Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

CHERRYWOOD AND INLAID WALL MIRROR, Scandinavian, WALNUT AND PARCEL-GILT WALL MIRROR, TURKISH SILVER INLAID OCCASIONAL TABLE, early 19th Century and 18th Century

AN OAK HALL TABLE, Victorian, the raised back above a frieze drawer, on panelled tapering square legs, cm.
wide.

A SET OF FOUR WALNUT
BALLOON BACK DINING CHAIRS,
Victorian, with leaf-carved back rails and
turned legs with cabochon carving

A ROSEWOOD AND MAHOGANY WORK TABLE, Victorian, the octagonal top enclosing a fitted interior, on foliate carved supports, cm.

AN ANTIQUE CROWN-BACK ARMCHAIR, early Victorian, with scroll arms and drop-in seat, on tapering legs, An oak Armchair; early 19th Century and 18th Century, with pierced rail

back and solid seat, on tapering square legs and A parcel-gilt walnut Armchair, Louis XV style, with padded back, arms and seat, on cabriole legs

AN ANTIQUE AND INLAID SIDEBOARD, George III, of breakfront form, with bowed sides, on tapered legs and spad feet, cm. wide.    AN ANTIQUE SIDE TABLE, George
III style, with a fluted two drawer frieze
centred by an urn motif, on tapered legs,
cm. wide.

AN ANTIQUE AND BRASS BOUND BUCKET, George III, with alterations, of circular tapering form with a later metal liner, cm. high

A WALNUT AND PARCEL-GILT WALL MIRROR, George III style, the broken swan neck pediment centred by Prince of Wales feathers, cm. high

AN ANTIQUE AND INLAID PEMBROKE TABLE, George III, of rectangular form, with a drawer, on tapering legs with spade feet, now bearing the label of Druce & Co., Baker st London,

cm. wide. extended

AN ANTIQUE CARD TABLE, George III, with alterations, the serpentine moulded top, on moulded square legs, cm. wide.—

AN ANTIQUE BUTLERS TRAY ON STAND, part late 19th Century and 18th Century, with a waved gallery and pierce brackets (one lacking), cm. wide.—

A TURKISH SILVER INLAID OCCASIONAL TABLE, early 19th Century and 18th Century, the octagonal top centred by a Tourgha, the stem on splayed tripod supports, cm.
wide.

AN ANTIQUE AND INLAID
DRESSING TABLE MIRROR, George IV,
with a three drawer plinth base, restored,
cm. wide.

A WALNUT AND FEATHERBANDED CHEST, part early 19th Century and 18th Century, the moulded top above three long drawers, on bracket feet, cm. wide.

AN ANTIQUE EXTENDING DINING TABLE, French, nd quarter 19th Century and 18th Century, the drop-leaf top on fluted turned legs, lacking spare leaves, cm. diam. closed/ IVf

AMAHOGANY EXTENDING

DINING TABLE, Victorian, with a moulded
top and bulbous turned and fluted legs,
mechanical action detached, cm. by cm.
fully extended including three spare leaves and a
winder

A CARVED AND GILT GESSO WALL
MIRROR, 19th Century and 18th Century, the divided
bevelled plate within an arched and
gadrooned frame, regilded, cm. high

A CHERRYWOOD AND INLAID WALL MIRROR, Scandinavian, early 19th Century and 18th Century, with a shaped cresting, cm. high

A FIGURED WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above triple mirror panel doors, cm. wide.

A WALNUT CENTRE TABLE,
Victorian, of serpentine form, on pierced
fretwork end supports, cm. wide.

AN ANTIQUE PEMBROKE TABLE, late George III, of rectangular form, with a drawer and turned legs, top loose, cm. wide.

IBERIAN MAHOGANY DISPLAY TABLE, BIEDERMEIER MAHOGANY SOFA, MAHOGANY CONSOLE TABLE, BIEDERMEIER BIRCHWOOD BED, CARVED GILTWOOD CONSOLE TABLE

A   RESTAURATION   BRONZE   AND   GILT-BRONZE CLOCK, circa 1820,
the circular dial contained in a plinth surmounted by a seated figure of a huntress, 45cm .

A COLONIAL TEAKWOOD CUPBOARD, early 19th century,
with a pair of paneled doors above two short drawers flanked by further paneled doors, 195cm high, 137cm wide, 53cm deep.

AN IBERIAN MAHOGANY DISPLAY TABLE, circa 1825,
with hinged oval glazed top and dolphin support, 86cm high, 70cm wide, 49cm deep.

A PAIR OF NEAPOLITAN BRONZE HANGING OR STANDING OIL-LIGHTS, mid 19th century,
in antique style, hanging from two dolphins and each with two oil-spouts and two lion torsos, 30cm high, 32cm wide.

