Antique Cupboard

BEECHWOOD CANTERBURY, George III style, ANTIQUE PEDESTAL DESK, ANTIQUE LINEN PRESS, AN ANTIQUE PEDESTAL TABLE

A BEECHWOOD CANTERBURY, George III style, modern, with three divisions, on turned feet, wide.   —

A WALNUT AND PINE CHEST OF DRAWERS, early 18th Century, now in two parts with two short and three long drawers, faults, wide.

A WALNUT AND INLAID MIRROR BACK SIDEBOARD, Victorian, with a marble top above mirror and solid panel doors, high by wide.

A CARVED HUANG HUALI
WRITING DESK, Chinese, late th
Century, the asymmetrical raised open shelf
back above and arrangement of drawers and
cabriole supports. wide.—

AN ANTIQUE LINEN PRESS, William IV, with a pair of panelled doors enclosing sliding traxs. formerly with a lower section, icide—

AN OAK PARTNER’S WRITING TABLE, Victorian, the leather inset top above six opposing frieze drawers, on reeded turned legs lacking castors, high by wide.,-.

AN ANTIQUE PEDESTAL DESK,
modern, the leather inset top with bowed
wings above an arrangement of drawers and
doors, on splaved bracket feet. wide.

A WALNUT PEDESTAL DESK, modern, the leather inset top above an arrangement of drawers and cupboard doors, on bracket feet. u>ide

AN ANTIQUE D’-END DINING TABLE, George III style, modern, with ebonised stringing and twin turned pedestals, on splaved tripod bases ending in brass paw castors. long extended

including three leaf insertions”

A TEAK TWO TIER SIDE TABLE, modern, with a slightly dished top and square legs, wide.; together with AN ANTIQUE Side Cabinet, modern, with a pair of drawers above fielded panel

doors, wide.

A SMALL YEW-WOOD CHEST OF DRAWERS, modern, with a serpentine top above four drawers and bracket feet, wide.; together with a small mahogany drum Table, modern, with a leather

inset top above drawers, open shelves and a pedestal base,  diam.

AN ANTIQUE SIDEBOARD, George III style, modern, including a bowed frieze drawer and a fluted apron, on tapered legs with spade feet, wide.

AN ANTIQUE DAVENPORT, late
Victorian, by Maple if Co.. with a real and
dummv drawers, turned pilasters and bun
feet, one drawer bearing the maker’s name G.
Bradley and date , another drawer stamped
Maple is Co. Ltd., wide.

AN ANTIQUE PEDESTAL TABLE, George III style, with an oval top and quadruple splayed legs ending in brass castors, wide.   ”

AN ANTIQUE CABINET, the cupboard door incorporating two late 18th Century Japanese ivory mounted panels, wide.

AN ASH RUSH SEAT ARMCHAIR, 18th Century, with a spindle back and turned supports

A FIGURED WALNUT
AND EBONISED SECRETAIRE CABINET,
Victorian, with a raised mirror back above a
fall-front and a drawer, on tapered square
legs with stretchers and spade feet, faults,
wide.

AN ANTIQUE WASHSTAND, Victorian, the moulded top above two drawers, supported on twin turned end-supports , faults, wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular top on a hexagonal column, on a triform base with later castors, faults, diam.

AN EBONISED GESSO POLESCREEN, early Victorian, with a needlework panel and a triform base, distressed.

AN ANTIQUE BREAKFRONT BOOKCASE, A ROSEWOOD CARD TABLE, ANTIQUE ENVELOPE CARD TABLE, A CARVED WALNUT AND BEECHWOOD ARMCHAIR

AN ANTIQUE BREAKFRONT BOOKCASE, Edwardian, with two pairs of astragal doors, on bracket feet, high by wide

A WOODEN BOUND TRAVELLING TRUNK, early 18th Century, covered in chequer patterned cloth, bearing the label of GASTON MONTANARI,  Rue Du Bivouac, Cannes, wide.; together with a

similar smaller Trunk, bearing the label of AUX ETATS UNIS,  Rue St Honore, Paris, wide.; and a cube shaped Trunk, manufactured by OLD ENGLAND,  Bd. des Capuanes, Paris, wideS

AN ANTIQUE BOW
FRONT SIDEBOARD, George III style, earl
18th Century, with a satinwood banded top,
on tapered square legs with spade feet,
wide

A FIGURED WALNUT PEDESTAL DRESSING TABLE, Victorian, the mirror back with candle sconces above an arrangement of drawers, on plinth bases, wide. For colour illustration see page

A FIGURED WALNUT
AND FEATHERBANDE KNEEHOLE DRESSING TABLE, with an arrangement of drawers surrounding a recessed cupboard door, on bracket feet, wide.

