conforming frieze, on cabriole legs,
59cm high, 42cm wide .

A PAINTED HALL BENCH, in 18th century style,
the arched back painted with a crest
AN      UNUSUAL      ROMAN       GILTWOOD
ARMCHAIR,
circa 1725,
the molded frame carved with leaves and strap work, the arched back with shell cresting, the stuffed seat raised on scroll legs and stretchers; restored

ITALIAN WALNUT BUREAU, VENETIAN LACQUER MIRROR, DANISH RED-JAPANNED COMMODE, LOUIS XV WALNUT FAUTEUILS, GENOESE ROSEWOOD GAMES TABLE, LOUIS XV WALNUT SOFA

AN ITALIAN WALNUT BUREAU, mid 18th century,
the sloping front enclosing a fitted interior, with three long drawers in the serpentine lower part, the whole inlaid with geometric bandings, 103cm high, 86.5cm wide (3ft 42in,

2ft Win).

A   PIEDMONTESE   WALNUT    MARQUETRY
CHEST,
circa 1740,
of serpentine form, the top, sides and three drawers inlaid with scrollwork, on bracket feet,
96cm high, 121cm wide, 57cm deep 65.

ANOTHER     PIEDMONTESE     MARQUETRY
CHEST,
circa 1740,
similar to the preceding, with serpentine top and four drawers,
100cm high, 119cm wide, 55cm deep.

A PAIR OF GILTWOOD ARMCHAIRS, circa 1760, probably Dutch,
the upholstered backs with rope-molded frames, the padded arms with vaulted supports, the stuffed serpentine-fronted seats raised on cabriole legs headed by grotesque masks

A VENETIAN LACQUER MIRROR,
the domed cresting surmounted by a coat of arms in   a  scrollwork  cartouche,   the   shaped  plate surrounded by similarly carved scrollwork, 153cm high, 107cm wide (5ft, 3ft

6in).

A RARE DANISH RED-JAPANNED COMMODE, mid 18th century,
of serpentine form, the superstructure with six small drawers, the chest with two short and two long drawers on bracket feet, the whole decorated in imitation of oriental

lacquer,
114cm high, 109cm wide, 62cm deep (3ft 9in, 3ft 7in,)

AN    IMPRESSIVE    GILT-BRONZE    CARTEL
CLOCK,
circa 1720,
8/4in cartouche dial, movement with square plates signed Gilles Martinet, Paris, baluster pillars, silk suspension, count wheel, bell and hammer lacking, the wised foliate case

surmounted by a putt in a chariot drawn by doves amongst clouds before a sunburst, the base with Cupid veiling Venus, 109cm high (43in)

A SET OF FOUR DUTCH PAINTED PANELS, mid 18th century,
each with a swathe of summer flowers; now mounted as a screen,
each panel 214cm high, 55cm wide (7ft).

A VENETIAN PAINTED TOILET-GLASS,
the shaped plate contained within a molded frame carved and painted with flowers, leaves and berries, 75cm high, 47cm wide (2ft 5Vzin, 2in).

A TUSCAN ROSEWOOD COMMODE, mid 18th century,
of serpentine shape, the quarter-veneered and cross banded top above two short and four long drawers with a shaped apron, canted corners, and raised on short square cut cabriole

legs, 91cm high, 130cm wide (3ft, in).

AN ITALIAN WALNUT CARD TABLE, mid 18th century,
the serpentine top inlaid with playing cards and swiveling to reveal a well, raised on cabriole legs, 76cm high, 79cm wide, 40.5cm wide (2ft 6in, 2ft 7in, 4in).

A PAIR OF LOUIS XV WALNUT FAUTEUILS, mid 18th century,
each with padded back and arms, the molded frames carved with flowers and leaves, on cabriole legs

A GENOESE ROSEWOOD GAMES TABLE, circa 1760,
with shaped hinged top, a drawer in the frieze, and cabriole legs,
81cm high, 78cm wide, 40cm deep (2ft 8in, 2ft).

A   PAIR   OF   VENETIAN   WALNUT   SMALL
COMMODES,
mid 18th century,
of tapering rectangular form, each with a drawer above a cupboard, raised on cabriole feet; one formerly with a hinged top and now with a drawer, 70cm high, 42cm wide, 33cm

deep.

A LOUIS XV WALNUT SOFA, mid 18th century,
the curved back centered by leafy scrollwork with a garland, the seat-rail centered by a similar motif, 178cm wide (5ft Win)

A  DANISH  PARCEL-GILT  WALNUT   SMALL
COMMODE,
mid 18th century,
of serpentine form with four long drawers, the later serpentine top with gilt wood border, the later gilt wood base carved with flowers and scrollwork, 94cm high, 56cm wide,

38cm.

A LARGE CONTINENTAL PAINTED SCREEN, probably German, circa 1890,
the painting after Johan Conrad Seats, each of the six narrow tall folds with a rococo carved gilt wood border incorporating painted canvas reserves of children hunting, dancing

and harvesting, each fold 290cm high, 69cm wide (9ft 6in, 2ft 3in)

A PAIR OF GILT-BRONZE CHENETS STAMPED WITH THE CROWNED C POINCONS, in early Louis XV style,
each of a sphinx in a fleur-de-lees cast saddle-cloth, 38 cm high (15in).

