Antique Cupboard

BEECHWOOD CANTERBURY, George III style, ANTIQUE PEDESTAL DESK, ANTIQUE LINEN PRESS, AN ANTIQUE PEDESTAL TABLE

A BEECHWOOD CANTERBURY, George III style, modern, with three divisions, on turned feet, wide.   —

A WALNUT AND PINE CHEST OF DRAWERS, early 18th Century, now in two parts with two short and three long drawers, faults, wide.

A WALNUT AND INLAID MIRROR BACK SIDEBOARD, Victorian, with a marble top above mirror and solid panel doors, high by wide.

A CARVED HUANG HUALI
WRITING DESK, Chinese, late th
Century, the asymmetrical raised open shelf
back above and arrangement of drawers and
cabriole supports. wide.—

AN ANTIQUE LINEN PRESS, William IV, with a pair of panelled doors enclosing sliding traxs. formerly with a lower section, icide—

AN OAK PARTNER’S WRITING TABLE, Victorian, the leather inset top above six opposing frieze drawers, on reeded turned legs lacking castors, high by wide.,-.

AN ANTIQUE PEDESTAL DESK,
modern, the leather inset top with bowed
wings above an arrangement of drawers and
doors, on splaved bracket feet. wide.

A WALNUT PEDESTAL DESK, modern, the leather inset top above an arrangement of drawers and cupboard doors, on bracket feet. u>ide

AN ANTIQUE D’-END DINING TABLE, George III style, modern, with ebonised stringing and twin turned pedestals, on splaved tripod bases ending in brass paw castors. long extended

including three leaf insertions”

A TEAK TWO TIER SIDE TABLE, modern, with a slightly dished top and square legs, wide.; together with AN ANTIQUE Side Cabinet, modern, with a pair of drawers above fielded panel

doors, wide.

A SMALL YEW-WOOD CHEST OF DRAWERS, modern, with a serpentine top above four drawers and bracket feet, wide.; together with a small mahogany drum Table, modern, with a leather

inset top above drawers, open shelves and a pedestal base,  diam.

AN ANTIQUE SIDEBOARD, George III style, modern, including a bowed frieze drawer and a fluted apron, on tapered legs with spade feet, wide.

AN ANTIQUE DAVENPORT, late
Victorian, by Maple if Co.. with a real and
dummv drawers, turned pilasters and bun
feet, one drawer bearing the maker’s name G.
Bradley and date , another drawer stamped
Maple is Co. Ltd., wide.

AN ANTIQUE PEDESTAL TABLE, George III style, with an oval top and quadruple splayed legs ending in brass castors, wide.   ”

AN ANTIQUE CABINET, the cupboard door incorporating two late 18th Century Japanese ivory mounted panels, wide.

AN ASH RUSH SEAT ARMCHAIR, 18th Century, with a spindle back and turned supports

A FIGURED WALNUT
AND EBONISED SECRETAIRE CABINET,
Victorian, with a raised mirror back above a
fall-front and a drawer, on tapered square
legs with stretchers and spade feet, faults,
wide.

AN ANTIQUE WASHSTAND, Victorian, the moulded top above two drawers, supported on twin turned end-supports , faults, wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular top on a hexagonal column, on a triform base with later castors, faults, diam.

AN EBONISED GESSO POLESCREEN, early Victorian, with a needlework panel and a triform base, distressed.

CHERRYWOOD AND INLAID WALL MIRROR, Scandinavian, WALNUT AND PARCEL-GILT WALL MIRROR, TURKISH SILVER INLAID OCCASIONAL TABLE, early 19th Century and 18th Century

AN OAK HALL TABLE, Victorian, the raised back above a frieze drawer, on panelled tapering square legs, cm.
wide.

A SET OF FOUR WALNUT
BALLOON BACK DINING CHAIRS,
Victorian, with leaf-carved back rails and
turned legs with cabochon carving

A ROSEWOOD AND MAHOGANY WORK TABLE, Victorian, the octagonal top enclosing a fitted interior, on foliate carved supports, cm.

