Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

AN ANTIQUE CHIFFONIER, ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, PAIR OF CARVED GILTWOOD FOOTSTOOLS, GESSO FRAMED RECTANGULAR WALL MIRROR

AN ANTIQUE CHIFFONIER, Victorian, with a raised open tier back and spiral twist pilasters.

AN ANTIQUE THREE DOOR WARDROBE, Victorian, including a mirror panel, on a plinth base, high by wide. For colour illustration see pas;e

AN EBONISED AND THUYA WOOD MUSIC CANTERBURY, Victorian, including turned supports and apron drawer, wide.

A ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, late Victorian, with carved and pierced splats, upholstered in claret dralon, on cabriole legs, comprising four side chairs, a

cpair of tub shaped armchairs and a settee, wide.

AN UPHOLSTERED ARMCHAIR, 18th Century, with gold damask loose cover, on bun feet and castors; together with an upholstered armchair with worn damask cover; and an upholstered

armchair, covered in green fabric, on rocking action

AN ANTIQUE OVAL PEDESTAL TABLE, George III, the altered top above quadruple reeded splayed legs and castors, wide’

AN ANTIQUE OVAL TILT-TOP TRIPOD TABLE, George III, on a baluster turned pillar. wide.

A GILT GESSO AND GLAZED NEEDLEWORK FIRESCREEN, Louis XV style, mid 18th Century, with chinoiseric panel and splaved feet, piults.
wide

AN ANTIQUE PEDESTAL
PEMBROKE WORKTABLE, George III,
made-up, with a drawer and tripod base,
wide. when closed

A PAIR OF CARVED MAHOGANY
STOOLS, George III style, with stuffed
yellow fabric seats, wide.

A GILT PAINTED GESSO FRAMED OVERMANTEL MIRROR, Victorian, with arched pediment and female mask to frieze, some moulding lacking, wide.     —

A WHITE PAINTED FRAME OVERMANTEL MIRROR, Edwardian, in the George III style, with Corinthian pillars and cherub mask, the oval bevelled plate flanked bv a pair of rectangular

plates,
wide

A WHITE PAINTED FRAME
OVERMANTEL MIRROR, Edwardian, in
the George III style, with Corinthian pillars and
cherub mask, the oval bevelled plate flanked
a pair of rectangular plates,
wide

A WHITE PAINTED MARBLE TOP CABINET, Victorian, with pilaster terminals, the pair of oval glazed doors flanked by bowed glass doors, plinth base lacking, wide.
AN ANTIQUE OCTAGONAL TILT-TOP TRIPOD TABLE, George III, made-up, the later base with slender baluster pillar, wide
For colour illustration see pa^e

AN ANTIQUE DRESSING TABLE,
George III, the rectangular hinged cover
with cusped corners, the fitted interior
including a mirror, on moulded square legs,
wide.

AN ANTIQUE D’-END DINING TABLE IN TWO PARTS, George III, now without a central section, on square legs, wide.

A PAIR OF CARVED GILTWOOD FOOTSTOOLS, in the French style, with cane seats and cabriole feet,
wide

A WHITE PAINTED STANDING CORNER CUPBOARD, Regency with later painting, the upper doors now lacking and revealing shelves within a moulded architectural arch, below are a pair of

panel doors and a plinth base, high by wide.”

AN ANTIQUE OVAL PEDESTAL WORK TABLE, George III and later, with hinged top and tripod base, wide.

A GILT GESSO FRAMED RECTANGULAR WALL MIRROR, Victorian, the decorative surround with jasperware style plaque to the frieze, wide., and a small green mottled marble top console

table, Italian 18th Century style, with gilt caryatid support, wide.

OAK REFECTORY TABLE, 18th Century style, DISTRESSED MAHOGANY TRIPOD TABLE, MARQUETRY AND WALNUT FRAMED WALL MIRROR, WALNUT DINING CHAIRS

A SMALL MAHOGANY CUPBOARD, Edwardian, enclosed by a panelled door, locked, wide.

AN OAK REFECTORY TABLE, 18th Century style, with a cleated top, on shaped solid end-supports joined by a single stretcher, the top long by wide.

A SET OF SIX OAK DINING CHAIRS, George III, including an armchair, with pierced splats, solid seats and square legs

A TEAK COFFER, Dutch-East Indies, 18th Century, with a rectangular hinged top and engraved pierced brass mounts, on bun feet, wide.
TWO MAHOGANY RECTANGULAR WASHSTANDS, Regency,with ring turned legs, wide. and wide.

