Antique Cupboard

BEECHWOOD CANTERBURY, George III style, ANTIQUE PEDESTAL DESK, ANTIQUE LINEN PRESS, AN ANTIQUE PEDESTAL TABLE

A BEECHWOOD CANTERBURY, George III style, modern, with three divisions, on turned feet, wide.   —

A WALNUT AND PINE CHEST OF DRAWERS, early 18th Century, now in two parts with two short and three long drawers, faults, wide.

A WALNUT AND INLAID MIRROR BACK SIDEBOARD, Victorian, with a marble top above mirror and solid panel doors, high by wide.

A CARVED HUANG HUALI
WRITING DESK, Chinese, late th
Century, the asymmetrical raised open shelf
back above and arrangement of drawers and
cabriole supports. wide.—

AN ANTIQUE LINEN PRESS, William IV, with a pair of panelled doors enclosing sliding traxs. formerly with a lower section, icide—

AN OAK PARTNER’S WRITING TABLE, Victorian, the leather inset top above six opposing frieze drawers, on reeded turned legs lacking castors, high by wide.,-.

AN ANTIQUE PEDESTAL DESK,
modern, the leather inset top with bowed
wings above an arrangement of drawers and
doors, on splaved bracket feet. wide.

A WALNUT PEDESTAL DESK, modern, the leather inset top above an arrangement of drawers and cupboard doors, on bracket feet. u>ide

AN ANTIQUE D’-END DINING TABLE, George III style, modern, with ebonised stringing and twin turned pedestals, on splaved tripod bases ending in brass paw castors. long extended

including three leaf insertions”

A TEAK TWO TIER SIDE TABLE, modern, with a slightly dished top and square legs, wide.; together with AN ANTIQUE Side Cabinet, modern, with a pair of drawers above fielded panel

doors, wide.

A SMALL YEW-WOOD CHEST OF DRAWERS, modern, with a serpentine top above four drawers and bracket feet, wide.; together with a small mahogany drum Table, modern, with a leather

inset top above drawers, open shelves and a pedestal base,  diam.

AN ANTIQUE SIDEBOARD, George III style, modern, including a bowed frieze drawer and a fluted apron, on tapered legs with spade feet, wide.

AN ANTIQUE DAVENPORT, late
Victorian, by Maple if Co.. with a real and
dummv drawers, turned pilasters and bun
feet, one drawer bearing the maker’s name G.
Bradley and date , another drawer stamped
Maple is Co. Ltd., wide.

AN ANTIQUE PEDESTAL TABLE, George III style, with an oval top and quadruple splayed legs ending in brass castors, wide.   ”

AN ANTIQUE CABINET, the cupboard door incorporating two late 18th Century Japanese ivory mounted panels, wide.

AN ASH RUSH SEAT ARMCHAIR, 18th Century, with a spindle back and turned supports

A FIGURED WALNUT
AND EBONISED SECRETAIRE CABINET,
Victorian, with a raised mirror back above a
fall-front and a drawer, on tapered square
legs with stretchers and spade feet, faults,
wide.

AN ANTIQUE WASHSTAND, Victorian, the moulded top above two drawers, supported on twin turned end-supports , faults, wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular top on a hexagonal column, on a triform base with later castors, faults, diam.

AN EBONISED GESSO POLESCREEN, early Victorian, with a needlework panel and a triform base, distressed.

AN ANTIQUE CHIFFONIER, ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, PAIR OF CARVED GILTWOOD FOOTSTOOLS, GESSO FRAMED RECTANGULAR WALL MIRROR

AN ANTIQUE CHIFFONIER, Victorian, with a raised open tier back and spiral twist pilasters.

AN ANTIQUE THREE DOOR WARDROBE, Victorian, including a mirror panel, on a plinth base, high by wide. For colour illustration see pas;e

AN EBONISED AND THUYA WOOD MUSIC CANTERBURY, Victorian, including turned supports and apron drawer, wide.

A ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, late Victorian, with carved and pierced splats, upholstered in claret dralon, on cabriole legs, comprising four side chairs, a

cpair of tub shaped armchairs and a settee, wide.

AN UPHOLSTERED ARMCHAIR, 18th Century, with gold damask loose cover, on bun feet and castors; together with an upholstered armchair with worn damask cover; and an upholstered

armchair, covered in green fabric, on rocking action

AN ANTIQUE OVAL PEDESTAL TABLE, George III, the altered top above quadruple reeded splayed legs and castors, wide’

AN ANTIQUE OVAL TILT-TOP TRIPOD TABLE, George III, on a baluster turned pillar. wide.

