Antique Cupboard

GREEN AND GOLD PAINTED ARMCHAIRS, PAINTED BED, French Provincial, CARVED HARDWOOD OCCASIONAL CHAIR, CARVED MAHOGANY DRAWING ROOM SUITE

AN ANTIQUE AND
INLAID DROP-LEAF TABLE, George III
with alterations, including a pair of drawers
and tapered square legs, on spade feet,
cm. wide. extended

A PAIR OF GREEN AND GOLD PAINTED ARMCHAIRS, 19th Century and 18th Century, with rush seats, bamboo turned backs and legs

A SET PF THREE BLACK AND GOLD PAINTED SIDE CHAIRS, 19th Century and 18th Century, with woven seats, bamboo turned back-rails and supports

A DISTRESSED FRUITWOOD SMALL SOFA, Swedish, late 19th Century and 18th Century, with twin pierced vase-shaped splats and stuffed calico seat, on square and fluted tapering legs,

cm. wide.

A PAIR OF WALNUT DINING CHAIRS, French Provincial, 19th Century and 18th Century style, with pierced vase-shaped splats and ivory velvet upholstered seats

A WALNUT AND PARCEL-GILT ARMCHAIR, Louis XV style, with wing back and upholstered in claret hide, restored

A SET OF FOUR MAHOGANY PEDESTALS, Edwardian style, of tapered square form, with satinwood banded tops, each cm. high

A WALNUT AND UPHOLSTERED ARMCHAIR, French, Louis XIV style, covered in ivory flame stitch fabric

AN ANTIQUE STOOL, part early 19th Century and 18th Century, the distressed upholstered seat on reeded turned legs, cm. wide.

AN ANTIQUE SINGLE TESTER BED, George III style, with baluster turned front posts, including an iron frame and a mattress, cm. long by cm. wide.

A ETCHED AND COLOURED GLASS WALL MIRROR, Venetian, modern, of elongated octagonal form with applied pink glass floral decoration, cm. high

AN ANTIQUE RECLINING
ARMCHAIR, early Victorian, on turned legs

A PAINTED BED, French Provincial, Louis XVI style,  the panelled headboard with leaf and ribbon cresting, flanked by fluted columns, with similar but lower footboard, cm. wide.

AN ANTIQUE BREAKFAST TABLE, late Victorian, with an oval top, on turned legs, retaining part of the brass trade label of Lewis and Lewis, cm. wide.

A CARVED HARDWOOD AND IVORY INLAID folding Chair, Islamic, early 19th Century and 18th Century, with a star and moon cresting, on arched supports

A BOULLE WORK TABLE, Louis XV style,  with a hinged top and on cabriole legs joined by a platform stretcher, cm. high by cm. wide.

A CARVED HARDWOOD OCCASIONAL CHAIR, Indian, nd half 19th Century and 18th Century, with a pierced back and cabriole leg

AN ANTIQUE WARDROBE, George III, with alterations, the pair of panelled doors above a dummy and a real drawer, on bracket feet, cm. high by cm. wide. approx.

AN ANTIQUE AND INLAID DRESSING TABLE MIRROR, late George III, with three drawers, on ivory ball feet, cm, wide.

A CARVED MAHOGANY DRAWING ROOM SUITE, Victorian, comprising: a button uphostered sofa cm. wide., a set of six splat back chairs, an uphostered armchair and a companion

occasional chair

ANTIQUE PEDESTAL TABLE, CARVED ROSEWOOD POLE-SCREEN, OAK AND MAHOGANY BANDED MULE CHEST, ANTIQUE DAY BED OR WINDOW SEAT

A GILT GESSO OVERMANTEL
MIRROR, 19th Century and 18th Century, the frieze depicting
chariots above a triple bevelled mirror panels,
faults, cm. wide.

AN ANTIQUE PEDESTAL TABLE, George III, with alterations, with an oval rosewood banded tilt-top and quadruple splayed supports, cm. wide.

