Antique Cupboard

George II mahogany Birdcage Table, Regency simulated rosewood Whatnot, Regency mahogany Sideboard, George III mahogany Chiffonier

A George II mahogany Card
Table,  the fold-over top with
re-entrant corners and revealing a baize
inset and candle stands, with a concertina
action to the rear legs and lappets to the
knees, on pad feet, cm. wide. ft. in.

A George III mahogany Library
Armchair,  covered in striped
fabric, the moulded back supports with
scroll carved surmounts, the padded
arms with paterae facings, the square
stop-fluted legs joined by stretchers

A George II gilt painted frame
Wall Mirror,  the later plate
with conjoined scroll surmount and
conforming apron, faults, restored, cm.
high by cm. ft. in.

A George II mahogany Birdcage Table, made-up, the tilt-top above a later base with baluster pIIIar and carved tripod supports ending in egg and claw feet, .cm. diam. ft.

A Regency simulated rosewood Whatnot,  of mahogany, the adjustable folio stand with folding rest, with turned supports and an apron drawer, on reeded bun feet and concealed

castors, cm. lft. in.

A George II mahogany oval
chop-leaf Table,  with a
drawer, the cabriole legs ending in hoof
feet, restored,  by cm. fully extended
ft.

A George II mahogany Bureau,
the fall revealing a shaped
and fitted interior, below are three short
and two long drawers, the sides with
carrying handles, on shaped bracket feet,
restored, cm. high by cm. wide.
ft.  by ft. lin.

A George III figured mahogany
Chest-on-Chest,  the dentIIIed
cornice and blind-fret frieze above two
short and three long graduated drawers,
flanked by canted fluted corners, below
is a slide and three long graduated
drawers, on later shaped bracket feet,
restored, cm. high by cm. wide.
ft. in.

A Regency ivory painted and gilt
Pier Mirror,  with ball
decorated cornice above a frieze with
dancing maidens and a seated boy with
flute, the later rectangular bevelled plate
flanked by fluted Corinthian pilasters,
restored, cm. high by cm. wide.
ft. Vin.

A WIIIiam IV rosewood secretaire
Wellington Chest,  with
locking pilaster and later gilt-metal
surmount, the two drawers above a fitted
writing drawer simulating two drawers,
below are three drawers and a plinth
base, faults, cm. high by cm. wide.
ft. lin. by lft. Win.

A Regency mahogany Sideboard,
with raised arched back and
beaded mouldings, the frieze drawer
flanked by a pair of cupboards, the solid
end supports joined by a pole stretcher,
the splayed feet ending in ornate brass
cappings and castors, restored, cm.
wide. ft. in.,

A George II carved giltwood Wall
Mirror,  the later rectangular
plate with a panel scroll and foliate
surround, with flame motifs and paterae
and cartouche surmount, regilded, cm.
high by cm. wide. ft. in.

A George III mahogany Chiffonier,
the raised back with pierced
brass gallery and two open tiers, below
are a pair of brass grIIIe doors and an
apron drawer, on tapered square feet,
restored, cm. high by  cm. wide.
ft. Vin. by ft. Vin.

A George III mahogany Chiffonier,
made-up, with two open tiers, the frieze
drawer above tapered square legs, on
brass cappings and castors, cm. wide.
ft. in.

A George III mahogany secretaire
Bookcase,  the later moulded
cornice above a pair of geometric
astragal doors enclosing adjustable
shelves, the crossbanded writing drawer
enclosing a fitted interior with satinwood
veneers, below are a pair of panelled
doors enclosing a sliding tray, on shaped
bracket feet, restored, cm. high by
cm. wide. ft. in.

A George III faded mahogany
semi-circular Card Table,
with satinwood banding and stringing,
the fold-over top above tapered square
legs and spade feet, restored, .cm. wide.
ft.

A George IV oak and walnut
octagonal Table,  the top with
segmented veneers and two drawers, the
turned pIIIar above tripod supports and
associated bun feet, restored, cm. wide.
lft. in.

A set of seven Regency mahogany
rail-back Chairs,  including
two armchairs, with foliate carved
cresting rails and pierced scroll mid-bars,
the Trafalgar seats above moulded sabre
legs, restored

A set of four George III
aaahogany Chairs,  the
cresting rails above triple reeded stick
splats, the stuffed seats with turned and
reeded tapering legs

A George III mahogany Bureau,
the fall revealing pigeon-
holes and satinwood veneered small
drawers, below are two short and two
long drawers with a valanced apron, on
splayed bracket feet, cm. high by cm.
wide. ft. Vin. by ft.

WALNUT POLE-SCREEN, EBONISED AND PARCEL-GILT LOW TABLE, MINIATURE MAPLE CHEST, PAINTED HANGING CORNER CUPBOARDS

A MAHOGANY ETAGERE, Victorian, with a brass gallery above three tiers, on fluted turned supports, 60cm. wide.

AN EBONISED AND PARCEL-GILT LOW TABLE, Continental, with a white marble top and tapering legs on paw feet. 100cm. wide.

A PINE BOOKCASE, Victorian, with foliate pokerwork decoration and three glazed doors, 159cm. wide.

A CARVED OAK DOUBLE BED, late 19th Century, comprising an upholstered headboard, panelled footboard and side rails, including mattress, 163cm. wide.

A CARVED OAK AND UPHOLSTERED ARMCHAIR, Victorian, in the Gothic style, covered in brown leathercloth, on fluted turned legs.

A MAHOGANY RECTANGULAR PEDESTAL PEMBROKE TABLE, 19th century, with a drawer, the associated base, on quadruple sabre legs and castors, 107cm. wide closed.

A WALNUT POLE-SCREEN, part 18th Century, with a floral embroidered panel and tripod supports, 138cm. high.

A BUTTON UPHOLSTERED ‘X’-FRAME ARMCHAIR, late 19th/early 20th Century, covered in pale green fabric.

A MINIATURE MAPLE CHEST, 2nd quarter 19th Century, the hinged top above one dummv and three real drawers, on turned feet. 36cm. wide.

TWO PAINTED HANGING CORNER CUPBOARDS, 18th Century,
each enclosed by a pair of doors, one
surmounted bv an open tier. 92cm. high and
114cm. high.

A NEST OF FOUR HUANG HUALI
TABLES, 20th Century-, with pierced and
carved friezes, on square legs. 51 cm.
wide.

