Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

BEECHWOOD CANTERBURY, George III style, ANTIQUE PEDESTAL DESK, ANTIQUE LINEN PRESS, AN ANTIQUE PEDESTAL TABLE

A BEECHWOOD CANTERBURY, George III style, modern, with three divisions, on turned feet, wide.   —

A WALNUT AND PINE CHEST OF DRAWERS, early 18th Century, now in two parts with two short and three long drawers, faults, wide.

A WALNUT AND INLAID MIRROR BACK SIDEBOARD, Victorian, with a marble top above mirror and solid panel doors, high by wide.

A CARVED HUANG HUALI
WRITING DESK, Chinese, late th
Century, the asymmetrical raised open shelf
back above and arrangement of drawers and
cabriole supports. wide.—

AN ANTIQUE LINEN PRESS, William IV, with a pair of panelled doors enclosing sliding traxs. formerly with a lower section, icide—

AN OAK PARTNER’S WRITING TABLE, Victorian, the leather inset top above six opposing frieze drawers, on reeded turned legs lacking castors, high by wide.,-.

AN ANTIQUE PEDESTAL DESK,
modern, the leather inset top with bowed
wings above an arrangement of drawers and
doors, on splaved bracket feet. wide.

A WALNUT PEDESTAL DESK, modern, the leather inset top above an arrangement of drawers and cupboard doors, on bracket feet. u>ide

AN ANTIQUE D’-END DINING TABLE, George III style, modern, with ebonised stringing and twin turned pedestals, on splaved tripod bases ending in brass paw castors. long extended

including three leaf insertions”

A TEAK TWO TIER SIDE TABLE, modern, with a slightly dished top and square legs, wide.; together with AN ANTIQUE Side Cabinet, modern, with a pair of drawers above fielded panel

doors, wide.

A SMALL YEW-WOOD CHEST OF DRAWERS, modern, with a serpentine top above four drawers and bracket feet, wide.; together with a small mahogany drum Table, modern, with a leather

inset top above drawers, open shelves and a pedestal base,  diam.

AN ANTIQUE SIDEBOARD, George III style, modern, including a bowed frieze drawer and a fluted apron, on tapered legs with spade feet, wide.

AN ANTIQUE DAVENPORT, late
Victorian, by Maple if Co.. with a real and
dummv drawers, turned pilasters and bun
feet, one drawer bearing the maker’s name G.
Bradley and date , another drawer stamped
Maple is Co. Ltd., wide.

AN ANTIQUE PEDESTAL TABLE, George III style, with an oval top and quadruple splayed legs ending in brass castors, wide.   ”

AN ANTIQUE CABINET, the cupboard door incorporating two late 18th Century Japanese ivory mounted panels, wide.

AN ASH RUSH SEAT ARMCHAIR, 18th Century, with a spindle back and turned supports

A FIGURED WALNUT
AND EBONISED SECRETAIRE CABINET,
Victorian, with a raised mirror back above a
fall-front and a drawer, on tapered square
legs with stretchers and spade feet, faults,
wide.

AN ANTIQUE WASHSTAND, Victorian, the moulded top above two drawers, supported on twin turned end-supports , faults, wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular top on a hexagonal column, on a triform base with later castors, faults, diam.

AN EBONISED GESSO POLESCREEN, early Victorian, with a needlework panel and a triform base, distressed.

PAINTED AND UPHOLSTERED CHAIR, Louis XV style, BAMBOO DISPLAY CABINET, ANTIQUE AND MARQUETRY DISPLAY CABINET

A WALNUT SEWING TABLE, Mid
18th Century, with a circular hinged top
enclosing a lined well, on a turned baluster
column on scrolled tripod feet,
wide.