AN ANTIQUE SIDEBOARD, George III style, of serpentine form, on tapering square legs with spade feet, cm. wide.

AN ANTIQUE TEA TABLE,
George III, of semi-circular form, inlaid with
stringing, on tapered square legs, cm.
wide.

AN ANTIQUE CHEST, George III,
the crossbanded top above an arrangement of
five drawers, on bracket feet, cm.
wide.

A NEST OF THREE WALNUT
TABLES, George III style, with slender
turned supports, on splayed feet, cm. wide.

AN OAK OVERMANTEL MIRROR,
19th Century and 18th Century, with bevelled plate and fluted pilasters, cm. high by cm. wide.

A CARVED AND GILT GESSO PIER MIRROR FRAME, mid 19th Century and 18th Century, with a pierced foliate cresting centred by a cabochon,yaw/to, cm. high by cm, wide.

AN ANTIQUE AND SATINWOOD
BANDED SUTHERLAND TABLE,
Edwardian, the rounded rectangular top on
tapering supports, cm. wide. extended

A WALNUT WALL MIRROR, George I, the later bevelled plate within a moulded rectangular frame with outset corner, cm. wide.

A CARVED ROSEWOOD POLE-SCREEN, Victorian, with a glazed tapestrv panel and tripod supports, cm. high

AN ANTIQUE DAY BED OR WINDOW SEAT, early Victorian, with scrolled and carved ends, on turned feet and castors, cm. wide.

AN ANTIQUE AND INLAID CHEST, George III, with a slide above four long drawers, on later bracket feet, cm. wide.

A YEW-WOOD DAVENPORT, Irish, mid-19th Century and 18th Century, with spiral twist supports and panelled sides, cm. wide.

A SMALL OAK DRESSER BASE,
Charles II style, with a pair of geometrically
panelled drawers, cm. wide.

A ROSEWOOD COMBINED
WORK AND GAMES TABLE, early
Victorian, with a folding top revealing an
inlaid chess board, top marked, cm.
wide.

AN ANTIQUE PEMBROKE
TABLE, George III, of oval form, with a
drawer, on tapered square legs, cm.
wide.

A PAIR OF SABICU FIRESCREENS,
WIIIiam IV, with rising panels and projecting
shelves, restored, cm.wide.

AN OAK AND MAHOGANY
BANDED MULE CHEST, late George III,
the hinged top above real and dummy
drawers, on bracket feet, cm. wide.

ANTIQUE SECRETAIRE BOOKCASE, UPHOLSTERED WING ARMCHAIR, ROSEWOOD CASED GRAND PIANO, ANTIQUE WARDROBE

A CARVED MAHOGANY DISPLAY CABINET, late Victorian, inlaid with satinwood marquetry, on cabriole legs, cm. high by cm. wide.

AN ANTIQUE SECRETAIRE BOOKCASE, WIIIiam IV, the writing drawer revealing small drawers and pigeon holes, cm. high by cm. uncle

AN ANTIQUE AND MARQUETRY SECRETAIRE A ABATTANT, Louis XVI style, with a marble top and gilt-metal mounts, cm. wide.

AN ANTIQUE BOW-FRONT CHEST, late George III, with two short and two long drawers, on splayed bracket feet, cm. wide.

AN ANTIQUE AND
INLAID ARMCHAIR, late Victorian, with a
marquetry panel splat and cabriole
legs

AN ANTIQUE AND PINE CHEST,
George III, with four long drawers, on
bracket feet, cm. wide.

A PAIR OF MAHOGANY POLE
SCREENS, Victorian, with glazed tapestry
panels and spiral stems, on tripod bases,
cm. high

AN ANTIQUE WARDROBE, Continental mid-19th Century and 18th Century, with a pair of doors above a drawer, on bracket feet, cm. high by cm. wide.

AN ANTIQUE ARMCHAIR, George III style, with a slat and loop back, the drop-in seat above a Vitruvian scroll frieze, on leaf carved baluster legs

AN ANTIQUE AND
INLAID WARDROBE, early 19th Century and 18th Century,
with alterations, the pair of doors enclosing
hanging space above dummy and real
drawers, on splayed bracket feet, cm. high
by cm. wide.