A GILT GESSO AND GLAZED NEEDLEWORK FIRESCREEN, Louis XV style, mid 18th Century, with chinoiseric panel and splaved feet, piults.
wide

AN ANTIQUE PEDESTAL
PEMBROKE WORKTABLE, George III,
made-up, with a drawer and tripod base,
wide. when closed

A PAIR OF CARVED MAHOGANY
STOOLS, George III style, with stuffed
yellow fabric seats, wide.

A GILT PAINTED GESSO FRAMED OVERMANTEL MIRROR, Victorian, with arched pediment and female mask to frieze, some moulding lacking, wide.     —

A WHITE PAINTED FRAME OVERMANTEL MIRROR, Edwardian, in the George III style, with Corinthian pillars and cherub mask, the oval bevelled plate flanked bv a pair of rectangular

plates,
wide

A WHITE PAINTED FRAME
OVERMANTEL MIRROR, Edwardian, in
the George III style, with Corinthian pillars and
cherub mask, the oval bevelled plate flanked
a pair of rectangular plates,
wide

A WHITE PAINTED MARBLE TOP CABINET, Victorian, with pilaster terminals, the pair of oval glazed doors flanked by bowed glass doors, plinth base lacking, wide.
AN ANTIQUE OCTAGONAL TILT-TOP TRIPOD TABLE, George III, made-up, the later base with slender baluster pillar, wide
For colour illustration see pa^e

AN ANTIQUE DRESSING TABLE,
George III, the rectangular hinged cover
with cusped corners, the fitted interior
including a mirror, on moulded square legs,
wide.

AN ANTIQUE D’-END DINING TABLE IN TWO PARTS, George III, now without a central section, on square legs, wide.

A PAIR OF CARVED GILTWOOD FOOTSTOOLS, in the French style, with cane seats and cabriole feet,
wide

A WHITE PAINTED STANDING CORNER CUPBOARD, Regency with later painting, the upper doors now lacking and revealing shelves within a moulded architectural arch, below are a pair of

panel doors and a plinth base, high by wide.”

AN ANTIQUE OVAL PEDESTAL WORK TABLE, George III and later, with hinged top and tripod base, wide.

A GILT GESSO FRAMED RECTANGULAR WALL MIRROR, Victorian, the decorative surround with jasperware style plaque to the frieze, wide., and a small green mottled marble top console

table, Italian 18th Century style, with gilt caryatid support, wide.

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

A CARVED BEECHWOOD CONSOLE TABLE, Louis XVI style, with a semicircular simulated marble top, on spiral fluted supports, teide; together with AN ANTIQUE Wine Table, modern, on

tripod supports, diam. and a set of four ebonised and carved mirror back panels, each by

A CARVED MAHOGANY STOOL, George II style, with a floral tapestry seat, on cabriole legs with claw and ball feet, wide; together with a smaller Stool, with tapestry seat and

cabriole legs
wide

A WALNUT KERB STOOL, Queen
Anne style, with floral tapestry seat and shell
carved cabriole legs, wide.; together with

AN ANTIQUE Stool, William and Mary style,
with a tapestry seat and turned legs joined by
•X’-shaped stretchers, -wide

A PAIR OF MAHOGANY TWO TIER
BUFFETS by Holland and Sons, Victorian,
with turned supports, on brass castors, rear
supports stamped. ‘Holland and Son’. wide.

A ROSEWOOD STOOL, Victorian, the two supports each with four scrolls joined by a turned and carved stretcher, with a moire fabric seat,

AN ANTIQUE BERGERE SUITE, 18th Century, comprising: a three seat settee and two chairs,

AN ANTIQUE DROP LEAF TABLE, George II, with an oval moulded top, on turned tapered legs with pad feet, wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, incoporating a display case with hinged lid above a pair of glazes doors enclosing two shelves, on tapered square legs, wide.

AN ANTIQUE ‘D-END DINING TABLE, George III style, the crossbanded top with reeded edge with a leaf insertion, on turned pedestals and tripod legs, ivide extended For colour

illustration see page

A SET OF SIX MAHOGANY DINING
CHAIRS, George III style, with shield backs
incorporating urn and wheat sheaf motif,
with tapestry seat, on tapered square legs,

AN ANTIQUE LINEN PRESS, George III, the dentil cornice above panel doors, interior now lacking, on chest comprising of two short and two long drawers, faults, high by wide.