A MAHOGANY CORNER
ARMCHAIR, George III, with a slip-in
brocade seat, on square legs old repairs.

A ROSEWOOD CIRCULAR PEDESTAL TABLE, WIIIiam IV, the tilt top above a triform base and bun feet, 104cm. diam.

A MAHOGANY OVAL FRAMED TOILET MIRROR, George III, the serpentine plinth with three drawers, 43cm. wide.

AN ELM COMMODE ARMCHAIR, George III with alterations, with a pierced vase shaped splat and square legs.

AN OAK BUREAU, George III, with four-drawers and ogee bracket feet, restorations, 91cm. wide.

A CHESTERFIELD SETTEE, Victorian, covered in green velvet, on carved cabriole feet, faults, 200cm. wide.

A GILT AND HIDE BED, Venetian, 18th century style, with an arched scroll head and tail board together with iron side rails, 107cm. wide.

A LARGE GILT PIER MIRROR FRAME, 19th century, including spiral twist mouldings and fruiting vine decoration, 254cm. high.

A MAHOGANY AND INLAID SIDEBOARD, George III style, with a stepped top and tapered square legs, on spade feet, 153cm. wide.

A MAHOGANY BOOKCASE, George III, with a pair of astragal doors, formerly part of a bureau bookcase, 107cm. wide.

A MAHOGANY AND INLAID
MIRROR BACK SIDE CABINET, late
Victorian, the astragal door above a drawer,
cupboard and open shelves, 216cm. high by
122cm. wide.

WALNUT SIDE CABINET, MAHOGANY DINING TABLE, DRESSING TABLE, ETCHED AND COLOURED GLASS WALL MIRROR, MAHOGANY DINING CHAIRS

A PAIR OF MAHOGANY BALLOON BACK CHAIRS, Victorian, with upholstered seats, on turned legs.

A BURR-WALNUT BUREAU
BOOKCASE, Dutch, 18th Century style,
with inlaid interior stationery compartments
including simulated book spines, 211cm. high
by 96cm. wide.

A CARVED OAK PRESS
CUPBOARD, 17th Century style, including
a parquetry frieze on turned end supports,
160cm. high x 193cm. wide.

A WALNUT AND OAK CHEST ON
CHEST, part 18th Century, with three short
and six long drawers, on turned feet, 176cm.
hiSh by 102cm. wide.

A WALNUT SIDE CABINET, late Victorian, with a raised mirror panelled back and an arrangement of open shelves, 223cm. high by 116cm. wide.

A MAHOGANY DAY BED OR WINDOW SEAT, early Victorian, with scrolled and carved ends, on turned feet and castors, 232cm. wide.

A YEW-WOOD DAVENPORT, Irish, mid-19th Century, with spiral twist supports and panelled sides, 64cm. wide.

A PAIR OF SABICU FIRESCREENS, WIIIiam IV, with rising panels and projecting
H shelves, restored, 38cm. wide.

A MAHOGANY WRITING TABLE,
“early Victorian, the leather inset top above
three drawers and fan spandrels, on turned
reeded legs, drawer stamped ‘G’, 138cm.
wide.

A MAHOGANY DINING TABLE,
George IV, the moulded top with rounded
corners, on reeded turned legs, 141cm. wide
by 211cm. extended including a leaf insertion.

A MAHOGANY DINING TABLE, Regency, with two later leaves, the rounded rectangular top, on spiral reeded legs and castors, 296cm. long extended.

A SET OF TWELVE MAHOGANY DINING CHAIRS, George III style, including a pair of armchairs, with pierced splats and tapered square legs.

A CARVED HARDWOOD CABINET ON STAND, Japanese, late 19th/early 20th Century, with an arrangement of cupboards, pigeon holes, shelves and drawers, fronted with bone inlaid blue

lacquer panels, within foliate borders, raised on a carved stand, 202cm. high by 115cm. wide.

A MAHOGANY DRESSING TABLE, Regency, with alterations, with five reeded front drawers and fan spandrels, on reeded turned legs, 117cm. wide.

A MAHOGANY BERGERE ARMCHAIR, WIIIiam IV, with reeded scrolling arms, on reeded and turned
legs.

A MAHOGANY, ROSEWOOD AND
SATINWOOD WALL CABINET, George
III, the central mirror door flanked by oval
inlaid doors above three drawers, 94cm.
wide.

A MAHOGANY WARDROBE, George III, with alterations, the pair of panelled doors above a dummy and a real drawer, on bracket feet, 228cm. high by 129cm. wide approx.

A MAHOGANY AND
INLAID DRESSING TABLE MIRROR, late
George III, with three drawers, on ivory ball
feet, 64cm. wide.

A ETCHED AND COLOURED
GLASS WALL MIRROR, Venetian, modern,
of elongated octagonal form with applied
pink glass floral decoration, 180cm. high.

A WALNUT WALL MIRROR, George I, the later bevelled plate within a moulded rectangular frame with outset corner, 70cm. wide.

MAHOGANY DISPLAY CABINET, VERNIS MARTIN VITRINE, SCULPTURAL MANTEL CLOCK, GILTWOOD SIDE CABINET, KINGWOOD VENEERED OCCASIONAL TABLE, ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP

A MAHOGANY DISPLAY CABINET, Paris, circa 1900,
with a bow-fronted glazed door and serpentine sides on cabriole legs with gilt-bronze mounts, 151cm high, 65cm wide.

A VERNIS MARTIN VITRINE, Paris, circa 1900,
the arched serpentine glazed door with glazed sides
above a painted Vern’s Martin scene,
176cm high, 71cm wide.

A PAIR OF WALNUT STOOLS, circa 1900,
in Louis XV manner, the molded leaf-carved frames with padded open arms, sprung serpentine seat and ‘X’ legs,
66cm wide .

A FRENCH ROSEWOOD AND VERNIS MARTIN
VITRINE,
circa 1890,
the double serpentine door with convex glazed sides and rustic scenes below, with gilt-bronze mounts,
175cm high, 90wide .

A   LARGE   NAPOLEON    III    SCULPTURAL MANTEL CLOCK, Paris, circa 1855,
the movement contained in a carfare marble breakfront plinth surmounted by a gilt-bronze figure of a sleeping lady, loosely draped in a chit on; with key, pendulum and pendulum

adjustment key, 59cm high, 63.5cm .