AN ANTIQUE WELLINGTON
CHEST, Victorian, with seven drawers
flanked by hinged pilasters, wide.

AN ANTIQUE AND INLAID
MATCHED BEDROOM SUITE, Edwardian,
comprising: a mirror door wardrobe with an
arched cornice, high by wide., a
mirror back dressing table, on tapered square
legs, wide., AN ANTIQUE single door
bedside cupboard, on tapered square legs,
wide. and three stick back occasional
chairs ,

A ROSEWOOD CARD TABLE, William IV, with gadrooned mouldings, the columnar support on a platform base and paw feet, wide.

A WALNUT BUREAU, early 18th Century, the fall revealing stepped stationery compartments and a well, the three short and three long drawers above a later apron and bracket feet,

ivide ,

A CARVED OAK BREAKFRONT LIBRARY BOOKCASE, Flemish, 18th Century, the triple glazed doors flanked by herm pilasters, the base with corresponding geometric panelled doors, high by

wide.,

AN ANTIQUE TUB SHAPED ARMCHAIR, 18th Century, with pink damask upholsterv, on tapered square legs with castors^-

A CARVED OAK BOOKCASE, late Victorian, with a pair of glazed doors, on bracket feet. wide. For colour illustration see pa°e

AN ANTIQUE EXTENDING DINING TABLE, Victorian, the ‘D’-end top with telescopic action and reeded turned legs, on brass castors, long by wide. extended including two leaf

insertions

A SET OF SIX MAHOGANY DINING
CHAIRS, early Victorian, with rail backs,
chintz covered seats and turned legs

AN ANTIQUE LINEN PRESS, Victorian, with arched panel doors above an arrangement of four drawers, on a plinth, high by wide.

AN ANTIQUE SIDE TABLE, George III with alterations, inlaid with stringing and on tapered square legs, formerly a card or tea table, wide.       “‘

AN ANTIQUE CHEST
OF DRAWERS, early 18th Century, with two
short and three long drawers, on splayed
bracket feet. wide.

AN ANTIQUE ENVELOPE CARD
TABLE, Edwardian, with a drawer and
cabriole legs joined bv stretchers, wide.

A SET OF FOUR MAHOGANY
DINING CHAIRS, Victorian,
the rectangular nailed brown hide
upholstered backs and seats with lion mask
finials, on lobed turned legs with castors,
finials probably later       ”

AN ANTIQUE CHIFFONIER, early
Victorian, the open shelf back above a pair
of drawers and panel doors flanked by
turned pilasters, on bun feet, tvide

A CARVED WALNUT AND BEECHWOOD ARMCHAIR, Charles II and later, with a cane back and seat, on scrolled front legs with stretchers, faults

MAHOGANY HALL CHAIRS, ANTIQUE CONVERTED SQUARE PIANO, ROSEWOOD CARD TABLE, BEECHWOOD CHAIRS, Louis XV

A PAIR OF MAHOGANY HALL CHAIRS, Victorian, with circular backs and solid seats, on turned legs

A SYCAMORE BANDED PARTNERS DESK, 19th Century and 18th Century, the solid top with three drawers above pedestal bases, on bracket feet, cm. wide.

A GREEN MARBLED CHAIR-BACK
SETTEE, George II style, with pierced splats
and drop-in seat, one seat stretcher missing,
cm. wide.

A CARVED WALNUT AND PARCEL
GILT TORCHRE, Italian, 19th Century and 18th Century
style, with pierced tapering stem and tripod
supports, cm. high

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular tilt-top and triform base, cm. wide.