AN ANTIQUE CROWN-BACK ARMCHAIR, early Victorian, with scroll arms and drop-in seat, on tapering legs, An oak Armchair; early 19th Century and 18th Century, with pierced rail

back and solid seat, on tapering square legs and A parcel-gilt walnut Armchair, Louis XV style, with padded back, arms and seat, on cabriole legs

AN ANTIQUE AND INLAID SIDEBOARD, George III, of breakfront form, with bowed sides, on tapered legs and spad feet, cm. wide.    AN ANTIQUE SIDE TABLE, George
III style, with a fluted two drawer frieze
centred by an urn motif, on tapered legs,
cm. wide.

AN ANTIQUE AND BRASS BOUND BUCKET, George III, with alterations, of circular tapering form with a later metal liner, cm. high

A WALNUT AND PARCEL-GILT WALL MIRROR, George III style, the broken swan neck pediment centred by Prince of Wales feathers, cm. high

AN ANTIQUE AND INLAID PEMBROKE TABLE, George III, of rectangular form, with a drawer, on tapering legs with spade feet, now bearing the label of Druce & Co., Baker st London,

cm. wide. extended

AN ANTIQUE CARD TABLE, George III, with alterations, the serpentine moulded top, on moulded square legs, cm. wide.—

AN ANTIQUE BUTLERS TRAY ON STAND, part late 19th Century and 18th Century, with a waved gallery and pierce brackets (one lacking), cm. wide.—

A TURKISH SILVER INLAID OCCASIONAL TABLE, early 19th Century and 18th Century, the octagonal top centred by a Tourgha, the stem on splayed tripod supports, cm.
wide.

AN ANTIQUE AND INLAID
DRESSING TABLE MIRROR, George IV,
with a three drawer plinth base, restored,
cm. wide.

A WALNUT AND FEATHERBANDED CHEST, part early 19th Century and 18th Century, the moulded top above three long drawers, on bracket feet, cm. wide.

AN ANTIQUE EXTENDING DINING TABLE, French, nd quarter 19th Century and 18th Century, the drop-leaf top on fluted turned legs, lacking spare leaves, cm. diam. closed/ IVf

AMAHOGANY EXTENDING

DINING TABLE, Victorian, with a moulded
top and bulbous turned and fluted legs,
mechanical action detached, cm. by cm.
fully extended including three spare leaves and a
winder

A CARVED AND GILT GESSO WALL
MIRROR, 19th Century and 18th Century, the divided
bevelled plate within an arched and
gadrooned frame, regilded, cm. high

A CHERRYWOOD AND INLAID WALL MIRROR, Scandinavian, early 19th Century and 18th Century, with a shaped cresting, cm. high

A FIGURED WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above triple mirror panel doors, cm. wide.

A WALNUT CENTRE TABLE,
Victorian, of serpentine form, on pierced
fretwork end supports, cm. wide.

AN ANTIQUE PEMBROKE TABLE, late George III, of rectangular form, with a drawer and turned legs, top loose, cm. wide.

SIDE CHAIRS, THREE TIER BUFFET, SPOON BACK ARMCHAIR, INLAID MAHOGANY ‘X’-FRAME ARMCHAIR, OAK CHEST ON STAND

A MAHOGANY HALL SEAT, WIIIiam IV, with applied cylindrical mouldings, on reeded turned legs, 141cm. wide.

A MAHOGANY RAIL BACK
ARMCHAIR, Regency, with scrolling arms
and a drop in seat, on sabre legs.

A SET OF FOUR MAHOGANY SIDE CHAIRS, Edwardian, with pierced lyre’ backs and padded seats, on tapered square legs.

A WALNUT AND AMBOYNA OCTAGONAL CENTRE TABLE, Victorian, with four spirally reeded columns on carved splayed supports, restored, 75cm. wide.

AN INLAID WALNUT CARD
TABLE, Victorian, the hinged top raised on
columnar end supports with carved splayed
legs, 91cm. wide.

A MAHOGANY PATENT READING
TABLE, American, circa 1900, bearing the
label of George W Gates, 2211 Reed Street
Philadelphia, Pa., the rectangular top with two
drawers, on a ratchet hinge support and an
adjustable column, on four splayed supports,
76cm. high.

A PAIR OF MAHOGANY DINING
CHAIRS, George III with restoration, the
pierced splat backs above drop-in seats, on
foliate carved cabriole legs with pad feet.

A FRUITWOOD FIVE TIER WHATNOT, Victorian, of bowed outline, with graduated shelves, on spiral and baluster turned supports. 67cm. wide.