AN ANTIQUE WING-BACK ARMCHAIR, George III style, with striped upholstery and on moulded square legs

AN EBONISED AND PARCEL-GILT CANTERBURY, Victorian, with fluted spindle divisions above a single drawer, on turned tapering legs, cm. wide.

AN EBONISED AND PARCEL GILT THREE TIER WHATNOT, Victorian, with fluted baluster supports, the lower tier with Canterbury divisions above a single drawer, on toupie feet, faults,

cm. wide.

A ROSEWOOD CASED GRAND PIANO, Austrian, 19th Century and 18th Century, by IIIich, Vienna, with brass inlay, on turned and chamfered legs, cm. long

A BRASS REPOUSSE FRAMED WALL MIRROR, Flemish, 19th Century and 18th Century style, with arched surmount and chamfered margin plates, cm. wide.

AN ANTIQUE DRUM-TOP TABLE, Victorian, with inset top and four pIIIar supports, cm. diam.

AN UPHOLSTERED WING ARMCHAIR, WIIIiam and Mary style, in striped pink velvet with seat cushion

A WALNUT SIDE TABLE, part 19th Century and 18th Century, formerly a stand, with a drawer and tapered square legs, noiv with AN ANTIQUE top, cm. wide.

TWO SIMILAR WALNUT CHAIRS, Italian, 19th Century and 18th Century style, with solid seats and square legs

A WALNUT SIDE CABINET, Tuscan, part 19th Century and 18th Century, with hinged cover above a cupboard, cm. high by cm. wide.

ANTIQUE DISPLAY CABINET, ANTIQUE DINING TABLE, OAK SUTHERLAND TABLE, ANTIQUE REVOLVING ARMCHAIR

AN ANTIQUE SIDEBOARD, Victorian, with a raised back above three frieze drawers and three cupboard doors, on a plinth base, cm. wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, with a single astragal glazed door, on swept square legs, cm. wide.

AN ANTIQUE WORK TABLE, early 19th Century and 18th Century, with alterations, the hinged top above a dummy drawer and a turned column, cm. wide.

A HARDWOOD STAND, Chinese, 19th Century and 18th Century, with foliate pierced apron, on scrolling legs, cm. high

EIGHT SIMILAR MAHOGANY DINING CHAIRS, Queen Anne style, with vase-shaped splats and cabriole legs

AN ANTIQUE ARMCHAIR, George III style, with shield-shaped back; AN ANTIQUE sabre leg Chair, Regency style, with a rail back; and AN ANTIQUE Side Chair with pierced splat

YEW-WOODAND PARCEL-GILT WALL MIRROR, George III style, with a phoenix crest and fretwork frame, cm.
high

AN ANTIQUE DROP-LEAF DINING TABLE, George III, of rectangular form, on tapered square legs, part of a larger table, cm. long extended

AN ANTIQUE DINING TABLE, Regency, with two later leaves, the rounded rectangular top, on spiral reeded legs and castors, cm. long extended

AN ANTIQUE DROP-LEAF DINING TABLE, George III, with a rectangular top, on tapered square legs, cm. long extended

A SET OF SIX MAHOGANY
SHIELD-BACK DINING CHAIRS, George
III style, including a pair of armchairs

A SET OF TWELVE MAHOGANY
DINING CHAIRS, George III style,
including a pair of armchairs, with pierced splats and tapered square legs

A GREY PAINTED STOOL, Regency
style, with an X-shaped frame, cm.
wide.

AN ANTIQUE REVOLVING ARMCHAIR, early Victorian, with buttoned upholstery and leaf carved turned feet, on castors

AN ANTIQUE ARMCHAIR, early Victorian, with distressed upholstery and carved arm facings, lacking one castor

AN ANTIQUE AND UPHOLSTER-
ED ARMCHAIR, Victorian, with a buttoned
tub shaped back, on chamfered turned legs
and castors

A WALNUT WORK TABLE, Victorian, with ebonised mouldings and turned supports, cm. wide.

