Antique Cupboard

A CARVED OAK DISPLAY CABINET, AN ANTIQUE DISPLAY CABINET, German, 18th Century, AN ANTIQUE AND UPHOLSTERED ARMCHAIR

A CARVED OAK DISPLAY CABINET, possibly German, nd quarter 18th Century, with an arrangement of panelled glazed doors surrounding a cartouche panel door, u’ide    —

A CARVED HUANG HUALI OCCASIONAL TABLE, Chinese, late 18th Century, with a marble inset top above a pierced stem, on a tripod base, faults, diam.

A GOLD PAINTED OVERMANTEL
MIRROR, 18th Century, with geso
mouldings and a triple bevelled panel plate.
uncle

A FIGURED WALNUT
OVAL PEDESTAL TABLE, Victoria the
tilt-top with quadruple turned and caned
splayed supports, faults,

AN ANTIQUE GAMES TABLE, early Victorian, with a hinged chessboard inlaid top and dummy frieze drawers. >n an octagonal pillar and quatreform base. /-.«. wide”«MI—;VNt

A BEECHWOOD ENVELOPE CARD TABLE, Edwardian, with a drawer, on cabriole legs, wide.Mo

A PAINTED METAL COAL SCUTTLE, late Victorian, with brass fittings including a small shovel and a tin liner. wide.-KM i

A PAIR OF MAHOGANY HALL CHAIRS, Regency, with octagonal panel backs and sabre legs

AN ANTIQUE DISPLAY CABINET, German, 18th Century, with a glazed door and mirror-back, the apron drawer above a plinth base, high by ivide

AN ANTIQUE KNEEHOLE DRESSING TABLE, George HI style, inlaid with stringing, with three-quarter gallerv and nine drawers. wide.—

AN UPHOLSTERED LIBRARY ARMCHAIR, George III style, with floral patterned covers, on moulded square legs joined by stretchers—

AN ANTIQUE CHEST, Scottish, mid-18th Century, with four short and three long drawer above splayed bracket feet, faults. wide.

AN OAK DRESSER, George III style, made-up, the open shelf back inlcuding three astragal glazed panels, the pedestal base with three drawers and a pair of panel doors, on bracket

feet, high by wide.

A SET OF MAHOGANY RAIL BACK DINING CHAIRS, Regency, with clasp shaped mid bars and drop-in seats, on sabre legs
A ROSEWOOD CHIFFONIER, William IV, with a mirror panel open tier back and a pair of mirror panel doors, on a plinth base, mirror panels later, u’ide

AN ANTIQUE AND UPHOLSTERED ARMCHAIR, early Victorian, with scrolled arms and turned legs, on brass castors, old repairs

AN UPHOLSTERED SETTEE, Regency, with a rectangular back and seat, on turned mahogany legs with castors. replaced rear supports, xvide      —

A BUTTON-UPHOLSTERED ARMCHAIR, early Victorian, covered in gold velvet, on turned legs with brass castors. underframe branded, ‘H T Blackburn, September th, ‘, sold together

with a colour photograph of the branded
underframe

A DISTRESSED DAY BED, st half 18th Century, on gadrooned and turned maple feet, long

A DISTRESSED PAINTED CHILD’S BED, Regency, now dismantled and pamalh lacking, with simulated bamboo borders and turned supports, wide.—

A SIMULATED ROSEWOOD SETTEE, Regency, with distressed striped upholstery, the serpentine back and scrolled ends above turned feet with brass castors, including seat cushion and

three bolsters, wide.    ”

A WHITE PAINTED AND UPHOLSTERED ARMCHAIR, Louis XV style, in pale green velvet with seat cushion and a black japanned and gilt fauteuil, Louis XVI style, upholstered in green

dralon

A GREEN PAINTED KNEEHOLE
DRESSING TABLE, in the French style,
with drawers and cupboards. wide.

A BUTTON UPHOLSTERED IRON
FRAME ARMCHAIR, Victorian, with a tub
shaped back covered in green dralon, on
turned feet and castors

A ROSEWOOD OVAL PEDESTAL
TABLE, early Victorian, the tilt-top above a
carved and turned pillar, on a scrolled tripod
base, wide.,

AN ANTIQUE AND CANED
BERGERE, 18th Century, with a tub shaped
back and carved cabriole legs, on claw and
ball feet, including a loose tapestry squab cushion

AN ANTIQUE CELLARET, George III, of rectangular form inlaid with stringing, enclosed by a hinged top, on tapered legs, faults, wide.

A WHITE PAINTED PEDESTAL DRESSING TABLE, in the French style, with nine drawers, wide. and a white painted shield back Armchair, covered in grey brocade, on turned legs

AN ANTIQUE AND
UPHOLSTERED CHAIR, George III,
covered in gold damask, on cabriole legs

A GILT RECTANGULAR MARBLE
TOP CENTRE TABLE, Louis XVI style,
with ‘H’-shaped stretcher, wide.

A GILT TRIPOD TABLE, th
Century, with circular mottled marble top
and acanthus clad pillar, faults, diam.

AN ANTIQUE GENTLEMAN’S
WASHSTAND, George III, with blind fret
carving and brass carrying handles, including
a hinged cover and a pair of doors revealing
small drawers and recess, altered, faults,
wide

A WALNUT AND UPHOLSTERED
ARMCHAIR, George I style, covered in
needlework, with seat cushion, on cabriole
legs

AN UPHOLSTERED WING
ARMCHAIR, 18th Century, covered in
green dralon, on walnut cabriole legs

A GILT-GESSO FRAMED
GIRANDOLE, Victorian, including a swag
cresting, an oval bevelled plate, two open
tiers and four candle branches, wide.

AN UPHOLSTERED SIDE CHAIR, George II, the spoon shaped back and square seat covered in grey velvet, on walnut cabriole legs, faults

A WHITE PAINTED LONG RECTANGULAR STOOL, Victorian, with later painting, the seat covered in green dralon, on cabriole legs, faults, wide.

AN ORMOLU CORNICE, French, 18th Century, with drapery motif and concave corners, wide.

A GILT SQUARE STOOL, Louis XV style, 18th Century, with yellow fabric seat, wide. and a carved Footstool, George II style, with pale blue fabric seat and cabriole geet, wide.