AN ANTIQUE CENTRE TABLE, Spanish, 19th Century and 18th Century style, with two drawers and an arcaded underframe, cm. wide.

AN ANTIQUE TRIPOD TABLE, George III, with alterations,, the circular tilt top above a turned and carved base, cm. diam.

AN ANTIQUE AND ROSEWOOD SIDE TABLE, George III, with a semi¬circular top and tapered square legs, cm. wide.

AN ANTIQUE CONVERTED SQUARE PIANO, early 19th Century and 18th Century, with numerous drawers, on turned legs and castors, altered, cm. wide.

AN ANTIQUE FRAMED FRETWORK WALL MIRROR, George II style, with a rectangular plate, cm.
wide.

AN INLAID WALNUT
BREAKFRONT SIDE CABINET, Victorian,
the raised minor back with triple arched
plates, the marble top above three mirrored
doors, on a plinth base, cm. wide.

A PAIR OF MAHOGANY CHAIRS, George IV, with rail backs and drop-in seats, on turned legs

AN ANTIQUE ARMCHAIR, George III, with a pierced ladder back and moulded square legs,

AN ANTIQUE PEMBROKE TABLE, George III, of rounded rectangular form, on tapered square legs and castors, cm. wide. when extended—

AN ANTIQUE AND INLAID TABLE VITRINE, Edwardian, enclosed by a pair of bevelled glass doors, cm. wide.

A CINNABAR LACQUER JARDINIRE STAND, Chinese, with low relief moulded decoration and inward scrolling supports, cm. diam.        —

A PAIR OF BEECHWOOD CHAIRS, Louis XV,  the cartouche backs and bowed seats covered in blue striped velvet, restored

A HAUAN HUALI TABLE, Chinese, 19th Century and 18th Century, with pierced frieze containing a drawer, on square legs, cm. wide.

A ROSEWOOD CARD TABLE,
WIIIiam IV, on a pedestal support and
triform base with turned feet, faults, cm.
wide.

A CARVED OAK SERVING TABLE,
Victorian, with a leathercloth inset top, on
bulbous turned and fluted legs, cm.
wide.

CORNER CUPBOARD, CARVED OAK FOLD-OVER TABLE, D-END DINING TABLE, FOLD-OVER TABLE, 19th Century and 18th Century style

ETCHED AND BEVELLED
GIRANDOLE MIRROR, Venetian, early
19th Century and 18th Century, with pierced surmount and
Dmmatk candle branches to the apron,

A SET OF THREE EBONISED BEECHWOOD CHAIRS, WIIIiam and Mary style, with carved and pierced backs above green velvet upholstered seats, on turned and square legs joined by

scrolled front stretchers

A BRASS AND IRON SINGLE BED, Victorian, with wire strung base and side rails, cm. wide.

AN ASH TRIPLE DOOR WARDROBE, Victorian, by Lamb of Manchester, with central mirror panel and zig-zag banding, the interior with hanging space, sliding trays and drawers, stamped

Lamb, Manchester, cm. high by cm. wide.

AN ANTIQUE SETTEE, late George HI, the arched back, sides and seat upholstered in striped yellow fabric, the reeded arm terminals above tapered square legs, cm. wide.

AN ANTIQUE CORNER CUPBOARD, George III style, part 19th Century and 18th Century, with two astragal doors, cm. high by cm. wide.

AN ANTIQUE WARDROBE, George III style, the key cornice above a pair of panelled doors and a single drawer, on bracket feet, cm. high by cm. wide.

AN ANTIQUE BREAKFRONT
SIDEBOARD, George III style, modern, on
splayed tapered square legs, cm.
wide.

AN OAK HARLEQUIN WRITING
DESK, 19th Century and 18th Century, the hinged top
revealing a rising stationery compartment, on
turned legs joined by stretchers, cm.

A WALNUT PARTNERS DESK, ictorian, the leather inset top with eight
drawers, raised on a pair of pedestals
containing three drawers and opposed by
cupboards, on plinth bases, cm.
wide.

A CARVED OAK FOLD-OVER TABLE, 19th Century and 18th Century style, with linen-fold panels and arches, also carved with the Annunciation, on end supports and mask feet, cm. wide.