A WALNUT AND PARCEL GILT WALL MIRROR, George II style, with a fretwork frame, cm. high

AN OAK SUTHERLAND TABLE, Victorian, with a rectangular top and turned supports, cm. wide. extended

A RECTANGULAR WALL MIRROR, Venetian, modern, with etched decoration, cm. high; A carved and gilt painted rectangular wall Mirror, modern, cm. high; and AN ANTIQUE Torchere,

George III style, on carved tripod supports, cm. high

YEW-WOOD CIRCULAR BREAKFAST TABLE, ANTIQUE DRESSING TABLE, ANTIQUE WRITING TABLE, ANTIQUE TOILET MIRROR

AN ANTIQUE AND BOXWOOD
STRUNG TEA TABLE, George III, made-
up, the foldover top with rounded recessed
corners above a frieze drawer, on tapering
square legs and spade feet, cm. wide.

AN ANTIQUE AND MARQUETRY PIANO STOOL, Late Victorian, the X-frame with grIIIe sides and inlaid with urns and scrolling foliage

A YEW-WOOD CIRCULAR BREAKFAST TABLE, the sectionally veneered top, on a tapered pIIIar and quadruple splayed legs, cm. diam.

AN ANTIQUE BREAKFAST TABLE, early 19th Century and 18th Century, with alterations, the crossbanded top raised on a spiral twist column and downswept supports, cm. long

AN ANTIQUE DRESSING TABLE, Regency with aterations, with five reeded-front drawers and fan spandrels, on reeded turned legs, cm. wide.

A SMALL MAHOGANY CHEST OF DRAWERS, George III, with alterations, with two short and three long drawers, on shaped bracket feet, cm. wide.

AN ANTIQUE TRIPOD TABLE, the
circular top, on a baluster column and
cabriole legs, cm. diam.

A PAIR OF CREAM PAINTED AND PARCEL-GILT ARMCHAIRS, Louis XVI style, with padded backs arms and seats, on fluted legs

AN ANTIQUE BERGRE ARMCHAIR, WIIIiam IV, with reeded scrolling arms, on reeded and turned legs

A PAIR OF MAHOGANY DINING TABLE ENDS, George III, made-up, with semi circular tops, on moulded tapering square legs, lacking leaves, cm. wide.

AN ANTIQUE, ROSEWOOD AND
SATINWOOD WALL CABINET, George
III, the central mirror door flanked by oval
inlaid doors above three drawers, cm.
wide.

AN ANTIQUE WRITING TABLE,
early Victorian, the inset top above two
drawers, on turned tapering legs, cm.
wide.

A GOLD PAINTED ARMCHAIR, George III with alterations, the oval padded back and seat, on moulded square tapering legs, distressed

A BEECHWOOD COMMODE, Louis XVI style, with two drawers and a foliate carved apron, on fluted tapered legs, cm. wide.

AN ANTIQUE TOILET MIRROR, George IV, in the manner of GIIIows of Lancaster, the rectangular plate on moulded scrolling supports joined by a galleried platform stretcher, cm.

wide. GIIIows Estimate Sketchbook IIIustrates a model for a similar mirror. Also a pair of identical mirrors were sold by Sothebys at Thoresby Hall, Notts., June , lot .

AN ANTIQUE WRITING TABLE, Victorian, the moulded top above three drawers, on turned legs, cm. wide. —

AN ANTIQUE WRITING TABLE, early Victorian, the leather inset top above three drawers and fan spandrels, on turned reeded legs, drawer stamped G, cm.
wide.