AN ANTIQUE DRAWING ROOM SUITE, Early 18th Century, comprising of a settee, wide., an armchair and a side chair, with carved top rail and open arms above a button back and

upholstered seat, on sabre legs with claw feet

A PAINTED AND UPHOLSTERED CHAIR, Louis XV style, covered in striped brocade, on cabriole legs and scroll feet,

AN ANTIQUE TRAY-TOP
COMMODE, George III, with alterations,
with top fully enclosed by gallery, above two
doors over a pot drawer, faults,
wide

AN ANTIQUE TRAY-TOP
COMMODE, George III, the top enclosed by
a gallery, above a single door and pot drawer
both decorated with geometric stringing, on
chamfered and reeded legs, faults,
wide

AN ANTIQUE SOFA TABLE, William IV, with a re-finished top above two frieze drawers opposite two dummy drawers, on a turned and reeded pedestal with a quatreform base, one flap

replaced, wide. when open

A BAMBOO DISPLAY CABINET, Early 18th Century, with lacquer top above a glazed door, enclosing two shelves, on splayed feet, wide.

AN OAK SETTLE, Part 18th Century, with a high back incorporating fourteen fielded panels and a post extending beyond, above a bench seat with an arm at one end, distressed, high

by wide.

A CARVED OAK CABINET BOOKCASE, Flemish, 18th Century, the flared cornice above glazed door, a drawer and a cupboard door, on a plinth base, high by wide.

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the ‘D’-end top on ring turned pillars and splayed tripod bases with brass paw castors, long extended including two leaf

insertions

A CARVED OAK MIRROR BACK
SIDEBOARD, Flemish, late 18th Century,
with an arched grotesque mask cresting and
spiral twist supports above an arrangement of
drawers and cupboard doors, high by
wide.

A CARVED OAK ARMCHAIR,
Italian, late 18th Century, of Dantesca form,
with a grotesque mask carved back and a
distressed hide seat—

AN ANTIQUE CHAIR, George III,
with pierced splat and slip-in turquoise velvet
seat, on square legs, another mahogany chair.
George III, with reeded stick back, matching
stuffed seat and tapered square legs together
with a red walnut or mahogany armchair.
George III, with pierced splat and slip-in pale
green velvet seat, on square legs

AN ANTIQUE DROP-
LEAF DINING TABLE, George II, with a
rectangular top above turned tapering legs with pad feet, wide. extended

AN ANTIQUE AND MARQUETRY DISPLAY CABINET, Continental, late 18th Century, with gilt-metal mounts and a glazed door, on cabriole legs, -wide     —

AN ANTIQUE PEMBROKE TABLE, George III, with a rectangular top and a drawer, on moulded square legs joined by later stretchers, wide. extended   —

AN ANTIQUE ARMCHAIR, George III style, with a pierced splat back, burgundy velvet upholstered seat and tapered square legs

A CARVED BEECH WOOD FAUTEUIL, French, with a caned back and serpentine seat, on cabriole legs, faults to caning—

AN ANTIQUE DINING CHAIR, George III with later
carving, the rectangular stick back above and upholstered seat, on tapered square legs

A ROSEWOOD MUSIC CANTERBURY, Victorian, with a pierced fret gallery above and open tier with a fall flap and a drawer below, on turned feet, wide.

AN ANTIQUE CHIFFONIER, ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, PAIR OF CARVED GILTWOOD FOOTSTOOLS, GESSO FRAMED RECTANGULAR WALL MIRROR

AN ANTIQUE CHIFFONIER, Victorian, with a raised open tier back and spiral twist pilasters.

AN ANTIQUE THREE DOOR WARDROBE, Victorian, including a mirror panel, on a plinth base, high by wide. For colour illustration see pas;e

AN EBONISED AND THUYA WOOD MUSIC CANTERBURY, Victorian, including turned supports and apron drawer, wide.

A ROSEWOOD AND INLAID SUITE OF SEAT FURNITURE, late Victorian, with carved and pierced splats, upholstered in claret dralon, on cabriole legs, comprising four side chairs, a

cpair of tub shaped armchairs and a settee, wide.