A MAHOGANY THREE TIER
BUFFET, Irish, late 19th Century, stamped
Strahan & Co. and numbere 90836, the central
tier containing two drawers, the interior of
one bearing a label with turned columns and
tapering legs, 122cm. wide.
The label reads: Robert Strahan &f Co. cabinet
makers and upholsterers, auctioneers and
undertakers, 24&25 Henry street, and 5 Leinster
street, Dublin.

A MAHOGANY AND SATINWOOD TABLE VITRINE, Edwardian, the glazed box top on tapering square legs joined by a platform stretcher, 61cm. wide.

AN INLAID OAK HANGING CORNER CUPBOARD, George III, the dentIIIed cornice above a single panelled door enclosing shelves, 74cm. wide.

A MAHOGANY CHEST OF DRAWERS, George III style, with four long drawers, on bracket feet, 77cm. wide.

A MAHOGANY BUREAU, George
III, the fall above four long drawers, on
bracket feet, 90cm. wide.

A MAHOGANY SIDE TABLE, George IV, the rectangular top above two frieze drawers, on turned legs, distressed, 92cm. wide.

A MAHOGANY SPOON BACK ARMCHAIR, Victorian, with a moulded scrolling frame, distressed leatherette upholstery, on cartouche carved cabriole legs.

AN INLAID MAHOGANY ‘X’-FRAME ARMCHAIR, Edwardian, the vase inlaid splat back above a padded seat, on square legs faults.

A MAHOGANY PEDESTAL DESK, 19th Century, the inset top with three drawers, on a pair of three drawer pedestals, 138cm. wide.

A SYCAMORE BUREAU, George III style, the fall enclosing a fitted interior above four drawers, on bracket feet, 76cm.
wide.

AN OAK CHEST ON STAND, part 17th century, with four panel fronted drawers divided by bobbin mouldings, on turned legs, 98cm. wide.

AN OAK COFFER, Charles II with alterations, the later hinged top above a scrolling foliate frieze and four lozenge carved panels, on stile feet, 162cm. wide.

LOUIS-PHILIPPE ‘BOULLE’ INKSTAND, PAINTED IRON SINGLE BEDSTEADS, MALTESE FRUITWOOD CENTRE TABLE, ALPINE CARVED PINE HALL STAND, ITALIAN TRIPOD TABLE

A LOUIS-PHILIPPE ‘BOULLE’ INKSTAND, Paris, circa 1830,
in Louis XIV manner, with two hobnail glass bottles and convex sides inlaid with figures from the
Commedia del’Arte.

A PAIR OF PAINTED IRON SINGLE BEDSTEADS,
probably French, circa 1890,
the arched tubular frames with a dragon cresting,
the head and footboards painted with rococo
foliage applied with abalone, with side-rails,
90cm wide, 206cm long .
.
A GERMAN MAHOGANY DECANTER SET, late 18th/early 19th century,
the exterior inlaid with tassels and pattered, the interior with six decanters, two flasks and a tray all decorated with gilding,
23cm high, 30cm wide, 19cm deep.

A NAPOLEON III MARBLE INSET SMALL BOX, by Giroux, Paris, circa 1860,
the rectangular casket with five black marble panels inset with red black and green mother-of-pearl and scalable, the lock-plate signed MaisonAlph. Giroux Paris; with key,
21cm wide.

AN ENGLISH PORCELAIN MOUNTED SMALL CASKET,
Victorian, circa 1860,
of rectangular form, the lid inset with a porcelain panel, the gilt-bronze casket engraved with flowers; with key.

A MALTESE FRUITWOOD CENTRE TABLE, circa 1825,
the top inlaid with an ebonized Maltese cross, with four drawers and four dummy drawers in the frieze, on a turned leaf-carved support and triangular base,
72cm high, 54cm diameter An almost identical table is illustrated, Antique
Maltese Furniture, by Joseph Galea-Naudi and Denise
Micallef.

A MAHOGANY CENTRE TABLE, probably French, late 19th century,
the oval white and grey-veined carfare marble top, a milled gilt-bronze border, the paneled frieze set with two circular jasper plaques, on ribbon-tied gadrooned tapering legs,

75cm high, 87cm wide.