A CARVED GILTWOOD SIDE CABINET, Paris, circa 1890,
in Louis XVI manner, with a marble top above a frieze drawer and a Vern’s Martin panel, flanked by bevel-glazed doors and sides, divided by twist-turned columns, with six

shelves and key,
125cm high, 131cm wide, 51.5cm deep.

A PAINTED PANEL, mid 19th century,
centered by a dancing female figure in a painted
frame of ribbons and flowers,
198cm high, 120cm wide.

A NAPOLEON III KINGWOOD SECRETAIRE A
ABATTANT,
circa 1855,
with a white marble top above three dummy drawers  enclosing  a writing  surface  and  four serpentine  drawers  below,   the  whole  quarter-veneered and cross banded, 127cm

high, 66cm wide.

A VERNIS MARTIN DISPLAY CABINET, Paris, circa 1900,
in Louis XVI manner, with a bevel-glazed door above a panel painted with a young couple, flanked by convex doors on columnar supports with toupee feet
149cm high, 85cm wide.

A KINGWOOD CARTONNIER, Paris, circa 1930,
in Louis XV manner, of serpentine outline, quarter-veneered with tulipwood cross banding, enclosing four pigeon-holes, with gilt-bronze mounts,
35cm high, 75cm wide.

A GERMAN MAHOGANY CARD TABLE, possibly Altoona, circa 1840,
the   rectangular   hinged   swiveling   top   on   a hexagonal baluster support with scrolled legs and ceramic castors, 86.5cm wide.

A NAPOLEON III  KINGWOOD VENEERED OCCASIONAL TABLE, Paris, circa 1860,
the circular top formerly with a liner from a jardiniere or incorporating a porcelain dish with a gilt-bronze gallery on square cut cabriole legs and brass castors,
73cm high, 34cm diameter.

AN UNUSUAL SMALL NAPOLEON III WRITING TABLE,
Paris, circa 1860,
the superstructure with three drawers above a leather-lined writing slide and a drawer, on cabriole legs joined by a platform X-stretcher, the whole inlaid with a kingwood

three-dimensional trellis centered by flowers, with gilt-bronze mounts, 85 cm high, 99cm wide .

A MAHOGANY AND GILTWOOD MOUNTED DISPLAY CABINET, Paris, circa 1890,
of architectural form, the cresting above a bevel-glazed door and sides with five drawers below, the whole fluted and paneled and set with leaf-cast gilt-bronze mounts, with key

and two shelves, 194cm high, 95cm wide, 48cm deep

A CARRARA MARBLE MANTEL CLOCK, made by Bendy of Paris, circa 1890,
the white enamel dial with the retailers name, Ellington in a wasted case with a verse antic marble banding, 32cm high.

AN ITALIAN PIETRE DURE MARBLE CHESS BOARD OR TABLE TOP, early 20th century,
inlaid with pink roses on a white marble ground, 30cm square.

A BOULLE SIDE CABINET, Paris, circa 1855,
in Louis XV manner, ebony veneered with a brass and tortoiseshell inlaid drawer and two cupboards on cabriole legs, with key, 135cm high, 76cm wide (4ft 5in, 2ft 6in).

A PAIR OF EBONISED BEECHWOOD FOLDING
ARMCHAIRS,
possibly French, circa 1880,
each with simulated bamboo folding frame now
with applied velvet seats.

A FRENCH MAHOGANY DISPLAY CABINET, circa 1900,
with a bowed glazed door and serpentine glazed sides, enclosing two glass shelves with a gilt-metal gallery on cabriole legs, 141cm high, 68.5cm wide .

AN AUSTRIAN PARCEL-GILT LIT A BALDEQUIN,
by Fohr of Vienna, circa 1880,
in French Louis XVI style, the canopy and side rails carved with guilloche, the arched headboard with scallop-shell, parcel-gilt on a grey ground, extensively repainted with

gold paint, with an Austrian metal label O.F6hr, Vienna 170cm wide (5ft 7in)
By repute this bed was used by ‘Sissi’, Empress Elizabeth of Austria during her prolonged stay in Ireland in the first half of 1879. The bed was part of the refurnishing for the

Empress at Summerhill, Co. Meath, the property of Lord Longford. Her visit to Ireland is mentioned in a supplement to the Irish Times, Saturday, 29th April, 1978 ‘When Royalty

Came to Dublin’.

ITALIAN BUREAU, DUTCH PALISSANDERWOOD COMMODE, WALNUT DESK ARMCHAIR, DUTCH MAHOGANY CHAIRS, ITALIAN WALNUT GAMES TABLE, LOUIS XV PROVINCIAL LOW TABLE

AN ITALIAN BUREAU, part circa 1740,
the curved paneled front opening to reveal a fitted interior with three drawers below and cabriole legs; later decorated with polychrome birds and flowers on an ochre ground,
103ch high, 104cm wide, 51cm deep (2ft2in, 3ft 5in, 8in).

AN ITALIAN PAINTED DISPLAY CABINET, late 19th century,
the triple arched top with carved gilt wood cresting above three glazed doors, the ‘D’ part with cupboards flanking a shelf, painted with flowers on a green ground,
213cm high, 128cm

A DUTCH MAHOGANY ARMCHAIR, circa 1770,
with molded frame, stuffed back, arms and seat and cabriole legs.

A LOUIS XV WALNUT DUCHESSE BRISEE, circa 1750,
the molded frame carved with flower heads, the berg ere section with arched back curving into the padded arms with down-swept supports, on cabriole legs, the end section of

similar form and with lower berg ere end; partly re-railed and foot tips replaced,

A DUTCH PALISSANDERWOOD COMMODE, mid 18th century,
of shallow serpentine form with molded front, three drawers and projecting corners continuing to the bracket feet, 72cm wide (2ft 41Mn).

A DUTCH MARQUETRY TOILET-GLASS, 18th century and later,
in the form of a miniature bureau with shaped front and three drawers and surmounted by a rectangular swing mirror,
87cm high, 43cm wide, 23cm deep.

A PAIR OF DUTCH MAHOGANY CHAIRS, circa 1775,
with molded frames, the stuffed backs headed by crests of figures and the motto Primus e Stripe, the stuffed seats raised on cabriole legs

AN UNUSUAL FRENCH GILT-BRONZE HALL
LANTERN,
Paris, circa 1890,
the five sides divided by a molded cage frame held by scrolled acanthus, with glass panels, 90cm high .

