Archive for the ‘Wall Cupboards’ Category

AN ANTIQUE SIDE TABLE, AN ANTIQUE BEDSIDE COMMODE, AN ANTIQUE FOLDING BAGATELLE TABLE, CARVED OAK BOX SETTLE

AN ANTIQUE SIDE TABLE, AN ANTIQUE BEDSIDE COMMODE, AN ANTIQUE FOLDING BAGATELLE TABLE, CARVED OAK BOX SETTLE

AN ANTIQUE SIDE TABLE, Edwardian, the shaped top above a fluted frieze and tapered legs with stretchers, wide.

A WALNUT CARD TABLE, Victorian,
with a burr-veneered top above pierced end
supports with splayed legs

AN ANTIQUE AND WALNUT
CONSOLE OR PIER TABLE, part th
Century, with a rectangular top on cabriole
front legs, wide.

AN ANTIQUE BOW-FRONT CHEST
OF DRAWERS, George IV, with four long
drawers and reeded pilasters, on turned feet,
ivide

A LIGHT OAK CHIFFONIER,
Victorian, with a drawer, carved corbels and
a pair of panelled doors, on bun feet, now
lacking an open shelf back, ivide

AN OAK WINE COOLER, William IV,
of sarcophagus form with stop-fluted corners,
wide.

AN ANTIQUE BEDSIDE COMMODE,
George III, with a pierced tray top above and
open recess, on chamfered square legs,
wide

AN ANTIQUE BREAKFRONT
BOOKCASE, Victorian with alteration, the
moulded top above two pairs of glazed doors, on a plinth base, high by wide.

AN ANTIQUE WAKE TABLE,
George III style, the elongated oval top on
moulded square legs, the top by

AN UPHOLSTERED OCCASIONAL
CHAIR, Victorian, covered in distressed
brocade, on turned feet with ceramic castors

A MATCHED SET OF SIX CARVED

OAK DINING CHAIRS, Victorian, in the
Carolean manner, with red velvet upholstery, on turned and square supports   —

A ‘PLUM-MOTTLED’ MAHOGANY BEDSIDE CUPBOARD, Victorian, with a galleried top above a panel door, on a plinth base, wide

AN ANTIQUE FOLDING BAGATELLE TABLE, Victorian, including two cues nine ivory balls and two pegs, long extended—

AN ANTIQUE TRIPOD TABLE,
George III and later, the pie-crust top above
a turned stem, on cabriole supports ending in
pointed pad feet, diam.—

A WALNUT SUTHERLAND TABLE, late Victorian, with a rectangular top, ring turned legs and splayed feet, wide. extended

AN ANTIQUE BOW-FRONT CHEST, George III, the two short and three long drawers with ivory escutcheons, on ogee bracket feet, wide.

AN ANTIQUE ROCKING ARMCHAIR, Edwardian, with decorative stringing, upholstered with green fabric,

A NEST OF THREE MAHOGANY TABLES, modern,each with a gadrooned border, on tapered square legs

A CARVED OAK BOX SETTLE, early 18th Century, with a four panel back above a hinged seat and panelled base,
wide

ANTIQUE NARROW BOOKCASE, A CARVED ROSEWOOD TEA TABLE, A CARVED WALNUT ARMCHAIR, CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR

ANTIQUE NARROW BOOKCASE, A CARVED ROSEWOOD TEA TABLE, A CARVED WALNUT ARMCHAIR, CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR

A CARVED AND SILVER GESSO
ARMCHAIR, Louis XIV style, with cut
velvet upholstery, on scrolled supports, faults

A WALNUT CUSHION FRAME WALL
MIRROR, George I, with an arched fretwork
cresting and a later plate. high

A BUTTON UPHOLSTERED
ARMCHAIR, Victorian, covered in green
dralon and with turned feet, on castors

A PAIR OF MAHOGANY SHIELD BACK’ ARMCHAIRS, George III style, with pierced splats, drop-in seats and tapered square legs

AN ANTIQUE NARROW BOOKCASE, George III style, with an astragal door above a cupboard door, on bracket feet, high by wide.

AN ANTIQUE AND PARCEL GILT
WALL MIRROR, George II style, with an
eagle cresting, later gold painted, high

A CARVED GILTWOOD WALL
MIRROR, Continental, 18th Century, with a
pierced ribbon tied cresting above a later
rectangular plate, faults, high

A CARVED HARDWOOD FOLDING
ARMCHAIR, Burmese, 18th Century, with a
caned back and seat flanked by griffon
carved arms’

A CARVED ROSEWOOD TEA
TABLE, Victorian, with a turned pedestal
support, on quadruple splayed legs,
wide’

AN ANTIQUE TEA TABLE, George
III, with a rectangular fold-over top, on
moulded square legs, restored,
wide

A CARVED AND GILT GESSO
CORNER WALL BRACKET, 18th Century,
with an atlante support, wide.