A WALNUT EXTENDING DINING TABLE, possibly French, 18th Century, the ‘D’-end top with telescopic action, raised on five turned and square section supports, long fully extended

including four leaf insertions ‘ ‘    ‘

AN ANTIQUE CHAIR BACK SETTEE, George III, with a triple ’shield back’, upholstered seat and moulded tapering legs, faults, wide.

AN EBONISED FAUTEUIL, Louis XV, with upholstered cartouche shaped back and serpentine seat, on cabriole legs, faults

A PAIR OF CARVED MAHOGANY
ARMCHAIRS, George II style, early th
Century, with pierced splats, drop-in seats
and cabriole legs, on claw and ball feet

AN ANTIQUE TRIPLE DOOR WARDROBE, Victorian, of breakfront form with a moulded cornice and a plinth base, high by  ivide

AN ANTIQUE ARMCHAIR, George III, the pierced splat carved with an anthemion, the stuffed serpentine seat on moulded square legs—

AN ANTIQUE ARMCHAIR, George III and later, with a pierced splat, stuffed serpentine seat and tapered square legs, one leg replaced

AN ONYX VENEERED PEDESTAL TABLE, modern, the circular crossbanded top on a chamfered pillar support, with a flared base, faults, diameter

AN ANTIQUE DROP-LEAF TABLE, George II, with an oval top, and on tapered legs with pad feet, faults, wide. when extended

A CIRCULAR MAHOGANY
DINING TABLE, George III style, modern,
with quadruple splayed supports ending in
brass paw feet and castors, diam.

AN ANTIQUE ‘PIE-CRUST’ TRIPOD TABLE, George II style, with a turned, carved and fluted stem, on cabriole legs, diam.

AN ANTIQUE WORK TABLE, Regency, with a hinged octagonal top, ring-turned stem and tripod base with brass paw castors, wide.—
TEA CADDIES, WRITING BOXES, ETC.

A WALNUT WRITING SLOPE,
Victorian, with brass stringing and a plaque
inscribed ‘GEM Fisher ‘

A DISTRESSED SATINWOOD KNIFE BOX, George III, with an inlaid top and silver metal escutcheon, including original interior, wide.

A YEW-WOOD AND INLAID ADJUSTABLE BOOK-REST, Killarney, 18th Century, the folding ends with pokerwork ovals of a castle and an abbey, the base inscribed in silver pique

‘Killarney Lakes’, wide.

AN OAK TANTALUS, late Victorian, the silver plated mounts impressed Walker Hall, Sheffield, the three cut glass decanters and stoppers, one decanter with a matched stopper,

wide.—

AN ANTIQUE OVAL TRAY, George III, with inlay and segmented veneers within a waved gallery, wide.

A ROSEWOOD AND BRASS BOUND WRITING SLOPE, Victorian, including a lateral frieze drawer and a brass plaque inscribed, P G George Cook. April, wide.

AN OAK AND SILVER METAL MOUNTED TANTALUS, late Victorian, containing three cut glass decanters and stoppers, wide.

AN ANTIQUE AND BRASS BOUND WRITING SLOPE, George IV, the interior including glass inkwells, one side containing a drawer, wide.

A WALNUT AND PARQUETRY WRITING SLOPE, Victorian, the fitted interior including brass candle sconces and glass inkwells, aide

A COROMANDEL DESK STAND, Victorian, with Gothick brass mounts, the domed back above a pair of glass inkwells and a drawer, on bun feet, wide.

BEECHWOOD CANTERBURY, George III style, ANTIQUE PEDESTAL DESK, ANTIQUE LINEN PRESS, AN ANTIQUE PEDESTAL TABLE

A BEECHWOOD CANTERBURY, George III style, modern, with three divisions, on turned feet, wide.   —

A WALNUT AND PINE CHEST OF DRAWERS, early 18th Century, now in two parts with two short and three long drawers, faults, wide.

A WALNUT AND INLAID MIRROR BACK SIDEBOARD, Victorian, with a marble top above mirror and solid panel doors, high by wide.

A CARVED HUANG HUALI
WRITING DESK, Chinese, late th
Century, the asymmetrical raised open shelf
back above and arrangement of drawers and
cabriole supports. wide.—

AN ANTIQUE LINEN PRESS, William IV, with a pair of panelled doors enclosing sliding traxs. formerly with a lower section, icide—

AN OAK PARTNER’S WRITING TABLE, Victorian, the leather inset top above six opposing frieze drawers, on reeded turned legs lacking castors, high by wide.,-.

AN ANTIQUE PEDESTAL DESK,
modern, the leather inset top with bowed
wings above an arrangement of drawers and
doors, on splaved bracket feet. wide.

A WALNUT PEDESTAL DESK, modern, the leather inset top above an arrangement of drawers and cupboard doors, on bracket feet. u>ide

AN ANTIQUE D’-END DINING TABLE, George III style, modern, with ebonised stringing and twin turned pedestals, on splaved tripod bases ending in brass paw castors. long extended

including three leaf insertions”

A TEAK TWO TIER SIDE TABLE, modern, with a slightly dished top and square legs, wide.; together with AN ANTIQUE Side Cabinet, modern, with a pair of drawers above fielded panel

doors, wide.

A SMALL YEW-WOOD CHEST OF DRAWERS, modern, with a serpentine top above four drawers and bracket feet, wide.; together with a small mahogany drum Table, modern, with a leather

inset top above drawers, open shelves and a pedestal base,  diam.

AN ANTIQUE SIDEBOARD, George III style, modern, including a bowed frieze drawer and a fluted apron, on tapered legs with spade feet, wide.

AN ANTIQUE DAVENPORT, late
Victorian, by Maple if Co.. with a real and
dummv drawers, turned pilasters and bun
feet, one drawer bearing the maker’s name G.
Bradley and date , another drawer stamped
Maple is Co. Ltd., wide.

AN ANTIQUE PEDESTAL TABLE, George III style, with an oval top and quadruple splayed legs ending in brass castors, wide.   ”

AN ANTIQUE CABINET, the cupboard door incorporating two late 18th Century Japanese ivory mounted panels, wide.

AN ASH RUSH SEAT ARMCHAIR, 18th Century, with a spindle back and turned supports

A FIGURED WALNUT
AND EBONISED SECRETAIRE CABINET,
Victorian, with a raised mirror back above a
fall-front and a drawer, on tapered square
legs with stretchers and spade feet, faults,
wide.

AN ANTIQUE WASHSTAND, Victorian, the moulded top above two drawers, supported on twin turned end-supports , faults, wide.