AN EBONISED BOOK TABLE, Victorian, with a circular top and two galleried three-armed shelves revolving on a pillar and a tricorn base, high

A PAIR OF MAHOGANY ARMCHAIRS, English, circa , and Another very similar, George III, circa , each with pierced serpentined toprail and three matching crossbars, with stuffed

seats and square legs

A PAINTED CHEVAL MIRROR, George IV, circa  the frame now grained as maplewood, high  —

A CIRCULAR MAHOGANY THREE-TIER DUMB WAITER, George II, on a triple baluster stem, plain cabriole legs with pointed pad feet, high by diam.

AN ANTIQUE SIDEBOARD, George III and later, with a serpentine top above an arrangement of drawers, on tapered legs with spade fee, uncle

AN ANTIQUE AND INLAID SHAVING STAND, Edwardian, with a mirror back and compartments above a drawer and a door, on tapered legs with an undertier, wide.

TWO SIMILAR CARVED AND GOLD PAINTED FOOTSTOOLS, Louis XV style, with tapestry seats and cabriole legs; together with another tapestry footstool,

AN ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR, William IV, covered in floral patterned fabric, on reeded turned legs with brass castors

AN OAK SIDEBOARD, AN ANTIQUE BEDSIDE CUPBOARD, AN ANTIQUE CHEST OF DRAWERS, AN ANTIQUE DROP-LEAF TABLE

AN OAK SIDEBOARD, Victorian, the top crossbanded in polarded oak, the inverted breakfront and central drawer flanked by arched and panelled doors, raised back lacking, ivide

AN ANTIQUE BREAKFAST TABLE, Regency, the tilt top on a turned column and four splayed legs with brass castors, wide

A PAIR OF D-SHAPED PIER TABLES, George III style, each with tapering square legs on spade feet, one bearing label S & H Jewell - High Holborn, London, W C , wide.

A PEMBROKE TABLE, George III style, with a rectangular top above a frieze drawer, on tapering square legs, -wide; together with a Standard Lamp

AN OAK TABLE, Italian style, the
cleated top on two lyre-form supports with
shaped brackets, wide.

A CHINESE HARDWOOD
JARDINIERE STAND, late 18th Century,
the circular top with an inset marble panel,
the carved legs with claw feet and jointed bv
a stretcher. diameter

AN ANTIQUE CHEST, George III,
with two short and three long drawers with
beaded borders, on bracket feet, restored.
wide.

A SMALL MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with a slide above three drawers, on splayed bracket feet, wide.

AN ANTIQUE BEDSIDE CUPBOARD, George III with alterations, the crossbanded top above a door with a shell motif, one dummy and one real drawer, wide.

AN ANTIQUE PEMBROKE TABLE, George III, the rectangular top above a frieze drawer and tapering square legs, wide.

A LARGE MAHOGANY PEDESTAL SIDEBOARD, George IV, the back panel with central carved lotus motif and Greek key corners,the frieze drawer flanked bv two panelled doors, wide.

AN ANTIQUE TOILET MIRROR, George III, the shield shaped mirror on a plinth with three conforming drawers, wide.

AN ANTIQUE CHEST
OF DRAWERS, early 18th Century, with two
short and three long drawers, on bracket feet,
wide.

AN ANTIQUE BUREAU, the fall revealing inlaid stationery compartments, the four long drawers above bracket feet. wide

AN EBONISED AND PARCEL GILT CORNER WHATNOT, Victorian, the graduated bow-front tiers inlaid with amboyna, on turned supports.
wide

AN ANTIQUE CHEST OF DRAWERS, George III with restorations, the two short and three long drawers outlined with stringing, on splaved bracket feet. wide.    “   ”

A SET OF SIX CARVED MAHOGANY DINING CHAIRS, George II style, with pierced splats. drop-in seats and cabriole legs ending in claw and ball feet

A PAIR OF MAHOGANY DINING CHAIRS, George III with restoration, the splat backs carved with Prince of Wales feathers, the upholstered seats on tapered square legs ending in spade

feet, one leg replaced

AN ANTIQUE DROP-LEAF TABLE, George III, on tapering square legs, formerly part of a laiger table, faults, wide.

A PAIR OF MAHOGANY DINING CHAIRS, George III, with waved splats and green cotton upholstered seats, on square legs: together with AN ANTIQUE Dining Chair, George III, with

pierced splat and green cotton upholstered drop-in seat, on square legs and AN ANTIQUE shield back Dining Chair, probably George III, with matching upholstery, on tapered square

legs

AN ANTIQUE CHEST
OF DRAWERS, late George III, inlaid
throughout with stringing, the two short and
three long drawers above splayed bracket
feet, wide.