AN ANTIQUE GENTLEMAN’S
DRESSING TABLE, George III, including a
hinged top, a pair of doors and apron
drawer, wide.

A WHITE PAINTED WARDROBE, Edwardian style, including triple panel doors and sliding travs. wide., and a pair of similar stvle single door wardrobes. wide.’i   ‘

TWO MAHOGANY CIRCULAR OCCASIONAL TABLES, William IV, the tilt-tops above pedestal supports, one with triform base, the other with quatreform base, diam and diam

AN ANTIQUE CIRCULAR SHAPED OCCASIONAL TABLE, Edwardian, with cabriole legs and undertier, diam., and a distressed mahogany and beechwood adjustable bed table by Alfred Carter,

on platform base, stamped and bearing labels Alfred Carter, London.

AN UPHOLSTERED ARMCHAIR, Edwardian, with floral loose cover and an oak metal bound silver chest,
wide

AN ANTIQUE BLANKET CHEST,
George III, with two restored apron drawers
and later bracket feet, wide.

A DISTRESSED MAHOGANY TRIPOD TABLE, George III, on a baluster pillar, diam., and a distressed oak butler’s tray on associated mahogany folding stand, wide.

AN ANTIQUE PEDESTAL DESK, George III style, with green leather inset top and nine drawers, wide.

AN ANTIQUE CORNER ARMCHAIR, George III, with claret hide slip-in seat and square legs, restorations

AN ANTIQUE CABINET
BOOKCASE, George III, made-up, with a
pair of astragal doors, the base with a pair of
concave panel doors flanking a central door,
high by wide.

A MARQUETRY AND WALNUT FRAMED WALL MIRROR, Dutch, 18th Century, with later rectangular plate, marquetry probably later, high by wide.     ”

AN ANTIQUE CHEST, George III, with two short and two long drawers, wide.

AN ANTIQUE RECTANGULAR SIDE TABLE, George III, with two drawers and square legs, wide.

A SET OF FIVE PAINTED RUSH SEAT CHAIRS, late George III, with stick splats and turned legs, distressed

AN ANTIQUE DRAWING ROOM SUITE, Edwardian, comprising: a settee and two armchairs, each with pierced and carved back splats, on tapered spade feet, upholstered in red and gold

striped fabric.

A SET OF FOUR WALNUT DINING CHAIRS, Victorian, with pierced and carved balloon backs above an upholstered serpentine seat, on cabriole legs faults

ANTIQUE NARROW BOOKCASE, A CARVED ROSEWOOD TEA TABLE, A CARVED WALNUT ARMCHAIR, CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR

A CARVED AND SILVER GESSO
ARMCHAIR, Louis XIV style, with cut
velvet upholstery, on scrolled supports, faults

A WALNUT CUSHION FRAME WALL
MIRROR, George I, with an arched fretwork
cresting and a later plate. high

A BUTTON UPHOLSTERED
ARMCHAIR, Victorian, covered in green
dralon and with turned feet, on castors

A PAIR OF MAHOGANY SHIELD BACK’ ARMCHAIRS, George III style, with pierced splats, drop-in seats and tapered square legs

AN ANTIQUE NARROW BOOKCASE, George III style, with an astragal door above a cupboard door, on bracket feet, high by wide.

AN ANTIQUE AND PARCEL GILT
WALL MIRROR, George II style, with an
eagle cresting, later gold painted, high

A CARVED GILTWOOD WALL
MIRROR, Continental, 18th Century, with a
pierced ribbon tied cresting above a later
rectangular plate, faults, high

A CARVED HARDWOOD FOLDING
ARMCHAIR, Burmese, 18th Century, with a
caned back and seat flanked by griffon
carved arms’

A CARVED ROSEWOOD TEA
TABLE, Victorian, with a turned pedestal
support, on quadruple splayed legs,
wide’

AN ANTIQUE TEA TABLE, George
III, with a rectangular fold-over top, on
moulded square legs, restored,
wide

A CARVED AND GILT GESSO
CORNER WALL BRACKET, 18th Century,
with an atlante support, wide.

AN ANTIQUE CARD TABLE, George
II,with a rectangular fold-over top and a
drawer, on lappet carved legs and pad feet,
faults, restoration to drawer, wide.

AN ANTIQUE REVOLVING
BOOKCASE, Edwardian, with a square
satinwood banded top and open splat sides,
on a cruciform base, wide.