AN ANTIQUE DINING TABLE,
George IV, the moulded top with rounded
corners, on reeded turned legs, cm. wide.
by cm. extended including a leaf insertion

AN ANTIQUE CANTERBURY, Regency, with X-frame divisions and a drawer, on turned feet and brass castors, cm. ivide

BUTTON UPHOSTERED NURSING CHAIR, GILT PAINTED MIRROR, Louis XV style, ANTIQUE TRIPOD TABLE, ANTIQUE CABINET ON CHEST

AN ANTIQUE ENVELOPE CARD
TABLE, late Victorian, with a drawer, on
turned legs joined by stretchers, cm.
wide.

A BUTTON UPHOSTERED NURSING CHAIR, Victorian, with a carved walnut frame, on cabriole legs

A RED VELVET UPHOSTERED AND EMBROIDERED ARMCHAIR, Knowle style, the back bearing and armorial design, the frame with ornate brass studs    —

A BURR WALNUT AND INLAID CANTERBURY, Victorian, with a drawer, on turned feet, two fretwork panels missing, cm. wide.

A SATINWOOD SIDE TABLE, George III style, early 19th Century and 18th Century, with a serpentine top and a drawer, on tapering legs with spade feet, cm. wide.

A CARVED AND GILT PAINTED MIRROR, Louis XV style, the mirror plate surmounted by an oil on canvas panel depicting a sheep dog at work, cm.
high

A CARVED HARDWOOD BUREAU, south-east Asian, 19th Century and 18th Century, decorated throughout with stylised dragons and bearing the insignia of the Devonshire Regiment, cm.

wide.”

A GILT-GESSO GIRANDOLE, 19th Century and 18th Century, of oval form cm. high; AN ANTIQUE coal purdonium, late Victorian, on bracket feet, cm. wide.; and A carved hardwood small

six fold Screen, Japanese, with multiple painted panels, cm. wide.

A WALNUT AND COROMANDEL
BANDED CARD TABLE, Victorian, on
quadruple turned and splayed supports,
faults, cm. wide.

A WALNUT SIDE CABINET, late
Victorian, with a raised mirror panelled back
and an arrangement of open shelves, cm.
high by cm. wide.

AN ANTIQUE GENTLEMANS DRESSING TABLE, George III with alterations, inlaid throughout with stringing, on bracket feet, cm. wide.

A CHINOISERIE SUTHERLAND TABLE, early 19th Century and 18th Century, of serpentine form, on knopped turned supports joined by stretchers, cm. wide. extended—

AN UPHOSTERED STOOL, Charles II style, with a floral tapestry seat, on spiral twist supports, cm. wide.     —

A BUTTON UPHOLSTERED LOW ARMCHAIR, Victorian, with ebonised turned supports, on castors—

AN ANTIQUE TRIPOD TABLE, George III, the tilt-top above a knopped stem, on cabriole legs, top possibly associated, cm. diam.

A WALNUT KNEEHOLE DRESSING TABLE, Queen Anne style, with an arrangement of nine drawers, on bracket feet, cm. wide.

AN ANTIQUE WORK TABLE, George III with alterations, the octagonal inlaid hinged top above X-shaped supports, cm. wide.

AN ANTIQUE CABINET ON CHEST, George III, with a pair of panelled doors enclosing shelves, above four long graduated drawers, on shaped bracket feet, faults, cm. high by cm.

wide.

A CARVED HARDWOOD CABINET
ON STAND, Japanese, late th/early th
Century,, with an arrangement of cupboards,
pigeon holes, shelves and drawers, fronted
with bone inlaid blue lacquer panels, within
foliate borders, raised on a carved stand,
cm. high by cm. wide.

AN ANTIQUE AND ROSEWOOD
CROSSBANDED WORK TABLE, George
IV, the rounded rectangular top above two
drawers, opposed by dummy drawers, on
turned tapering legs, cm wide.
extended

WALNUT POLE-SCREEN, EBONISED AND PARCEL-GILT LOW TABLE, MINIATURE MAPLE CHEST, PAINTED HANGING CORNER CUPBOARDS

A MAHOGANY ETAGERE, Victorian, with a brass gallery above three tiers, on fluted turned supports, 60cm. wide.