AN UPHOLSTERED ARMCHAIR, 18th Century, with gold damask loose cover, on bun feet and castors; together with an upholstered armchair with worn damask cover; and an upholstered

armchair, covered in green fabric, on rocking action

AN ANTIQUE OVAL PEDESTAL TABLE, George III, the altered top above quadruple reeded splayed legs and castors, wide’

AN ANTIQUE OVAL TILT-TOP TRIPOD TABLE, George III, on a baluster turned pillar. wide.

A GILT GESSO AND GLAZED NEEDLEWORK FIRESCREEN, Louis XV style, mid 18th Century, with chinoiseric panel and splaved feet, piults.
wide

AN ANTIQUE PEDESTAL
PEMBROKE WORKTABLE, George III,
made-up, with a drawer and tripod base,
wide. when closed

A PAIR OF CARVED MAHOGANY
STOOLS, George III style, with stuffed
yellow fabric seats, wide.

A GILT PAINTED GESSO FRAMED OVERMANTEL MIRROR, Victorian, with arched pediment and female mask to frieze, some moulding lacking, wide.     —

A WHITE PAINTED FRAME OVERMANTEL MIRROR, Edwardian, in the George III style, with Corinthian pillars and cherub mask, the oval bevelled plate flanked bv a pair of rectangular

plates,
wide

A WHITE PAINTED FRAME
OVERMANTEL MIRROR, Edwardian, in
the George III style, with Corinthian pillars and
cherub mask, the oval bevelled plate flanked
a pair of rectangular plates,
wide

A WHITE PAINTED MARBLE TOP CABINET, Victorian, with pilaster terminals, the pair of oval glazed doors flanked by bowed glass doors, plinth base lacking, wide.
AN ANTIQUE OCTAGONAL TILT-TOP TRIPOD TABLE, George III, made-up, the later base with slender baluster pillar, wide
For colour illustration see pa^e

AN ANTIQUE DRESSING TABLE,
George III, the rectangular hinged cover
with cusped corners, the fitted interior
including a mirror, on moulded square legs,
wide.

AN ANTIQUE D’-END DINING TABLE IN TWO PARTS, George III, now without a central section, on square legs, wide.

A PAIR OF CARVED GILTWOOD FOOTSTOOLS, in the French style, with cane seats and cabriole feet,
wide

A WHITE PAINTED STANDING CORNER CUPBOARD, Regency with later painting, the upper doors now lacking and revealing shelves within a moulded architectural arch, below are a pair of

panel doors and a plinth base, high by wide.”

AN ANTIQUE OVAL PEDESTAL WORK TABLE, George III and later, with hinged top and tripod base, wide.

A GILT GESSO FRAMED RECTANGULAR WALL MIRROR, Victorian, the decorative surround with jasperware style plaque to the frieze, wide., and a small green mottled marble top console

table, Italian 18th Century style, with gilt caryatid support, wide.

OAK REFECTORY TABLE, 18th Century style, DISTRESSED MAHOGANY TRIPOD TABLE, MARQUETRY AND WALNUT FRAMED WALL MIRROR, WALNUT DINING CHAIRS

A SMALL MAHOGANY CUPBOARD, Edwardian, enclosed by a panelled door, locked, wide.

AN OAK REFECTORY TABLE, 18th Century style, with a cleated top, on shaped solid end-supports joined by a single stretcher, the top long by wide.

A SET OF SIX OAK DINING CHAIRS, George III, including an armchair, with pierced splats, solid seats and square legs

A TEAK COFFER, Dutch-East Indies, 18th Century, with a rectangular hinged top and engraved pierced brass mounts, on bun feet, wide.
TWO MAHOGANY RECTANGULAR WASHSTANDS, Regency,with ring turned legs, wide. and wide.

AN ANTIQUE GENTLEMAN’S
DRESSING TABLE, George III, including a
hinged top, a pair of doors and apron
drawer, wide.