AN ANTIQUE PEDESTAL TABLE, Victorian, with a circular top on a hexagonal column, on a triform base with later castors, faults, diam.

AN EBONISED GESSO POLESCREEN, early Victorian, with a needlework panel and a triform base, distressed.

PAINTED AND UPHOLSTERED CHAIR, Louis XV style, BAMBOO DISPLAY CABINET, ANTIQUE AND MARQUETRY DISPLAY CABINET

A WALNUT SEWING TABLE, Mid
18th Century, with a circular hinged top
enclosing a lined well, on a turned baluster
column on scrolled tripod feet,
wide.

AN ANTIQUE DRAWING ROOM SUITE, Early 18th Century, comprising of a settee, wide., an armchair and a side chair, with carved top rail and open arms above a button back and

upholstered seat, on sabre legs with claw feet

A PAINTED AND UPHOLSTERED CHAIR, Louis XV style, covered in striped brocade, on cabriole legs and scroll feet,

AN ANTIQUE TRAY-TOP
COMMODE, George III, with alterations,
with top fully enclosed by gallery, above two
doors over a pot drawer, faults,
wide

AN ANTIQUE TRAY-TOP
COMMODE, George III, the top enclosed by
a gallery, above a single door and pot drawer
both decorated with geometric stringing, on
chamfered and reeded legs, faults,
wide

AN ANTIQUE SOFA TABLE, William IV, with a re-finished top above two frieze drawers opposite two dummy drawers, on a turned and reeded pedestal with a quatreform base, one flap

replaced, wide. when open

A BAMBOO DISPLAY CABINET, Early 18th Century, with lacquer top above a glazed door, enclosing two shelves, on splayed feet, wide.

AN OAK SETTLE, Part 18th Century, with a high back incorporating fourteen fielded panels and a post extending beyond, above a bench seat with an arm at one end, distressed, high

by wide.

A CARVED OAK CABINET BOOKCASE, Flemish, 18th Century, the flared cornice above glazed door, a drawer and a cupboard door, on a plinth base, high by wide.

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the ‘D’-end top on ring turned pillars and splayed tripod bases with brass paw castors, long extended including two leaf

insertions

A CARVED OAK MIRROR BACK
SIDEBOARD, Flemish, late 18th Century,
with an arched grotesque mask cresting and
spiral twist supports above an arrangement of
drawers and cupboard doors, high by
wide.

A CARVED OAK ARMCHAIR,
Italian, late 18th Century, of Dantesca form,
with a grotesque mask carved back and a
distressed hide seat—

AN ANTIQUE CHAIR, George III,
with pierced splat and slip-in turquoise velvet
seat, on square legs, another mahogany chair.
George III, with reeded stick back, matching
stuffed seat and tapered square legs together
with a red walnut or mahogany armchair.
George III, with pierced splat and slip-in pale
green velvet seat, on square legs

AN ANTIQUE DROP-
LEAF DINING TABLE, George II, with a
rectangular top above turned tapering legs with pad feet, wide. extended

AN ANTIQUE AND MARQUETRY DISPLAY CABINET, Continental, late 18th Century, with gilt-metal mounts and a glazed door, on cabriole legs, -wide     —

AN ANTIQUE PEMBROKE TABLE, George III, with a rectangular top and a drawer, on moulded square legs joined by later stretchers, wide. extended   —

AN ANTIQUE ARMCHAIR, George III style, with a pierced splat back, burgundy velvet upholstered seat and tapered square legs

A CARVED BEECH WOOD FAUTEUIL, French, with a caned back and serpentine seat, on cabriole legs, faults to caning—

AN ANTIQUE DINING CHAIR, George III with later
carving, the rectangular stick back above and upholstered seat, on tapered square legs

A ROSEWOOD MUSIC CANTERBURY, Victorian, with a pierced fret gallery above and open tier with a fall flap and a drawer below, on turned feet, wide.

SET OF FOUR ‘GEORGE II’ MAHOGANY ARMCHAIRS, PAINTED DISPLAY CABINET, WILLIAM IV MAHOGANY CARD TABLE, LACQUER SOFA TABLE, WALNUT GATE-LEG TABLE

А SET OF FOUR ‘GEORGE Ii’ MAHOGANY
ARMCHAIRS each with a rectangular
back with a serpentine top-rail and
pierced splat, the outcurve arms above
a stuffed drop-in seat on cabriole legs,
stamped 4587, possibly Portuguese, late
I9th century

A GOOD SATINWOOD AND PAINTED DIS-
PLAY CABINET with a pair of interlaced elliptically glazed doors above a projecting brushing slide with two short drawers above two cupboards, on bracket feet, painted

throughout with husks, flowers and dancing figures, 70 by 34in; 178 by 86.5cm, with alterations, late 19th century

А SET OF TEN ‘GEORGE III’ MAHOGANY
DINING CHAIRS, including two arm-
chairs, each with an arched top-rail
and pierced splat carved with husks
above a stuffed drop-in seat on molded
square tapering legs, c. 1880

A WILLIAM IV MAHOGANY CARD TABLE,
the ‘D’-shaped top enclosing a playing surface on a square stem with chamfered corners and a concave-sided base with paw feet, 29l by 36in; 75 by 92cm, c. 1835

A BURR-WALNUT OCCASIONAL TABLE with
a circular cross-banded top above а lower tier with a triple balustrade for magazines, on a fluted baluster stem and tripod base, 30 by 18lin; 76 by 47cm, c. 1870

А PAPIER-МАСНE OCCASIONAL TABLE, the
lobed gilt top inlaid with flowers on а baluster column and lobed base, 23in; 58.5cm wide, 1840′j
И
A WALNUT WING ARMCHAIR in late 11th
century style, the tall padded back and sides above scroll padded arms and stuffed cushion, on baluster and octagonal tapering legs joined by а molded curved stretcher centered

by an urn, c. 1870

AN  EBONIZED WOOD  AND  MOTHER-OF-
PEARL SIDE CHAIR with a serpentine top-rail inlaid with mother-of-pearl above a triple splat centered by a panel painted and inlaid with flowers, the caned seat on turned out

swept legs joined by stretchers, c. 1850

AN S. HILLE & SON ‘CHINESE CHIPPENDALE’ SATINWOOD  LACQUER  DRAWING-ROOM
SUITE comprising A Breakfront Display Cabinet on Stand with a cornice hung with bells, 85 by 50in; 216 by 127cm; A Fire Surround with corbel supports, 52 by 66in; 132 by 168cm;