A PAIR OF LOUIS XV GILT-BRONZE WALL-LIGHTS, mid 18th century,
each with two asymmetric candle-branches and a leaf-cast back-plate; drilled for electricity, 41cm high, 36cm .

A PAIR OF LOUIS XV BEECHWOOD LOW
CHAIRS,
mid 18th century,
with padded backs, the molded frames carved with flowers and leaves, on cabriole legs.

A SET OF THREE ITALIAN PAINTINGS ON GLASS,
mid 18th century,
of pastoral scenes with figures and animals; in
gilt wood frames,
23cm high, 30cm wide (9in, 12in).

A LOUIS XV GILTWOOD CONSOLE, mid 18th century,
with serpentine fleur de lecher marble top, pierced scrollwork frieze, double scroll legs and leafy stretcher,
78cm high, 77.5cm wide .

A WALNUT DESK ARMCHAIR, in Louis XV style,
with molded flower-carved frame, arched caned back, loose-cushioned seat and cabriole legs.

A FRENCH PAINTED CANVAS SCREEN IN LOUIS XV STYLE,
the four arched leaves painted with scenes in the style of Parliament on a stone colored ground,
161cm high, width of each leaf 54cm.

MARQUETRY     CORNER

A     PAIR     OF CUPBOARDS, one Louis XV, circa 1770, the other a later copy,
both of serpentine form with fleur de lecher marble top and each with a door inlaid with a ribbon-tied bunch of roses,
91cm high, 93cm wide, 65cm deep.

A PAIR OF LOUIS XV PAINTED AND PARCEL-GILT ARMCHAIRS STAMPED I B BOULARD, circa 1760,
with molded flower-carved frames, cartouche-shaped backs, serpentine-fronted seats and cabriole legs.

AN ITALIAN WALNUT GAMES TABLE, circa 1760,
the hinged box top fitted for chess, draughts and back-gammon, with a drawer in the frieze and cabriole legs,
83cm high, 59cm wide, 52cm deep.

A LACQUER COMMODE IN LOUIS XV STYLE, early 20th century,
of serpentine bombe form, the black marble top
with two slides below, containing two drawers and
decorated with figures and animals, including a
tiger and an elephant, on splayed legs,
84cm high, 81cm wide, 49cm deep .

A LOUIS XV PROVINCIAL LOW TABLE, mid 18th century,
the shaped top above a conforming frieze, on cabriole legs,
59cm high, 42cm wide .

A PAINTED HALL BENCH, in 18th century style,
the arched back painted with a crest
AN      UNUSUAL      ROMAN       GILTWOOD
ARMCHAIR,
circa 1725,
the molded frame carved with leaves and strap work, the arched back with shell cresting, the stuffed seat raised on scroll legs and stretchers; restored

SET OF FOUR ‘GEORGE II’ MAHOGANY ARMCHAIRS, PAINTED DISPLAY CABINET, WILLIAM IV MAHOGANY CARD TABLE, LACQUER SOFA TABLE, WALNUT GATE-LEG TABLE

А SET OF FOUR ‘GEORGE Ii’ MAHOGANY
ARMCHAIRS each with a rectangular
back with a serpentine top-rail and
pierced splat, the outcurve arms above
a stuffed drop-in seat on cabriole legs,
stamped 4587, possibly Portuguese, late
I9th century

A GOOD SATINWOOD AND PAINTED DIS-
PLAY CABINET with a pair of interlaced elliptically glazed doors above a projecting brushing slide with two short drawers above two cupboards, on bracket feet, painted

throughout with husks, flowers and dancing figures, 70 by 34in; 178 by 86.5cm, with alterations, late 19th century

А SET OF TEN ‘GEORGE III’ MAHOGANY
DINING CHAIRS, including two arm-
chairs, each with an arched top-rail
and pierced splat carved with husks
above a stuffed drop-in seat on molded
square tapering legs, c. 1880

A WILLIAM IV MAHOGANY CARD TABLE,
the ‘D’-shaped top enclosing a playing surface on a square stem with chamfered corners and a concave-sided base with paw feet, 29l by 36in; 75 by 92cm, c. 1835

A BURR-WALNUT OCCASIONAL TABLE with
a circular cross-banded top above а lower tier with a triple balustrade for magazines, on a fluted baluster stem and tripod base, 30 by 18lin; 76 by 47cm, c. 1870

А PAPIER-МАСНE OCCASIONAL TABLE, the
lobed gilt top inlaid with flowers on а baluster column and lobed base, 23in; 58.5cm wide, 1840′j
И
A WALNUT WING ARMCHAIR in late 11th
century style, the tall padded back and sides above scroll padded arms and stuffed cushion, on baluster and octagonal tapering legs joined by а molded curved stretcher centered

by an urn, c. 1870

AN  EBONIZED WOOD  AND  MOTHER-OF-
PEARL SIDE CHAIR with a serpentine top-rail inlaid with mother-of-pearl above a triple splat centered by a panel painted and inlaid with flowers, the caned seat on turned out

swept legs joined by stretchers, c. 1850

AN S. HILLE & SON ‘CHINESE CHIPPENDALE’ SATINWOOD  LACQUER  DRAWING-ROOM
SUITE comprising A Breakfront Display Cabinet on Stand with a cornice hung with bells, 85 by 50in; 216 by 127cm; A Fire Surround with corbel supports, 52 by 66in; 132 by 168cm;

A Rectangular Centre Table with a plate glass top, the scrolled corners hung with bells, 40in; 102cm wide; A Mirror with a Pagoda cresting with inset beveled corners, 30 by

46in; 76 by 117cm; А Pair of Elaborate Tri-Form Standard Lamps, each surmounted by a Japanese porcelain figure, 82in; 208cm; A Set of Six Wall Lights, each with canted sides

above a gallery with two candle-arms, 16lin; 42cm; A Twelve-Arm Chandelier, 26in; 66cm wide; A Pair of Armchairs with pierced beaks and stuffed drop-in seats; A Pair of Side

Chairs with painted lacquer splats; A Duet Stool with a stuffed rectangular lid, 32lin; 82cm wide; A Berger Suite comprising a triple-chair-back Settee and two deep Armchairs

with numerous loose cushions, the whole Suite lacquered with chino series, the lights fitted for electricity, 1920’s
Similar furniture is illustrated in Halle, 75 Years of British Furniture, by Sutherland Lyell. Hillel was making this style of furniture between 1918 and 1939.