INLAID CABINET-ON-STAND, Edwardian, MOSAIC INLAID STATIONERY BOX, SATINWOOD AND INLAID WRITING BOX, MASSIVE FREESTANDING BOOKCASE

AN ANTIQUE AND INLAID CABINET-ON-STAND, Edwardian, the pair of doors above a drawer, the tapering legs with spade feet. cm. high by cm.
wide.

A LARGE MAHOGANY BOOKCASE
FOLIO CABINET, late Victorian, the four
glazed doors above a parquetry base with
four further glazed doors. cm. high by
cm. wide.

A MASSIVE FREESTANDING
BOOKCASE, late Victorian, enclosed by
four pairs of glazed doors to the opposing
sides, cm. high by cm. wide.

AN EBONISED AND PARCEL-GILT
BREAKFRONT BOOKCASE, late Victorian,
the glazed doors above panel doors, cm.
high by cm. wide.

AN ANTIQUE AND GLAZED LIBRARY BOOKCASE, Victorian, enclosed by glazed doors, cm. high by cm. wide. approx.

AN ANTIQUE SQUARE WASHSTAND, George III, with a drawer and square supports, cm. wide.      —

AN ANTIQUE PIER MIRROR, Continental, mid-19th Century and 18th Century, with an arched cresting, cm. high—

A MATCHED MAHOGANY BERGRE SUITE, 19th Century and 18th Century, each piece with a double caned serpentine back and loose cushions, on cabriole legs with claw and ball feet,

comprising: settee, cm. wide., four armchairs, two larger armchairs and a stool, cm. wide.

AN ANTIQUE PIE-CRUST TRIPOD TABLE, George III, the associated tilt-top above a turned stem with carved cabriole legs, on egg and claw feet. cm. diam.

AN ANTIQUE SERPENTINE FRONT CARD TABLE, George II-style, on cabriole legs with cabochon knees and pad feet, cm. wide.

AN OAK LIVERY CUPBOARD, 19th Century and 18th Century-style, the single door with a gallery of spindles above a carved panel, on bobbin turned legs joined bv stretchers, cm.
wide.

TEA CADDIES AND WRITING BOXES ETC.

A MOSAIC INLAID STATIONERY BOX, Indian, late 19th Century and 18th Century, with ivory stringing and a cedarwood lined interior, cm. wide.

A ROSEWOOD AND MOTHER-OF-PEARL INLAID TEA CADDY, Victorian, of rectangular form, on bun feet, faults, cm. wide.

A TORTOISESHELL VENEERED TEA CADDY, Regency, of sarcophagus form, on brass ball feet, faults, cm.
wide.

A SATINWOOD AND INLAID WRITING BOX, Anglo-Indian, mid-19th Century and 18th Century, decorated with geometric motifs in ivory and ebony, the fitted interior containing a rule,

cm. wide.

A CHINOISERIE PENWORK JEWELLERY CASKET, Regency, of sarcophagus form, on gilt claw feet, now with void interior, cm. wide.

A TUNBRIDGEWARE OCTAGONAL BOX, 19th Century and 18th Century, with a detachable cube parquetry top, the sides inlaid with floral and geometric micro-mosaic bands, cm. wide.

A WALNUT CORNER NURSING CHAIR, Victorian, with buttoned upholstery and walnut turned legs, on castors

A SMALL MAHOGANY BUREAU, George III style, with four long drawers, on bracket feet, cm. wide.

A WALNUT TRIFORM CHAIR, 19th Century and 18th Century, with a narrow back and pierced low seat

MAHOGANY DISPLAY CABINET, BRASS MAGAZINE RACK, INLAID CHEST OF DRAWERS, George IV, OAK TWO DOOR CUPBOARD

AN ANTIQUE AND INLAID CHEST OF DRAWERS, George IV, with secret frieze drawers and splaved bracket feet, / cm. wide.

AN ANTIQUE KNEEHOLE DESK,
Victorian, with an arrangement of five
drawers, on turned legs and castors. cm.
wide.

A MAPLE KNEEHOLE DESK, s,
of asymmetrical form, cm. -wide.: together
with AN ANTIQUE Step Commode. th
Century, with a drawer, on turned feet. cm.
wide.

AN ANTIQUE DISPLAY
CABINET, George III style, early th
Century, with astragal doors and carved
cabriole legs, cm. high by cm.
wide.

A WALNUT BALLOON BACK
ARMCHAIR, Continental, mid-
19th Century and 18th Century, with pink dralon upholstery
and cabriole legs

A PAIR OF WALNUT
FOOTSTOOLS, mid-19th Century and 18th Century, with blue
figured velvet seats and cabriole feet, each
cm. wide.