A Rectangular Centre Table with a plate glass top, the scrolled corners hung with bells, 40in; 102cm wide; A Mirror with a Pagoda cresting with inset beveled corners, 30 by

46in; 76 by 117cm; А Pair of Elaborate Tri-Form Standard Lamps, each surmounted by a Japanese porcelain figure, 82in; 208cm; A Set of Six Wall Lights, each with canted sides

above a gallery with two candle-arms, 16lin; 42cm; A Twelve-Arm Chandelier, 26in; 66cm wide; A Pair of Armchairs with pierced beaks and stuffed drop-in seats; A Pair of Side

Chairs with painted lacquer splats; A Duet Stool with a stuffed rectangular lid, 32lin; 82cm wide; A Berger Suite comprising a triple-chair-back Settee and two deep Armchairs

with numerous loose cushions, the whole Suite lacquered with chino series, the lights fitted for electricity, 1920’s
Similar furniture is illustrated in Halle, 75 Years of British Furniture, by Sutherland Lyell. Hillel was making this style of furniture between 1918 and 1939.

AN  EBONY-VENEERED  AND  AMBOYNA
DISPLAY CABINET, the cornice an incised Vitruvius scroll, above a pair of glazed doors enclosing shelves, the canted sides with outset columns, with gilt-brass egg and dart

moldings, 43 by 48in; 109 by 122cm, c. 1860

A MAHOGANY BREAKFAST TABLE, the
rectangular tip-top above a fluted column and down swept legs with paw feet and brass castors, 281 by 49in; 72.5 by 126cm, 1890/1900

A MAHOGANY WRITING DESK, the Super-
structure with a central balustrade flanked by two sections of four short drawers, the front with a sloping writing surface flanked by two flat writing surfaces, the frieze with

three drawers above three further drawers in each pedestal, 46 by 54in; 117 by 137cm, c. 1860

A MAHOGANY ARMCHAIR, the molded frame with scrolled arms, button-upholstered back, sprung seat on cabriole legs with white ceramic castors, third quarter of the 19th century

А WALNUT GATE-LEG TABLE in Well-
figured wood, the oval cross-banded top on turned trestle supports and white ceramic casters, 40in; 101.5cm wide open, English, c. 1880

А ROSEWOOD CENTRE TABLE of serpentine outline with a drawer at either end on а ‘jeweled’ and gadrooned trestle support, 58in; 147.5cm long, 1840′.

A LACQUER SOFA TABLE, the top and flaps painted within a gilt stylized foliate border, the frieze with two drawers on a trestle base joined by a stretcher on out swept legs, 30

by 62in; 76 by 159cm, c. 1920

A MAHOGANY STAND with three rails and a divided umbrella stand with removable drip tray below, 75 by 51in; 190.5 by 129.5cm, c. 1880

AN EBONIZED WOOD FIRE-SCREEN, the
molded frame carved with ‘C’-scrolls and shells enclosing a petit point panel worked with a young man in 18th century dress watching a lady at her embroidery, on scroll feet,

431 by 28in; 110 by 71cm, c. 1850

A WALNUT PEDESTAL DESK with three frieze drawers and three drawers in each pedestal, with a green leather top, 49in; 124.5cm wide, c. 1880, cleaned

А GOOD GILT SUITE IN LOUIS XVI STYLE,
comprising six Chairs and two Arm-
chairs, each with a padded back and
sprung seat on fluted legs; A Settee,
68in; 173cm wide; Two Mirrors with
triple plates surmounted by a ribbon-
carved oval panel, 90in; 228.5cm high,
62in; 157.5cm wide; An Oval Side
Table with a fawn marble top, 32in;
8lem wide; A Pier Table with a fawn
marble top, 57in; 145cm wide; А
Torch ere with a circular marble top,
50in; 127cm wide; A Virtue with а
glazed door and sides below a ribbon-
tied cresting, 72in; 183cm high, 32in;
8lem wide; and A Pelmet with а
ribbon-carved cresting, 79in; 20lem
wide, c. 1900, re-gilded

A  MAHOGANY  NARROW  BOOKCASE,  the
molded cornice above a pair of glazed doors enclosing shelves with recessed ebonized roundels above a pair of panelled cupboard doors, 951 by 541 by 14in; 243 by 138.5 by

35.5cm, c. 1850
The narrow proportions of this bookcase suggest that it was made for a recess and has not been altered from a large bookcase

A  WILLIAM  IV  SET  OF  MAHOGANY
SHELVES, the superstructure with two pierced sides with carrying handles above a scroll cresting centred by а rectangular panel above three shelves, 18 by 36in; 46 by 91cm, c.

1835

A SET OF MAHOGANY WALL SHELVES with
an arched back above three graduated shelves, 22 by 39in; 56 by 99cm, c. 1840

AN ELIZABETHAN REVIVAL ROSEWOOD
PRIE-DIEU with a padded top-rail with a padded oval back and twist-turned supports, the button-upholstered seat on cabriole legs, c. 1840

AN UNUSUAL SATINWOOD AND MAR-QUETRY LIBRARY BOOK CABINET, the
outset top with a leather writing surface, the central frieze drawer indistinctly stamped Hunter, above a kneehole, flanked by shelved sections and a frieze drawer, on square

tapering supports, inlaid throughout with masks, stylised foliage and chequer bandings, 36 by 84in; 92 by 214cm, third quarter of the 19th century

WALNUT SIDE  CHAIRS, SATINWOOD SIDE TABLES, CHINESE EXPORT WORK TABLE, WALNUT CENTRE OR LIBRARY TABLE, BURR-WALNUT WORK TABLE

A SET OF FOUR WALNUT SIDE  CHAIRS,
each with a waited baluster back and
pierced ‘C’-scroll splat, the stuffed
serpentine seats on cabriole legs, mid
19th century

A ‘GEORGE III’ MAHOGANY SETTEE with a serpentine top-rail and padded back above a sprung seat on molded square tapering legs headed by paternal, 65in; 160cm wide, with

restorations, c. 1880

А PAIR OF ‘GEORGE IIL’ SATINWOOD SIDE
TABLES, each with a breakfront ‘D’-
shaped top, cross banded at the edge
above a rosewood cross banded frieze,
on square tapering legs with brass
castors, 29 by 47in; 73.5 by 119cm,