AN ANTIQUE CARD TABLE, George
II,with a rectangular fold-over top and a
drawer, on lappet carved legs and pad feet,
faults, restoration to drawer, wide.

AN ANTIQUE REVOLVING
BOOKCASE, Edwardian, with a square
satinwood banded top and open splat sides,
on a cruciform base, wide.

A CARVED WALNUT ARMCHAIR, late 18th Century, style, with tapestry upholstery and spiral twist supports joined by stretchers

A SET OF THREE MAHOGANY DINING CHAIRS, George III, each with triple pierced splats, drop-in seats and tapered square legs joined by stretchers; together with a pair of mahogany

Dining Chairs, George III, with arched pierced splat backs and tapered square legs

A WALNUT STOOL, Victorian, of elongated rectangular form with an upholstered seat, on cabriole legs, wide.
AN ANTIQUE AND INLAID ARMCHAIR, Edwardian, with a partially upholstered back, pierced splats and padded seat, on cabriole legs

AN ANTIQUE LINEN PRESS, George
III,with a moulded top above a pair of
spandrel inlaid doors, on bracket feet,
wide

AN ANTIQUE BEER ENGINE, Victorian, with triple ceramic and brass pumps, wide.

A CARVED WALNUT AND UPHOLSTERED OCCASIONAL CHAIR, Victorian, inlaid with stringing, the floral tapestry back and seat on turned fluted legs

A SET OF MAHOGANY QUARTETTO TABLES, George III style, with rectangular tops, ring-turned supports and splayed feet, wide.

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

CARVED BEECHWOOD CONSOLE TABLE, ANTIQUE BERGERE SUITE, AN EBONISED BOOK TABLE, ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR

A CARVED BEECHWOOD CONSOLE TABLE, Louis XVI style, with a semicircular simulated marble top, on spiral fluted supports, teide; together with AN ANTIQUE Wine Table, modern, on

tripod supports, diam. and a set of four ebonised and carved mirror back panels, each by

A CARVED MAHOGANY STOOL, George II style, with a floral tapestry seat, on cabriole legs with claw and ball feet, wide; together with a smaller Stool, with tapestry seat and

cabriole legs
wide

A WALNUT KERB STOOL, Queen
Anne style, with floral tapestry seat and shell
carved cabriole legs, wide.; together with

AN ANTIQUE Stool, William and Mary style,
with a tapestry seat and turned legs joined by
•X’-shaped stretchers, -wide

A PAIR OF MAHOGANY TWO TIER
BUFFETS by Holland and Sons, Victorian,
with turned supports, on brass castors, rear
supports stamped. ‘Holland and Son’. wide.

A ROSEWOOD STOOL, Victorian, the two supports each with four scrolls joined by a turned and carved stretcher, with a moire fabric seat,

AN ANTIQUE BERGERE SUITE, 18th Century, comprising: a three seat settee and two chairs,

AN ANTIQUE DROP LEAF TABLE, George II, with an oval moulded top, on turned tapered legs with pad feet, wide.

AN ANTIQUE DISPLAY CABINET, Edwardian, incoporating a display case with hinged lid above a pair of glazes doors enclosing two shelves, on tapered square legs, wide.

AN ANTIQUE ‘D-END DINING TABLE, George III style, the crossbanded top with reeded edge with a leaf insertion, on turned pedestals and tripod legs, ivide extended For colour

illustration see page

A SET OF SIX MAHOGANY DINING
CHAIRS, George III style, with shield backs
incorporating urn and wheat sheaf motif,
with tapestry seat, on tapered square legs,

AN ANTIQUE LINEN PRESS, George III, the dentil cornice above panel doors, interior now lacking, on chest comprising of two short and two long drawers, faults, high by wide.

AN EBONISED BOOK TABLE, Victorian, with a circular top and two galleried three-armed shelves revolving on a pillar and a tricorn base, high

A PAIR OF MAHOGANY ARMCHAIRS, English, circa , and Another very similar, George III, circa , each with pierced serpentined toprail and three matching crossbars, with stuffed

seats and square legs

A PAINTED CHEVAL MIRROR, George IV, circa  the frame now grained as maplewood, high  —

A CIRCULAR MAHOGANY THREE-TIER DUMB WAITER, George II, on a triple baluster stem, plain cabriole legs with pointed pad feet, high by diam.