A CARVED WALNUT ARMCHAIR, late 18th Century, style, with tapestry upholstery and spiral twist supports joined by stretchers

A SET OF THREE MAHOGANY DINING CHAIRS, George III, each with triple pierced splats, drop-in seats and tapered square legs joined by stretchers; together with a pair of mahogany

Dining Chairs, George III, with arched pierced splat backs and tapered square legs

A WALNUT STOOL, Victorian, of elongated rectangular form with an upholstered seat, on cabriole legs, wide.
AN ANTIQUE AND INLAID ARMCHAIR, Edwardian, with a partially upholstered back, pierced splats and padded seat, on cabriole legs

AN ANTIQUE LINEN PRESS, George
III,with a moulded top above a pair of
spandrel inlaid doors, on bracket feet,
wide

AN ANTIQUE BEER ENGINE, Victorian, with triple ceramic and brass pumps, wide.

A CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR, Victorian, inlaid with stringing, the floral tapestry back and seat on turned fluted legs

A SET OF MAHOGANY QUARTETTO TABLES, George III style, with rectangular tops, ring-turned supports and splayed feet, wide.

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

A CARVED BEECHWOOD CONSOLE TABLE, Louis XVI style, with a semicircular simulated marble top, on spiral fluted supports, teide; together with AN ANTIQUE Wine Table, modern, on

tripod supports, diam. and a set of four ebonised and carved mirror back panels, each by

A CARVED MAHOGANY STOOL, George II style, with a floral tapestry seat, on cabriole legs with claw and ball feet, wide; together with a smaller Stool, with tapestry seat and

cabriole legs
wide

A WALNUT KERB STOOL, Queen
Anne style, with floral tapestry seat and shell
carved cabriole legs, wide.; together with

AN ANTIQUE Stool, William and Mary style,
with a tapestry seat and turned legs joined by
•X’-shaped stretchers, -wide

A PAIR OF MAHOGANY TWO TIER
BUFFETS by Holland and Sons, Victorian,
with turned supports, on brass castors, rear
supports stamped. ‘Holland and Son’. wide.

A ROSEWOOD STOOL, Victorian, the two supports each with four scrolls joined by a turned and carved stretcher, with a moire fabric seat,

AN ANTIQUE BERGERE SUITE, 18th Century, comprising: a three seat settee and two chairs,

AN ANTIQUE DROP LEAF TABLE, George II, with an oval moulded top, on turned tapered legs with pad feet, wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, incoporating a display case with hinged lid above a pair of glazes doors enclosing two shelves, on tapered square legs, wide.

AN ANTIQUE ‘D-END DINING TABLE, George III style, the crossbanded top with reeded edge with a leaf insertion, on turned pedestals and tripod legs, ivide extended For colour

illustration see page

A SET OF SIX MAHOGANY DINING
CHAIRS, George III style, with shield backs
incorporating urn and wheat sheaf motif,
with tapestry seat, on tapered square legs,

AN ANTIQUE LINEN PRESS, George III, the dentil cornice above panel doors, interior now lacking, on chest comprising of two short and two long drawers, faults, high by wide.

AN EBONISED BOOK TABLE, Victorian, with a circular top and two galleried three-armed shelves revolving on a pillar and a tricorn base, high

A PAIR OF MAHOGANY ARMCHAIRS, English, circa , and Another very similar, George III, circa , each with pierced serpentined toprail and three matching crossbars, with stuffed

seats and square legs

A PAINTED CHEVAL MIRROR, George IV, circa  the frame now grained as maplewood, high  —

A CIRCULAR MAHOGANY THREE-TIER DUMB WAITER, George II, on a triple baluster stem, plain cabriole legs with pointed pad feet, high by diam.

AN ANTIQUE SIDEBOARD, George III and later, with a serpentine top above an arrangement of drawers, on tapered legs with spade fee, uncle

AN ANTIQUE AND INLAID SHAVING STAND, Edwardian, with a mirror back and compartments above a drawer and a door, on tapered legs with an undertier, wide.

TWO SIMILAR CARVED AND GOLD PAINTED FOOTSTOOLS, Louis XV style, with tapestry seats and cabriole legs; together with another tapestry footstool,

AN ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR, William IV, covered in floral patterned fabric, on reeded turned legs with brass castors

AN ANTIQUE BOW-FRONT CHEST, A CHINOISERIE DRAWING ROOM SUITE, MARBLE TOP OCCASIONAL TABLE, AN ANTIQUE MIRROR

AN ANTIQUE BOW-FRONT CHEST, nd quarter 18th Century, with an inlaid
frieze above two short and three long drawers, on splayed bracket feet. wide.