AN UNUSUAL SET OF WALNUT LIBRARY STEPS,
circa 1780, German or French,
with eight treads on piaster and guilloche carved
supports; on four later plinths,
220cm high, 52cm wide.

AN ITALIAN SILVERED WOOD ARMCHAIR, mid 18th century, Neapolitan or Sicilian,
with padded back, the molded frame carved with scrollwork and leaves and with scroll arm-rests, on cabriole legs joined by a stretcher

FLEMISH EBONY AND TORTOISESHELL CASKET, ITALIAN RED-JAPANNED CHAIRS, REGENCE CORNER CUPBOARD, LOUIS XV PROVINCIAL GILT-BRONZE CANDLESTICKS, ITALIAN RED LACQUER CUPBOARD

AN UNUSUAL HISPANO-FLEMISH EBONY AND TORTOISESHELL CASKET, mid 17th century
the sloping lid opening to reveal an interior fitted with drawers, and with an architectural back, 16cm high, 27.5cm wide, 22cm deep (64in, 103Ain, 83Ain).
Footnote: The interior with a label The Lady Gwendolyn Herbert with Mr. Gaur’s kindest love, November 1856

A   SPANISH   GILTWOOD   AND   ALABASTER
MIRROR,
18th century,
the rectangular plate with pilasters to either side; with associated scrollwork cresting, 91cm high, 52cm wide.

A PAIR OF VENETIAN GILTWOOD GIRANDOLE
GLASSES,
early 18th century,
the arched tapering plates engraved with allegorical figures, the frames carved with flowers, scrollwork and leaves; some slight differences in carved decoration,
80cm high, 40cm wide .

A ROMAN PARCEL-GILT EBONISED FRAME, circa 1680,
of ribbed molded form with large associated pierced scrollwork clasps at the corners, 81cm high, 78cm wide (2ft 8in, 2ft in).

A PAIR OF ITALIAN RED-JAPANNED CHAIRS, circa 1730,
each with vase splat, drop-in seat and cabriole front legs with turned stretchers, decorated with gilt scrollwork on dark red

AN UNUSUAL PARQUETRY BUREAU, mid 18th century, probably Swiss,
the sloping front enclosing a fitted interior, the bombe lower part with two short and two long drawers,

A TUSCAN WALNUT ARMCHAIR, circa 1680,
with gilt scroll finials, molded arms, stuffed seat and turned legs and stretchers.

A NEAPOLITAN ENGRAVED BONE AND EBONY
CABINET,
mid 17th century,
with a pair of doors enclosing a cupboard and drawers, all decorated with figures within elaborate borders,

A BOHEMIAN LACQUER CABINET, mid 17th century,
of domed form with two doors, the interior fitted with drawers and painted with figures and landscapes; on an 18th century English stand similarly decorated,
118cm high, 44cm wide, 26cm deep.

A PAIR OF TUSCAN ARMCHAIRS, circa 1880,
in Renaissance style and of Manteca form, inlaid with geometric designs partly in bone and pewter.

A PAIR OF MARBLE COLUMNS, mid 19th century,
in mottled pink and beige stone and with molded bases and black marble plinths, 124cm high.

AN UNUSUAL REGENCE CORNER CUPBOARD, circa 1730,
veneered in kingwood and of bow-front form, the upper part with a molded breccias’ marble top above a pair of glazed doors with rounded corners and a pair of doors with diamond

trellis veneer, 198cm high, 78cm wide (6ft 6in, 2ft 7in).

A LOUIS XV OAK GAMING TABLE, circa 1740,
the associated rectangular top with chamfered corners and inset with a panel of contemporary floral needlework, the frieze with a drawer and raised on cabriole legs,
71cm high, 92cm wide, 69cm deep (2ft 4in, 3ft, 2ft 3in).

A SET OF FOUR PORTUGUESE PARCEL-GILT WALNUT CHAIRS, circa 1740,
with pierced scrollwork splats, drop-in seats and cabriole legs with claw and ball feet, joined by stretchers

A DUTCH GILTWOOD LOOKING-GLASS, mid 18th century,
the divided mirror plate with an asymmetric acanthus cresting flanked by Ho-ho birds above a rococo frame.

A PAIR OF LOUIS XV PROVINCIAL GILT-BRONZE CANDLESTICKS, mid 18th century,
the swirling baluster stems and bases engraved with flowers, leaves and scrollwork, 25 cm high

AN UNUSUAL LACQUER BUREAU-CABINET, mid 18th century, Italian or Spanish,
the upper part with a pair of glazed doors, the lower part with a sloping front, a drawer in the frieze and cabriole legs, decorated with black and red lacquer,
219cm high, 99cm wide, 69cm deep (7ft 2in, 3ft 3in, 2ft 32in).

A SET OF LOUIS XV GILT-BRONZE COMMODE
MOUNTS,
mid 18th century,
comprising four corner mounts surmounted by cherub masks, four pierced foliate foot mounts, and a large apron mount formed of pierced flower-cast leafy scrollwork

AN ITALIAN RED LACQUER CUPBOARD, part 18th century,
the pair of paneled doors and paneled sides
decorated with figures, animals and birds,
199cm high, 79cm wide, 38cm .

A PAIR OF ROMAN MARBLE COLUMNS, perhaps 17th century,
with later white marble capitals and bases, 118cm high