AN ANTIQUE SIDEBOARD, George III and later, with a serpentine top above an arrangement of drawers, on tapered legs with spade fee, uncle

AN ANTIQUE AND INLAID SHAVING STAND, Edwardian, with a mirror back and compartments above a drawer and a door, on tapered legs with an undertier, wide.

TWO SIMILAR CARVED AND GOLD PAINTED FOOTSTOOLS, Louis XV style, with tapestry seats and cabriole legs; together with another tapestry footstool,

AN ANTIQUE AND BUTTON UPHOLSTERED TUB SHAPED ARMCHAIR, William IV, covered in floral patterned fabric, on reeded turned legs with brass castors

AN OAK SIDEBOARD, AN ANTIQUE BEDSIDE CUPBOARD, AN ANTIQUE CHEST OF DRAWERS, AN ANTIQUE DROP-LEAF TABLE

AN OAK SIDEBOARD, AN ANTIQUE BEDSIDE CUPBOARD, AN ANTIQUE CHEST OF DRAWERS, AN ANTIQUE DROP-LEAF TABLE

AN OAK SIDEBOARD, Victorian, the top crossbanded in polarded oak, the inverted breakfront and central drawer flanked by arched and panelled doors, raised back lacking, ivide

AN ANTIQUE BREAKFAST TABLE, Regency, the tilt top on a turned column and four splayed legs with brass castors, wide

A PAIR OF D-SHAPED PIER TABLES, George III style, each with tapering square legs on spade feet, one bearing label S & H Jewell - High Holborn, London, W C , wide.

A PEMBROKE TABLE, George III style, with a rectangular top above a frieze drawer, on tapering square legs, -wide; together with a Standard Lamp

AN OAK TABLE, Italian style, the
cleated top on two lyre-form supports with
shaped brackets, wide.

A CHINESE HARDWOOD
JARDINIERE STAND, late 18th Century,
the circular top with an inset marble panel,
the carved legs with claw feet and jointed bv
a stretcher. diameter

AN ANTIQUE CHEST, George III,
with two short and three long drawers with
beaded borders, on bracket feet, restored.
wide.

A SMALL MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with a slide above three drawers, on splayed bracket feet, wide.

AN ANTIQUE BEDSIDE CUPBOARD, George III with alterations, the crossbanded top above a door with a shell motif, one dummy and one real drawer, wide.

AN ANTIQUE PEMBROKE TABLE, George III, the rectangular top above a frieze drawer and tapering square legs, wide.

A LARGE MAHOGANY PEDESTAL SIDEBOARD, George IV, the back panel with central carved lotus motif and Greek key corners,the frieze drawer flanked bv two panelled doors, wide.

AN ANTIQUE TOILET MIRROR, George III, the shield shaped mirror on a plinth with three conforming drawers, wide.

AN ANTIQUE CHEST
OF DRAWERS, early 18th Century, with two
short and three long drawers, on bracket feet,
wide.

AN ANTIQUE BUREAU, the fall revealing inlaid stationery compartments, the four long drawers above bracket feet. wide

AN EBONISED AND PARCEL GILT CORNER WHATNOT, Victorian, the graduated bow-front tiers inlaid with amboyna, on turned supports.
wide

AN ANTIQUE CHEST OF DRAWERS, George III with restorations, the two short and three long drawers outlined with stringing, on splaved bracket feet. wide.    “   ”

A SET OF SIX CARVED MAHOGANY DINING CHAIRS, George II style, with pierced splats. drop-in seats and cabriole legs ending in claw and ball feet

A PAIR OF MAHOGANY DINING CHAIRS, George III with restoration, the splat backs carved with Prince of Wales feathers, the upholstered seats on tapered square legs ending in spade

feet, one leg replaced

AN ANTIQUE DROP-LEAF TABLE, George III, on tapering square legs, formerly part of a laiger table, faults, wide.

A PAIR OF MAHOGANY DINING CHAIRS, George III, with waved splats and green cotton upholstered seats, on square legs: together with AN ANTIQUE Dining Chair, George III, with

pierced splat and green cotton upholstered drop-in seat, on square legs and AN ANTIQUE shield back Dining Chair, probably George III, with matching upholstery, on tapered square

legs

AN ANTIQUE CHEST
OF DRAWERS, late George III, inlaid
throughout with stringing, the two short and
three long drawers above splayed bracket
feet, wide.