AN ANTIQUE CHEST, late George III,
with two short and three long graduated
drawers, on splayed bracket feet.

TWO MAHOGANY TORCHERES, of late Georgian design, each with circular tops, reeded turned stems and tripod bases. HI high and high

AN ANTIQUE CHEYAL WRITING TABLE, early 18th Century, inlaid on both sides with a musical motif, fault.
wide

AN ANTIQUE D-SHAPE TABLE, George III, with a satinwood inlav. on reduced tapered square legs.
wide”

AN OAK TRIPOD TABLE, late George
III,with a circular tilt-top. on a knopped
turned stem with cabriole legs, top split, bearers
replaced, diam.

A CHINOISERIE DRAWING ROOM SUITE, Edwardian, lacquered throughout in black and gilt, comprising: a two seat settee with a butterflv shaped back and cabriole legs, a corner

armchair, and an open back tub chair.

AN ANTIQUE TABLE VIRINE, 18th Century, with a green fabric lining, on tapered square legs. $wide.

AN ANTIQUE SIDE TABLE, George II, formerly a tea table, the rectangular top with a frieze drawer, on lappet caned turned tapering legs, on pad feet, fault.
wide

AN ANTIQUE’ TRIPOD TABLE, nd quarter 18th Century, the rectangular tilt-top above a ring turned stem, on cabriole legs. wide. ”

AN ANTIQUE PEMBROKE TABLE, George IV, the rectangular top and hinged flaps above two drawers on a tapered square and four leaf-carved cabriole legs with brass castors, wide.’

AN ANTIQUE DROP LEAF TABLE, George II style, with an oval top. on turned tapering legs with pad feet. wide.

AN ANTIQUE BOOKCASE, William
IV,door with brass grill, the sides, base and
frieze with gadroon beading, bun feet.

AN ANTIQUE DRESSING TABLE
MIRROR, early Victorian, with scrolled
supports and a three drawer plinth base, on
bun feet, loose apron, wide.

A LACQUER CABINET ON STAND, 18th Century and later, the two doors and sides with gilt decoration on a black ground, on a carved giltwood stand, altered, wide.

AN ANTIQUE AND INLAID BUREAU, Edwardian, with three drawers, on bracket feet, faults, wide.

A MARBLE TOP OCCASIONAL TABLE, the inset top early 18th Century, the circular specimen parquetry marble top with cabriole legs, diam.—

AN ANTIQUE ADJUSTABLE CIRCULAR STOOL, William IV, the upholstered seat on tripod support,

AN ANTIQUE DROP LEAF TABLE,
George IV, the hinged top on four ring
turned legs with brass casters
wide

AN ANTIQUE WASHSTAND, Victorian, the top galleried on three sides above an arrangement of five drawers, on turned baluster legs, wide.

AN ANTIQUE MIRROR, George II style, of architectural form with broken pediment cresting, high

A CIRCULAR GILTWOOD GIRANDOLE, Regency style, with a convex plate, incorporating scrolling candle brances and an eagle cresting,  high, together with an oval gilt gesso mirror,

George III, high

CONTINENTAL FURNITURE, French kingwood and crossbanded semi-circular serpentined Jardinieres, French Empire mahogany Cupboard-on-Chest, French kingwood Vitrine

A pair of French kingwood and
crossbanded semi-circular serpentined
Jardinieres,  with gilt-metal
and porcelain mounts, the top with a
gallery, liner and cover, the shaped
frieze above conjoined scroll supports
joined by an X-shaped stretcher, on
sabots, mounts partially lacking, cm. wide.
ft. m.

A Dutch marquetry and mahogany
framed Toilet Mirror,  the
rectangular plate above a plinth and
drawer, on tapered square feet, cm.
wide. lft. Vin.

A French Empire mahogany Cupboard-on-Chest,  the
moulded cornice above a mirror panelled door flanked by pIIIars with engine-turned brass mounts, below are three long drawers, on a plinth base and tapered square feet, cm. high

by cm. wide. ft. in.

A Dutch marquetry and   An Italian 19th Century and 18th Century-style  A French walnut and kingwood
mahogany Games Table,  thecarved and gilt-gesso framed Wallcrossbanded Card Table,
rectangular fold-over top revealing aMirror,  of octagonal form,with gilt-metal mounts, the rectangular
chessboard inset within borders withwith chamfered margin plates and boldserpentined fold-over top revealing a
playing card and domino motifs, ongadrooned border, cm. high by cm.baize lining, the shaped apron above
tapered square legs, cm. wide. ft. in.wide. ft. lin. by ft. Vin.        square cabriole legs ending in sabots, top
—with two distressed corners, cm. wide.
ft. lin.