AN EBONISED AND THUYA WOOD
CARD TABLE, Victorian, with gilt-metal
mounts and quadruple parcel gilt supports,
on splayed legs, cm. wide.

AN ANTIQUE AND BRASS MAGAZINE RACK, late Victorian, stamped W.T.& S., with railed divisions, on three downswept legs, cm. high—

AN ANTIQUE CHEST
OF DRAWERS, George III, made-up, the
moulded top above a slide and three drawers,
on bracket feet, cm. wide.,

AN ANTIQUE CIRCULAR
BREAKFAST TABLE, Victorian, raised on
four fluted columns and arched legs, top
scratched, cm. diam.

A CARVED GILTWOOD WALL MIRROR, 19th Century and 18th Century, the plate within a cartouche shaped rocaIIIe and scroll carved frame, cm, high

A BRASS AND BLACK PAINTED STANDARD LAMP, late 19th Century and 18th Century, the stepped square base, on lions paw feet rising to a reeded corinthian column and lobed reservoir,

now fitted for electricity, cm.

A PEWTER CLAD MIRROR, Art Nouveau, the shaped rectangular frame stamped with an exotic bird and flowers, cm. high

AN EBONISED FOLDING SIDE CHAIR, Victorian, the rail back and supports painted in gold with shells and simulated strapwork,—

A WALNUT BOOT JACK, Victorian, with baluster turned handles supports and hinged sole grip, cm. high—

A CARVED GILTWOOD WALL MIRROR, 19th Century and 18th Century, the circular bevelled plate within a bold scrolling foliate border, cm. high

AN OAK TWO DOOR CUPBOARD, Breton 19th Century and 18th Century, with spindle galleries and roundels above a single drawer, on stile feet, cm. high by cm. wide.

AN ANTIQUE CHIFFONIER, George IV, with a pair of grIIIe doors and stiff leaf carved pilasters, on a plinth base, cm. wide.

A WALNUT BUREAU, George I, the fall above four long drawers, on bracket feet, faults, cm. wide.   ”

AN ANTIQUE SIDEBOARD, Victorian, the raised mirror back above a drawer and doors enclosing a cellaret drawer, an. wide.

CORNER CUPBOARD, CARVED OAK FOLD-OVER TABLE, D-END DINING TABLE, FOLD-OVER TABLE, 19th Century and 18th Century style

ETCHED AND BEVELLED
GIRANDOLE MIRROR, Venetian, early
19th Century and 18th Century, with pierced surmount and
Dmmatk candle branches to the apron,

A SET OF THREE EBONISED BEECHWOOD CHAIRS, WIIIiam and Mary style, with carved and pierced backs above green velvet upholstered seats, on turned and square legs joined by

scrolled front stretchers

A BRASS AND IRON SINGLE BED, Victorian, with wire strung base and side rails, cm. wide.

AN ASH TRIPLE DOOR WARDROBE, Victorian, by Lamb of Manchester, with central mirror panel and zig-zag banding, the interior with hanging space, sliding trays and drawers, stamped

Lamb, Manchester, cm. high by cm. wide.

AN ANTIQUE SETTEE, late George HI, the arched back, sides and seat upholstered in striped yellow fabric, the reeded arm terminals above tapered square legs, cm. wide.

AN ANTIQUE CORNER CUPBOARD, George III style, part 19th Century and 18th Century, with two astragal doors, cm. high by cm. wide.

AN ANTIQUE WARDROBE, George III style, the key cornice above a pair of panelled doors and a single drawer, on bracket feet, cm. high by cm. wide.

AN ANTIQUE BREAKFRONT
SIDEBOARD, George III style, modern, on
splayed tapered square legs, cm.
wide.

AN OAK HARLEQUIN WRITING
DESK, 19th Century and 18th Century, the hinged top
revealing a rising stationery compartment, on
turned legs joined by stretchers, cm.

A WALNUT PARTNERS DESK, ictorian, the leather inset top with eight
drawers, raised on a pair of pedestals
containing three drawers and opposed by
cupboards, on plinth bases, cm.
wide.

A CARVED OAK FOLD-OVER TABLE, 19th Century and 18th Century style, with linen-fold panels and arches, also carved with the Annunciation, on end supports and mask feet, cm. wide.

A RECTANGULAR MAHOGANY SIDE TABLE, part 19th Century and 18th Century, on fluted tapering square legs with scrolling bracket spandrels, cm. wide.

A WALNUT AND MAHOGANY CHESS TABLE, Victorian, the inlaid tilt-top above a pIIIar and tripod base, cm.
wide.