A NEST OF TWO MAHOGANY TABLES, each
with a molded rectangular top above four runtime supports and a trestle base joined by a stretcher and carved with a scrolling leaf, the larger 28 by 17Un; 71 by 44.5cm, mid

19th century
161 (a set of eight)

A SET OF EIGHT GEORGE III MAHOGANY
DINING CHAIRS, including a pair of
armchairs, the pierced shield beaks
with stuffed drop-in seats on square
tapering legs, c. 1900

A ROSEWOOD PRIE-DIEU, the tapestry back flanked by barley-twist columns above a stuffed seat on molded cabriole legs, c. 1850

A MAHOGANY SUTHERLAND  TABLE,  the
rectangular flaps with a molded border on four ringed baluster turned supports with out curved feet joined by pole stretchers, 28 by 36in; 71 by 92cm open, c. 1870

A CHINESE EXPORT WORK TABLE with а
casket painted with a shoreline scene, enclosing fitted compartments, the frieze with two short drawers opposing a single long drawer above work drawer, on pierced lyre supports

and а trestle base, painted throughout with blossoms, 34 by 18in; 86.5 by 46cm, c. 1910

AN ANGLO-INDIAN SOLID EBONY AND COROMANDEL OCCASIONAL TABLE, the
rectangular top with a slightly raised molded rim, on a slender twist-turned stem and tripod base with molded cabriole legs with scroll toes, 291 by 14lin; 75 by 37cm, c. 1850

A NEST OF QUARTETTO TABLES, each with a rectangular top above four ring-turned supports and a trestle base with small cabriole legs, the largest 29 by

21in; 74 by 53cm, c. 1850

A ‘GEORGE III’ MAHOGANY DINING TABLE, the rectangular top with receded edges and rounded corners on baluster supports with quadruple down swept legs, 44in; 112cm wide, made up

in 20th century partly from 19th century pieces

A MAHOGANY LIBRARY CHAIR with а
padded over scrolled back, down curved arms and ‘X’-frame base, carved at the corners with fans, on brass castors, c. 1840

A MAHOGANY SIDE CHAIR with а ‘T’-
shaped padded back above a stuffed seat, on turned tapering legs and castors, c. 1840

A WALNUT CENTRE OR LIBRARY TABLE in
well-figured wood, the leather top with two short drawers, on turned legs and white ceramic castors, 47 by 32lin; 119.5 by 82cm, c. 1880

А FINE BURR-WALNUT3 AMBOYNA AND
MARQUETRY SIDE CABINET with a pair of central cupboard doors inlaid with fine boxwood strap work within alternating borders of various woods flanked by turned columns inlaid

with simulated fluting, the serpentine sides with two glazed cupboard doors in turn flanked by similar columns and enclosed by alternating borders and panels of strap-work, the

base applied with a gilt-bronze leaf-cast border, 43 by 79in; 109 by 201cm, c. 1870

А WALNUT DAVENPORT with a hinged stationery compartment and a lidded writing surface, on cabriole legs with four real and four dummy drawers, 21in; 53.3cm wide, c. 1870

А ‘GEORGE III’ MAHOGANY SILVER TABLE, the top with a pierced gallery on triple cluster column legs joined by a pierced stretcher and headed by parterre, 28 by 32lin; 71 by 83cm,

c. 1880

A BURR-WALNUT SIDE CABINET with а
single cupboard door quarter-veneered and inlaid with boxwood strap work, the sides headed by gilt-bronze mounts, 42 by 32in; 107 by 8lem, c. 1870

А SET OF OAK LIBRARY STEPS formed of а metamorphic chair with a balustrade top-rail above a molded panels ad back, on ring-turned and square-section legs, c. 1880

A BURR-WALNUT WORK TABLE, with tulipwood cross banding, the fitted interior with a veneered work bag, the circular tapering legs, 29 by 25in; 73.6 by 63.5cm, c. 1860

WALNUT CARD TABLE, MAHOGANY DINING TABLE, ROSEWOOD VENEERED BREAKFAST TABLE, MAHOGANY DINING CHAIRS

A WALNUT CARD TABLE, the ‘D’ top enclosing a baize-lined interior on an octagonal stem and concave-sided base, 271 by 36in; 70 by 91cm, c. 1840

A MAHOGANY PEDESTAL SIDEBOARD, the
rectangular top with three cushion drawers above two pedestal cupboards, 33 by 60in; 84 by 152.5cm, c. 1840

A WALNUT SIDE CABINET, the mirrored superstructure applied with carved ‘C’-scrolls and acanthus, the molded multiple serpentine white marble top above a central mirrored door

flanked by canted mirrored cupboards, 73 by 47in; 185.5 by 119.5cm, mid 19th century

A PAIR OF ‘GEORGE III’ PAINTED URNS ON
STANDS in the style of Angelica Kauffman, the ovoid bodies applied with anthemion and painted with cherubs in the heavens, the cylindrical bases sup-ported by a rams’ head ,

painted with classical muses and flowers, 64in; 162.5cm, c. 1880

A MAHOGANY DINING TABLE,  the  top
with rounded corners on four gadrooned turned tapering legs with brass castors, 28 by 56 by 65in; 71 by 142 by 165cm, formerly smith an extra leaf, c. 1840

A WALNUT TRIPOD TABLE, the circular top with a galleried tray set on a platform base with ‘S’-scroll feet, 28 by 16in; 71 by 40.7cm, c. 1860-1880

A PORCELAIN-MOUNTED BONHEUR-DU-
JOUR, the stepped superstructure with a mirror flanked by two cupboards applied with oval porcelain plaques, the lower part with a writing drawer flanked by two short drawers,

on fluted supports joined by a shelf and a platform stretcher inlaid with they wood on an ebonized ground, 591 by 53in; 150.5 by 134.5cm, 1860′.