A RECTANGULAR MAHOGANY SIDE TABLE, part 19th Century and 18th Century, on fluted tapering square legs with scrolling bracket spandrels, cm. wide.

A WALNUT AND MAHOGANY CHESS TABLE, Victorian, the inlaid tilt-top above a pIIIar and tripod base, cm.
wide.

A CARVED OAK POLE SCREEN, Victorian, with a drapery panel, on a tripod base, cm. high

AN ANTIQUE DRESSING TABLE MIRROR, George III style, with a bow-front plinth containing three drawers, cm.
wide.

AN ANTIQUE D-END DINING TABLE, George III style, with twin pedestal supports, on tripod bases, cm. long including a leaf insertion

AN OAK PEDESTAL, late 19th Century and 18th Century, with a fluted column pIIIar, on a square base, faults, cm. high

AN ANTIQUE WASHSTAND, early 19th Century and 18th Century, with a galleried top and two associated ceramic bowls, with a later cupboard door, cm. wide.; together with an ash and

elm rail-back Armchair, early 19th Century and 18th Century, with a solid seat and tapered square legs

AN OAK BREAKFRONT LIBRARY
BOOKCASE, Victorian, with glazed doors
above an arrangement of drawers and
cupboard doors, cm. high by cm.
wide.

AN ANTIQUE PEDESTAL DESK, modern, with a leather inset top above an arrangement of drawers and bracket feet, cm. wide.

BEECHWOOD COMMODE, REVOLVING ARMCHAIR, SATINWOOD SIDE TABLE, BOW FRONT DISPLAY CABINET, BOW-FRONT SERVING TABLE

A BEECHWOOD COMMODE, Louis XVI style, with two drawers and a foliate carved apron, on fluted tapered legs, 80cm. wide.

A MAHOGANY TOILET MIRROR, George IV, in the manner of GIIIows of Lancaster, the rectangular plate on moulded scrolling supports joined by a galleried platform stretcher, 70cm.

Estimate Sketchbook IIIustrates a model for a similar mirror. Also a pair of identical mirrors were sold by Sotheby’s at Thoresbv Hall, Notts.

A MAHOGANY REVOLVING ARMCHAIR, early Victorian, with buttoned upholstery and leaf carved turned feet, on castors.

A MAHOGANY ARMCHAIR, early Victorian, with distressed upholstery and carved arm facings, lacking one castor.

A SATINWOOD SIDE TABLE,
George III style, early 20th Century, with a
serpentine top and a drawer, on tapering legs
with spade feet, 86cm. wide.

A MAHOGANY BREAKFAST TABLE, early 19th Century, with alterations,, the crossbanded top raised on a spiral twist column and downswept supports, 114cm. long.

A MAHOGANY AND SATINWOOD BANDED SIDE TABLE, part early 19th Century, of bow-front form, with three drawers, on cabriole legs, 105cm. wide.

A BUTTON UPHOLSTERED LOW ARMCHAIR, Victorian, with ebonised turned supports, on castors.

A CARVED AND GILT GESSO PIER MIRROR FRAME, mid 19th Century, with a pierced foliate cresting centred by a cabochon, 229cm. high by 66cm.
wide

A MAHOGANY GENTLEMAN’S DRESSING TABLE, George III with alterations, inlaid throughout with stringing, on bracket feet, 55cm. wide.

A WALNUT KNEEHOLE DRESSING TABLE, Queen Anne style, with an arrangement of nine drawers, on bracket feet, 93cm. wide.

A SET OF EIGHT DINING CHAIRS, Edwardian, with carved cresting rails and tapered square legs, bearing trade label, Boardman & Sons, London, regd. 534739
A PAIR OF CARVED AND PAINTED FAUTEUILS, Louis XVI style, with pierced ribbon crestings and claret damask upholstery, on fluted legs.

A KING WOOD PARQUETRY CABINET, Louis XV style, with a green marble top above a door enclosing a mirrored interior, 48cm. wide.

A MAHOGANY BOW FRONT DISPLAY CABINET, Edwardian, with astragal doors, on cabriole legs with claw and ball feet, 132cm. wide.