A WHITE PAINTED WARDROBE, Edwardian style, including triple panel doors and sliding travs. wide., and a pair of similar stvle single door wardrobes. wide.’i   ‘

TWO MAHOGANY CIRCULAR OCCASIONAL TABLES, William IV, the tilt-tops above pedestal supports, one with triform base, the other with quatreform base, diam and diam

AN ANTIQUE CIRCULAR SHAPED OCCASIONAL TABLE, Edwardian, with cabriole legs and undertier, diam., and a distressed mahogany and beechwood adjustable bed table by Alfred Carter,

on platform base, stamped and bearing labels Alfred Carter, London.

AN UPHOLSTERED ARMCHAIR, Edwardian, with floral loose cover and an oak metal bound silver chest,
wide

AN ANTIQUE BLANKET CHEST,
George III, with two restored apron drawers
and later bracket feet, wide.

A DISTRESSED MAHOGANY TRIPOD TABLE, George III, on a baluster pillar, diam., and a distressed oak butler’s tray on associated mahogany folding stand, wide.

AN ANTIQUE PEDESTAL DESK, George III style, with green leather inset top and nine drawers, wide.

AN ANTIQUE CORNER ARMCHAIR, George III, with claret hide slip-in seat and square legs, restorations

AN ANTIQUE CABINET
BOOKCASE, George III, made-up, with a
pair of astragal doors, the base with a pair of
concave panel doors flanking a central door,
high by wide.

A MARQUETRY AND WALNUT FRAMED WALL MIRROR, Dutch, 18th Century, with later rectangular plate, marquetry probably later, high by wide.     ”

AN ANTIQUE CHEST, George III, with two short and two long drawers, wide.

AN ANTIQUE RECTANGULAR SIDE TABLE, George III, with two drawers and square legs, wide.

A SET OF FIVE PAINTED RUSH SEAT CHAIRS, late George III, with stick splats and turned legs, distressed

AN ANTIQUE DRAWING ROOM SUITE, Edwardian, comprising: a settee and two armchairs, each with pierced and carved back splats, on tapered spade feet, upholstered in red and gold

striped fabric.

A SET OF FOUR WALNUT DINING CHAIRS, Victorian, with pierced and carved balloon backs above an upholstered serpentine seat, on cabriole legs faults

AN ANTIQUE BREAKFRONT BOOKCASE, A ROSEWOOD CARD TABLE, ANTIQUE ENVELOPE CARD TABLE, A CARVED WALNUT AND BEECHWOOD ARMCHAIR

AN ANTIQUE BREAKFRONT BOOKCASE, Edwardian, with two pairs of astragal doors, on bracket feet, high by wide

A WOODEN BOUND TRAVELLING TRUNK, early 18th Century, covered in chequer patterned cloth, bearing the label of GASTON MONTANARI,  Rue Du Bivouac, Cannes, wide.; together with a

similar smaller Trunk, bearing the label of AUX ETATS UNIS,  Rue St Honore, Paris, wide.; and a cube shaped Trunk, manufactured by OLD ENGLAND,  Bd. des Capuanes, Paris, wideS

AN ANTIQUE BOW
FRONT SIDEBOARD, George III style, earl
18th Century, with a satinwood banded top,
on tapered square legs with spade feet,
wide

A FIGURED WALNUT PEDESTAL DRESSING TABLE, Victorian, the mirror back with candle sconces above an arrangement of drawers, on plinth bases, wide. For colour illustration see page

A FIGURED WALNUT
AND FEATHERBANDE KNEEHOLE DRESSING TABLE, with an arrangement of drawers surrounding a recessed cupboard door, on bracket feet, wide.

AN ANTIQUE WELLINGTON
CHEST, Victorian, with seven drawers
flanked by hinged pilasters, wide.