A SET OF EIGHT ROSEWOOD DINING
CHAIRS, the dipped top-rails with
wasted splats and caned seats on
turned legs, c. 1840

A  PIETRA  DURA  EBONIZED  WRITING
CABINET, the three-quarter gallery with outset fluted composite columns flank-ing a pair of panels applied with hard stone vases of flowers, the lower part with a writing slide

above а drawer, on square tapering legs joined by a cross-stretcher, 1870’s

AN UNUSUAL WALNUT DAVENPORT in
well-figured and burr-wood, the superstructure enclosing fitted compartments above a cylinder front inlaid with a motif enclosing two short drawers, а pull-out writing surface

and а реп scoop, the base with a single cupboard door inlaid with a conforming motif and flanked by turned leaf-carved columns, 36 by 22in; 91 by 57cm, c. 1870

A ROSEWOOD VENEERED BREAKFAST TABLE,
the circular tip-top on a lotus-carved support and triangular concave platform and scroll feet, 46lin; 118cm.c. 1840

A ROSEWOOD AND MARQUETRY BREAKFAST
TABLE, the circular tip-top inlaid with a satinwood border with flower heads and leaves on a baluster stem and tripod base with claw-and-ball feet, 29 by 48in; 74 by 112cm, c.

1840
A WALNUT LOO TABLE, the well-figured burr-walnut top on a leaf-carved oak column with four walnut carved down-swept legs, 52in; 132cm wide, possibly Dutch, c. 1870

А SATINWOOD AND MARQUETRY CENTRE
TABLE, the circular top segmental veneered with a central fan medallion, the frieze with two short drawers, on six fluted tapering legs joined by an interlaced stretcher, the

frieze inlaid with husks, 45in; 114cm, c. 1910

A MAHOGANY ASYMMETRICAL THREE-FOLD
SCREEN, the molded rococo frame with upper glazed beveled panels and the lower part with upholstered panels, the largest panel 72 by 18in; 183 by 46cm, damaged, c. 1900

A SET OF SIX MAHOGANY DINING CHAIRS,
each with a wasted back and curved crossbar above a stuffed seat on molded square tapering legs, c. 1850

A FOUR-FOLD LEATHER SCREEN, each fold
painted with Chinese boating scenes and panels of flowers and leaves, each panel 711 by 21in; 182 by 53cm, c. 1920

А ‘GEORGE III’ MAHOGANY BOOKCASE with a swan-neck cresting above two seven-panel glazed cupboard doors enclosing shelves, the lower part with two short drawers above two

cupboard doors, cross banded throughout with satinwood and inlaid with stringing, 86 by 33in; 209 by 85cm, c. 1910

A SATINWOOD WRITING TABLE, the superstructure surmounted by a ribbon-tied urn, the leather-lined writing surface with a central frieze drawer flanked by bow-fronted drawers on

two sets of four square tapering legs, each set joined by a platform stretcher, 431 by 53in; 110.5 by 136cm, c. 1910

A WALNUT LEPIDOPTERA FIRE-SCREEN,
the double-glazed screen with a tri-angular pediment containing numerous specimen butterflies, on a twist-turned ‘Jacobean’ trestle support, 461 by 26in; 117 by 66cm, the stand

1840’s

PAINTED SATINWOOD ARMCHAIR, GOOD GILTWOOD DOUBLE BED, EDWARDIAN ART NOUVEAU MAHOGANY TEA TABLE, WALNUT CHEST ON STAND, WALNUT COFFER ON STAND

A MAHOGANY CENTRE TABLE, the circular top with a cross banded border, the frieze inlaid with stringing, on square tapering legs joined by a molded stretcher centered by a tier,

on brass castors, 29 by 35in;

A SET OF SIX EARLY ‘GEORGE III MAHOGANY  DINING  CHAIRS,   including
an Armchair, each with a serpentine top-rail, pierced vase splat, and drop-in seat on square tapering legs joined by ‘H’ stretchers, late 19th century

A FINE SET OF TEN ‘GEORGE Ii’ MAHOGANY
DINING CHAIRS, including two Armchairs,
the molded top-rail above a vase splat
and out curved arms with shepherd
crook supports, above drop-in seats on
cabriole legs joined by turned stretchers,
late 19th century

A WALNUT COAL-ВОХ, the galleried platform above a pivoted coal-box carved with foliage with brass carrying handles, 94 by 37cm, c. 1900

A   SET   OF   FIVE   ‘GEORGE   III   DINING
CHAIRS, with serpentine top-rails,
pierced splats and drop-in seats, on
square tapering legs, c. 1900

A PAINTED SATINWOOD ARMCHAIR, the
back with a caned rectangular panel centered by a plaque painted with а cherub and child, the out curved arms with double caned sides and turned supports above a stuffed seat,

on turned tapering legs, painted throughout with leaves and flowers, c. 1900

А  GOOD   GILTWOOD  DOUBLE  BED,   the
caned headboard with a molded top-rail carved with roses and flowers, the double caned sides curving downwards and carved with leaves, the base board similarly carved and with a

rope twist border, 54 by 54in; 137 by 137cm.

AN EARLY  ‘GEORGE  III’  TRIPLE-CHAIR-
BACK MAHOGANY SETTEE with pierced splats above curved arms, on large cabriole legs with claw-and-ball feet, 71in; 181.5cm, early 20th century

A WALNUT CHEST ON STAND, the Cross-
banded long bow-fronted top with two drawers raised on five inverted ‘S’-scroll legs joined by stretchers, 38 by 48in; 96.5 by 122cm, possibly Flemish, early 20th century

A SET OF SIX EARLY ‘GEORGE III’ MAHO-GANY   DINING   CHAIRS,   including   two
Armchairs, each with a molded top-
rail above a vase splat carved with
scrolls, the stuffed serpentine seats on
cabriole legs with claw-and-ball feet,
c. 1900

A   CIRCULAR   MAHOGANY   OCCASIONAL
TABLE with a segmental veneered top of satinwood with square tapering legs joined by a stretcher, 23|in; c. 1910

A ‘GEORGE I’ WALNUT COFFER ON STAND,
the rectangular cross banded top with а hinged lid with two locks, the stand with a shaped apron on cabriole legs and pointed pad feet, with brass carrying handles, 37 by 48in;

94 by 122cm,

AN EDWARDIAN ART NOUVEAU MAHOGANY
TEA TABLE, the serpentine square top on outset square tapering legs, the frieze with three baize-lined hinged circular trays, inlaid with stylized foliage, 29 by 18in; 73.5 by

45.5cm, c. 1910

A   SATINWOOD   PAINTED   AND   CANED
BERGERE, the semi-circular caned back with a portrait medallion above a lion with double caned arms and squab seat, on square tapering legs, c. 1910

AN UNUSUAL MAHOGANY AND MARQUETRY
TABLE DISPLAY CABINET, the bowed glazed lid above a cupboard door inlaid with a paternal and stringing, on cabriole legs joined by a platform stretcher, 49 by 28in; 124.5 by

7lem, c. 1900

AN ADAM GALT MAHOGANY ‘QUAINT’ SIDE
CABINET, the architectural upper part with lead-glazed polychrome panels of birds and foliage, the projecting lower part with two short drawers above three cupboards, 76 by

66in; 193 by 167.5cm, c. 1910
Adam Galt was an Edinburgh designer. This cabinet combines a traditional ‘Edwardian Art Nou-veau’ shape with a strong Glasgow School influence to the glazing.

