Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

INLAID MAHOGANY SECRETAIRE BOOKCASE, OAK AND METAL-BOUND CHEST-ON-STAND, GILT MOULDED ARMCHAIR, WALNUT SINGLE CHAIRS

AN OAK CHEST, 18th century with alterations, the later moulded top above three short and two long drawers, on bracket feet, 727cm. wide.

AN INLAID MAHOGANY SECRETAIRE BOOKCASE, George HI with, alterations, the pair of glazed doors above a writing drawer now lacking interior and a pair of doors enclosing trays,

faults, 210cm. high by 110cm. wide.

A MAHOGANY AND SATINWOOD BANDED CHEST ON CHEST, George III, the key cut cornice above two short and three long drawers flanked by canted corners, the lower part with a slide and

three long drawers, on bracket feet, one foot detached, 188cm, high by 119cm. wide.

A MAHOGANY DROP LEAF
TABLE, George II with restoration, the oval
top on tapering legs with pad feet, faults,
112cm. wide extended.

A MAHOGANY PEMBROKE
TABLE, early Victorian, of rectangular form
with a drawer, on turned legs and castors,
11 lcm. wide extended.

A MAHOGANY TRIPOD TABLE,
part 18th century, the circular top on a
baluster column and downswept legs, restored,
89cm. diam.

AN INLAID MAHOGANY TUB CHAIR AND THREE MATCHING SIDE CHAIRS, Edwardian, with pierced stick backs and padded seats, on tapered square legs.

A PAIR OF MAHOGANY SIDE CHAIRS, George IV, with rail backs, padded seats and turned legs.

A MAHOGANY CHEST OF DRAWERS, George III, with three long drawers, on bracket feet, back feet detacked, 83cm. wide.

A MAHOGANY WRITING TABLE, Directoire, late 18th Century, the inset top above three drawers, on fluted tapering legs, 112cm. wide.

A MAHOGANY ARMCHAIR, part 18th Century, with a splat back and drop-in seat, on carved cabriole legs.

A PAIR OF MAHOGANY AND SATINWOOD SIDE CHAIRS, George III, with rail backs and padded seats, on reeded tapering legs, restored.

A MAHOGANY WARDROBE, 19th Century, the moulded cornice above a pair of panelled doors, on a plinth base, faults, 220cm. high by 132cm. wide.

AN OAK AND METAL-BOUND CHEST-ON-STAND, probably German or Flemish, 17th Century style, with hinged cover, iron carrying handles and key, the stand with spiral-twist legs,

stamped, Queen Alexandra, 63cm. wide. This chest formerly belonged to Queen Alexandra.

A CARVED OAK CABINET, Flemish, 19th Century in the 17th Century style, with lion mask terminals, the pair of gadrooned frieze drawers above a pair of doors with narrative panels

and enclosing a shelf on a partially bold reeded plinth base, 112cm. high by 142cm. wide.

A PAIR OF WALNUT SINGLE CHAIRS, George I style, with pierced vase splats and drop-in seats above carved cabriol legs.

A CARVED OAK BOOKCASE, Flemish, 19th Century, the shaped cornice with mask heads above a pair of arched glazed doors enclosing adjustable shelves above a pair of drawers, on

turned feet, 154cm, wide.

A SET OF FOUR MAHOGANY CHAIRS, George III-style, with gold damas slip-in seats.

A MAHOGANY EXTENDING DINING TABLE, George III, with D’-shaped ends and central drop leaf section, 122cm. wide by 240cm. extended.

A GILT MOULDED ARMCHAIR, Victorian-style, with blue damask upholstery, on cabriole legs.

LOUIS-PHILIPPE ‘BOULLE’ INKSTAND, PAINTED IRON SINGLE BEDSTEADS, MALTESE FRUITWOOD CENTRE TABLE, ALPINE CARVED PINE HALL STAND, ITALIAN TRIPOD TABLE

A LOUIS-PHILIPPE ‘BOULLE’ INKSTAND, Paris, circa 1830,
in Louis XIV manner, with two hobnail glass bottles and convex sides inlaid with figures from the
Commedia del’Arte.

A PAIR OF PAINTED IRON SINGLE BEDSTEADS,
probably French, circa 1890,
the arched tubular frames with a dragon cresting,
the head and footboards painted with rococo
foliage applied with abalone, with side-rails,
90cm wide, 206cm long .
.
A GERMAN MAHOGANY DECANTER SET, late 18th/early 19th century,
the exterior inlaid with tassels and pattered, the interior with six decanters, two flasks and a tray all decorated with gilding,
23cm high, 30cm wide, 19cm deep.