AN ANTIQUE AND INLAID
MATCHED BEDROOM SUITE, Edwardian,
comprising: a mirror door wardrobe with an
arched cornice, high by wide., a
mirror back dressing table, on tapered square
legs, wide., AN ANTIQUE single door
bedside cupboard, on tapered square legs,
wide. and three stick back occasional
chairs ,

A ROSEWOOD CARD TABLE, William IV, with gadrooned mouldings, the columnar support on a platform base and paw feet, wide.

A WALNUT BUREAU, early 18th Century, the fall revealing stepped stationery compartments and a well, the three short and three long drawers above a later apron and bracket feet,

ivide ,

A CARVED OAK BREAKFRONT LIBRARY BOOKCASE, Flemish, 18th Century, the triple glazed doors flanked by herm pilasters, the base with corresponding geometric panelled doors, high by

wide.,

AN ANTIQUE TUB SHAPED ARMCHAIR, 18th Century, with pink damask upholsterv, on tapered square legs with castors^-

A CARVED OAK BOOKCASE, late Victorian, with a pair of glazed doors, on bracket feet. wide. For colour illustration see pa°e

AN ANTIQUE EXTENDING DINING TABLE, Victorian, the ‘D’-end top with telescopic action and reeded turned legs, on brass castors, long by wide. extended including two leaf

insertions

A SET OF SIX MAHOGANY DINING
CHAIRS, early Victorian, with rail backs,
chintz covered seats and turned legs

AN ANTIQUE LINEN PRESS, Victorian, with arched panel doors above an arrangement of four drawers, on a plinth, high by wide.

AN ANTIQUE SIDE TABLE, George III with alterations, inlaid with stringing and on tapered square legs, formerly a card or tea table, wide.       “‘

AN ANTIQUE CHEST
OF DRAWERS, early 18th Century, with two
short and three long drawers, on splayed
bracket feet. wide.

AN ANTIQUE ENVELOPE CARD
TABLE, Edwardian, with a drawer and
cabriole legs joined bv stretchers, wide.

A SET OF FOUR MAHOGANY
DINING CHAIRS, Victorian,
the rectangular nailed brown hide
upholstered backs and seats with lion mask
finials, on lobed turned legs with castors,
finials probably later       ”

AN ANTIQUE CHIFFONIER, early
Victorian, the open shelf back above a pair
of drawers and panel doors flanked by
turned pilasters, on bun feet, tvide

A CARVED WALNUT AND BEECHWOOD ARMCHAIR, Charles II and later, with a cane back and seat, on scrolled front legs with stretchers, faults

AN OAK CYLINDER BUREAU, AN ANTIQUE KNEEHOLE DRESSING TABLE, AN ANTIQUE AND INLAID KIDNEY SHAPED TABLE, A CARVED OAK LIBRARY TABLE

AN OAK CYLINDER BUREAU, Victorian, with a raised gallery incorporating three drawers, above a cylinder fall enclosing pigeon holes and drawers above two frieze drawers, on

square legs, wide.

A CARVED OAK CABINET BOOKCASE, Flemish, 18th Century, with a pair of glazed doors above corresponding frieze drawers and cupboard doors, on turned feet, high by wide.

AN ANTIQUE AND INLAID
WARDROBE, late Victorian, of canted form
inlaid throughout with Art Nouveau
marquetry, the moulded cornice above a
single door, on stile feet, high by
wide

A YEW-WOOD AND ASH LIBRARY TABLE, William IV, the moulded rectangular crossbanded top with a pair of real and opposing dummy frieze drawers, on solid trestle shaped end supports

with scroll feet. wide.,

AN ANTIQUE KNEEHOLE DRESSING TABLE, George II, with a slide above an arrangement of drawers and a recessed cupboard door, on bracket feet, faults to top, wide.,

AN UNUSUAL PAINTED OAK BAR,
probably English, circa , the bow front
bordered and hung with rope and painted
with galleons, signed L B Wignet; with a Stool
en suite, wide.