AN EBONISED AND PARCEL-GILT LOW TABLE, Continental, with a white marble top and tapering legs on paw feet. 100cm. wide.

A PINE BOOKCASE, Victorian, with foliate pokerwork decoration and three glazed doors, 159cm. wide.

A CARVED OAK DOUBLE BED, late 19th Century, comprising an upholstered headboard, panelled footboard and side rails, including mattress, 163cm. wide.

A CARVED OAK AND UPHOLSTERED ARMCHAIR, Victorian, in the Gothic style, covered in brown leathercloth, on fluted turned legs.

A MAHOGANY RECTANGULAR PEDESTAL PEMBROKE TABLE, 19th century, with a drawer, the associated base, on quadruple sabre legs and castors, 107cm. wide closed.

A WALNUT POLE-SCREEN, part 18th Century, with a floral embroidered panel and tripod supports, 138cm. high.

A BUTTON UPHOLSTERED ‘X’-FRAME ARMCHAIR, late 19th/early 20th Century, covered in pale green fabric.

A MINIATURE MAPLE CHEST, 2nd quarter 19th Century, the hinged top above one dummv and three real drawers, on turned feet. 36cm. wide.

TWO PAINTED HANGING CORNER CUPBOARDS, 18th Century,
each enclosed by a pair of doors, one
surmounted bv an open tier. 92cm. high and
114cm. high.

A NEST OF FOUR HUANG HUALI
TABLES, 20th Century-, with pierced and
carved friezes, on square legs. 51 cm.
wide.

A MAHOGANY CORNER
ARMCHAIR, George III, with a slip-in
brocade seat, on square legs old repairs.

A ROSEWOOD CIRCULAR PEDESTAL TABLE, WIIIiam IV, the tilt top above a triform base and bun feet, 104cm. diam.

A MAHOGANY OVAL FRAMED TOILET MIRROR, George III, the serpentine plinth with three drawers, 43cm. wide.

AN ELM COMMODE ARMCHAIR, George III with alterations, with a pierced vase shaped splat and square legs.

AN OAK BUREAU, George III, with four-drawers and ogee bracket feet, restorations, 91cm. wide.

A CHESTERFIELD SETTEE, Victorian, covered in green velvet, on carved cabriole feet, faults, 200cm. wide.

A GILT AND HIDE BED, Venetian, 18th century style, with an arched scroll head and tail board together with iron side rails, 107cm. wide.

A LARGE GILT PIER MIRROR FRAME, 19th century, including spiral twist mouldings and fruiting vine decoration, 254cm. high.

A MAHOGANY AND INLAID SIDEBOARD, George III style, with a stepped top and tapered square legs, on spade feet, 153cm. wide.

A MAHOGANY BOOKCASE, George III, with a pair of astragal doors, formerly part of a bureau bookcase, 107cm. wide.

A MAHOGANY AND INLAID
MIRROR BACK SIDE CABINET, late
Victorian, the astragal door above a drawer,
cupboard and open shelves, 216cm. high by
122cm. wide.

INLAID MAHOGANY SECRETAIRE BOOKCASE, OAK AND METAL-BOUND CHEST-ON-STAND, GILT MOULDED ARMCHAIR, WALNUT SINGLE CHAIRS

AN OAK CHEST, 18th century with alterations, the later moulded top above three short and two long drawers, on bracket feet, 727cm. wide.

AN INLAID MAHOGANY SECRETAIRE BOOKCASE, George HI with, alterations, the pair of glazed doors above a writing drawer now lacking interior and a pair of doors enclosing trays,

faults, 210cm. high by 110cm. wide.

A MAHOGANY AND SATINWOOD BANDED CHEST ON CHEST, George III, the key cut cornice above two short and three long drawers flanked by canted corners, the lower part with a slide and

three long drawers, on bracket feet, one foot detached, 188cm, high by 119cm. wide.

A MAHOGANY DROP LEAF
TABLE, George II with restoration, the oval
top on tapering legs with pad feet, faults,
112cm. wide extended.