A CARVED OAK POLE SCREEN, Victorian, with a drapery panel, on a tripod base, cm. high

AN ANTIQUE DRESSING TABLE MIRROR, George III style, with a bow-front plinth containing three drawers, cm.
wide.

AN ANTIQUE D-END DINING TABLE, George III style, with twin pedestal supports, on tripod bases, cm. long including a leaf insertion

AN OAK PEDESTAL, late 19th Century and 18th Century, with a fluted column pIIIar, on a square base, faults, cm. high

AN ANTIQUE WASHSTAND, early 19th Century and 18th Century, with a galleried top and two associated ceramic bowls, with a later cupboard door, cm. wide.; together with an ash and

elm rail-back Armchair, early 19th Century and 18th Century, with a solid seat and tapered square legs

AN OAK BREAKFRONT LIBRARY
BOOKCASE, Victorian, with glazed doors
above an arrangement of drawers and
cupboard doors, cm. high by cm.
wide.

AN ANTIQUE PEDESTAL DESK, modern, with a leather inset top above an arrangement of drawers and bracket feet, cm. wide.

WALNUT WALL MIRROR, EBONISED AND IVORY INLAID JARDINIERE TABLE, CARVED WALNUT SIDE CHAIR, UPHOLSTERED WING ARMCHAIR

A MAHOGANY BOOKCASE, George III, made-up, the corbel applied cornice above a pair of astragal glazed doors enclosing adjustable shelves, on bracket feet, 190cm. high by 150cm.

wide.

AN OAK AND MAHOGANY HANGING CORNER CUPBOARD, George III, the moulded cornice above a pair of panelled doors enclosing shaped shelves, 89cm. wide.

A WALNUT WALL MIRROR, WIIIiam III, the later rectangular plate within a cushion frame, 39c’m. wide, together with a rectangular wall mirror, WIIIiam III style, the cushion frame

with a band of stylised foliage, 44cm. wide.

A MAHOGANY TOILET MIRROR,
George III style, the oval plate above a three
drawer serpentine box base, 41cm wide,
together with a crossbanded mahogany
Sutherland table, George III style, with
canted corners and square legs, 45cm.

George II style, with a swan-neck
pediment, bevelled plate and composite
pilasters, on an easel suppojZWm. high by
98cm.

A CARVED WALNUT SIDE CHAIR,
Italian, 19th Century, with a pierced spindle
back and solid seat; together with a gold
painted compostion wall mirror, 18th Century-
style, with a pierced cresting, 100cm. high.

AN EBONISED AND IVORY INLAID
JARDINIERE TABLE, 19th Century, on
turned and fluted parcel gilt supports, 71cm.
wide.

TEA CADDIES, WRITING BOXES, ETC.

A WALNUT SATIONERY CABINET, Victorian, of wedge shaped form, the rising top above a pair of doors and a drawer, 33cm. wide.

A BRASS-BOUND ROSEWOOD WRITING SLOPE, 2nd quarter 19th Century, of typical form with a fitted interior, 50cm. wide.

A SATINWOOD AND EBONY STRUNG PAINTED BOX, Edwardian, decorated with floral sprays, 26cm. wide.

A ROSEWOOD AND MAHOGANY
POPE JOAN BOARD, 2nd quarter 19th
Century, of octagonal form with an embossed
gilt-metal finial and gilt labelled divisions,
31cm. wide.

A BLACK AND GILT JAPANNED TRAY, early 19th Century, of rounded rectangular form, warped, 69cm. wide.

A WALNUT BALLOON BACK
ARMCHAIR, Continental, mid-
19th Century, with pink dralon upholstery
and cabriole legs.

A SET OF FIVE MAHOGANY DINING CHAIRS, Victorian, with balloon shaped backs and drop-in seats, lappet carved turned legs.

A MAHOGANY BUTLER’S TRAY ON STAND, early 19th Century, with pierced carrying handles and X-shaped supports, 69cm. wide.

AN OAK HALL TABLE, Victorian, the raised back above a frieze drawer, on panelled tapering square legs, 91cm. wide.

AN UPHOLSTERED WING ARMCHAIR, part 18th Century, on cabriole legs with pad feet, one leg detached.

A MAHOGANY AND UPHOLSTERED ARMCHAIR, Victorian, with a buttoned tub shaped back.

A GOLD PAINTED ARMCHAIR, George III with alterations, the oval padded back and seat, on moulded square tapering legs, distressed.

BOWFRONT CHEST OF DRAWERS, ROSEWOOD AND INLAID SETTEE, BREAKFRONT SIDEBOARD, DRAWLEAF DINING TABLE

A ROSEWOOD AND INLAID SETTEE, Victorian, with upholstered and pierced back above a sprung seat, on turned legs.