A French kingwood Vitrine,
with gilt-metal mounts, the
domed cornice above a door and shaped
sides with glazed panels, the lower part
painted in the Vernis Martin manner with
lovers and landscapes, the square splayed
legs ending in sabots, the velvet-lined
interior with glass shelves, cm. high by
cm. wide. ft. Vin. by ft.  in.

A Louis XV-style walnut and
kingwood crossbanded Bureau Plat,
with gilt-metal mounts, the
rectangular serpentined top with a tooled
leather inset and marquetry border, the
frieze with three drawers and three
opposing dummy drawers, on square
cabriole legs

A French ebonised and gilt-metal
mounted Pietra-Dura Side Cabinet, circa
, banded in brass, the pair of doors
applied with carved stone flowers, fruit
and birds flanked by fluted Corinthian
pIIIars and a pair of bowed glazed doors,
the velvet-lined interior with shelves, on
a plinth base and turned feet, faults,
cm. high by cm. wide. ft. by
ft. m.
Formerly the property of Lord Palmerston.

A Dutch marquetry and
mahogany Cylinder Bureau,
in two parts, the three frieze drawers
above the rising section operated by the
slide, the shaped and stepped interior
with short drawers, pilaster drawers and
tambour cupboard, the ogee-shaped base
with three long drawers and a valanced
apron, the projecting corners with
gilt-metal mounts and ending in splayed
feet, cm. high by cm. wide. ft. lin.
by ft. HVin.

A Milanese walnut and
marquetry Commode,  with
quarter veneers, arabesque motifs and
satinwood banding, together with
roundels depicting mythological
characters, the three long drawers
flanked by floral spray terminals, on
tapered square feet, restored, cm. high by
cm. wide. ft.  in. by ft. llin.

A Lombard walnut and ivory
inlaid small Commode,  with
two drawers, the square cabriole legs
joined by later stretchers, faults, cm.
high by cm. wide. ft. in. by ft. lin.

Two similar Dutch marquetry,
walnut and beech Chairs in the th
Century style,  with solid
vase-shaped splats and slip-in
saddle-shaped seats, on cabriole legs,
faults

A French carved walnut and
upholstered corner Chair,
covered in floral tapestry, the shaped
apron above moulded cabriole legs and
scroll feet

A French kingwood Meuble
dAppui,  with serpentined
front, gilt-metal mounts and marble top,
the bombe door and sides painted in the
Vernis Martin manner with lovers and
landscapes, the interior with a shelf, the
splayed feet ending in sabots, cm. high
by cm. wide. ft. in. by ft.

A French kingwood and
marquetry Secretaire-a-Abattant, circa
the shaped front with canted
corners, the breche dalepe marble top
above a frieze drawer and a fall revealing
a shelved recess and two drawers, below
are three drawers and cabriole feet,
cm. high by cm. wide. ft. in. by
ft. lVin.

A Dutch walnut Display Cabinet
in the 19th Century and 18th Century style,
with domed cornice and canted corners, the carved surmount above a pair of astragal doors enclosing serpentine shelves, the ogee-shaped apron with a drawer, on carved claw and

ball feet, fitted with electric light, cm. high by cm. wide. ft. in. by ft.

A French walnut Gueridon,  with gilt-metal and porcelain mounts, the raised open tier above a cupboard and shaped apron, the square cabriole legs ending in sabots, cm. wide.

lft.

A French thuyawood and ebonised Centre Table,  with gilt-metal and porcelain mounts, inlaid with satinwood arabesques and stringing, the oval serpentined top above a shaped

frieze, the square cabriole legs joined by an X-shaped stretcher with a turned vase finial, cm. wide. ft. llin.

A Dutch marquetry and walnut
Bureau,  in two parts, the
upper section of ogee shape, the fall
revealing a stepped and fitted interior,
the base with a frieze drawer above a
shaped apron, on square cabriole legs,
cm. high by cm. wide. ft. in. by
ft. Vin.

A Louis XVI gilt and ivory
painted Chair,  the
rectangular stuffed back and bowed seat
covered in brocade, on turned and
stop-fluted tapering legs, stamped
A. GaIIIiard, distressed

An Italian 19th Century and 18th Century-design giltwood and later painted Cassone, made-up, with red reserved panels of stylised strapwork within blue borders, the panel front

depicting a marriage scene flanked by respective armorial crests, the sides decorated with lion masks suspending ribbon-tied fruit, on carved block feet, cm. high by cm. wide.

ft. by ft.