A MAHOGANY PEDESTAL SIDEBOARD, WIIIiam IV, with a raised back above an arrangement of drawers and a pair of cupboard doors, 229cm. wide.

A MAHOGANY TRAY-TOP COMMODE, George III, with a pair of doors and a pull-out base, on square legs, distressed, 50cm. wide.

A MAHOGANY DRESSING TABLE MIRROR, Victorian, with carved scroll supports joined by a platform stretcher, 54cm. wide.

AN OAK SERVING TABLE, Victorian, with a pair of frieze drawers, on octagonal tapered legs, 242cm. wide.

A MAHOGANY BOW-FRONT SERVING TABLE, George III with alterations, on tapered square legs, 194cm. wide.

A GILT PAINTED PIER TABLE, Italian, 19th Century, with a serpentine marble top and cabriole legs, later painting, 162cm. wide.

ITALIAN PAINTED CHAIRS, LOUIS XVI GILT-BRONZE MANTEL CLOCK, RESTAURATION GILT-BRONZE FENDER, ROSEWOOD MARQUETRY DOUBLE SECRETAIRE, LOUIS XVI PAINTED PROVINCIAL BATHING CHAIR

A SET OF TEN ITALIAN PAINTED CHAIRS, six late 18th century, four later,
with molded frames, stuffed rectangular backs, stuffed drop-in seats and fluted tapering legs, repainted with trailing flowers and leaves on a creamy yellow ground.

A   SWEDISH   PAINTED   AND   PARCEL-GILT SMALL CYLINDER BUREAU, late 18th century,
the roll-top with a ribbon-tied spray of flowers, concealing a fitted interior with six drawers and an arched door, on square fluted tapering legs, 109cm high, 82cm wide, 50cm

deep
A very similar table is in the collection of Gustavo, 7th Due d’Otrante at Elghammar House, Sweden, illustrated in Hakan Groth, Neoclassicism in the North, London, 1990. Another

is illustrated in Sigurd Wallin, Nordiska Museets mobler Svenska Herremanshem, 1979.

A LOUIS XVI GILT-BRONZE MANTEL CLOCK, circa 1785,
the circular white enamel dial signed Angelino a
Paris, surmounted by the seated figure of Diana and
her hound, the shaped plinth with a frieze of
frolicking cherubs, on tasseled feet.

AN EMPIRE MAHOGANY GUERIDON, circa 1815,
with veered antic marble top, the three columnar
supports joined by cross-bars.

AN    EGYPTIAN    REVIVAL    ENAMEL    AND SILVERED BRASS CASKET, circa 1880,
the cover with a reclining female figure, the whole decorated with Egyptian scenes and symbols, raised on recumbent sphinxes,
23cm high, 32cm wide, 22cm wide.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE MANTEL CLOCK, circa 1820,
the circular dial contained within a sphere flanked
by a standing female figure and a flaming torch,
surmounted by Cupid, the rectangular plinth faced
by posies and garlands, on square feet.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE FENDER, circa 1825,
the plinths surmounted by cornucopia with boars’ heads, the central pole above a line of graduated rosettes,
minimum 110cm wide, maximum 150cm wide .

A RESTAURATION GILT-BRONZE FENDER, circa 1820,
each plinth surmounted by a lion fighting with a snake,
minimum 98cm wide, maximum 150cm wide .

A   RESTAURATION   BRONZE   AND    GILT-BRONZE FENDER, circa 1820,
faced with gilt-bronze masks and rosettes,
minimum 130cm wide, maximum 150cm wide .

A  RESTAURATION   MAHOGANY   DRESSING
TABLE,
circa 1815,
the oval plate with columnar supports, the table stand with white marble top, a drawer in the frieze and scroll front legs,
144cm high, 77cm wide, 45cm deep.

A RESTAURATION PROVINCIAL FRUITWOOD
BUREAU-CABINET,
circa 1820,
the upper part with a pair of glazed doors, the lower part with a sloping front enclosing a fitted interior above two long drawers,
209.5cm high, 107cm wide, 58cm deep.