A SUITE OF SIX ADAM GALT MAHOGANY
DINING CHAIRS, the tall beaks with
padded top-rails and steak splats,
the stuffed drop-in seats with square
tapering legs joined by stretchers, the
beaks inlaid with a banding,
c. 1910

A MAHOGANY ADAM GALT DINING TABLE,
the molded top with ‘D’-shaped ends and square tapering legs joined by stretchers, 671 by 36in; 171.5 by 91.5cm, c. 1910

AN ADAM GALT COAL-ВОХ, with a frieze drawer above a pull-out lead-lined container on square tapering legs, 75 by 42cm, c. 1910
The previous four lots were designed as one suite by Adam Galt and are believed to have been made in Edinburgh, c. 1910

A MAHOGANY CARD TABLE, with a central playing surface within a chevron border on a folding cross-frame inlaid with boxwood stringing, 281 by 32in; 72 by 81cm, c. 1910

A MAHOGANY CORNER CABINET, the upper
part with four arched glazed astragals above a double oval mirror, the lower part with two glazed cupboard doors with further arched astragals on square tapering legs with spade

feet, the whole cross banded throughout in satinwood, 78 by 30in; 198 by 76cm, c. 1910

A ‘SORRENTO’  WORK TABLE, the bow-
shaped cross banded top above a frieze, the central panel inlaid with a rustic scene, on slender square tapering legs, 29 by 18in; 74 by 46cm, c. 1910

A  MAHOGANY  DINING  TABLE,  the  top
with three extra leaves on a central mechanical winder, on four cabriole legs carved at the knees with leaves, on claw-and-ball feet, 75 by 312cm fully extended, c. 1920

A ‘GEORGE l’ WALNUT CHEST ON STAND,
with two short drawers above three long graduated drawers with a drawer in the stand, on cabriole legs ending in pad feet of square section, 65 by 40in; 165 by 101.5cm, second

quarter of the 20th century

MAHOGANY WRITING DESK, GILTWOOD WALL MIRROR, BURR-WALNUT TRIPOD TABLE, WALNUT SIDE CHAIR, OAK DINING TABLE

A MAHOGANY WRITING DESK,  the top
inset with a leather writing surface, the frieze with three short drawers opposing three further short drawers each with Braham locks with turned bone handles, on receded

tapering legs with brass castors, 28 by 55in; 71 by 140cm, c. 1840

A WALNUT AND BEADWORK LOW CHAIR,
the oval back and sprung seat applied with beadwork angels and lily-of-the-valley, the back supported on self-tapering fluted columns, with fluted legs on circular castors,

1850’s

AN EBONIZED AND GILT DISPLAY CABINET
with a glazed door and sides applied with lancet arches above three drawers, on bobbin-turned legs with white ceramic castors, 54f by 21in; 139 by 53cm, mid 19th century

А PAPIER-MACHE AND MOTHER-OF-PEARL
CHESS TABLE, the lobed top with а border of gilt and mother-of-pearl foliage, above a molded baluster stem on triple base, 27 by 24in

А SET OF THREE PADOUKWOOD HALL CHAIRS with tapering molded beaks with a bead and reel border and solid seat on turned legs, each painted with а different crest.
The tapering beaks of these chairs suggest a date of c. 1820, but the legs are from the early Victorian period. The use of solid paddock and the two different styles indicate

that the chairs were possibly made in the colonies

A PAIR OF GILTWOOD MIRRORS, each with
a shaped plate and a pierced acanthus
and ‘C’-scroll frame; 68
by 39.5cm, formerly smith candle-arms,
mid 19th century

A GILTWOOD WALL MIRROR, the shaped plate divided by an elaborate pierced rococo frame surmounted by a shell, 60 by 32in; 152.5 by 82cm, c. 1950

А ROSEWOOD CARD TABLE, the rectangular swiveling top with a baize-lined interior with a lotus-carved self-tapering column and concave-sided platform and leaf-carved scroll feet,

36in; 91.5cm wide, c. 1850, supports added, c.

A WALNUT CHESS TABLE, the octagonal inlaid top with four fluted column supports joined by turned stretchers, 22in; 56cm, c. 1860

A SET OF six WALNUT CHAIRS, each carved at the top with a central flower and scrolling leaves above a padded back and stuffed serpentine seat, on molded cabriole legs with

scroll toes, c. 1860

A   BURR-WALNUT   TRIPOD   TABLE,   the
hexagonal top leather-lined with three out swept supports joined by a platform stretcher, c. 1860, but made up over various periods from c. 1743 izzards

A WALNUT SIDE CHAIR, the oval padded back with a ribbon-carved top-rail above a stuffed bow-fronted seat, on molded cabriole legs, c. 1860

A PAIR OF WILLIAM IV ROSEWOOD FIRE-
SCREENS, each with a rectangular panel
worked with petit point flowers on а
turned stem with a baluster lotus-carved
and gadrooned base above a concave
plinth on turned feet, 55in; 140cm, c.
1835

A ROSEWOOD SIDE TABLE, the rectangular top cross banded in burr yew, the frieze with two real opposing two dummy drawers, on a trestle base with large paw feet, 29 by 36in; 74

by 92cm, c. 1840

A   BURR   MAPLE   AND   EBONIZED   WOOD
DAVENPORT, the carved supports enclosing a fitted interior, the writing slope with a tooled leather surface enclosing a burr satinwood and birch interior with two short drawers,

the frieze with a cupboard door enclosing four short drawers, 89 by 57cm, c. 1870

A WALNUT SIDE CHAIR, the arched top pierced and carved with fruit, leaves and flowers, the padded back worked with petit point floral upholstery, the sprung serpentine seat on

molded cabriole legs with scroll toes and castors, c. 1850

ANOTHER, SIMILAR, with a flower- and leaf-carved solid top-rail, c. 1850

AN OAK DINING TABLE, the four-plank top above а box support with a cup-board door at one end, the trestle supports joined by a square-section stretcher, 75 by 259 by 183cm, c.