A MAHOGANY CAMPAIGN CHEST, Victorian, stamped PEIRCE, NORTH, in two parts, with brass inset corners, on later bun feet, 98cm. wide.

A MAHOGANY BOWFRONT CHEST, Regency, the six drawers inlaid throughout with ebonised stringing, on bracket feet, 122cm. wide.

A SET OF EIGHT OAK DINING CHAIRS, 18th Century style, including two armchairs, with arcaded spindle backs, solid seats and on turned legs.

A PINE BREAKFRONT LIBRARY BOOKCASE, 20th Century, the moulded cornice above glazed doors, the lower part with panelled doors, on a plinth base, 224cm. high by 214cm. wide.

A MAHOGANY INVERTED BREAKFRONT SIDEBOARD, George III style, the central drawer flanked by a deep drawer and a cupboard, on fluted tapering square legs, 169cm. wide.

A CARVED OAK PEDESTAL DESK, Late Victorian, the inset top above three frieze drawers, raised on a pair of pedestals each containing three drawers, and on a plinth base, mask

handles, 122cm.

A MAHOGANY CABINET CHEST,
eorge III, with an arrangein freight
drawers above panelled cupSaardyrmte,
99cm. wide.

A MAHOGANY PEDESTAL TEA
TABLE, George IV, the rounded rectangular
top on a reeded column and leaf carved
downswept legs, ending in brass cappings
and castors, one castor detatched, 106cm.
wide.

A MAHOGANY DROPLEAF WRITING TABLE, George III, the rectangular top with hinged leaves, above a drawer fitted with a writing slope and side drawer, on a tapering column and

downcurved legs, top split, 103cm. wide extended.

A MAHOGANY TEA TABLE, George III, the rounded rectangular top raised on tapering square legs headed by inlaid oval paterae, 92cm. wide.

A MAHOGANY BOWFRONT CHEST OF DRAWERS, 1st half 19th Century, with two short and three long graduated drawers, on bracket feet, faults, 110cm. wide.

A MAHOGANY TOILET MIRROR, George III style, the oval plate above atwo drawer box base, 59cm. wide, together with a brass bedhead, Victorian, with turned uprights, 143cm. wide.

A MAHOGANY BREAKFRONT SIDEBOARD, George III style, with two central drawers flanked by curved cupboard doors, on tapering square legs, 183cm.
wide.

A MAHOGANY INVERTED
BREAKFRONT SIDEBOARD, Regency, the
raised back above three drawers and four
panelled doors, flanked by twist pIIIasters and
on turned tapering legs. 192cm. wide.

AN OAK BUREAU, George I, with
restoration, the fall enclosing a fitted interior
of drawers and pigeon holes, above a well
and two short and two long graduated
drawers on bracket feet, faults. 89cm.
wide.

A CHESTERFIELD SOFA, late
Victorian, with buttoned trellis upholsterv.
and on ring turned legs ending in brass
cappings and castors.

AN OAK DRAWLEAF DINING
TABLE, 16th Century style, with a foliate
carved frieze above lobed cup-and-cover
supports joined by stretchers, 266cm. long
extended.

A MAHOGANY UPRIGHT PIANO,
Bechstein, circa 1924, numbered 124644 on
the metal frame, with a plain panelled case,
150cm. wide, together with a mahogany piano
stool, the lifting seat raised on cabriole legs,
58cm. wide.

AN EBONISED GRAND PIANO, Bluthner, circa 1920, numbered 100542, on tapered square legs, 173cm. long.

MAHOGANY DISPLAY CABINET, VERNIS MARTIN VITRINE, SCULPTURAL MANTEL CLOCK, GILTWOOD SIDE CABINET, KINGWOOD VENEERED OCCASIONAL TABLE, ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP

A MAHOGANY DISPLAY CABINET, Paris, circa 1900,
with a bow-fronted glazed door and serpentine sides on cabriole legs with gilt-bronze mounts, 151cm high, 65cm wide.

A VERNIS MARTIN VITRINE, Paris, circa 1900,
the arched serpentine glazed door with glazed sides
above a painted Vern’s Martin scene,
176cm high, 71cm wide.

A PAIR OF WALNUT STOOLS, circa 1900,
in Louis XV manner, the molded leaf-carved frames with padded open arms, sprung serpentine seat and ‘X’ legs,
66cm wide .

A FRENCH ROSEWOOD AND VERNIS MARTIN
VITRINE,
circa 1890,
the double serpentine door with convex glazed sides and rustic scenes below, with gilt-bronze mounts,
175cm high, 90wide .