AN  EBONY-VENEERED  AND  AMBOYNA
DISPLAY CABINET, the cornice an incised Vitruvius scroll, above a pair of glazed doors enclosing shelves, the canted sides with outset columns, with gilt-brass egg and dart

moldings, 43 by 48in; 109 by 122cm, c. 1860

A MAHOGANY BREAKFAST TABLE, the
rectangular tip-top above a fluted column and down swept legs with paw feet and brass castors, 281 by 49in; 72.5 by 126cm, 1890/1900

A MAHOGANY WRITING DESK, the Super-
structure with a central balustrade flanked by two sections of four short drawers, the front with a sloping writing surface flanked by two flat writing surfaces, the frieze with

three drawers above three further drawers in each pedestal, 46 by 54in; 117 by 137cm, c. 1860

A MAHOGANY ARMCHAIR, the molded frame with scrolled arms, button-upholstered back, sprung seat on cabriole legs with white ceramic castors, third quarter of the 19th century

А WALNUT GATE-LEG TABLE in Well-
figured wood, the oval cross-banded top on turned trestle supports and white ceramic casters, 40in; 101.5cm wide open, English, c. 1880

А ROSEWOOD CENTRE TABLE of serpentine outline with a drawer at either end on а ‘jeweled’ and gadrooned trestle support, 58in; 147.5cm long, 1840′.

A LACQUER SOFA TABLE, the top and flaps painted within a gilt stylized foliate border, the frieze with two drawers on a trestle base joined by a stretcher on out swept legs, 30

by 62in; 76 by 159cm, c. 1920

A MAHOGANY STAND with three rails and a divided umbrella stand with removable drip tray below, 75 by 51in; 190.5 by 129.5cm, c. 1880

AN EBONIZED WOOD FIRE-SCREEN, the
molded frame carved with ‘C’-scrolls and shells enclosing a petit point panel worked with a young man in 18th century dress watching a lady at her embroidery, on scroll feet,

431 by 28in; 110 by 71cm, c. 1850

A WALNUT PEDESTAL DESK with three frieze drawers and three drawers in each pedestal, with a green leather top, 49in; 124.5cm wide, c. 1880, cleaned

А GOOD GILT SUITE IN LOUIS XVI STYLE,
comprising six Chairs and two Arm-
chairs, each with a padded back and
sprung seat on fluted legs; A Settee,
68in; 173cm wide; Two Mirrors with
triple plates surmounted by a ribbon-
carved oval panel, 90in; 228.5cm high,
62in; 157.5cm wide; An Oval Side
Table with a fawn marble top, 32in;
8lem wide; A Pier Table with a fawn
marble top, 57in; 145cm wide; А
Torch ere with a circular marble top,
50in; 127cm wide; A Virtue with а
glazed door and sides below a ribbon-
tied cresting, 72in; 183cm high, 32in;
8lem wide; and A Pelmet with а
ribbon-carved cresting, 79in; 20lem
wide, c. 1900, re-gilded

A  MAHOGANY  NARROW  BOOKCASE,  the
molded cornice above a pair of glazed doors enclosing shelves with recessed ebonized roundels above a pair of panelled cupboard doors, 951 by 541 by 14in; 243 by 138.5 by

35.5cm, c. 1850
The narrow proportions of this bookcase suggest that it was made for a recess and has not been altered from a large bookcase

A  WILLIAM  IV  SET  OF  MAHOGANY
SHELVES, the superstructure with two pierced sides with carrying handles above a scroll cresting centred by а rectangular panel above three shelves, 18 by 36in; 46 by 91cm, c.

1835

A SET OF MAHOGANY WALL SHELVES with
an arched back above three graduated shelves, 22 by 39in; 56 by 99cm, c. 1840

AN ELIZABETHAN REVIVAL ROSEWOOD
PRIE-DIEU with a padded top-rail with a padded oval back and twist-turned supports, the button-upholstered seat on cabriole legs, c. 1840

AN UNUSUAL SATINWOOD AND MAR-QUETRY LIBRARY BOOK CABINET, the
outset top with a leather writing surface, the central frieze drawer indistinctly stamped Hunter, above a kneehole, flanked by shelved sections and a frieze drawer, on square

tapering supports, inlaid throughout with masks, stylised foliage and chequer bandings, 36 by 84in; 92 by 214cm, third quarter of the 19th century

WALNUT CARD TABLE, MAHOGANY DINING TABLE, ROSEWOOD VENEERED BREAKFAST TABLE, MAHOGANY DINING CHAIRS

A WALNUT CARD TABLE, the ‘D’ top enclosing a baize-lined interior on an octagonal stem and concave-sided base, 271 by 36in; 70 by 91cm, c. 1840

A MAHOGANY PEDESTAL SIDEBOARD, the
rectangular top with three cushion drawers above two pedestal cupboards, 33 by 60in; 84 by 152.5cm, c. 1840

A WALNUT SIDE CABINET, the mirrored superstructure applied with carved ‘C’-scrolls and acanthus, the molded multiple serpentine white marble top above a central mirrored door

flanked by canted mirrored cupboards, 73 by 47in; 185.5 by 119.5cm, mid 19th century

A PAIR OF ‘GEORGE III’ PAINTED URNS ON
STANDS in the style of Angelica Kauffman, the ovoid bodies applied with anthemion and painted with cherubs in the heavens, the cylindrical bases sup-ported by a rams’ head ,

painted with classical muses and flowers, 64in; 162.5cm, c. 1880

A MAHOGANY DINING TABLE,  the  top
with rounded corners on four gadrooned turned tapering legs with brass castors, 28 by 56 by 65in; 71 by 142 by 165cm, formerly smith an extra leaf, c. 1840

A WALNUT TRIPOD TABLE, the circular top with a galleried tray set on a platform base with ‘S’-scroll feet, 28 by 16in; 71 by 40.7cm, c. 1860-1880

A PORCELAIN-MOUNTED BONHEUR-DU-
JOUR, the stepped superstructure with a mirror flanked by two cupboards applied with oval porcelain plaques, the lower part with a writing drawer flanked by two short drawers,

on fluted supports joined by a shelf and a platform stretcher inlaid with they wood on an ebonized ground, 591 by 53in; 150.5 by 134.5cm, 1860′.