A RARE ROSEWOOD MARQUETRY DOUBLE SECRETAIRE,
circa 1825, French or Spanish,
the two paneled fall-fronts inlaid with arabesque scrollwork and raised on fluted and scroll supports, 146cm high, 117cm wide, 67cm deep.

A   RESTAURATION   BRONZE   AND    GILT-BRONZE LION, circa 1825,
shown recumbent, the plinth faced by a flower-filled tizzy and bearing a coat of arms, 26cm high The arms are those of Counts Szecheny de Sarvary-Felso-Videk of Hungary (created

Counts on 7th September 1697), ref. J. B. Rietstap, Armorial General. This family played a very important role in the history of Hungary.

A PAJR OF SWEDISH GRANITE COLUMNS,
with Empire style guilloche mounts in gilt bronze,
TWO SIMILAR PAIRS OF GILT-BRONZE WALL-LIGHTS, 19th century,
each with two candle-nozzles supported on a ring issuing from a lions mask, 16cm deep.

A LOUIS XV BEECHWOOD COMMODE CHAIR, mid 18th century,
with caned back and seat, the apron and sides carved with scrollwork; bearing the stamp Hilliard

A PAIR OF RESTAURATION  GILT-BRONZE AND MARBLE TAZZE, circa 1825,
each plinth faced by a palm wreath.

A PAIR OF GILT-BRONZE CHENETS, circa 1810,
with artichoke finials and faced by swans, bearing an inventory mark EL surmounted by a crown .

A LOUIS XVI PAINTED PROVINCIAL BATHING CHAIR,
circa 1785,
the loose caned low back and sliding seat above a tile basin supported on square legs, 70cm high, 59cm wide, 67cm deep .A virtually identical fauteuil blain de siege is at the

Mused
des Arts et Traditions Popularizes in Paris. Nicole De
Reyna’s, he mobile domestique, illustrates this
example. This kind of chair
usually existed in a round or oval shape, while the
rectangular form is considered
rarer.

A    SET    OF    THREE    PAINTED    CHAIRS, PROBABLY VIENNESE, circa 1800,
with arched curved backs, stuffed seats and saber legs, delicately painted with flowers and scrollwork on a pale blue ground.
TWO     VERY     SIMILAR     RESTAURATION MAHOGANY ARMCHAIRS, circa 1830,
with curved backs, scroll arms, stuffed seats and cabriole legs.

A     RESTAURATION     MAHOGANY     DESK
ARMCHAIR,
circa 1825,
the curved back with lion mask terminals, with stuffed seat and turned tapering legs.

GILTWOOD FIRE-SCREEN, NEAPOLITAN BONE-INLAID EBONISED WOOD TABLE CABINET, PAINTED WOOD POODLE, LOUIS XVI PROVINCIAL OAK AND CHESTNUTWOOD ARMOIRE

A GILTWOOD FIRE-SCREEN, circa 1900,
incorporating a panel of 18th century Chinese wallpaper depicting a mother and two children in a pavilion; on scroll feet, 120cm high, 63cm wide.

A   NEAPOLITAN   BONE-INLAID   EBONISED WOOD TABLE CABINET, mid 17th century,
with hinged lid above a pair of doors enclosing a
fitted interior, and with a drawer below.

A PAINTED AND PARCEL-GILT DOOR FRAME, ITALIAN OR SPANISH, second quarter 19th century,
the domed top with scrollwork and an eagle supported by two marbleized pillars carved with rosettes and cherub faces,

A FRENCH RED BOULLE COUNTER BOX, Napoleon III, Paris, circa 1860,
of rectangular serpentine form, with removable
counter trays,
31cm by 24cm.

AN ITALIAN CARVED GILTWOOD CONSOLE, mid 18th century,
with serpentine top painted to simulate Siena
marble, on an elaborate pierced scrollwork support
entwined with flowers and leaves,
57cm high, 49cm wide, 25cm deep .