A SORRENTO PARQUETRY CENTRE TABLE, circa 1840,
the top inlaid with a Neo-classical chariot within a radiating geometrical design supported on a turned tripod base with herringbone base, 75cm high, 80cm wide.

A FRENCH IVORY MIRROR, circa 1880,
the arched cresting with an armorial device flanked by sea horses, plumed helmets and the monogram
CR,
85cm high 57cm wide.

AN ALPINE CARVED PINE HALL STAND, German or Swiss, circa 1880,
in the form of a bear at the bottom of a tree with a cub in the upper branches
203cm high (6ft 8in).

A GERMAN HISTORISMUS INLAID CABINET, circa 1890,
in Renaissance Revival manner, the inlaid doors flanked by caryatids with a projecting lower part above a pair of cupboard doors the whole inlaid with parquetry foliage and

masks, on a walnut ground with ebony banding and red tortoiseshell panels,
230cm high, 150cm wide.

AN ITALIAN ENGRAVED GLASS MIRROR, Venice, circa 1900,
the canted beveled frame with an outer border etched with flowers below a pierced cresting, 140cm high, 90cm wide (4ft 7in).

A SMALL GILT-BRONZE CHANDELIER, Paris, circa 1880,
the tri-form cage with three seated cherubs supporting nine acanthus cast candle arms, the top stamped H Beau,
80cm high, 70cm diameter.

A FRENCH VERNIS MARTIN DISPLAY CABINET,
provincial, circa 1900,
the arched cresting above a serpentine glazed door and sides and a vermin martin panel on cabriole legs, with gilt-bronze mounts and enclosing two shelves; with key,
166cm high, 82cm wide .

A VERNIS MARTIN VITRINE, Paris, circa 1900,
in Louis XV manner, the arched serpentine door and sides with glazed panels above painted scenes, veneered in rosewood with gilt-bronze mounts, 190cm high, 84cm wide (6ft 3in,

2ft 9in).

A PATINATED AND GILT-BRONZE WALL-LIGHT,
Paris, circa 1890,
in Louis XV manner, with a naked female figure holding a dolphin below four scrolling candle-arms, fitted for electricity,
69cm by 54cm.

AN ITALIAN TRIPOD TABLE, probably Florence, circa 1860,
the circular black marble top inlaid with white roses, on parcel-gilt and ebonized tripod support, 76cm high, 61cm diameter.

AN   UNUSUAL  NAPOLEON   III   COMBINED WORK AND WRITING TABLE, Paris, circa 1850,
the fitted writing drawer with a writing slide operating in conjunction with a sliding top and a workbox below, on ebonized in swept legs with gilt-bronze mounts, the whole

inlaid with a brass flower-head trellis,
77cm high, 57cm wide.

A NAPOLEON III BOULLE DRESSING TABLE, by Vader of Paris, circa 1855,
in Louis XV manner, with a serpentine hinged lid enclosing two trays and a mirror with a work box below, on cabriole legs, the lock signed Vader a Paris, the woodwork stamped CD

700, 71cm high, 61cm wide.

AN ITALIAN PIETRA DURA AND GILTWOOD TRIPOD TABLE, circa 1875,
the circular top inlaid with flowers, raised on a fluted stem and flower and piaster-carved scroll feet,
78cm high, 51cm diameter.

FLEMISH EBONY AND TORTOISESHELL CASKET, ITALIAN RED-JAPANNED CHAIRS, REGENCE CORNER CUPBOARD, LOUIS XV PROVINCIAL GILT-BRONZE CANDLESTICKS, ITALIAN RED LACQUER CUPBOARD

AN UNUSUAL HISPANO-FLEMISH EBONY AND TORTOISESHELL CASKET, mid 17th century
the sloping lid opening to reveal an interior fitted with drawers, and with an architectural back, 16cm high, 27.5cm wide, 22cm deep (64in, 103Ain, 83Ain).
Footnote: The interior with a label The Lady Gwendolyn Herbert with Mr. Gaur’s kindest love, November 1856

A   SPANISH   GILTWOOD   AND   ALABASTER
MIRROR,
18th century,
the rectangular plate with pilasters to either side; with associated scrollwork cresting, 91cm high, 52cm wide.

A PAIR OF VENETIAN GILTWOOD GIRANDOLE
GLASSES,
early 18th century,
the arched tapering plates engraved with allegorical figures, the frames carved with flowers, scrollwork and leaves; some slight differences in carved decoration,
80cm high, 40cm wide .