AN ANTIQUE CARD TABLE, George II, the fold-over top revealing counter wells, the frieze drawer above lappet carved tapered legs with pad feet, faults to top, wide., For colour

illustration see page
AN ANTIQUE CHEST
OF DRAWERS, Regency, in the manner of
Gillow, with three long drawers, on turned
feet, base lacking some reeded mouldings,
wide

AN ANTIQUE PEDESTAL TABLE, Victorian, bearing the trade label of George Spademan, Stamford, the circular tilt-top above a lobed baluster pillar and scrolled tripod supports,

faults, diam.—

A SET OF SIX MAHOGANY RAIL BACK DINING CHAIRS, William IV, with drop-in seats, on reeded turned legs headed by paterae

AN ANTIQUE TRAY
TOP COMMODE, George III, with a pair of
doors above a drawer, on square legs,
alterations to base, wide.—

A YEW-WOOD MARQUETRY OCCASIONAL TABLE, Killarney, mid-18th Century, the shaped tilt-top inlaid with a roundel of a reclining stag within a clover leaf and harp border, on a

chamfered pillar and circular base with triple splayed feet, diam.

AN OAK AND MAHOGANY LIBRARY BOOKCASE, Victorian, with triple glazed doors above corresponding drawers and cupboard doors, on a plinth base, high by wide. For colour illustration

see page

AN ANTIQUE AND INLAID KIDNEY SHAPED TABLE, Edwardian, with a floral decorated top above cabriole legs and an undertier, wide.

AN ANTIQUE AND INLAID
BIJOUTERIE CABINET, with a hinged
glazed top above a glazed door enclosing
lined shelves, on bracket feet, wide.

A CARVED WALNUT
AND BUTTON UPHOLSTERED
CONVERSATION SEAT, Victorian, with
triple adjoining backs above a trefoil shaped
seat, on cabriole legs and a central turned leg
with castors, wide.

AN ANTIQUE LIBRARY TABLE,
early Victorian, with a rectangular top. the
octagonal end-supports with platform .
on bun feet and castors, wide.

A WALNUT AND INLAID DAVENPORT, Victorian, the top with a rear slightly domed stationery compartment, the sides with real and dummy drawers, wide. For colour illustration see

page

A CARVED OAK LIBRARY TABLE, French or Flemish, 18th Century, with an arrangement of real and dummy frieze drawers, on spiral twist supports joined by stretchers, the top by

AN ANTIQUE AND INLAID
DISPLAY CABINET, Edwardian, with a pair
of astragal doors above corresponding apron
drawers, on tapered square legs ending in
spade feet, high by wide.

AN ANTIQUE AND INLAID
DISPLAY CABINET, Edwardian, with a pair
of astragal doors, on tapered square legs with
spade feet, high by wide.

AN ANTIQUE SIDE TABLE, AN ANTIQUE BEDSIDE COMMODE, AN ANTIQUE FOLDING BAGATELLE TABLE, CARVED OAK BOX SETTLE

AN ANTIQUE SIDE TABLE, Edwardian, the shaped top above a fluted frieze and tapered legs with stretchers, wide.

A WALNUT CARD TABLE, Victorian,
with a burr-veneered top above pierced end
supports with splayed legs

AN ANTIQUE AND WALNUT
CONSOLE OR PIER TABLE, part th
Century, with a rectangular top on cabriole
front legs, wide.

AN ANTIQUE BOW-FRONT CHEST
OF DRAWERS, George IV, with four long
drawers and reeded pilasters, on turned feet,
ivide

A LIGHT OAK CHIFFONIER,
Victorian, with a drawer, carved corbels and
a pair of panelled doors, on bun feet, now
lacking an open shelf back, ivide

AN OAK WINE COOLER, William IV,
of sarcophagus form with stop-fluted corners,
wide.

AN ANTIQUE BEDSIDE COMMODE,
George III, with a pierced tray top above and
open recess, on chamfered square legs,
wide

AN ANTIQUE BREAKFRONT
BOOKCASE, Victorian with alteration, the
moulded top above two pairs of glazed doors, on a plinth base, high by wide.