A SET OF EIGHT ROSEWOOD DINING
CHAIRS, the dipped top-rails with
wasted splats and caned seats on
turned legs, c. 1840

A  PIETRA  DURA  EBONIZED  WRITING
CABINET, the three-quarter gallery with outset fluted composite columns flank-ing a pair of panels applied with hard stone vases of flowers, the lower part with a writing slide

above а drawer, on square tapering legs joined by a cross-stretcher, 1870’s

AN UNUSUAL WALNUT DAVENPORT in
well-figured and burr-wood, the superstructure enclosing fitted compartments above a cylinder front inlaid with a motif enclosing two short drawers, а pull-out writing surface

and а реп scoop, the base with a single cupboard door inlaid with a conforming motif and flanked by turned leaf-carved columns, 36 by 22in; 91 by 57cm, c. 1870

A ROSEWOOD VENEERED BREAKFAST TABLE,
the circular tip-top on a lotus-carved support and triangular concave platform and scroll feet, 46lin; 118cm.c. 1840

A ROSEWOOD AND MARQUETRY BREAKFAST
TABLE, the circular tip-top inlaid with a satinwood border with flower heads and leaves on a baluster stem and tripod base with claw-and-ball feet, 29 by 48in; 74 by 112cm, c.

1840
A WALNUT LOO TABLE, the well-figured burr-walnut top on a leaf-carved oak column with four walnut carved down-swept legs, 52in; 132cm wide, possibly Dutch, c. 1870

А SATINWOOD AND MARQUETRY CENTRE
TABLE, the circular top segmental veneered with a central fan medallion, the frieze with two short drawers, on six fluted tapering legs joined by an interlaced stretcher, the

frieze inlaid with husks, 45in; 114cm, c. 1910

A MAHOGANY ASYMMETRICAL THREE-FOLD
SCREEN, the molded rococo frame with upper glazed beveled panels and the lower part with upholstered panels, the largest panel 72 by 18in; 183 by 46cm, damaged, c. 1900

A SET OF SIX MAHOGANY DINING CHAIRS,
each with a wasted back and curved crossbar above a stuffed seat on molded square tapering legs, c. 1850

A FOUR-FOLD LEATHER SCREEN, each fold
painted with Chinese boating scenes and panels of flowers and leaves, each panel 711 by 21in; 182 by 53cm, c. 1920

А ‘GEORGE III’ MAHOGANY BOOKCASE with a swan-neck cresting above two seven-panel glazed cupboard doors enclosing shelves, the lower part with two short drawers above two

cupboard doors, cross banded throughout with satinwood and inlaid with stringing, 86 by 33in; 209 by 85cm, c. 1910

A SATINWOOD WRITING TABLE, the superstructure surmounted by a ribbon-tied urn, the leather-lined writing surface with a central frieze drawer flanked by bow-fronted drawers on

two sets of four square tapering legs, each set joined by a platform stretcher, 431 by 53in; 110.5 by 136cm, c. 1910

A WALNUT LEPIDOPTERA FIRE-SCREEN,
the double-glazed screen with a tri-angular pediment containing numerous specimen butterflies, on a twist-turned ‘Jacobean’ trestle support, 461 by 26in; 117 by 66cm, the stand

1840’s

PAINTED SATINWOOD ARMCHAIR, GOOD GILTWOOD DOUBLE BED, EDWARDIAN ART NOUVEAU MAHOGANY TEA TABLE, WALNUT CHEST ON STAND, WALNUT COFFER ON STAND

A MAHOGANY CENTRE TABLE, the circular top with a cross banded border, the frieze inlaid with stringing, on square tapering legs joined by a molded stretcher centered by a tier,

on brass castors, 29 by 35in;

A SET OF SIX EARLY ‘GEORGE III MAHOGANY  DINING  CHAIRS,   including
an Armchair, each with a serpentine top-rail, pierced vase splat, and drop-in seat on square tapering legs joined by ‘H’ stretchers, late 19th century

A FINE SET OF TEN ‘GEORGE Ii’ MAHOGANY
DINING CHAIRS, including two Armchairs,
the molded top-rail above a vase splat
and out curved arms with shepherd
crook supports, above drop-in seats on
cabriole legs joined by turned stretchers,
late 19th century

A WALNUT COAL-ВОХ, the galleried platform above a pivoted coal-box carved with foliage with brass carrying handles, 94 by 37cm, c. 1900

A   SET   OF   FIVE   ‘GEORGE   III   DINING
CHAIRS, with serpentine top-rails,
pierced splats and drop-in seats, on
square tapering legs, c. 1900

A PAINTED SATINWOOD ARMCHAIR, the
back with a caned rectangular panel centered by a plaque painted with а cherub and child, the out curved arms with double caned sides and turned supports above a stuffed seat,

on turned tapering legs, painted throughout with leaves and flowers, c. 1900

А  GOOD   GILTWOOD  DOUBLE  BED,   the
caned headboard with a molded top-rail carved with roses and flowers, the double caned sides curving downwards and carved with leaves, the base board similarly carved and with a

rope twist border, 54 by 54in; 137 by 137cm.

AN EARLY  ‘GEORGE  III’  TRIPLE-CHAIR-
BACK MAHOGANY SETTEE with pierced splats above curved arms, on large cabriole legs with claw-and-ball feet, 71in; 181.5cm, early 20th century

A WALNUT CHEST ON STAND, the Cross-
banded long bow-fronted top with two drawers raised on five inverted ‘S’-scroll legs joined by stretchers, 38 by 48in; 96.5 by 122cm, possibly Flemish, early 20th century

A SET OF SIX EARLY ‘GEORGE III’ MAHO-GANY   DINING   CHAIRS,   including   two
Armchairs, each with a molded top-
rail above a vase splat carved with
scrolls, the stuffed serpentine seats on
cabriole legs with claw-and-ball feet,
c. 1900

A   CIRCULAR   MAHOGANY   OCCASIONAL
TABLE with a segmental veneered top of satinwood with square tapering legs joined by a stretcher, 23|in; c. 1910

A ‘GEORGE I’ WALNUT COFFER ON STAND,
the rectangular cross banded top with а hinged lid with two locks, the stand with a shaped apron on cabriole legs and pointed pad feet, with brass carrying handles, 37 by 48in;