A Louis XV kingwood small Armoire,  the serpentine brown and grey veined marble top of arc-en-arbalette form, with a pair of conforming crossbanded cupboard doors enclosing oak

shelves and with canted and serpentine sides, on short cabriole legs with gilt-bronze acanthus mounts, cm. high by cm. wide.

Chinoiserie three-fold Screen, Victorian walnut Display Cabinets, Victorian walnut Stool, Victorian walnut and marquetry pedestal Table

A Victorian scarlet lacquer Chinoiserie three-fold Screen,  each panelled division with gilt and black detail depicting figures, pavilions and wildlife, cm. high ft. Vin.

A late Victorian satinwood three-tier oval Etagere,  inlaid with ebonised stringing and chequered banding, with a glazed tray top and slender square splayed legs, cm. wide. ft.
A George III-style carved mahogany square Urn Stand,
with a scroll gallery and a slide, the arcaded apron above cluster column legs joined by an ornate fretwork stretcher with vase finial, cm. high lft. Vin.

A George III-style satinwood
bow-front Cabinet Bookcase,
the pear-drop cornice above a pair of astragal doors and two apron drawers, the lined interior with shelves, below are a pair of doors with painted medallions, on squared

bracket feet, cm. high by cm. wide. ft. in. by ft. lin.

A pair of Victorian walnut
Display Cabinets,  with
kingwood banding and gilt-metal
mounts, the glazed door enclosing a
lined and shelved interior, on a plinth
base, faults, .cm. high by .cm. wide.
ft.  by ft. Vin.

A set of six WIIIiam and
Mary-style walnut Dining Chairs, circa
, including a pair of armchairs, the
cartouche-shaped backs and stuffed seats
upholstered in pink damask, the
knopped reeded legs joined by pierced
front stretchers and with scroll feet

A pair of Victorian Chinese
Chippendale-style mahogany Wall
Shelves,  the trellis surmount
above four open tiers with pierced fret
galleries and trellised sides, the base with
shaped angle brackets, faults, cm. high
by cm. wide. ft. Win. by ft.

A George III-style mahogany two-tier Dumb-Waiter,  with dish mouldings and baluster pIIIar, the carved tripod legs ending in egg and claw feet, cm. high ft. Win.

A Victorian walnut Stool,  the needlework seat above a carved X-frame end supports with twin pole stretchers, cm. wide. lft. in.

A Victorian ebonised Display Cabinet,  with satinwood banding, the arabesque frieze including engraved ivory inlay, with gilt-metal mounts., the glazed door flanked by canted

corners and Corinthian pIIIars, the velvet-lined interior with shelves, on a shaped plinth base, cm. high by cm. wide. ft. in. by ft. lin.

A Victorian walnut Davenport,  with gilt-metal mounts and gallery, the inset top with a pen-tray and a pair of glass inkwells, on scroll supports, the side with a cupboard

enclosing four drawers, on castors, faults, cm. wide. ft. Viin.

A set of ten George III-style mahogany Chairs, modern, including two armchairs, the arched backs with bell flower carving and pierced vase-shaped splats, the slip-in bowed

seats covered in hide, the moulded and tapered square legs joined by stretchers, bearing trade plate of Waring &f GIIIow Ltd., Liverpool factory

A pair of George III-style mahogany semi-circular Card Tables, made-up, the fold-over top with an oval painted panel depicting hunting scenes, in the manner of Herring, with

painted leaf borders and baize lining, the frieze with a foliate cartouche, the tapered square legs with collars, cm. wide. ft.

A George III-style mahogany
Book Cabinet,  with distressed
fret gallery and brass carrying handles,
the three open tiers above a pair of
doors and tapered square legs, on spade
feet, cm. high by cm. wide. ft. Win.
by lft. in.

A Victorian walnut Davenport,  with satinwood arabesques and ebonised stringing, the raised back with a pierced gallery, the pair of doors revealing pigeon-holes and two

drawers, below is a drawer with an inset rising section, pen-tray and inkwell, below is a cupboard enclosing shelves, on ceramic castors, cm. high by cm. wide. ft. in. by ft.

A Victorian walnut and marquetry pedestal Table,
the circular tilt-top with segmented
veneers and satinwood stained floral
inlay within an ebonised border, the
chamfered pedestal above carved scroll
feet and ceramic castors, cm. diam.
ft. in.