A NORTH ITALIAN CARVED GILTWOOD FRAME,
mid 18th century,
the molded frame carved with flowers and leaves and with pierced scroll cresting, 82cm high, 50cm wide

AN UNUSUAL PAINTED WOOD POODLE, late 18th/19th century,
shown recumbent, with lion cut and glass eyes, on a rectangular marbleized base, 35cm wide A VENETIAN LACQUER CASKET, mid 18th century,
of serpentine form decorated with gilt chino series on a scarlet ground,
14cm high, 42cm wide, 23cm deep .

A PAIR OF BRONZE CANDLESTICKS IN THE STYLE OF MEISSONNIER, 18th/19th century,
each with a cherub on a scroll-work base, 8cm high

A  PAIR   OF  FRENCH  RED   TOLE PEINTE
JARDINIERES, 19th century,
decorated with classical figures and cornucopias, on paw feet, raised on square marbleized plinths, 37.5cm high

A    GILT-BRONZE    REDUCTION    OF    THE WARWICK VASE, mid 19th century,
37cm wide (14V2in).

AN  UNUSUAL TULIPWOOD AND WALNUT SIDE TABLE, DUTCH OR GERMAN, circa 1740,
with shaped cross-banded top, the serpentine frieze with one long and two short drawers, the cabriole legs with pointed pad feet, 77cm wide .

A DUTCH MARQUETRY DROP-LEAF TABLE, mid 18th century and later,
the rectangular top elaborately inlaid with birds, flowers, urns and gods, the frieze with a drawer and raised on cabriole legs,
74cm high, 133cm wide, 102cm deep (2ft 5in, 3ft 4in).

AN UNUSUAL PARQUETRY CENTRE TABLE, late 18th/early 19th century, perhaps Brazilian,
the rectangular top with a geometric design, the frieze inlaid with stripes and raised on square tapering legs,
77cm high, 101cm wide, 62cm deep.

A   LOUIS   XVI    PROVINCIAL    OAK   AND CHESTNUTWOOD ARMOIRE, circa 1780,
the molded cornice carved with leaves above a basket of flowers, the pair of paneled doors also carved with baskets of flowers, on scroll feet, 225cm high, 168cm wide, 63cm

deep.

A RARE SET OF EIGHT GERMAN COLLAGE
PICTURES,
mid 18th century,
mainly in gouache and silk, of figures including beggars, huntsmen and a French cook; in gilt wood frames.

AN   UNUSUAL   MARQUETRY   SECRETAIRE, ITALIAN OR SPANISH, circa 1870,
with a drawer above a fall-front enclosing a well-fitted interior and with two doors below, inlaid overall with elaborate flower and scrollwork parquetry incorporating cherubs,

masks, birds and exotic beasts,
150cm high, 66cm wide, 42cm deep.

A   LOUIS   XV   PAINTED   AND   GILTWOOD
TRUMEAU,
mid 18th century,
the rectangular plate surmounted by a cartouche-shaped painted panel of a scene gallant; the frame later painted
187cm high, 80cm wide.

A DUTCH MAHOGANY SIDE-CABINET, circa 1775,
of breakfront form, with veered antic marble top, two doors, chamfered corners inlaid to simulate fluting, and cabriole feet,
96cm high, 132cm wide, 58cm

A LOUIS XV BEECHWOOD ARMCHAIR, circa 1760,
with flower-carved molded frame, loose cushion seat and cabriole legs.

ANOTHER      LOUIS      XV      BEECHWOOD
ARMCHAIR,
mid 18th century,
with padded back, seat and arms, the top-rail carved similarly to the seat-rail with flowers, on cabriole legs.

ITALIAN BUREAU, DUTCH PALISSANDERWOOD COMMODE, WALNUT DESK ARMCHAIR, DUTCH MAHOGANY CHAIRS, ITALIAN WALNUT GAMES TABLE, LOUIS XV PROVINCIAL LOW TABLE

AN ITALIAN BUREAU, part circa 1740,
the curved paneled front opening to reveal a fitted interior with three drawers below and cabriole legs; later decorated with polychrome birds and flowers on an ochre ground,
103ch high, 104cm wide, 51cm deep (2ft2in, 3ft 5in, 8in).