94 by 122cm,

AN EDWARDIAN ART NOUVEAU MAHOGANY
TEA TABLE, the serpentine square top on outset square tapering legs, the frieze with three baize-lined hinged circular trays, inlaid with stylized foliage, 29 by 18in; 73.5 by

45.5cm, c. 1910

A   SATINWOOD   PAINTED   AND   CANED
BERGERE, the semi-circular caned back with a portrait medallion above a lion with double caned arms and squab seat, on square tapering legs, c. 1910

AN UNUSUAL MAHOGANY AND MARQUETRY
TABLE DISPLAY CABINET, the bowed glazed lid above a cupboard door inlaid with a paternal and stringing, on cabriole legs joined by a platform stretcher, 49 by 28in; 124.5 by

7lem, c. 1900

AN ADAM GALT MAHOGANY ‘QUAINT’ SIDE
CABINET, the architectural upper part with lead-glazed polychrome panels of birds and foliage, the projecting lower part with two short drawers above three cupboards, 76 by

66in; 193 by 167.5cm, c. 1910
Adam Galt was an Edinburgh designer. This cabinet combines a traditional ‘Edwardian Art Nou-veau’ shape with a strong Glasgow School influence to the glazing.

A SUITE OF SIX ADAM GALT MAHOGANY
DINING CHAIRS, the tall beaks with
padded top-rails and steak splats,
the stuffed drop-in seats with square
tapering legs joined by stretchers, the
beaks inlaid with a banding,
c. 1910

A MAHOGANY ADAM GALT DINING TABLE,
the molded top with ‘D’-shaped ends and square tapering legs joined by stretchers, 671 by 36in; 171.5 by 91.5cm, c. 1910

AN ADAM GALT COAL-ВОХ, with a frieze drawer above a pull-out lead-lined container on square tapering legs, 75 by 42cm, c. 1910
The previous four lots were designed as one suite by Adam Galt and are believed to have been made in Edinburgh, c. 1910

A MAHOGANY CARD TABLE, with a central playing surface within a chevron border on a folding cross-frame inlaid with boxwood stringing, 281 by 32in; 72 by 81cm, c. 1910

A MAHOGANY CORNER CABINET, the upper
part with four arched glazed astragals above a double oval mirror, the lower part with two glazed cupboard doors with further arched astragals on square tapering legs with spade

feet, the whole cross banded throughout in satinwood, 78 by 30in; 198 by 76cm, c. 1910

A ‘SORRENTO’  WORK TABLE, the bow-
shaped cross banded top above a frieze, the central panel inlaid with a rustic scene, on slender square tapering legs, 29 by 18in; 74 by 46cm, c. 1910

A  MAHOGANY  DINING  TABLE,  the  top
with three extra leaves on a central mechanical winder, on four cabriole legs carved at the knees with leaves, on claw-and-ball feet, 75 by 312cm fully extended, c. 1920

A ‘GEORGE l’ WALNUT CHEST ON STAND,
with two short drawers above three long graduated drawers with a drawer in the stand, on cabriole legs ending in pad feet of square section, 65 by 40in; 165 by 101.5cm, second

quarter of the 20th century

MAHOGANY AND PARCEL-GILT MIRROR, ROSEWOOD LIBRARY TABLE, ROSEWOOD CARD TABLE, MAHOGANY BED, ROSEWOOD LOW CHAIR

A ‘GEORGE II’ MAHOGANY AND PARCEL-GILT MIRROR, the rectangular beveled plate with a pierced cresting and shaped apron, 341 by 18in; 87 by 47cm, c. 1900

A ‘GEORGE I’ WALNUT AND SEAWEED MARQUETRY MIRROR, the rectangular beveled plate with inset top corners, the inverted breakfront frame inlaid with parquetry and applied with

gilt-wood foliage, 91.5 by 66.5cm, the back with a trestle support, 1900/1920

A COPPER WALL MIRROR, the mirror plate within a frame with stylized flowing leaves and inset with a turquoise cabochon, 21 by 16cm;

A ‘GEORGE III’ MAHOGANY TRAY inlaid with a shell, the sides with carrying handles.

A WILLIAM IV MAHOGANY SEWING TABLE,
the top with two side leaves with curved corners above three graduated drawers with fitted compartments, on a baluster stem and concave-sided base with scroll feet, 71 by 75cm

wide, open, c. 1835

A   WILLIAM   IV   MAHOGANV   PEMBROKE
TABLE, the well-figured top on four receded tapering legs with brass castors, the frieze with a long drawer at one end with turned handles, 281 by 46in; 72 by 117cm, c. 1835

А  WILLIAM  IV  MAHOGANY  BREAKFAST
TABLE, the circular top cross banded in rosewood within a receded border on an octagonal baluster stem with a lotus collar on a concave-sided base with scroll feet, 31 by 57in;

79 by 145cm, c. 1835

A WILLIAM IV ROSEWOOD LIBRARY TABLE,
the rectangular top above two real opposing two dummy drawers, on а trestle base pierced at the sides with scrolls, joined by a pole stretcher, 75 by 175cm, c. 1835

A MAHOGANV PARTNERS’ DESK, the top
inset with a green leather writing surface above four drawers in the frieze on two pedestals, one with six dummy drawers and two real long drawers at the side, the other with

six real drawers, on bracket feet, 30 by 60in; 76 by 153cm, early 19th century, restored

A MAHOGANY GAMES TABLE, the baize top enclosing a chess board inlaid with rosewood squares above a frieze drawer, on a curved support with a concave-sided base on paw feet, 281

by 21in; 72 by 53cm, c. 1840

A MAHOGANY PARTNERS’ DESK, the top
inset with a writing surface, the frieze with one long flanked by two short drawers, above two pedestals, one side with short drawers, the other with cup-board doors, 291 by

60in; 75 by 152.5cm, late 19th century

A   MAHOGANY   WINE   COOLER   in   Well-
figured wood, the sarcophagus body with a domed top and molded frieze with split baluster moldings’ and turned wooden handles at the sides, on bun feet, 22 by 37in; 56 by 94cm,

c. 1840

A   ROSEWOOD   CARD   TABLE,   the   top
enclosing a baize-lined interior, the molded frieze carved with scrolls on а baluster-turned column and concave-sided base with scroll feet, 291 by 36in; 75 by 91.5cm, c. 1840

