Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

OAK REFECTORY TABLE, 18th Century style, DISTRESSED MAHOGANY TRIPOD TABLE, MARQUETRY AND WALNUT FRAMED WALL MIRROR, WALNUT DINING CHAIRS

A SMALL MAHOGANY CUPBOARD, Edwardian, enclosed by a panelled door, locked, wide.

AN OAK REFECTORY TABLE, 18th Century style, with a cleated top, on shaped solid end-supports joined by a single stretcher, the top long by wide.

A SET OF SIX OAK DINING CHAIRS, George III, including an armchair, with pierced splats, solid seats and square legs

A TEAK COFFER, Dutch-East Indies, 18th Century, with a rectangular hinged top and engraved pierced brass mounts, on bun feet, wide.
TWO MAHOGANY RECTANGULAR WASHSTANDS, Regency,with ring turned legs, wide. and wide.

AN ANTIQUE GENTLEMAN’S
DRESSING TABLE, George III, including a
hinged top, a pair of doors and apron
drawer, wide.

A WHITE PAINTED WARDROBE, Edwardian style, including triple panel doors and sliding travs. wide., and a pair of similar stvle single door wardrobes. wide.’i   ‘

TWO MAHOGANY CIRCULAR OCCASIONAL TABLES, William IV, the tilt-tops above pedestal supports, one with triform base, the other with quatreform base, diam and diam

AN ANTIQUE CIRCULAR SHAPED OCCASIONAL TABLE, Edwardian, with cabriole legs and undertier, diam., and a distressed mahogany and beechwood adjustable bed table by Alfred Carter,

on platform base, stamped and bearing labels Alfred Carter, London.

AN UPHOLSTERED ARMCHAIR, Edwardian, with floral loose cover and an oak metal bound silver chest,
wide

AN ANTIQUE BLANKET CHEST,
George III, with two restored apron drawers
and later bracket feet, wide.

A DISTRESSED MAHOGANY TRIPOD TABLE, George III, on a baluster pillar, diam., and a distressed oak butler’s tray on associated mahogany folding stand, wide.

AN ANTIQUE PEDESTAL DESK, George III style, with green leather inset top and nine drawers, wide.

AN ANTIQUE CORNER ARMCHAIR, George III, with claret hide slip-in seat and square legs, restorations

AN ANTIQUE CABINET
BOOKCASE, George III, made-up, with a
pair of astragal doors, the base with a pair of
concave panel doors flanking a central door,
high by wide.

A MARQUETRY AND WALNUT FRAMED WALL MIRROR, Dutch, 18th Century, with later rectangular plate, marquetry probably later, high by wide.     ”

AN ANTIQUE CHEST, George III, with two short and two long drawers, wide.

AN ANTIQUE RECTANGULAR SIDE TABLE, George III, with two drawers and square legs, wide.

A SET OF FIVE PAINTED RUSH SEAT CHAIRS, late George III, with stick splats and turned legs, distressed

AN ANTIQUE DRAWING ROOM SUITE, Edwardian, comprising: a settee and two armchairs, each with pierced and carved back splats, on tapered spade feet, upholstered in red and gold

striped fabric.

A SET OF FOUR WALNUT DINING CHAIRS, Victorian, with pierced and carved balloon backs above an upholstered serpentine seat, on cabriole legs faults

AN OAK CYLINDER BUREAU, AN ANTIQUE KNEEHOLE DRESSING TABLE, AN ANTIQUE AND INLAID KIDNEY SHAPED TABLE, A CARVED OAK LIBRARY TABLE

AN OAK CYLINDER BUREAU, Victorian, with a raised gallery incorporating three drawers, above a cylinder fall enclosing pigeon holes and drawers above two frieze drawers, on

square legs, wide.

A CARVED OAK CABINET BOOKCASE, Flemish, 18th Century, with a pair of glazed doors above corresponding frieze drawers and cupboard doors, on turned feet, high by wide.

AN ANTIQUE AND INLAID
WARDROBE, late Victorian, of canted form
inlaid throughout with Art Nouveau
marquetry, the moulded cornice above a
single door, on stile feet, high by
wide

A YEW-WOOD AND ASH LIBRARY TABLE, William IV, the moulded rectangular crossbanded top with a pair of real and opposing dummy frieze drawers, on solid trestle shaped end supports

with scroll feet. wide.,

AN ANTIQUE KNEEHOLE DRESSING TABLE, George II, with a slide above an arrangement of drawers and a recessed cupboard door, on bracket feet, faults to top, wide.,

AN UNUSUAL PAINTED OAK BAR,
probably English, circa , the bow front
bordered and hung with rope and painted
with galleons, signed L B Wignet; with a Stool
en suite, wide.