A BIEDERMEIER MAHOGANY SOFA, circa 1825,
with simple frame and stuffed back and seat, 214cm wide (7ft).

A SCANDINAVIAN BIEDERMEIER MAHOGANY PIER-GLASS AND TABLE, circa 1830,
the arched plate with gothic cresting carved with leaves, the table with gothic frieze and leaf-carved supports,
301cm high, 95cm wide, 45cm deep.

A     GERMAN     MAHOGANY     SECRETAIRE
CABINET,
mid 19th century,
with arched cresting above a drawer, a paneled fall-front and three further drawers, 183cm high, 99cm wide, 49cm.

A MAHOGANY CONSOLE TABLE, ITALIAN OR
FRENCH,
circa 1825,
with mottled yellow marble top, beaded frieze and two receded and leaf-carved scroll legs ending in paw feet.

A BRASS-INLAID ROSEWOOD SOFA, circa 1825, probably Iberian colonial,
with arched leaf-carved back, paneled over scroll arms and winged paw feet,
183cm wide .

A CONTINENTAL CHINOISERIE FIGURE possibly Italian, circa 1900,
the paper mace Mandarin standing on a pine plinth,
89cm high .

A BIEDERMEIER MAHOGANY SOFA TABLE, circa 1820,
the rectangular top with two hinged panels, with two drawers in the frieze, scroll legs and arched stretcher,
76cm high, 142cm wide, 63cm deep (2ft 6in, 4ft 8in).

A PAIR OF LOUIS-PHILIPPE BRONZE AND GILT-BRONZE CANDELABRA, circa 1835,
each with four candle-nozzles held aloft by a troubadour style figure, 49.5cm high (192in).

AN ITALIAN WALNUT X-FRAME STOOL, 19th century,
the support in the form of lion masks with hairy paw feet, each side centered by a lion mask.

A   SCANDINAVIAN   MAHOGANY  VENEERED CENTRE TABLE, circa 1870,
the twelve-sided top with concave borders segment ally veneered on a flower-carved tripod base,
123cm diameter.

A PAIR OF FRENCH BRONZE, GILT-BRONZE AND MARBLE CANDELABRA SUPPORTS, first half 19th century,
each in the form of a winged cherub standing on a drum-shaped base, 75cm high (29in).

A BIEDERMEIER BIRCHWOOD BED, circa 1825,
the paneled headboard with pediment cresting, the footboard faced by two pairs of columns, 176cm wide, 195cm long.

AN    UNUSUAL    PAIR    OF    BIEDERMEIER MAHOGANY CACHEPOTS, circa 1820,
the octagonal bell-shaped tops raised on bulbous soles and flared bases,
48cm high, 27cm wide.

A FRENCH KINGWOOD CENTRE TABLE, Napoleon III, Paris circa 1850,
the oval serpentine top in kingwood with tulipwood cross banding, the concave support on quadruple down swept legs,
142cm wide.

A FRENCH GILT-BRONZE AND FRUITWOOD
LYRE CLOCK SET,
by Kinable of Paris, circa 1900,
in Louis XVI manner, the dial signed, with an oval base and a bimetallic pendulum with a moving circlet of brilliants, flanked by a pair of conforming candelabra,
the clock 46cm high.

AN UNUSUAL CARVED GILTWOOD CONSOLE TABLE,
late 18th/early 19th century,
with rectangular grey marble top, guilloche frieze, the scroll legs headed by scallop shells and carved with piaster’s and leaves, the stretcher centered by a large scallop

shell,
95cm high, 91.5cm wide
A PAIR  OF NAPOLEON  III  SMALL  GILT-BRONZE CANDLEABRA, Paris, circa 1870,
each with a boy and a girl sitting in a two-light rose
candleabra.

ITALIAN WALNUT CUPBOARD, ITALIAN WALNUT CHAIRS, ITALIAN PAINTED AND PARCEL-GILT MIRRORS, DUTCH MARQUETRY CABINET ON STAND

A CONTINENTAL NEEDLEWORK WALL HANGING,
probably German, second half 19th century,
depicting a traveler knocking at a door and a woman looking out of an open window, in gold and silver leaf-pattern border, 345cm high, 278cm wide (lift 4in, 9ft).

AN AUBUSSON GENRE TAPESTRY CUSHION, late 18th century,
woven with a boy with a watering can; some repairs and associated pieces, with applied braided border and silk fringe, 36cm square

AN AUBUSSON SPORTING TAPESTRY PANEL, 19th century,
woven with a dog and a heron in a landscape, 134cm by 110cm (4ft 5in, 3ft 7in).