AN ANTIQUE WAKE TABLE,
George III style, the elongated oval top on
moulded square legs, the top by

AN UPHOLSTERED OCCASIONAL
CHAIR, Victorian, covered in distressed
brocade, on turned feet with ceramic castors

A MATCHED SET OF SIX CARVED

OAK DINING CHAIRS, Victorian, in the
Carolean manner, with red velvet upholstery, on turned and square supports   —

A ‘PLUM-MOTTLED’ MAHOGANY BEDSIDE CUPBOARD, Victorian, with a galleried top above a panel door, on a plinth base, wide

AN ANTIQUE FOLDING BAGATELLE TABLE, Victorian, including two cues nine ivory balls and two pegs, long extended—

AN ANTIQUE TRIPOD TABLE,
George III and later, the pie-crust top above
a turned stem, on cabriole supports ending in
pointed pad feet, diam.—

A WALNUT SUTHERLAND TABLE, late Victorian, with a rectangular top, ring turned legs and splayed feet, wide. extended

AN ANTIQUE BOW-FRONT CHEST, George III, the two short and three long drawers with ivory escutcheons, on ogee bracket feet, wide.

AN ANTIQUE ROCKING ARMCHAIR, Edwardian, with decorative stringing, upholstered with green fabric,

A NEST OF THREE MAHOGANY TABLES, modern,each with a gadrooned border, on tapered square legs

A CARVED OAK BOX SETTLE, early 18th Century, with a four panel back above a hinged seat and panelled base,
wide

ANTIQUE NARROW BOOKCASE, A CARVED ROSEWOOD TEA TABLE, A CARVED WALNUT ARMCHAIR, CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR

A CARVED AND SILVER GESSO
ARMCHAIR, Louis XIV style, with cut
velvet upholstery, on scrolled supports, faults

A WALNUT CUSHION FRAME WALL
MIRROR, George I, with an arched fretwork
cresting and a later plate. high

A BUTTON UPHOLSTERED
ARMCHAIR, Victorian, covered in green
dralon and with turned feet, on castors

A PAIR OF MAHOGANY SHIELD BACK’ ARMCHAIRS, George III style, with pierced splats, drop-in seats and tapered square legs

AN ANTIQUE NARROW BOOKCASE, George III style, with an astragal door above a cupboard door, on bracket feet, high by wide.

AN ANTIQUE AND PARCEL GILT
WALL MIRROR, George II style, with an
eagle cresting, later gold painted, high

A CARVED GILTWOOD WALL
MIRROR, Continental, 18th Century, with a
pierced ribbon tied cresting above a later
rectangular plate, faults, high

A CARVED HARDWOOD FOLDING
ARMCHAIR, Burmese, 18th Century, with a
caned back and seat flanked by griffon
carved arms’

A CARVED ROSEWOOD TEA
TABLE, Victorian, with a turned pedestal
support, on quadruple splayed legs,
wide’

AN ANTIQUE TEA TABLE, George
III, with a rectangular fold-over top, on
moulded square legs, restored,
wide

A CARVED AND GILT GESSO
CORNER WALL BRACKET, 18th Century,
with an atlante support, wide.

AN ANTIQUE CARD TABLE, George
II,with a rectangular fold-over top and a
drawer, on lappet carved legs and pad feet,
faults, restoration to drawer, wide.

AN ANTIQUE REVOLVING
BOOKCASE, Edwardian, with a square
satinwood banded top and open splat sides,
on a cruciform base, wide.