AN ANTIQUE CARD TABLE, George II, the fold-over top revealing counter wells, the frieze drawer above lappet carved tapered legs with pad feet, faults to top, wide., For colour

illustration see page
AN ANTIQUE CHEST
OF DRAWERS, Regency, in the manner of
Gillow, with three long drawers, on turned
feet, base lacking some reeded mouldings,
wide

AN ANTIQUE PEDESTAL TABLE, Victorian, bearing the trade label of George Spademan, Stamford, the circular tilt-top above a lobed baluster pillar and scrolled tripod supports,

faults, diam.—

A SET OF SIX MAHOGANY RAIL BACK DINING CHAIRS, William IV, with drop-in seats, on reeded turned legs headed by paterae

AN ANTIQUE TRAY
TOP COMMODE, George III, with a pair of
doors above a drawer, on square legs,
alterations to base, wide.—

A YEW-WOOD MARQUETRY OCCASIONAL TABLE, Killarney, mid-18th Century, the shaped tilt-top inlaid with a roundel of a reclining stag within a clover leaf and harp border, on a

chamfered pillar and circular base with triple splayed feet, diam.

AN OAK AND MAHOGANY LIBRARY BOOKCASE, Victorian, with triple glazed doors above corresponding drawers and cupboard doors, on a plinth base, high by wide. For colour illustration

see page

AN ANTIQUE AND INLAID KIDNEY SHAPED TABLE, Edwardian, with a floral decorated top above cabriole legs and an undertier, wide.

AN ANTIQUE AND INLAID
BIJOUTERIE CABINET, with a hinged
glazed top above a glazed door enclosing
lined shelves, on bracket feet, wide.

A CARVED WALNUT
AND BUTTON UPHOLSTERED
CONVERSATION SEAT, Victorian, with
triple adjoining backs above a trefoil shaped
seat, on cabriole legs and a central turned leg
with castors, wide.

AN ANTIQUE LIBRARY TABLE,
early Victorian, with a rectangular top. the
octagonal end-supports with platform .
on bun feet and castors, wide.

A WALNUT AND INLAID DAVENPORT, Victorian, the top with a rear slightly domed stationery compartment, the sides with real and dummy drawers, wide. For colour illustration see

page

A CARVED OAK LIBRARY TABLE, French or Flemish, 18th Century, with an arrangement of real and dummy frieze drawers, on spiral twist supports joined by stretchers, the top by

AN ANTIQUE AND INLAID
DISPLAY CABINET, Edwardian, with a pair
of astragal doors above corresponding apron
drawers, on tapered square legs ending in
spade feet, high by wide.

AN ANTIQUE AND INLAID
DISPLAY CABINET, Edwardian, with a pair
of astragal doors, on tapered square legs with
spade feet, high by wide.

CHERRYWOOD AND INLAID WALL MIRROR, Scandinavian, WALNUT AND PARCEL-GILT WALL MIRROR, TURKISH SILVER INLAID OCCASIONAL TABLE, early 19th Century and 18th Century

AN OAK HALL TABLE, Victorian, the raised back above a frieze drawer, on panelled tapering square legs, cm.
wide.

A SET OF FOUR WALNUT
BALLOON BACK DINING CHAIRS,
Victorian, with leaf-carved back rails and
turned legs with cabochon carving

A ROSEWOOD AND MAHOGANY WORK TABLE, Victorian, the octagonal top enclosing a fitted interior, on foliate carved supports, cm.

AN ANTIQUE CROWN-BACK ARMCHAIR, early Victorian, with scroll arms and drop-in seat, on tapering legs, An oak Armchair; early 19th Century and 18th Century, with pierced rail

back and solid seat, on tapering square legs and A parcel-gilt walnut Armchair, Louis XV style, with padded back, arms and seat, on cabriole legs

AN ANTIQUE AND INLAID SIDEBOARD, George III, of breakfront form, with bowed sides, on tapered legs and spad feet, cm. wide.    AN ANTIQUE SIDE TABLE, George
III style, with a fluted two drawer frieze
centred by an urn motif, on tapered legs,
cm. wide.

AN ANTIQUE AND BRASS BOUND BUCKET, George III, with alterations, of circular tapering form with a later metal liner, cm. high

A WALNUT AND PARCEL-GILT WALL MIRROR, George III style, the broken swan neck pediment centred by Prince of Wales feathers, cm. high

AN ANTIQUE AND INLAID PEMBROKE TABLE, George III, of rectangular form, with a drawer, on tapering legs with spade feet, now bearing the label of Druce & Co., Baker st London,

cm. wide. extended

AN ANTIQUE CARD TABLE, George III, with alterations, the serpentine moulded top, on moulded square legs, cm. wide.—

AN ANTIQUE BUTLERS TRAY ON STAND, part late 19th Century and 18th Century, with a waved gallery and pierce brackets (one lacking), cm. wide.—

A TURKISH SILVER INLAID OCCASIONAL TABLE, early 19th Century and 18th Century, the octagonal top centred by a Tourgha, the stem on splayed tripod supports, cm.
wide.

AN ANTIQUE AND INLAID
DRESSING TABLE MIRROR, George IV,
with a three drawer plinth base, restored,
cm. wide.

A WALNUT AND FEATHERBANDED CHEST, part early 19th Century and 18th Century, the moulded top above three long drawers, on bracket feet, cm. wide.