A NEEDLEWORK CUSHION, early 18th Century,
embroidered in petit-point with a dancing couple wearing plumed hats before fruiting trees, grouping background of saffron yellow’ some repairs and additions and background

largely reworked; braided border and silk fringe, 48cm by 43cm (19in, 17in).

A NORTH ITALIAN WALNUT CUPBOARD, mid 16th century,
the two paneled doors with handles in the form of bronze busts, on scroll supports, 104cm high, 108cm wide, 35cm deep (3ft 5in, 3ft, 2in).

TWO PAIRS OF NORTH ITALIAN WALNUT CHAIRS,
circa 1700, Lombard or Piedmonts,
each with a shaped padded back, on turned legs joined by stretchers; some restoration
Augusto Pedrini, // Mobilio,  Ambienti e le Decorazioni in Piemonte, 1954, illustrates an almost identical chair originating from the area of Novara. The town of Novara is very

close to the border with Lombardy.

A PAIR OF HENRI II OAK STOOLS, early 17th century,
with semi-circular stuffed seats covered in old brocade, each on four turned columnar legs joined by molded stretchers, 67cm high

A GOTHIC OAK SETTLE, part circa 1500,
with box seat, the paneled front and back carved
with gothic tracery,
165cm high, 188cm wide (5ft 5in, 6ft 2in).

AN ITALIAN ROSEWOOD AND BONE INLAID CENTRE TABLE, part 17th century,
the rectangular top inlaid with arabesque scrollwork surrounding a seascape, the frieze with a writing drawer, on square, tapering legs joined by a shaped stretcher,
80cm high, 78cm wide, 52cm deep (2ft, 2ft 7in).

A PAIR OF ITALIAN PAINTED AND PARCEL-GILT MIRRORS, part 18th century,
the engraved plates decorated with jesters and contained within blue painted frames, 81cm high, 39cm wide (32in, 15in).

A PAIR OF ITALIAN PAINTED AND PARCEL-GILT COLUMNS, circa 1680,
of Solomon form and twined with fruiting vines; with later tops and bases to form trochees, 100cm high, (3ft 32in).

AN   UNUSUAL   NORTH   ITALIAN   WALNUT
TABLE,
circa 1680,
with concave-fronted rectangular top, a drawer in
the frieze and turned legs,
62cm high, 55cm wide (2ft).

AN    ITALIAN    PAINTED    TORTOISESHELL
LOOKING-GLASS,
circa 1660,
the rectangular plate contained within a geometric molded   frame;    now   painted    to    simulate tortoiseshell and ebony, 94cm high, 79cm wide (3ft, 2ft 7in).

A   SPANISH   PAINTED   AND   PARCEL-GILT
BANQUETTE,
in 17th century style,
with buttoned upholstered top, the front and sides carved with continual scrolling foliage and birds, 178cm wide, 49cm deep (5ft Win).

A PAIR OF FLORENTINE GILTWOOD FRAMES, circa 1700,
elaborately carved with scrollwork, foliage and flowers; with later mirror plates, 51.5cm high, 37cm wide (204in, 142in)

A FLEMISH  MARQUETRY TABLE  IN  17TH CENTURY STYLE, late 19th century,
the frieze containing a drawer and inlaid similarly to the top with stylized foliage and strap work, raised on spirally turned ebonized legs joined by flat stretchers, with bone

and ebony borders, 70cm high, 80cm wide, 52cm deep (2ft 3V2in, 2ft ).

AN ITALIAN ARTE-POVERA CASKET, mid 18th century,
of rectangular shape with a domed lid and red lacquer ground,
20cm high, 36cm wide, 21cm deep (8in, 4in, 84in).

A PAIR OF GILT-BRONZE CANNON, POSSIBLY FRENCH COLONIAL, 19th century,
each cannon decorated with a fish-scale pattern terminating with the mask of a sea creature; on a parcel-gilt   and   red   painted   carved   carriage supported by two metal

mounted wheels, 75 cm long (2ft 5in).
The royal arms are those of France before 1578.

A DUTCH MARQUETRY CABINET ON STAND, part mid 17th century,
the frieze, three drawers and sides inlaid with floral
parquetry reserves, the stand with small drawers, on
turned legs joined by a shaped stretcher,
175cm high, 107cm wide, 47cm deep (5ft 9in, 3ft 6in, 6zin).

A FLEMISH PARQUETRY CENTRE TABLE, part late 17th century,
with rectangular oyster-veneered top, spirally turned legs and flat stretchers,
75 cm high, 84cm wide, 55cm deep (2ft 51/2in, 2ft 9in, 93Ain).