A ROMAN PARCEL-GILT EBONISED FRAME, circa 1680,
of ribbed molded form with large associated pierced scrollwork clasps at the corners, 81cm high, 78cm wide (2ft 8in, 2ft in).

A PAIR OF ITALIAN RED-JAPANNED CHAIRS, circa 1730,
each with vase splat, drop-in seat and cabriole front legs with turned stretchers, decorated with gilt scrollwork on dark red

AN UNUSUAL PARQUETRY BUREAU, mid 18th century, probably Swiss,
the sloping front enclosing a fitted interior, the bombe lower part with two short and two long drawers,

A TUSCAN WALNUT ARMCHAIR, circa 1680,
with gilt scroll finials, molded arms, stuffed seat and turned legs and stretchers.

A NEAPOLITAN ENGRAVED BONE AND EBONY
CABINET,
mid 17th century,
with a pair of doors enclosing a cupboard and drawers, all decorated with figures within elaborate borders,

A BOHEMIAN LACQUER CABINET, mid 17th century,
of domed form with two doors, the interior fitted with drawers and painted with figures and landscapes; on an 18th century English stand similarly decorated,
118cm high, 44cm wide, 26cm deep.

A PAIR OF TUSCAN ARMCHAIRS, circa 1880,
in Renaissance style and of Manteca form, inlaid with geometric designs partly in bone and pewter.

A PAIR OF MARBLE COLUMNS, mid 19th century,
in mottled pink and beige stone and with molded bases and black marble plinths, 124cm high.

AN UNUSUAL REGENCE CORNER CUPBOARD, circa 1730,
veneered in kingwood and of bow-front form, the upper part with a molded breccias’ marble top above a pair of glazed doors with rounded corners and a pair of doors with diamond

trellis veneer, 198cm high, 78cm wide (6ft 6in, 2ft 7in).

A LOUIS XV OAK GAMING TABLE, circa 1740,
the associated rectangular top with chamfered corners and inset with a panel of contemporary floral needlework, the frieze with a drawer and raised on cabriole legs,
71cm high, 92cm wide, 69cm deep (2ft 4in, 3ft, 2ft 3in).

A SET OF FOUR PORTUGUESE PARCEL-GILT WALNUT CHAIRS, circa 1740,
with pierced scrollwork splats, drop-in seats and cabriole legs with claw and ball feet, joined by stretchers

A DUTCH GILTWOOD LOOKING-GLASS, mid 18th century,
the divided mirror plate with an asymmetric acanthus cresting flanked by Ho-ho birds above a rococo frame.

A PAIR OF LOUIS XV PROVINCIAL GILT-BRONZE CANDLESTICKS, mid 18th century,
the swirling baluster stems and bases engraved with flowers, leaves and scrollwork, 25 cm high

AN UNUSUAL LACQUER BUREAU-CABINET, mid 18th century, Italian or Spanish,
the upper part with a pair of glazed doors, the lower part with a sloping front, a drawer in the frieze and cabriole legs, decorated with black and red lacquer,
219cm high, 99cm wide, 69cm deep (7ft 2in, 3ft 3in, 2ft 32in).

A SET OF LOUIS XV GILT-BRONZE COMMODE
MOUNTS,
mid 18th century,
comprising four corner mounts surmounted by cherub masks, four pierced foliate foot mounts, and a large apron mount formed of pierced flower-cast leafy scrollwork

AN ITALIAN RED LACQUER CUPBOARD, part 18th century,
the pair of paneled doors and paneled sides
decorated with figures, animals and birds,
199cm high, 79cm wide, 38cm .

A PAIR OF ROMAN MARBLE COLUMNS, perhaps 17th century,
with later white marble capitals and bases, 118cm high

WALNUT SIDE  CHAIRS, SATINWOOD SIDE TABLES, CHINESE EXPORT WORK TABLE, WALNUT CENTRE OR LIBRARY TABLE, BURR-WALNUT WORK TABLE

A SET OF FOUR WALNUT SIDE  CHAIRS,
each with a waited baluster back and
pierced ‘C’-scroll splat, the stuffed
serpentine seats on cabriole legs, mid
19th century