AN ANTIQUE EXTENDING DINING TABLE, French, nd quarter 19th Century and 18th Century, the drop-leaf top on fluted turned legs, lacking spare leaves, cm. diam. closed/ IVf

AMAHOGANY EXTENDING

DINING TABLE, Victorian, with a moulded
top and bulbous turned and fluted legs,
mechanical action detached, cm. by cm.
fully extended including three spare leaves and a
winder

A CARVED AND GILT GESSO WALL
MIRROR, 19th Century and 18th Century, the divided
bevelled plate within an arched and
gadrooned frame, regilded, cm. high

A CHERRYWOOD AND INLAID WALL MIRROR, Scandinavian, early 19th Century and 18th Century, with a shaped cresting, cm. high

A FIGURED WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above triple mirror panel doors, cm. wide.

A WALNUT CENTRE TABLE,
Victorian, of serpentine form, on pierced
fretwork end supports, cm. wide.

AN ANTIQUE PEMBROKE TABLE, late George III, of rectangular form, with a drawer and turned legs, top loose, cm. wide.

PEDESTAL DESK, 19th Century and 18th Century, MAHOGANY ARMCHAIRS, George III style, POLLARDED OAK CONSOLE TABLE, LIVEWOOD AND MARQUETRY TRAY-ON-STAND, Italian

AN ANTIQUE TRIPOD TABLE, part early 19th Century and 18th Century, with a rectangular top and a ring turned stem, cm. wide.

AN ANTIQUE PEDESTAL DESK, 19th Century and 18th Century, with alterations, with leather inset top and nine drawers, cm.
wide.

A LABURNUM BREAKFAST TABLE, Regency, the rectangular top with a burr-veneered banding, the tapered pedestal on a quatreform base, cm. wide.

A JAPANNED CABINET-ON-ASSOCIATED STAND, English, early 19th Century and 18th Century, decorated in black and gilt with a pair of doors, on tapered legs with pad high by cm.

wide.

AN ANTIQUE AND INLAID LINEN
ESS, 19th Century and 18th Century, with two short and
one long drawer, on splayed bracket feet,
cm. high by cm. wide.

A SET OF SIX CARVED MAHOGANY DINING CHAIRS, George II style, including a pair of armchairs, on cabriole legs with claw and ball feet

AN ANTIQUE WRITING TABLE, George II style, modern, with a pair of drawers, on cabriole legs with claw and ball feet, cm. wide.

A PAIR OF MAHOGANY ARMCHAIRS, George III style, modern, with pierced splats and serpentine seats, on square legs

TEN VARIOUS MAHOGANY DINING CHAIRS, George III style, modern, with pierced splats and square legs

A BEECHWOOD INVALIDS WHEEL CHAIR, Edwardian, with a cane back and seat, bearing the trade label of Leveson & Sons

A PARQUETRY SMALL CABINET,
Japanese, early 19th Century and 18th Century, with a
detachable top above an arrangement of
drawers and a door, cm. wide.

A POLLARDED OAK CONSOLE TABLE, WIIIiam IV, circa , the semi circular top with carved border, the central cabriole support with acanthus carving and scroll angle brackets, on a

triform base, cm. wide.

AN UPHOLSTERED WING ARMCHAIR, part 19th Century and 18th Century, on cabriole legs with pad feet, one leg detached

AN ANTIQUE AND INLAID DRESSING TABLE, Edwardian, with triple mirror panel back and tapered square legs, cm. wide.

AN ANTIQUE CHEST
OF DRAWERS, George III, with an
associated top and bracket feet, altered,
cm. wide.

AN ANTIQUE D-SHAPED TEA
TABLE, Regency, on turned legs, faults,
cm. wide.

UPHOLSTERED DISTRESSED
ARMCHAIR, Victorian, on turned feet and
castors

A PAIR OF RED LACQUER AND
GILT OPEN BOOKCASES, Chinese, with
pierced and carved friezes, each cm.

AN ANTIQUE DISPLAY CABINET, 19th Century and 18th Century, with glazed doors and tapered square legs, on spade feet, cm. high by cm. wide.

AN OLIVEWOOD AND MARQUETRY TRAY-ON-STAND, Italian, 19th Century and 18th Century, with X-frame bobbin turned supports. cm. wide.

CROSSBANDED LINEN PRESS, SOFA TABLE, OAK BOW-FRONT HANGING CORNER CUPBOARD, BALLOON BACK DINING CHAIRS

A MAHOGANY CHEST, George III, with two short and three long graduated drawers, on ogee bracket feet, 125cm. wide.

A MAHOGANY CABINET
BOOKCASE, George IV, with lancet astragal
doors above drawers and cupboard doors,
lacking a cornice, 232cm. high by 112cm.
wide.

A MAHOGANY LINEN PRESS, »eorge IV, the pair of doors now enclosing hanging space, 204cm. high by 132cm. wide.

A MAHOGANY CHEST ON CHEST, George III, with two short and four long drawers, on bracket feet, 152cm. high by 115cm. wide.

A MAHOGANY AND CROSSBANDED LINEN PRESS, 19th Century with alterations, the pair of doors now enclosing hanging space, 182cm. high by 128cm. wide.

A MAHOGANY HALF TESTER DOUBLE BED, 19th Century, the raised back with an arched canopy flanked by pierced fret brackets, the arched footboard with foliate carved mouldings,

lacking mattress, 235cp. high by 141 cm. wide.