A matched suite of Victorian
carved walnut and upholstered Seat
Furniture,  with cartouche-
shaped backs and bowed seats, on
cabriole legs, comprising: a pair of
Foot-Stools, cm. wide. lft. in., six Salon
Chairs, a low-seat Armchair, an
Occasional Chair and a Chaise Longue,
cm. long ft. in.

A Victorian carved walnut and
satinwood inlaid Centre Table and
matching Card Table,  the
tops with foliate scrolling, the rectangular serpentined centre table above quadruple scroll supports, centred by an urn finial, the scroll feet above ceramic castors, cm. long

ft. in., the card table with serpentined fold-over top revealing a green baize lining, on a matching base,  cm. wide. ft.

A pair of Victorian thuya wood
and ebonised Card Tables,
with kingwood banding and parcel-gilt mouldings, the rectangular fold-over top revealing a claret baize inset, the turned and fluted end supports joined by conforming

stretchers, on splayed feet and ceramic castors, .cm. wide. ft.

An Anglo-Chinese camphorwood
secretaire Military Chest,  in
two parts, the writing drawer with baize inset and fold-over action revealing a drawer with pen-tray, compartments and rule, below are pigeon-holes, the whole flanked by small

drawers, below are two short and two long drawers, the sides with carrying handles, restored, cm. high by cm. wide. ft. Win.

George II mahogany Birdcage Table, Regency simulated rosewood Whatnot, Regency mahogany Sideboard, George III mahogany Chiffonier

A George II mahogany Card
Table,  the fold-over top with
re-entrant corners and revealing a baize
inset and candle stands, with a concertina
action to the rear legs and lappets to the
knees, on pad feet, cm. wide. ft. in.

A George III mahogany Library
Armchair,  covered in striped
fabric, the moulded back supports with
scroll carved surmounts, the padded
arms with paterae facings, the square
stop-fluted legs joined by stretchers

A George II gilt painted frame
Wall Mirror,  the later plate
with conjoined scroll surmount and
conforming apron, faults, restored, cm.
high by cm. ft. in.

A George II mahogany Birdcage Table, made-up, the tilt-top above a later base with baluster pIIIar and carved tripod supports ending in egg and claw feet, .cm. diam. ft.

A Regency simulated rosewood Whatnot,  of mahogany, the adjustable folio stand with folding rest, with turned supports and an apron drawer, on reeded bun feet and concealed

castors, cm. lft. in.

A George II mahogany oval
chop-leaf Table,  with a
drawer, the cabriole legs ending in hoof
feet, restored,  by cm. fully extended
ft.

A George II mahogany Bureau,
the fall revealing a shaped
and fitted interior, below are three short
and two long drawers, the sides with
carrying handles, on shaped bracket feet,
restored, cm. high by cm. wide.
ft.  by ft. lin.

A George III figured mahogany
Chest-on-Chest,  the dentIIIed
cornice and blind-fret frieze above two
short and three long graduated drawers,
flanked by canted fluted corners, below
is a slide and three long graduated
drawers, on later shaped bracket feet,
restored, cm. high by cm. wide.
ft. in.

A Regency ivory painted and gilt
Pier Mirror,  with ball
decorated cornice above a frieze with
dancing maidens and a seated boy with
flute, the later rectangular bevelled plate
flanked by fluted Corinthian pilasters,
restored, cm. high by cm. wide.
ft. Vin.

A WIIIiam IV rosewood secretaire
Wellington Chest,  with
locking pilaster and later gilt-metal
surmount, the two drawers above a fitted
writing drawer simulating two drawers,
below are three drawers and a plinth
base, faults, cm. high by cm. wide.
ft. lin. by lft. Win.

A Regency mahogany Sideboard,
with raised arched back and
beaded mouldings, the frieze drawer
flanked by a pair of cupboards, the solid
end supports joined by a pole stretcher,
the splayed feet ending in ornate brass
cappings and castors, restored, cm.
wide. ft. in.,

A George II carved giltwood Wall
Mirror,  the later rectangular
plate with a panel scroll and foliate
surround, with flame motifs and paterae
and cartouche surmount, regilded, cm.
high by cm. wide. ft. in.

A George III mahogany Chiffonier,
the raised back with pierced
brass gallery and two open tiers, below
are a pair of brass grIIIe doors and an
apron drawer, on tapered square feet,
restored, cm. high by  cm. wide.
ft. Vin. by ft. Vin.

A George III mahogany Chiffonier,
made-up, with two open tiers, the frieze
drawer above tapered square legs, on
brass cappings and castors, cm. wide.
ft. in.