A   PAPIER-MACHE   SIDE   CHAIR   with   а
molded top-rail and splat inlaid with gilt and mother-of-pearl butterflies, birds and foliage, on octagonal tapering legs and brass castors, back legs replaced, 1840’s

A ROSEWOOD TEA TABLE, the ‘D’-shaped top above an octagonal baluster stem and concave-sided base with turned feet, 76 by 95cm, c. 1840

A WALNUT AND MARQUETRY BREAKFAST
TABLE, the top inlaid with a radiating eight-pointed star within a geometric star border, on a baluster stem and concave-sided base with paw feet, 80 by 120cm, c. 1840

A    MAHOGANY    WHATNOT    with    four
shelves supported by turned columns above two drawers on turned feet and castors, 58 by 23in; 147.5 by 58.5cm, c. 1840

A WILLIAM IV MAHOGANY BED with two
turned pillars carved with lotus, supporting a gadrooned top-rail with sprung mattress, tasseled tester and upper mattress, 106 by 98 by 66in; 269 by 249 by 168cm, c. 1835

A SMALL ROSEWOOD BREAKFAST TABLE,
the circular tip-top above a molded frieze on a triangular stem with chamfered corners, the concave-sided base with scroll feet, 79 by 93cm, c. 1840

A   BURR-WALNUT   SIDE   CABINET,   the
mirror with an eagle cresting above а white marble top with a central mirrored cupboard flanked by paneled cupboards, 60in;

A ROSEWOOD LOW CHAIR, the wasted back with a molded frame and sprung serpentine seat, on cabriole legs with castors, the upholstery worked with gross point summer flowers on a

grey ground, late 1840’s

A MAHOGANY CHAIR, the upholstered over scroll back with molded sides above a sprung seat on baluster turned legs, c. 1840

A PAIR OF ROSEWOOD POLE SCREENS, each
with a rectangular tapestry panel of
Master Lambton and the young Queen
Victoria, within a frame carved with
flowers and scrolls, on a turned baluster
stem and circular base with splayed
feet, c. 1840

A MAHOGANY POLE SCREEN, the panel
worked with flowers within a concave-sided frame, on a turned stem and octagonal base with circular plinth on splayed feet, 57in; 145cm, c. 1850

A ROSEWOOD SOFA TABLE with two flush-
fitting drawers in the frieze, on a trestle base with paw feet, 281 by 62in; 72 by 158cm, c. 1840

ANTIQUE WARDROBES AND POT CUPBOARDS
There was a time, until recently, when all wardrobes seemed to be destined for the breakers. Built-in cupboards were replacing them everywhere. Then there was a revival in the Georgian clothes press; now
wardrobes seem to be perking up, led by the export trade. It is all very baffling and involves Fashion. Wardrobes were made in all the styles of the period. Many have been broken up or exported at very low prices.
Higher quality ones with veneers and inlays now seem to find a ready market, so scorn them not.
Clothes-press wardrobes of typical Edwardian type, based on late 18th century Georgian models. In walnut and oak.
A comprehensive wardrobe in oak. The long shallow drawers in the lower section were for trousers and were fitted with presses, a section which could be reconstructed as a folio chest. 1900-1910
Mahogany clothes press in the `Sheraton’ style with boxwood stringing. 1900-1910
Small Edwardian wardrobe with dressing chest and washstand en suite. Typical of many such sets made in large numbers in the period.
Large oak wardrobe en suite with dressing chest and washstand. Note the deep drawers under the hanging section. The inlay is of ebony and pewter.
A veneered satinwood wardrobe suite including a shield-back Hepplewhite-style chair (solid wood) with turned legs and a bedside cabinet veneered to match the wardrobe. Note how these turned legs are painted with black stringing lines to give the impression of reeding. The floral decoration is painted and the oval medallions depicting classical figures are also probably painted although on some furniture these scenes were put on by means of a printed transfer.
A walnut bedroom suite with inlaid boxwood stringing lines emphasising edge bandings and with ‘diamond-pane’ boxwood stringing decoration. Note the symmetrical pattern produced on the wardrobe doors by the veneer sheets and the vertical-torpedo shaped legs applied externally to the carcase construction of the tables and chair.1920-1940
Another high quality satinwood wardrobe in late 18th century amok.    ‘Sheraton’ style, with painted decoration.
A dwarf wardrobe and dressing table in rather violent lacquer decoration. The wardrobe could be used by a child or might make a good cocktail cabinet. Cabriole legs and `Queen Anne’ styling throughout.  c. 1925
A walnut side cabinet on cabriole legs. Its doors incorporate matched sheets of burr walnut veneers which give the impression of Rorschach’s ink-blot tests or some similar
A lacquered and painted wardrobe with a scene depicting something from James Hilton’s Shangri-La, perhaps.
A simple, pleasing wardrobe designed by Percy Wells, using three-ply for the panels and deal for the frame construction. The design goes right back to the panelled simplicity of 17th century models, but in trying to
achieve lightness the result may have been flimsy. c. 1920
Back to Chippendale  a mahogany wardrobe with `feather’ figuration, blind frets, pagoda-ish top and serpentine    600 The veneer figurations on this bedroom ensemble defy
bracket feet. Ignore the chair.
‘Burr walnut bedappled’ at its height  not to be viewed with an early morning hangover. c.1925
Maurice Adams version of ‘burr walnut bedappled’  on his splayed ‘Quannepplewhite’ feet and with panels of matched, quartered veneers on serpentine front and side panels. Wow!
A wardrobe suite including bedside table, dressing stool and chair. The base of each piece is emphasised by a band of darker veneer which, on the wardrobe and bedside table, is repeated above the doors. The central
door of the wardrobe is decorated by using a development of veneer ‘quartering’ of symmetrical sheets but incorporating geometric diamond shapes and vertical and horizontal lines. The overall effect of the very clean lines is extremely modern. 1920-1940
POT CUPBOARDS
Two pot cupboards of a design to be found in Smee’s catalogue of 1850 and still, again, in Shoolbred’s of 1876. Suitable for conversion to all kinds of uses. 1850-1880
Walnut bedside table-cum-pot holder with a marble top. Cleverly scalloped design on octagonal base.
Two satinwood bedside cabinets/pot holders of Edwardian taste stimulated by `Sheraton’ trends of the time.