A MAHOGANY LINEN PRESS,
George III, circa 1770, the dentIIIed cornice
above a pair of crossbanded doors, enclosing
sliding trays, the base with two short and two
long drawers, on bracket feet, faults, 191cm.
high by 134cm. wide; 6ft. 3in. by 4ft.

A MAHOGANY LINEN PRESS,
reorge III, circa 1770, with dentIIIed cornice
above a pair of panelled doors, enclosing
sliding trays, the base with two short and two
long drawers, on ogee bracket feet, 197cm.
high by 135cm. wide; 6ft. 5′/2in. by 4ft.
8m.

A MAHOGANY CHEST-ON-
George III, circa 1770, the dentIIIed
corniae with blind fret frieze above an
aimgement of five drawers, flanked by
fluted quadrant pilasters, the base with three
further drawers, on ogee bracket feet, faults,
180cm. high by 131 cm. wide; 5ft. 11 in. by 4ft.
3′/2in.

A MAHOGANY CHEST ON STAND, George II, with an arrangement of six drawers above a shaped apron and cabriole legs, 161cm. high by 99cm. wide.

A MAHOGANY CHEST, George III, with four drawers, fluted corners and bracket feet, restored, 85cm. wide.

A MAHOGANY SOFA TABLE,
George IV, on splayed end supports with a
turned’ stretcher and brass paw castors, top
restored, 157cm. wide extended.

A PLUM PUDDING’ MAHOGANY
DESTAL PEMBROKE TABLE, Regency,
Atop with two hinged leaves above a single
“awer, on a turned column and four
downswept legs ending in brass cappings and
castors, one castor detatched, 112cm. wide
extended.

A SET OF SIX CARVED
MAHOGANY BALLOON BACK DINING
CHAIRS, Victorian, with padded seats, on
cabriole legs, with restoration, one chair lacking
uphostery.

A WALNUT AND GILT-METAL
OUNTED KIDNEY SHAPED WRITING
TABLE, Victorian, the inset top above a
frieze drawer, on cabriole legs, some mouldings
detached, 117cm. wide.

A MAHOGANY TEA TABLE, George III, the rounded rectangular top crossbanded with rosewood, on reeded turned legs, 92cm. wide.

A WALNUT WRITING TABLE, Victorian, the inset top above a frieze drawer, on carved and turned legs,, faults, 113cm. wide.

A MAHOGANY AND OAK BOW-FRONT HANGING CORNER CUPBOARD, George III, the oval inlaid frieze above a pair of doors enclosing shelves and small drawers, faults, 71cm, wide.

A MAHOGANY CHEST CABINET,
George III with alterations, the moulded top
above two drawers and a pair of cupboard
doors, on bracket feet, faults, 63cm.
wide.

A SET OF TEN WALNUT AND BEECH DINING CHAIRS, Charles II style, including a pair of armchairs, the caned backs above drop-in seats, on scrolled legs joined by stretchers.

BEECHWOOD COMMODE, REVOLVING ARMCHAIR, SATINWOOD SIDE TABLE, BOW FRONT DISPLAY CABINET, BOW-FRONT SERVING TABLE

A BEECHWOOD COMMODE, Louis XVI style, with two drawers and a foliate carved apron, on fluted tapered legs, 80cm. wide.

A MAHOGANY TOILET MIRROR, George IV, in the manner of GIIIows of Lancaster, the rectangular plate on moulded scrolling supports joined by a galleried platform stretcher, 70cm.

Estimate Sketchbook IIIustrates a model for a similar mirror. Also a pair of identical mirrors were sold by Sotheby’s at Thoresbv Hall, Notts.

A MAHOGANY REVOLVING ARMCHAIR, early Victorian, with buttoned upholstery and leaf carved turned feet, on castors.

A MAHOGANY ARMCHAIR, early Victorian, with distressed upholstery and carved arm facings, lacking one castor.

A SATINWOOD SIDE TABLE,
George III style, early 20th Century, with a
serpentine top and a drawer, on tapering legs
with spade feet, 86cm. wide.

A MAHOGANY BREAKFAST TABLE, early 19th Century, with alterations,, the crossbanded top raised on a spiral twist column and downswept supports, 114cm. long.

A MAHOGANY AND SATINWOOD BANDED SIDE TABLE, part early 19th Century, of bow-front form, with three drawers, on cabriole legs, 105cm. wide.

A BUTTON UPHOLSTERED LOW ARMCHAIR, Victorian, with ebonised turned supports, on castors.

A CARVED AND GILT GESSO PIER MIRROR FRAME, mid 19th Century, with a pierced foliate cresting centred by a cabochon, 229cm. high by 66cm.
wide

A MAHOGANY GENTLEMAN’S DRESSING TABLE, George III with alterations, inlaid throughout with stringing, on bracket feet, 55cm. wide.

A WALNUT KNEEHOLE DRESSING TABLE, Queen Anne style, with an arrangement of nine drawers, on bracket feet, 93cm. wide.

A SET OF EIGHT DINING CHAIRS, Edwardian, with carved cresting rails and tapered square legs, bearing trade label, Boardman & Sons, London, regd. 534739
A PAIR OF CARVED AND PAINTED FAUTEUILS, Louis XVI style, with pierced ribbon crestings and claret damask upholstery, on fluted legs.