A MAHOGANY PEMBROKE
TABLE, early Victorian, of rectangular form
with a drawer, on turned legs and castors,
11 lcm. wide extended.

A MAHOGANY TRIPOD TABLE,
part 18th century, the circular top on a
baluster column and downswept legs, restored,
89cm. diam.

AN INLAID MAHOGANY TUB CHAIR AND THREE MATCHING SIDE CHAIRS, Edwardian, with pierced stick backs and padded seats, on tapered square legs.

A PAIR OF MAHOGANY SIDE CHAIRS, George IV, with rail backs, padded seats and turned legs.

A MAHOGANY CHEST OF DRAWERS, George III, with three long drawers, on bracket feet, back feet detacked, 83cm. wide.

A MAHOGANY WRITING TABLE, Directoire, late 18th Century, the inset top above three drawers, on fluted tapering legs, 112cm. wide.

A MAHOGANY ARMCHAIR, part 18th Century, with a splat back and drop-in seat, on carved cabriole legs.

A PAIR OF MAHOGANY AND SATINWOOD SIDE CHAIRS, George III, with rail backs and padded seats, on reeded tapering legs, restored.

A MAHOGANY WARDROBE, 19th Century, the moulded cornice above a pair of panelled doors, on a plinth base, faults, 220cm. high by 132cm. wide.

AN OAK AND METAL-BOUND CHEST-ON-STAND, probably German or Flemish, 17th Century style, with hinged cover, iron carrying handles and key, the stand with spiral-twist legs,

stamped, Queen Alexandra, 63cm. wide. This chest formerly belonged to Queen Alexandra.

A CARVED OAK CABINET, Flemish, 19th Century in the 17th Century style, with lion mask terminals, the pair of gadrooned frieze drawers above a pair of doors with narrative panels

and enclosing a shelf on a partially bold reeded plinth base, 112cm. high by 142cm. wide.

A PAIR OF WALNUT SINGLE CHAIRS, George I style, with pierced vase splats and drop-in seats above carved cabriol legs.

A CARVED OAK BOOKCASE, Flemish, 19th Century, the shaped cornice with mask heads above a pair of arched glazed doors enclosing adjustable shelves above a pair of drawers, on

turned feet, 154cm, wide.

A SET OF FOUR MAHOGANY CHAIRS, George III-style, with gold damas slip-in seats.

A MAHOGANY EXTENDING DINING TABLE, George III, with D’-shaped ends and central drop leaf section, 122cm. wide by 240cm. extended.

A GILT MOULDED ARMCHAIR, Victorian-style, with blue damask upholstery, on cabriole legs.

SIDE CHAIRS, THREE TIER BUFFET, SPOON BACK ARMCHAIR, INLAID MAHOGANY ‘X’-FRAME ARMCHAIR, OAK CHEST ON STAND

A MAHOGANY HALL SEAT, WIIIiam IV, with applied cylindrical mouldings, on reeded turned legs, 141cm. wide.

A MAHOGANY RAIL BACK
ARMCHAIR, Regency, with scrolling arms
and a drop in seat, on sabre legs.

A SET OF FOUR MAHOGANY SIDE CHAIRS, Edwardian, with pierced lyre’ backs and padded seats, on tapered square legs.

A WALNUT AND AMBOYNA OCTAGONAL CENTRE TABLE, Victorian, with four spirally reeded columns on carved splayed supports, restored, 75cm. wide.

AN INLAID WALNUT CARD
TABLE, Victorian, the hinged top raised on
columnar end supports with carved splayed
legs, 91cm. wide.

A MAHOGANY PATENT READING
TABLE, American, circa 1900, bearing the
label of George W Gates, 2211 Reed Street
Philadelphia, Pa., the rectangular top with two
drawers, on a ratchet hinge support and an
adjustable column, on four splayed supports,
76cm. high.

A PAIR OF MAHOGANY DINING
CHAIRS, George III with restoration, the
pierced splat backs above drop-in seats, on
foliate carved cabriole legs with pad feet.