A   LARGE   NAPOLEON    III    SCULPTURAL MANTEL CLOCK, Paris, circa 1855,
the movement contained in a carfare marble breakfront plinth surmounted by a gilt-bronze figure of a sleeping lady, loosely draped in a chit on; with key, pendulum and pendulum

adjustment key, 59cm high, 63.5cm .

A CARVED GILTWOOD SIDE CABINET, Paris, circa 1890,
in Louis XVI manner, with a marble top above a frieze drawer and a Vern’s Martin panel, flanked by bevel-glazed doors and sides, divided by twist-turned columns, with six

shelves and key,
125cm high, 131cm wide, 51.5cm deep.

A PAINTED PANEL, mid 19th century,
centered by a dancing female figure in a painted
frame of ribbons and flowers,
198cm high, 120cm wide.

A NAPOLEON III KINGWOOD SECRETAIRE A
ABATTANT,
circa 1855,
with a white marble top above three dummy drawers  enclosing  a writing  surface  and  four serpentine  drawers  below,   the  whole  quarter-veneered and cross banded, 127cm

high, 66cm wide.

A VERNIS MARTIN DISPLAY CABINET, Paris, circa 1900,
in Louis XVI manner, with a bevel-glazed door above a panel painted with a young couple, flanked by convex doors on columnar supports with toupee feet
149cm high, 85cm wide.

A KINGWOOD CARTONNIER, Paris, circa 1930,
in Louis XV manner, of serpentine outline, quarter-veneered with tulipwood cross banding, enclosing four pigeon-holes, with gilt-bronze mounts,
35cm high, 75cm wide.

A GERMAN MAHOGANY CARD TABLE, possibly Altoona, circa 1840,
the   rectangular   hinged   swiveling   top   on   a hexagonal baluster support with scrolled legs and ceramic castors, 86.5cm wide.

A NAPOLEON III  KINGWOOD VENEERED OCCASIONAL TABLE, Paris, circa 1860,
the circular top formerly with a liner from a jardiniere or incorporating a porcelain dish with a gilt-bronze gallery on square cut cabriole legs and brass castors,
73cm high, 34cm diameter.

AN UNUSUAL SMALL NAPOLEON III WRITING TABLE,
Paris, circa 1860,
the superstructure with three drawers above a leather-lined writing slide and a drawer, on cabriole legs joined by a platform X-stretcher, the whole inlaid with a kingwood

three-dimensional trellis centered by flowers, with gilt-bronze mounts, 85 cm high, 99cm wide .

A MAHOGANY AND GILTWOOD MOUNTED DISPLAY CABINET, Paris, circa 1890,
of architectural form, the cresting above a bevel-glazed door and sides with five drawers below, the whole fluted and paneled and set with leaf-cast gilt-bronze mounts, with key

and two shelves, 194cm high, 95cm wide, 48cm deep

A CARRARA MARBLE MANTEL CLOCK, made by Bendy of Paris, circa 1890,
the white enamel dial with the retailers name, Ellington in a wasted case with a verse antic marble banding, 32cm high.

AN ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP, early 20th century,
inlaid with pink roses on a white marble ground, 30cm square.

A BOULLE SIDE CABINET, Paris, circa 1855,
in Louis XV manner, ebony veneered with a brass and tortoiseshell inlaid drawer and two cupboards on cabriole legs, with key, 135cm high, 76cm wide (4ft 5in, 2ft 6in).

A PAIR OF EBONISED BEECHWOOD FOLDING
ARMCHAIRS,
possibly French, circa 1880,
each with simulated bamboo folding frame now
with applied velvet seats.

A FRENCH MAHOGANY DISPLAY CABINET, circa 1900,
with a bowed glazed door and serpentine glazed sides, enclosing two glass shelves with a gilt-metal gallery on cabriole legs, 141cm high, 68.5cm wide .

AN AUSTRIAN PARCEL-GILT LIT A BALDEQUIN,
by Fohr of Vienna, circa 1880,
in French Louis XVI style, the canopy and side rails carved with guilloche, the arched headboard with scallop-shell, parcel-gilt on a grey ground, extensively repainted with

gold paint, with an Austrian metal label O.F6hr, Vienna 170cm wide (5ft 7in)
By repute this bed was used by ‘Sissi’, Empress Elizabeth of Austria during her prolonged stay in Ireland in the first half of 1879. The bed was part of the refurnishing for the

Empress at Summerhill, Co. Meath, the property of Lord Longford. Her visit to Ireland is mentioned in a supplement to the Irish Times, Saturday, 29th April, 1978 ‘When Royalty

Came to Dublin’.