A ‘GEORGE III’ MAHOGANY SETTEE with a serpentine top-rail and padded back above a sprung seat on molded square tapering legs headed by paternal, 65in; 160cm wide, with

restorations, c. 1880

А PAIR OF ‘GEORGE IIL’ SATINWOOD SIDE
TABLES, each with a breakfront ‘D’-
shaped top, cross banded at the edge
above a rosewood cross banded frieze,
on square tapering legs with brass
castors, 29 by 47in; 73.5 by 119cm,

A NEST OF TWO MAHOGANY TABLES, each
with a molded rectangular top above four runtime supports and a trestle base joined by a stretcher and carved with a scrolling leaf, the larger 28 by 17Un; 71 by 44.5cm, mid

19th century
161 (a set of eight)

A SET OF EIGHT GEORGE III MAHOGANY
DINING CHAIRS, including a pair of
armchairs, the pierced shield beaks
with stuffed drop-in seats on square
tapering legs, c. 1900

A ROSEWOOD PRIE-DIEU, the tapestry back flanked by barley-twist columns above a stuffed seat on molded cabriole legs, c. 1850

A MAHOGANY SUTHERLAND  TABLE,  the
rectangular flaps with a molded border on four ringed baluster turned supports with out curved feet joined by pole stretchers, 28 by 36in; 71 by 92cm open, c. 1870

A CHINESE EXPORT WORK TABLE with а
casket painted with a shoreline scene, enclosing fitted compartments, the frieze with two short drawers opposing a single long drawer above work drawer, on pierced lyre supports

and а trestle base, painted throughout with blossoms, 34 by 18in; 86.5 by 46cm, c. 1910

AN ANGLO-INDIAN SOLID EBONY AND COROMANDEL OCCASIONAL TABLE, the
rectangular top with a slightly raised molded rim, on a slender twist-turned stem and tripod base with molded cabriole legs with scroll toes, 291 by 14lin; 75 by 37cm, c. 1850

A NEST OF QUARTETTO TABLES, each with a rectangular top above four ring-turned supports and a trestle base with small cabriole legs, the largest 29 by

21in; 74 by 53cm, c. 1850

A ‘GEORGE III’ MAHOGANY DINING TABLE, the rectangular top with receded edges and rounded corners on baluster supports with quadruple down swept legs, 44in; 112cm wide, made up

in 20th century partly from 19th century pieces

A MAHOGANY LIBRARY CHAIR with а
padded over scrolled back, down curved arms and ‘X’-frame base, carved at the corners with fans, on brass castors, c. 1840

A MAHOGANY SIDE CHAIR with а ‘T’-
shaped padded back above a stuffed seat, on turned tapering legs and castors, c. 1840

A WALNUT CENTRE OR LIBRARY TABLE in
well-figured wood, the leather top with two short drawers, on turned legs and white ceramic castors, 47 by 32lin; 119.5 by 82cm, c. 1880

А FINE BURR-WALNUT3 AMBOYNA AND
MARQUETRY SIDE CABINET with a pair of central cupboard doors inlaid with fine boxwood strap work within alternating borders of various woods flanked by turned columns inlaid

with simulated fluting, the serpentine sides with two glazed cupboard doors in turn flanked by similar columns and enclosed by alternating borders and panels of strap-work, the

base applied with a gilt-bronze leaf-cast border, 43 by 79in; 109 by 201cm, c. 1870

А WALNUT DAVENPORT with a hinged stationery compartment and a lidded writing surface, on cabriole legs with four real and four dummy drawers, 21in; 53.3cm wide, c. 1870

А ‘GEORGE III’ MAHOGANY SILVER TABLE, the top with a pierced gallery on triple cluster column legs joined by a pierced stretcher and headed by parterre, 28 by 32lin; 71 by 83cm,

c. 1880

A BURR-WALNUT SIDE CABINET with а
single cupboard door quarter-veneered and inlaid with boxwood strap work, the sides headed by gilt-bronze mounts, 42 by 32in; 107 by 8lem, c. 1870

А SET OF OAK LIBRARY STEPS formed of а metamorphic chair with a balustrade top-rail above a molded panels ad back, on ring-turned and square-section legs, c. 1880

A BURR-WALNUT WORK TABLE, with tulipwood cross banding, the fitted interior with a veneered work bag, the circular tapering legs, 29 by 25in; 73.6 by 63.5cm, c. 1860