A CARVED WALNUT ARMCHAIR, late 18th Century, style, with tapestry upholstery and spiral twist supports joined by stretchers

A SET OF THREE MAHOGANY DINING CHAIRS, George III, each with triple pierced splats, drop-in seats and tapered square legs joined by stretchers; together with a pair of mahogany

Dining Chairs, George III, with arched pierced splat backs and tapered square legs

A WALNUT STOOL, Victorian, of elongated rectangular form with an upholstered seat, on cabriole legs, wide.
AN ANTIQUE AND INLAID ARMCHAIR, Edwardian, with a partially upholstered back, pierced splats and padded seat, on cabriole legs

AN ANTIQUE LINEN PRESS, George
III,with a moulded top above a pair of
spandrel inlaid doors, on bracket feet,
wide

AN ANTIQUE BEER ENGINE, Victorian, with triple ceramic and brass pumps, wide.

A CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR, Victorian, inlaid with stringing, the floral tapestry back and seat on turned fluted legs

A SET OF MAHOGANY QUARTETTO TABLES, George III style, with rectangular tops, ring-turned supports and splayed feet, wide.

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

A CARVED BEECHWOOD CONSOLE TABLE, Louis XVI style, with a semicircular simulated marble top, on spiral fluted supports, teide; together with AN ANTIQUE Wine Table, modern, on

tripod supports, diam. and a set of four ebonised and carved mirror back panels, each by

A CARVED MAHOGANY STOOL, George II style, with a floral tapestry seat, on cabriole legs with claw and ball feet, wide; together with a smaller Stool, with tapestry seat and

cabriole legs
wide

A WALNUT KERB STOOL, Queen
Anne style, with floral tapestry seat and shell
carved cabriole legs, wide.; together with

AN ANTIQUE Stool, William and Mary style,
with a tapestry seat and turned legs joined by
•X’-shaped stretchers, -wide

A PAIR OF MAHOGANY TWO TIER
BUFFETS by Holland and Sons, Victorian,
with turned supports, on brass castors, rear
supports stamped. ‘Holland and Son’. wide.

A ROSEWOOD STOOL, Victorian, the two supports each with four scrolls joined by a turned and carved stretcher, with a moire fabric seat,

AN ANTIQUE BERGERE SUITE, 18th Century, comprising: a three seat settee and two chairs,

AN ANTIQUE DROP LEAF TABLE, George II, with an oval moulded top, on turned tapered legs with pad feet, wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, incoporating a display case with hinged lid above a pair of glazes doors enclosing two shelves, on tapered square legs, wide.

AN ANTIQUE ‘D-END DINING TABLE, George III style, the crossbanded top with reeded edge with a leaf insertion, on turned pedestals and tripod legs, ivide extended For colour

illustration see page

A SET OF SIX MAHOGANY DINING
CHAIRS, George III style, with shield backs
incorporating urn and wheat sheaf motif,
with tapestry seat, on tapered square legs,

AN ANTIQUE LINEN PRESS, George III, the dentil cornice above panel doors, interior now lacking, on chest comprising of two short and two long drawers, faults, high by wide.

AN EBONISED BOOK TABLE, Victorian, with a circular top and two galleried three-armed shelves revolving on a pillar and a tricorn base, high

A PAIR OF MAHOGANY ARMCHAIRS, English, circa , and Another very similar, George III, circa , each with pierced serpentined toprail and three matching crossbars, with stuffed

seats and square legs

A PAINTED CHEVAL MIRROR, George IV, circa  the frame now grained as maplewood, high  —

A CIRCULAR MAHOGANY THREE-TIER DUMB WAITER, George II, on a triple baluster stem, plain cabriole legs with pointed pad feet, high by diam.

AN ANTIQUE SIDEBOARD, George III and later, with a serpentine top above an arrangement of drawers, on tapered legs with spade fee, uncle

AN ANTIQUE AND INLAID SHAVING STAND, Edwardian, with a mirror back and compartments above a drawer and a door, on tapered legs with an undertier, wide.

TWO SIMILAR CARVED AND GOLD PAINTED FOOTSTOOLS, Louis XV style, with tapestry seats and cabriole legs; together with another tapestry footstool,

AN ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR, William IV, covered in floral patterned fabric, on reeded turned legs with brass castors