A NAPOLEON III MARBLE INSET SMALL BOX, by Giroux, Paris, circa 1860,
the rectangular casket with five black marble panels inset with red black and green mother-of-pearl and scalable, the lock-plate signed MaisonAlph. Giroux Paris; with key,
21cm wide.

AN ENGLISH PORCELAIN MOUNTED SMALL CASKET,
Victorian, circa 1860,
of rectangular form, the lid inset with a porcelain panel, the gilt-bronze casket engraved with flowers; with key.

A MALTESE FRUITWOOD CENTRE TABLE, circa 1825,
the top inlaid with an ebonized Maltese cross, with four drawers and four dummy drawers in the frieze, on a turned leaf-carved support and triangular base,
72cm high, 54cm diameter An almost identical table is illustrated, Antique
Maltese Furniture, by Joseph Galea-Naudi and Denise
Micallef.

A MAHOGANY CENTRE TABLE, probably French, late 19th century,
the oval white and grey-veined carfare marble top, a milled gilt-bronze border, the paneled frieze set with two circular jasper plaques, on ribbon-tied gadrooned tapering legs,

75cm high, 87cm wide.

A SORRENTO PARQUETRY CENTRE TABLE, circa 1840,
the top inlaid with a Neo-classical chariot within a radiating geometrical design supported on a turned tripod base with herringbone base, 75cm high, 80cm wide.

A FRENCH IVORY MIRROR, circa 1880,
the arched cresting with an armorial device flanked by sea horses, plumed helmets and the monogram
CR,
85cm high 57cm wide.

AN ALPINE CARVED PINE HALL STAND, German or Swiss, circa 1880,
in the form of a bear at the bottom of a tree with a cub in the upper branches
203cm high (6ft 8in).

A GERMAN HISTORISMUS INLAID CABINET, circa 1890,
in Renaissance Revival manner, the inlaid doors flanked by caryatids with a projecting lower part above a pair of cupboard doors the whole inlaid with parquetry foliage and

masks, on a walnut ground with ebony banding and red tortoiseshell panels,
230cm high, 150cm wide.

AN ITALIAN ENGRAVED GLASS MIRROR, Venice, circa 1900,
the canted beveled frame with an outer border etched with flowers below a pierced cresting, 140cm high, 90cm wide (4ft 7in).

A SMALL GILT-BRONZE CHANDELIER, Paris, circa 1880,
the tri-form cage with three seated cherubs supporting nine acanthus cast candle arms, the top stamped H Beau,
80cm high, 70cm diameter.

A FRENCH VERNIS MARTIN DISPLAY CABINET,
provincial, circa 1900,
the arched cresting above a serpentine glazed door and sides and a vermin martin panel on cabriole legs, with gilt-bronze mounts and enclosing two shelves; with key,
166cm high, 82cm wide .

A VERNIS MARTIN VITRINE, Paris, circa 1900,
in Louis XV manner, the arched serpentine door and sides with glazed panels above painted scenes, veneered in rosewood with gilt-bronze mounts, 190cm high, 84cm wide (6ft 3in,

2ft 9in).

A PATINATED AND GILT-BRONZE WALL-LIGHT,
Paris, circa 1890,
in Louis XV manner, with a naked female figure holding a dolphin below four scrolling candle-arms, fitted for electricity,
69cm by 54cm.

AN ITALIAN TRIPOD TABLE, probably Florence, circa 1860,
the circular black marble top inlaid with white roses, on parcel-gilt and ebonized tripod support, 76cm high, 61cm diameter.

AN   UNUSUAL  NAPOLEON   III   COMBINED WORK AND WRITING TABLE, Paris, circa 1850,
the fitted writing drawer with a writing slide operating in conjunction with a sliding top and a workbox below, on ebonized in swept legs with gilt-bronze mounts, the whole

inlaid with a brass flower-head trellis,
77cm high, 57cm wide.

A NAPOLEON III BOULLE DRESSING TABLE, by Vader of Paris, circa 1855,
in Louis XV manner, with a serpentine hinged lid enclosing two trays and a mirror with a work box below, on cabriole legs, the lock signed Vader a Paris, the woodwork stamped CD

700, 71cm high, 61cm wide.

AN ITALIAN PIETRA DURA AND GILTWOOD TRIPOD TABLE, circa 1875,
the circular top inlaid with flowers, raised on a fluted stem and flower and piaster-carved scroll feet,
78cm high, 51cm diameter.