A KING WOOD PARQUETRY CABINET, Louis XV style, with a green marble top above a door enclosing a mirrored interior, 48cm. wide.

A MAHOGANY BOW FRONT DISPLAY CABINET, Edwardian, with astragal doors, on cabriole legs with claw and ball feet, 132cm. wide.

A MAHOGANY PEDESTAL SIDEBOARD, WIIIiam IV, with a raised back above an arrangement of drawers and a pair of cupboard doors, 229cm. wide.

A MAHOGANY TRAY-TOP COMMODE, George III, with a pair of doors and a pull-out base, on square legs, distressed, 50cm. wide.

A MAHOGANY DRESSING TABLE MIRROR, Victorian, with carved scroll supports joined by a platform stretcher, 54cm. wide.

AN OAK SERVING TABLE, Victorian, with a pair of frieze drawers, on octagonal tapered legs, 242cm. wide.

A MAHOGANY BOW-FRONT SERVING TABLE, George III with alterations, on tapered square legs, 194cm. wide.

A GILT PAINTED PIER TABLE, Italian, 19th Century, with a serpentine marble top and cabriole legs, later painting, 162cm. wide.

SET OF FOUR ‘GEORGE II’ MAHOGANY ARMCHAIRS, PAINTED DISPLAY CABINET, WILLIAM IV MAHOGANY CARD TABLE, LACQUER SOFA TABLE, WALNUT GATE-LEG TABLE

А SET OF FOUR ‘GEORGE Ii’ MAHOGANY
ARMCHAIRS each with a rectangular
back with a serpentine top-rail and
pierced splat, the outcurve arms above
a stuffed drop-in seat on cabriole legs,
stamped 4587, possibly Portuguese, late
I9th century

A GOOD SATINWOOD AND PAINTED DIS-
PLAY CABINET with a pair of interlaced elliptically glazed doors above a projecting brushing slide with two short drawers above two cupboards, on bracket feet, painted

throughout with husks, flowers and dancing figures, 70 by 34in; 178 by 86.5cm, with alterations, late 19th century

А SET OF TEN ‘GEORGE III’ MAHOGANY
DINING CHAIRS, including two arm-
chairs, each with an arched top-rail
and pierced splat carved with husks
above a stuffed drop-in seat on molded
square tapering legs, c. 1880

A WILLIAM IV MAHOGANY CARD TABLE,
the ‘D’-shaped top enclosing a playing surface on a square stem with chamfered corners and a concave-sided base with paw feet, 29l by 36in; 75 by 92cm, c. 1835

A BURR-WALNUT OCCASIONAL TABLE with
a circular cross-banded top above а lower tier with a triple balustrade for magazines, on a fluted baluster stem and tripod base, 30 by 18lin; 76 by 47cm, c. 1870

А PAPIER-МАСНE OCCASIONAL TABLE, the
lobed gilt top inlaid with flowers on а baluster column and lobed base, 23in; 58.5cm wide, 1840′j
И
A WALNUT WING ARMCHAIR in late 11th
century style, the tall padded back and sides above scroll padded arms and stuffed cushion, on baluster and octagonal tapering legs joined by а molded curved stretcher centered

by an urn, c. 1870

AN  EBONIZED WOOD  AND  MOTHER-OF-
PEARL SIDE CHAIR with a serpentine top-rail inlaid with mother-of-pearl above a triple splat centered by a panel painted and inlaid with flowers, the caned seat on turned out

swept legs joined by stretchers, c. 1850

AN S. HILLE & SON ‘CHINESE CHIPPENDALE’ SATINWOOD  LACQUER  DRAWING-ROOM
SUITE comprising A Breakfront Display Cabinet on Stand with a cornice hung with bells, 85 by 50in; 216 by 127cm; A Fire Surround with corbel supports, 52 by 66in; 132 by 168cm;

A Rectangular Centre Table with a plate glass top, the scrolled corners hung with bells, 40in; 102cm wide; A Mirror with a Pagoda cresting with inset beveled corners, 30 by

46in; 76 by 117cm; А Pair of Elaborate Tri-Form Standard Lamps, each surmounted by a Japanese porcelain figure, 82in; 208cm; A Set of Six Wall Lights, each with canted sides

above a gallery with two candle-arms, 16lin; 42cm; A Twelve-Arm Chandelier, 26in; 66cm wide; A Pair of Armchairs with pierced beaks and stuffed drop-in seats; A Pair of Side

Chairs with painted lacquer splats; A Duet Stool with a stuffed rectangular lid, 32lin; 82cm wide; A Berger Suite comprising a triple-chair-back Settee and two deep Armchairs

with numerous loose cushions, the whole Suite lacquered with chino series, the lights fitted for electricity, 1920’s
Similar furniture is illustrated in Halle, 75 Years of British Furniture, by Sutherland Lyell. Hillel was making this style of furniture between 1918 and 1939.