AN ITALIAN PAINTED DISPLAY CABINET, late 19th century,
the triple arched top with carved gilt wood cresting above three glazed doors, the ‘D’ part with cupboards flanking a shelf, painted with flowers on a green ground,
213cm high, 128cm

A DUTCH MAHOGANY ARMCHAIR, circa 1770,
with molded frame, stuffed back, arms and seat and cabriole legs.

A LOUIS XV WALNUT DUCHESSE BRISEE, circa 1750,
the molded frame carved with flower heads, the berg ere section with arched back curving into the padded arms with down-swept supports, on cabriole legs, the end section of

similar form and with lower berg ere end; partly re-railed and foot tips replaced,

A DUTCH PALISSANDERWOOD COMMODE, mid 18th century,
of shallow serpentine form with molded front, three drawers and projecting corners continuing to the bracket feet, 72cm wide (2ft 41Mn).

A DUTCH MARQUETRY TOILET-GLASS, 18th century and later,
in the form of a miniature bureau with shaped front and three drawers and surmounted by a rectangular swing mirror,
87cm high, 43cm wide, 23cm deep.

A PAIR OF DUTCH MAHOGANY CHAIRS, circa 1775,
with molded frames, the stuffed backs headed by crests of figures and the motto Primus e Stripe, the stuffed seats raised on cabriole legs

AN UNUSUAL FRENCH GILT-BRONZE HALL
LANTERN,
Paris, circa 1890,
the five sides divided by a molded cage frame held by scrolled acanthus, with glass panels, 90cm high .

A PAIR OF LOUIS XV GILT-BRONZE WALL-LIGHTS, mid 18th century,
each with two asymmetric candle-branches and a leaf-cast back-plate; drilled for electricity, 41cm high, 36cm .

A PAIR OF LOUIS XV BEECHWOOD LOW
CHAIRS,
mid 18th century,
with padded backs, the molded frames carved with flowers and leaves, on cabriole legs.

A SET OF THREE ITALIAN PAINTINGS ON GLASS,
mid 18th century,
of pastoral scenes with figures and animals; in
gilt wood frames,
23cm high, 30cm wide (9in, 12in).

A LOUIS XV GILTWOOD CONSOLE, mid 18th century,
with serpentine fleur de lecher marble top, pierced scrollwork frieze, double scroll legs and leafy stretcher,
78cm high, 77.5cm wide .

A WALNUT DESK ARMCHAIR, in Louis XV style,
with molded flower-carved frame, arched caned back, loose-cushioned seat and cabriole legs.

A FRENCH PAINTED CANVAS SCREEN IN LOUIS XV STYLE,
the four arched leaves painted with scenes in the style of Parliament on a stone colored ground,
161cm high, width of each leaf 54cm.

MARQUETRY     CORNER

A     PAIR     OF CUPBOARDS, one Louis XV, circa 1770, the other a later copy,
both of serpentine form with fleur de lecher marble top and each with a door inlaid with a ribbon-tied bunch of roses,
91cm high, 93cm wide, 65cm deep.

A PAIR OF LOUIS XV PAINTED AND PARCEL-GILT ARMCHAIRS STAMPED I B BOULARD, circa 1760,
with molded flower-carved frames, cartouche-shaped backs, serpentine-fronted seats and cabriole legs.

AN ITALIAN WALNUT GAMES TABLE, circa 1760,
the hinged box top fitted for chess, draughts and back-gammon, with a drawer in the frieze and cabriole legs,
83cm high, 59cm wide, 52cm deep.

A LACQUER COMMODE IN LOUIS XV STYLE, early 20th century,
of serpentine bombe form, the black marble top
with two slides below, containing two drawers and
decorated with figures and animals, including a
tiger and an elephant, on splayed legs,
84cm high, 81cm wide, 49cm deep .

A LOUIS XV PROVINCIAL LOW TABLE, mid 18th century,
the shaped top above a conforming frieze, on cabriole legs,
59cm high, 42cm wide .

A PAINTED HALL BENCH, in 18th century style,
the arched back painted with a crest
AN      UNUSUAL      ROMAN       GILTWOOD
ARMCHAIR,
circa 1725,
the molded frame carved with leaves and strap work, the arched back with shell cresting, the stuffed seat raised on scroll legs and stretchers; restored