A George III mahogany secretaire
Bookcase,  the later moulded
cornice above a pair of geometric
astragal doors enclosing adjustable
shelves, the crossbanded writing drawer
enclosing a fitted interior with satinwood
veneers, below are a pair of panelled
doors enclosing a sliding tray, on shaped
bracket feet, restored, cm. high by
cm. wide. ft. in.

A George III faded mahogany
semi-circular Card Table,
with satinwood banding and stringing,
the fold-over top above tapered square
legs and spade feet, restored, .cm. wide.
ft.

A George IV oak and walnut
octagonal Table,  the top with
segmented veneers and two drawers, the
turned pIIIar above tripod supports and
associated bun feet, restored, cm. wide.
lft. in.

A set of seven Regency mahogany
rail-back Chairs,  including
two armchairs, with foliate carved
cresting rails and pierced scroll mid-bars,
the Trafalgar seats above moulded sabre
legs, restored

A set of four George III
aaahogany Chairs,  the
cresting rails above triple reeded stick
splats, the stuffed seats with turned and
reeded tapering legs

A George III mahogany Bureau,
the fall revealing pigeon-
holes and satinwood veneered small
drawers, below are two short and two
long drawers with a valanced apron, on
splayed bracket feet, cm. high by cm.
wide. ft. Vin. by ft.

ANTIQUE SECRETAIRE BOOKCASE, UPHOLSTERED WING ARMCHAIR, ROSEWOOD CASED GRAND PIANO, ANTIQUE WARDROBE

A CARVED MAHOGANY DISPLAY CABINET, late Victorian, inlaid with satinwood marquetry, on cabriole legs, cm. high by cm. wide.

AN ANTIQUE SECRETAIRE BOOKCASE, WIIIiam IV, the writing drawer revealing small drawers and pigeon holes, cm. high by cm. uncle

AN ANTIQUE AND MARQUETRY SECRETAIRE A ABATTANT, Louis XVI style, with a marble top and gilt-metal mounts, cm. wide.

AN ANTIQUE BOW-FRONT CHEST, late George III, with two short and two long drawers, on splayed bracket feet, cm. wide.

AN ANTIQUE AND
INLAID ARMCHAIR, late Victorian, with a
marquetry panel splat and cabriole
legs

AN ANTIQUE AND PINE CHEST,
George III, with four long drawers, on
bracket feet, cm. wide.

A PAIR OF MAHOGANY POLE
SCREENS, Victorian, with glazed tapestry
panels and spiral stems, on tripod bases,
cm. high

AN ANTIQUE WARDROBE, Continental mid-19th Century and 18th Century, with a pair of doors above a drawer, on bracket feet, cm. high by cm. wide.

AN ANTIQUE ARMCHAIR, George III style, with a slat and loop back, the drop-in seat above a Vitruvian scroll frieze, on leaf carved baluster legs

AN ANTIQUE AND
INLAID WARDROBE, early 19th Century and 18th Century,
with alterations, the pair of doors enclosing
hanging space above dummy and real
drawers, on splayed bracket feet, cm. high
by cm. wide.

AN ANTIQUE WING-BACK ARMCHAIR, George III style, with striped upholstery and on moulded square legs

AN EBONISED AND PARCEL-GILT CANTERBURY, Victorian, with fluted spindle divisions above a single drawer, on turned tapering legs, cm. wide.

AN EBONISED AND PARCEL GILT THREE TIER WHATNOT, Victorian, with fluted baluster supports, the lower tier with Canterbury divisions above a single drawer, on toupie feet, faults,

cm. wide.

A ROSEWOOD CASED GRAND PIANO, Austrian, 19th Century and 18th Century, by IIIich, Vienna, with brass inlay, on turned and chamfered legs, cm. long

A BRASS REPOUSSE FRAMED WALL MIRROR, Flemish, 19th Century and 18th Century style, with arched surmount and chamfered margin plates, cm. wide.

AN ANTIQUE DRUM-TOP TABLE, Victorian, with inset top and four pIIIar supports, cm. diam.

AN UPHOLSTERED WING ARMCHAIR, WIIIiam and Mary style, in striped pink velvet with seat cushion

A WALNUT SIDE TABLE, part 19th Century and 18th Century, formerly a stand, with a drawer and tapered square legs, noiv with AN ANTIQUE top, cm. wide.

TWO SIMILAR WALNUT CHAIRS, Italian, 19th Century and 18th Century style, with solid seats and square legs

A WALNUT SIDE CABINET, Tuscan, part 19th Century and 18th Century, with hinged cover above a cupboard, cm. high by cm. wide.