AN  EBONY-VENEERED  AND  AMBOYNA
DISPLAY CABINET, the cornice an incised Vitruvius scroll, above a pair of glazed doors enclosing shelves, the canted sides with outset columns, with gilt-brass egg and dart

moldings, 43 by 48in; 109 by 122cm, c. 1860

A MAHOGANY BREAKFAST TABLE, the
rectangular tip-top above a fluted column and down swept legs with paw feet and brass castors, 281 by 49in; 72.5 by 126cm, 1890/1900

A MAHOGANY WRITING DESK, the Super-
structure with a central balustrade flanked by two sections of four short drawers, the front with a sloping writing surface flanked by two flat writing surfaces, the frieze with

three drawers above three further drawers in each pedestal, 46 by 54in; 117 by 137cm, c. 1860

A MAHOGANY ARMCHAIR, the molded frame with scrolled arms, button-upholstered back, sprung seat on cabriole legs with white ceramic castors, third quarter of the 19th century

А WALNUT GATE-LEG TABLE in Well-
figured wood, the oval cross-banded top on turned trestle supports and white ceramic casters, 40in; 101.5cm wide open, English, c. 1880

А ROSEWOOD CENTRE TABLE of serpentine outline with a drawer at either end on а ‘jeweled’ and gadrooned trestle support, 58in; 147.5cm long, 1840′.

A LACQUER SOFA TABLE, the top and flaps painted within a gilt stylized foliate border, the frieze with two drawers on a trestle base joined by a stretcher on out swept legs, 30

by 62in; 76 by 159cm, c. 1920

A MAHOGANY STAND with three rails and a divided umbrella stand with removable drip tray below, 75 by 51in; 190.5 by 129.5cm, c. 1880

AN EBONIZED WOOD FIRE-SCREEN, the
molded frame carved with ‘C’-scrolls and shells enclosing a petit point panel worked with a young man in 18th century dress watching a lady at her embroidery, on scroll feet,

431 by 28in; 110 by 71cm, c. 1850

A WALNUT PEDESTAL DESK with three frieze drawers and three drawers in each pedestal, with a green leather top, 49in; 124.5cm wide, c. 1880, cleaned

А GOOD GILT SUITE IN LOUIS XVI STYLE,
comprising six Chairs and two Arm-
chairs, each with a padded back and
sprung seat on fluted legs; A Settee,
68in; 173cm wide; Two Mirrors with
triple plates surmounted by a ribbon-
carved oval panel, 90in; 228.5cm high,
62in; 157.5cm wide; An Oval Side
Table with a fawn marble top, 32in;
8lem wide; A Pier Table with a fawn
marble top, 57in; 145cm wide; А
Torch ere with a circular marble top,
50in; 127cm wide; A Virtue with а
glazed door and sides below a ribbon-
tied cresting, 72in; 183cm high, 32in;
8lem wide; and A Pelmet with а
ribbon-carved cresting, 79in; 20lem
wide, c. 1900, re-gilded

A  MAHOGANY  NARROW  BOOKCASE,  the
molded cornice above a pair of glazed doors enclosing shelves with recessed ebonized roundels above a pair of panelled cupboard doors, 951 by 541 by 14in; 243 by 138.5 by

35.5cm, c. 1850
The narrow proportions of this bookcase suggest that it was made for a recess and has not been altered from a large bookcase

A  WILLIAM  IV  SET  OF  MAHOGANY
SHELVES, the superstructure with two pierced sides with carrying handles above a scroll cresting centred by а rectangular panel above three shelves, 18 by 36in; 46 by 91cm, c.

1835

A SET OF MAHOGANY WALL SHELVES with
an arched back above three graduated shelves, 22 by 39in; 56 by 99cm, c. 1840

AN ELIZABETHAN REVIVAL ROSEWOOD
PRIE-DIEU with a padded top-rail with a padded oval back and twist-turned supports, the button-upholstered seat on cabriole legs, c. 1840

AN UNUSUAL SATINWOOD AND MAR-QUETRY LIBRARY BOOK CABINET, the
outset top with a leather writing surface, the central frieze drawer indistinctly stamped Hunter, above a kneehole, flanked by shelved sections and a frieze drawer, on square

tapering supports, inlaid throughout with masks, stylised foliage and chequer bandings, 36 by 84in; 92 by 214cm, third quarter of the 19th century

WALNUT CARD TABLE, MAHOGANY DINING TABLE, ROSEWOOD VENEERED BREAKFAST TABLE, MAHOGANY DINING CHAIRS

A WALNUT CARD TABLE, the ‘D’ top enclosing a baize-lined interior on an octagonal stem and concave-sided base, 271 by 36in; 70 by 91cm, c. 1840

A MAHOGANY PEDESTAL SIDEBOARD, the
rectangular top with three cushion drawers above two pedestal cupboards, 33 by 60in; 84 by 152.5cm, c. 1840

A WALNUT SIDE CABINET, the mirrored superstructure applied with carved ‘C’-scrolls and acanthus, the molded multiple serpentine white marble top above a central mirrored door

flanked by canted mirrored cupboards, 73 by 47in; 185.5 by 119.5cm, mid 19th century