AN ANTIQUE BOW-FRONT CHEST, A CHINOISERIE DRAWING ROOM SUITE, MARBLE TOP OCCASIONAL TABLE, AN ANTIQUE MIRROR

AN ANTIQUE BOW-FRONT CHEST, A CHINOISERIE DRAWING ROOM SUITE, MARBLE TOP OCCASIONAL TABLE, AN ANTIQUE MIRROR

AN ANTIQUE BOW-FRONT CHEST, nd quarter 18th Century, with an inlaid
frieze above two short and three long drawers, on splayed bracket feet. wide.

AN ANTIQUE CHEST, late George III,
with two short and three long graduated
drawers, on splayed bracket feet.

TWO MAHOGANY TORCHERES, of late Georgian design, each with circular tops, reeded turned stems and tripod bases. HI high and high

AN ANTIQUE CHEYAL WRITING TABLE, early 18th Century, inlaid on both sides with a musical motif, fault.
wide

AN ANTIQUE D-SHAPE TABLE, George III, with a satinwood inlav. on reduced tapered square legs.
wide”

AN OAK TRIPOD TABLE, late George
III,with a circular tilt-top. on a knopped
turned stem with cabriole legs, top split, bearers
replaced, diam.

A CHINOISERIE DRAWING ROOM SUITE, Edwardian, lacquered throughout in black and gilt, comprising: a two seat settee with a butterflv shaped back and cabriole legs, a corner

armchair, and an open back tub chair.

AN ANTIQUE TABLE VIRINE, 18th Century, with a green fabric lining, on tapered square legs. $wide.

AN ANTIQUE SIDE TABLE, George II, formerly a tea table, the rectangular top with a frieze drawer, on lappet caned turned tapering legs, on pad feet, fault.
wide

AN ANTIQUE’ TRIPOD TABLE, nd quarter 18th Century, the rectangular tilt-top above a ring turned stem, on cabriole legs. wide. ”

AN ANTIQUE PEMBROKE TABLE, George IV, the rectangular top and hinged flaps above two drawers on a tapered square and four leaf-carved cabriole legs with brass castors, wide.’

AN ANTIQUE DROP LEAF TABLE, George II style, with an oval top. on turned tapering legs with pad feet. wide.

AN ANTIQUE BOOKCASE, William
IV,door with brass grill, the sides, base and
frieze with gadroon beading, bun feet.

AN ANTIQUE DRESSING TABLE
MIRROR, early Victorian, with scrolled
supports and a three drawer plinth base, on
bun feet, loose apron, wide.

A LACQUER CABINET ON STAND, 18th Century and later, the two doors and sides with gilt decoration on a black ground, on a carved giltwood stand, altered, wide.

AN ANTIQUE AND INLAID BUREAU, Edwardian, with three drawers, on bracket feet, faults, wide.

A MARBLE TOP OCCASIONAL TABLE, the inset top early 18th Century, the circular specimen parquetry marble top with cabriole legs, diam.—

AN ANTIQUE ADJUSTABLE CIRCULAR STOOL, William IV, the upholstered seat on tripod support,

AN ANTIQUE DROP LEAF TABLE,
George IV, the hinged top on four ring
turned legs with brass casters
wide

AN ANTIQUE WASHSTAND, Victorian, the top galleried on three sides above an arrangement of five drawers, on turned baluster legs, wide.

AN ANTIQUE MIRROR, George II style, of architectural form with broken pediment cresting, high

A CIRCULAR GILTWOOD GIRANDOLE, Regency style, with a convex plate, incorporating scrolling candle brances and an eagle cresting,  high, together with an oval gilt gesso mirror,

George III, high

Antique Wall Cupboards

WALL CUPBOARDS
The turner’s art has been slightly neglected in this book. Those extraordinary chairs made almost entirely of turned parts are rather specialised but one does, however, still see wall cupboards which have turning for their main decorative feature.
A fine quality example of a turned wall cupboard. Only the top, bottom, shelf and door supports are not turned. The principal design used in making the spindles is a variant on the baluster form with a ridge cut at the widest point to lighten the appearance. Made in ash, it is unusual in being constructed entirely without a joined frame. A fine collector’s piece which is reflected in the price.
Late 17th century
A small oak spindle wall cupboard. The frame is joined and decorated with simple groove moulding and punch marks of various shapes. The top and bottom are nailed on and the top has extra strip to prevent objects slipping forward. The design of turning is again broadly baluster shaped with three central bobbins. The centre four spindles and a horizontal split of the top and bottom rail form the door. Good patination.
A form of hutch or food cupboard. This form is little removed from a cupboard with the panels removed and spindles substituted. Neither the carving nor the form of the spindles demonstrate any great quality.
The form of hanging cupboard is even more apparent. The spindles, of primitive form, now occupy even less space than in the previous examples. This should not, however, disguise the fact that this is a well-made, beautifully coloured and small example of oak furniture.