A FRUITWOOD FIVE TIER WHATNOT, Victorian, of bowed outline, with graduated shelves, on spiral and baluster turned supports. 67cm. wide.

A MAHOGANY THREE TIER
BUFFET, Irish, late 19th Century, stamped
Strahan & Co. and numbere 90836, the central
tier containing two drawers, the interior of
one bearing a label with turned columns and
tapering legs, 122cm. wide.
The label reads: Robert Strahan &f Co. cabinet
makers and upholsterers, auctioneers and
undertakers, 24&25 Henry street, and 5 Leinster
street, Dublin.

A MAHOGANY AND SATINWOOD TABLE VITRINE, Edwardian, the glazed box top on tapering square legs joined by a platform stretcher, 61cm. wide.

AN INLAID OAK HANGING CORNER CUPBOARD, George III, the dentIIIed cornice above a single panelled door enclosing shelves, 74cm. wide.

A MAHOGANY CHEST OF DRAWERS, George III style, with four long drawers, on bracket feet, 77cm. wide.

A MAHOGANY BUREAU, George
III, the fall above four long drawers, on
bracket feet, 90cm. wide.

A MAHOGANY SIDE TABLE, George IV, the rectangular top above two frieze drawers, on turned legs, distressed, 92cm. wide.

A MAHOGANY SPOON BACK ARMCHAIR, Victorian, with a moulded scrolling frame, distressed leatherette upholstery, on cartouche carved cabriole legs.

AN INLAID MAHOGANY ‘X’-FRAME ARMCHAIR, Edwardian, the vase inlaid splat back above a padded seat, on square legs faults.

A MAHOGANY PEDESTAL DESK, 19th Century, the inset top with three drawers, on a pair of three drawer pedestals, 138cm. wide.

A SYCAMORE BUREAU, George III style, the fall enclosing a fitted interior above four drawers, on bracket feet, 76cm.
wide.

AN OAK CHEST ON STAND, part 17th century, with four panel fronted drawers divided by bobbin mouldings, on turned legs, 98cm. wide.

AN OAK COFFER, Charles II with alterations, the later hinged top above a scrolling foliate frieze and four lozenge carved panels, on stile feet, 162cm. wide.

CLOTHES PRESSES AND WARDROBES
Not strictly a press, but this cabinet on chest shows the early stages of evolution. Typical features of the walnut period include quartering of veneers and lip mouldings on the drawer edges.1720-1740
Assuming it is right and not a bottom half with cabinet, and depending on the interior fitting.
A later walnut bookcase on chest with inlaid stringing lines.
A mahogany clothes press on serpentine bracket feet with original swan-neck handles.
Finely figured veneers. Hence high value. 1750-1780
Mahogany clothes press with bracket feet and original handles. The applied mouldings on the doors add to the quality.
A mahogany clothes press with cupboard beneath, on serpentine bracket feet. Cupboards below are less useful and less popular. 1760-1780
A Sheraton style wardrobe with high quality mahogany veneers in oval panels on the doors and two drawers beneath. Inlaid boxwood stringing lines emphasise the design.
An unusual clothes press or wardrobe in which the doors have simulated drawers with black stringing lines let into them. The top moulding is a good example of an arcaded cavetto with dentil above. 1790-1810
An example of a Gothic design of clothes press door using high quality veneers and beaded mouldings. The drawers have matched quartered veneers  unusual in mahogany. 1820-1840
In oak with the medullary rays showing and supported on each side by reeded pilasters. Although the top moulding isn’t very strong it comes forward at the end, a nice touch.
The broken pediment doesn’t quite succeed but the bold shell and well-thought-out stringing lines make this an attractive piece. The Edwardians occasionally ‘improved’ these pieces by adding inlays and a cornice or pediment. c. 1800 according to the quality and condition of the lacquer but beware modern lacquer Veneered in walnut with wide cross-banding and moulding cut along the grain. Well constructed with ovolo mouldings to the doors which gives the piece a more finished appearance.