A PAIR OF ‘GEORGE III’ PAINTED URNS ON
STANDS in the style of Angelica Kauffman, the ovoid bodies applied with anthemion and painted with cherubs in the heavens, the cylindrical bases sup-ported by a rams’ head ,

painted with classical muses and flowers, 64in; 162.5cm, c. 1880

A MAHOGANY DINING TABLE,  the  top
with rounded corners on four gadrooned turned tapering legs with brass castors, 28 by 56 by 65in; 71 by 142 by 165cm, formerly smith an extra leaf, c. 1840

A WALNUT TRIPOD TABLE, the circular top with a galleried tray set on a platform base with ‘S’-scroll feet, 28 by 16in; 71 by 40.7cm, c. 1860-1880

A PORCELAIN-MOUNTED BONHEUR-DU-
JOUR, the stepped superstructure with a mirror flanked by two cupboards applied with oval porcelain plaques, the lower part with a writing drawer flanked by two short drawers,

on fluted supports joined by a shelf and a platform stretcher inlaid with they wood on an ebonized ground, 591 by 53in; 150.5 by 134.5cm, 1860′.

A SET OF EIGHT ROSEWOOD DINING
CHAIRS, the dipped top-rails with
wasted splats and caned seats on
turned legs, c. 1840

A  PIETRA  DURA  EBONIZED  WRITING
CABINET, the three-quarter gallery with outset fluted composite columns flank-ing a pair of panels applied with hard stone vases of flowers, the lower part with a writing slide

above а drawer, on square tapering legs joined by a cross-stretcher, 1870’s

AN UNUSUAL WALNUT DAVENPORT in
well-figured and burr-wood, the superstructure enclosing fitted compartments above a cylinder front inlaid with a motif enclosing two short drawers, а pull-out writing surface

and а реп scoop, the base with a single cupboard door inlaid with a conforming motif and flanked by turned leaf-carved columns, 36 by 22in; 91 by 57cm, c. 1870

A ROSEWOOD VENEERED BREAKFAST TABLE,
the circular tip-top on a lotus-carved support and triangular concave platform and scroll feet, 46lin; 118cm.c. 1840

A ROSEWOOD AND MARQUETRY BREAKFAST
TABLE, the circular tip-top inlaid with a satinwood border with flower heads and leaves on a baluster stem and tripod base with claw-and-ball feet, 29 by 48in; 74 by 112cm, c.

1840
A WALNUT LOO TABLE, the well-figured burr-walnut top on a leaf-carved oak column with four walnut carved down-swept legs, 52in; 132cm wide, possibly Dutch, c. 1870

А SATINWOOD AND MARQUETRY CENTRE
TABLE, the circular top segmental veneered with a central fan medallion, the frieze with two short drawers, on six fluted tapering legs joined by an interlaced stretcher, the

frieze inlaid with husks, 45in; 114cm, c. 1910

A MAHOGANY ASYMMETRICAL THREE-FOLD
SCREEN, the molded rococo frame with upper glazed beveled panels and the lower part with upholstered panels, the largest panel 72 by 18in; 183 by 46cm, damaged, c. 1900

A SET OF SIX MAHOGANY DINING CHAIRS,
each with a wasted back and curved crossbar above a stuffed seat on molded square tapering legs, c. 1850

A FOUR-FOLD LEATHER SCREEN, each fold
painted with Chinese boating scenes and panels of flowers and leaves, each panel 711 by 21in; 182 by 53cm, c. 1920

А ‘GEORGE III’ MAHOGANY BOOKCASE with a swan-neck cresting above two seven-panel glazed cupboard doors enclosing shelves, the lower part with two short drawers above two

cupboard doors, cross banded throughout with satinwood and inlaid with stringing, 86 by 33in; 209 by 85cm, c. 1910

A SATINWOOD WRITING TABLE, the superstructure surmounted by a ribbon-tied urn, the leather-lined writing surface with a central frieze drawer flanked by bow-fronted drawers on

two sets of four square tapering legs, each set joined by a platform stretcher, 431 by 53in; 110.5 by 136cm, c. 1910

A WALNUT LEPIDOPTERA FIRE-SCREEN,
the double-glazed screen with a tri-angular pediment containing numerous specimen butterflies, on a twist-turned ‘Jacobean’ trestle support, 461 by 26in; 117 by 66cm, the stand

1840’s

PAINTED SATINWOOD ARMCHAIR, GOOD GILTWOOD DOUBLE BED, EDWARDIAN ART NOUVEAU MAHOGANY TEA TABLE, WALNUT CHEST ON STAND, WALNUT COFFER ON STAND

A MAHOGANY CENTRE TABLE, the circular top with a cross banded border, the frieze inlaid with stringing, on square tapering legs joined by a molded stretcher centered by a tier,

on brass castors, 29 by 35in;

A SET OF SIX EARLY ‘GEORGE III MAHOGANY  DINING  CHAIRS,   including
an Armchair, each with a serpentine top-rail, pierced vase splat, and drop-in seat on square tapering legs joined by ‘H’ stretchers, late 19th century

A FINE SET OF TEN ‘GEORGE Ii’ MAHOGANY
DINING CHAIRS, including two Armchairs,
the molded top-rail above a vase splat
and out curved arms with shepherd
crook supports, above drop-in seats on
cabriole legs joined by turned stretchers,
late 19th century

A WALNUT COAL-ВОХ, the galleried platform above a pivoted coal-box carved with foliage with brass carrying handles, 94 by 37cm, c. 1900

A   SET   OF   FIVE   ‘GEORGE   III   DINING
CHAIRS, with serpentine top-rails,
pierced splats and drop-in seats, on
square tapering legs, c. 1900

A PAINTED SATINWOOD ARMCHAIR, the
back with a caned rectangular panel centered by a plaque painted with а cherub and child, the out curved arms with double caned sides and turned supports above a stuffed seat,

on turned tapering legs, painted throughout with leaves and flowers, c. 1900

А  GOOD   GILTWOOD  DOUBLE  BED,   the
caned headboard with a molded top-rail carved with roses and flowers, the double caned sides curving downwards and carved with leaves, the base board similarly carved and with a

rope twist border, 54 by 54in; 137 by 137cm.

AN EARLY  ‘GEORGE  III’  TRIPLE-CHAIR-
BACK MAHOGANY SETTEE with pierced splats above curved arms, on large cabriole legs with claw-and-ball feet, 71in; 181.5cm, early 20th century

A WALNUT CHEST ON STAND, the Cross-
banded long bow-fronted top with two drawers raised on five inverted ‘S’-scroll legs joined by stretchers, 38 by 48in; 96.5 by 122cm, possibly Flemish, early 20th century

A SET OF SIX EARLY ‘GEORGE III’ MAHO-GANY   DINING   CHAIRS,   including   two
Armchairs, each with a molded top-
rail above a vase splat carved with
scrolls, the stuffed serpentine seats on
cabriole legs with claw-and-ball feet,
c. 1900

A   CIRCULAR   MAHOGANY   OCCASIONAL
TABLE with a segmental veneered top of satinwood with square tapering legs joined by a stretcher, 23|in; c. 1910

A ‘GEORGE I’ WALNUT COFFER ON STAND,
the rectangular cross banded top with а hinged lid with two locks, the stand with a shaped apron on cabriole legs and pointed pad feet, with brass carrying handles, 37 by 48in;

94 by 122cm,

AN EDWARDIAN ART NOUVEAU MAHOGANY
TEA TABLE, the serpentine square top on outset square tapering legs, the frieze with three baize-lined hinged circular trays, inlaid with stylized foliage, 29 by 18in; 73.5 by

45.5cm, c. 1910

A   SATINWOOD   PAINTED   AND   CANED
BERGERE, the semi-circular caned back with a portrait medallion above a lion with double caned arms and squab seat, on square tapering legs, c. 1910

AN UNUSUAL MAHOGANY AND MARQUETRY
TABLE DISPLAY CABINET, the bowed glazed lid above a cupboard door inlaid with a paternal and stringing, on cabriole legs joined by a platform stretcher, 49 by 28in; 124.5 by

7lem, c. 1900

AN ADAM GALT MAHOGANY ‘QUAINT’ SIDE
CABINET, the architectural upper part with lead-glazed polychrome panels of birds and foliage, the projecting lower part with two short drawers above three cupboards, 76 by

66in; 193 by 167.5cm, c. 1910
Adam Galt was an Edinburgh designer. This cabinet combines a traditional ‘Edwardian Art Nou-veau’ shape with a strong Glasgow School influence to the glazing.

A SUITE OF SIX ADAM GALT MAHOGANY
DINING CHAIRS, the tall beaks with
padded top-rails and steak splats,
the stuffed drop-in seats with square
tapering legs joined by stretchers, the
beaks inlaid with a banding,
c. 1910

A MAHOGANY ADAM GALT DINING TABLE,
the molded top with ‘D’-shaped ends and square tapering legs joined by stretchers, 671 by 36in; 171.5 by 91.5cm, c. 1910

AN ADAM GALT COAL-ВОХ, with a frieze drawer above a pull-out lead-lined container on square tapering legs, 75 by 42cm, c. 1910
The previous four lots were designed as one suite by Adam Galt and are believed to have been made in Edinburgh, c. 1910

A MAHOGANY CARD TABLE, with a central playing surface within a chevron border on a folding cross-frame inlaid with boxwood stringing, 281 by 32in; 72 by 81cm, c. 1910

A MAHOGANY CORNER CABINET, the upper
part with four arched glazed astragals above a double oval mirror, the lower part with two glazed cupboard doors with further arched astragals on square tapering legs with spade

feet, the whole cross banded throughout in satinwood, 78 by 30in; 198 by 76cm, c. 1910

A ‘SORRENTO’  WORK TABLE, the bow-
shaped cross banded top above a frieze, the central panel inlaid with a rustic scene, on slender square tapering legs, 29 by 18in; 74 by 46cm, c. 1910

A  MAHOGANY  DINING  TABLE,  the  top
with three extra leaves on a central mechanical winder, on four cabriole legs carved at the knees with leaves, on claw-and-ball feet, 75 by 312cm fully extended, c. 1920

A ‘GEORGE l’ WALNUT CHEST ON STAND,
with two short drawers above three long graduated drawers with a drawer in the stand, on cabriole legs ending in pad feet of square section, 65 by 40in; 165 by 101.5cm, second

quarter of the 20th century