1880

AN OAK GONG AND STAND, the plan shed bronze gong within an acanthus-carved trestle frame with striker, 50 by 34in; 127 by 86.5cm, second half of the 19th century

A PARCEL-GILT BIRCH OPEN-SIDE CABINET
of serpentine outline with a white marble top with three compartments, each with a shelf applied with leaf-carved moldings throughout, 381 by 70in; 98 by 178cm, 1870’s

MAHOGANY AND PARCEL-GILT MIRROR, ROSEWOOD LIBRARY TABLE, ROSEWOOD CARD TABLE, MAHOGANY BED, ROSEWOOD LOW CHAIR

A ‘GEORGE II’ MAHOGANY AND PARCEL-GILT MIRROR, the rectangular beveled plate with a pierced cresting and shaped apron, 341 by 18in; 87 by 47cm, c. 1900

A ‘GEORGE I’ WALNUT AND SEAWEED MARQUETRY MIRROR, the rectangular beveled plate with inset top corners, the inverted breakfront frame inlaid with parquetry and applied with

gilt-wood foliage, 91.5 by 66.5cm, the back with a trestle support, 1900/1920

A COPPER WALL MIRROR, the mirror plate within a frame with stylized flowing leaves and inset with a turquoise cabochon, 21 by 16cm;

A ‘GEORGE III’ MAHOGANY TRAY inlaid with a shell, the sides with carrying handles.

A WILLIAM IV MAHOGANY SEWING TABLE,
the top with two side leaves with curved corners above three graduated drawers with fitted compartments, on a baluster stem and concave-sided base with scroll feet, 71 by 75cm

wide, open, c. 1835

A   WILLIAM   IV   MAHOGANV   PEMBROKE
TABLE, the well-figured top on four receded tapering legs with brass castors, the frieze with a long drawer at one end with turned handles, 281 by 46in; 72 by 117cm, c. 1835

А  WILLIAM  IV  MAHOGANY  BREAKFAST
TABLE, the circular top cross banded in rosewood within a receded border on an octagonal baluster stem with a lotus collar on a concave-sided base with scroll feet, 31 by 57in;

79 by 145cm, c. 1835

A WILLIAM IV ROSEWOOD LIBRARY TABLE,
the rectangular top above two real opposing two dummy drawers, on а trestle base pierced at the sides with scrolls, joined by a pole stretcher, 75 by 175cm, c. 1835

A MAHOGANV PARTNERS’ DESK, the top
inset with a green leather writing surface above four drawers in the frieze on two pedestals, one with six dummy drawers and two real long drawers at the side, the other with

six real drawers, on bracket feet, 30 by 60in; 76 by 153cm, early 19th century, restored

A MAHOGANY GAMES TABLE, the baize top enclosing a chess board inlaid with rosewood squares above a frieze drawer, on a curved support with a concave-sided base on paw feet, 281

by 21in; 72 by 53cm, c. 1840

A MAHOGANY PARTNERS’ DESK, the top
inset with a writing surface, the frieze with one long flanked by two short drawers, above two pedestals, one side with short drawers, the other with cup-board doors, 291 by

60in; 75 by 152.5cm, late 19th century

A   MAHOGANY   WINE   COOLER   in   Well-
figured wood, the sarcophagus body with a domed top and molded frieze with split baluster moldings’ and turned wooden handles at the sides, on bun feet, 22 by 37in; 56 by 94cm,

c. 1840

A   ROSEWOOD   CARD   TABLE,   the   top
enclosing a baize-lined interior, the molded frieze carved with scrolls on а baluster-turned column and concave-sided base with scroll feet, 291 by 36in; 75 by 91.5cm, c. 1840

A   PAPIER-MACHE   SIDE   CHAIR   with   а
molded top-rail and splat inlaid with gilt and mother-of-pearl butterflies, birds and foliage, on octagonal tapering legs and brass castors, back legs replaced, 1840’s

A ROSEWOOD TEA TABLE, the ‘D’-shaped top above an octagonal baluster stem and concave-sided base with turned feet, 76 by 95cm, c. 1840

A WALNUT AND MARQUETRY BREAKFAST
TABLE, the top inlaid with a radiating eight-pointed star within a geometric star border, on a baluster stem and concave-sided base with paw feet, 80 by 120cm, c. 1840

A    MAHOGANY    WHATNOT    with    four
shelves supported by turned columns above two drawers on turned feet and castors, 58 by 23in; 147.5 by 58.5cm, c. 1840

A WILLIAM IV MAHOGANY BED with two
turned pillars carved with lotus, supporting a gadrooned top-rail with sprung mattress, tasseled tester and upper mattress, 106 by 98 by 66in; 269 by 249 by 168cm, c. 1835

A SMALL ROSEWOOD BREAKFAST TABLE,
the circular tip-top above a molded frieze on a triangular stem with chamfered corners, the concave-sided base with scroll feet, 79 by 93cm, c. 1840

A   BURR-WALNUT   SIDE   CABINET,   the
mirror with an eagle cresting above а white marble top with a central mirrored cupboard flanked by paneled cupboards, 60in;

A ROSEWOOD LOW CHAIR, the wasted back with a molded frame and sprung serpentine seat, on cabriole legs with castors, the upholstery worked with gross point summer flowers on a

grey ground, late 1840’s

A MAHOGANY CHAIR, the upholstered over scroll back with molded sides above a sprung seat on baluster turned legs, c. 1840

A PAIR OF ROSEWOOD POLE SCREENS, each
with a rectangular tapestry panel of
Master Lambton and the young Queen
Victoria, within a frame carved with
flowers and scrolls, on a turned baluster
stem and circular base with splayed
feet, c. 1840

A MAHOGANY POLE SCREEN, the panel
worked with flowers within a concave-sided frame, on a turned stem and octagonal base with circular plinth on splayed feet, 57in; 145cm, c. 1850

A ROSEWOOD SOFA TABLE with two flush-
fitting drawers in the frieze, on a trestle base with paw feet, 281 by 62in; 72 by 158cm, c. 1840

‘LOUIS XV’ GILTWOOD PIER TABLE, OAK METAMORPHIC LIBRARY CHAIR, ‘GEORGE III’ MAHOGANY TOILET MIRROR, OAK BEDROOM SUITE, MAHOGANY PEDESTAL DESK

А ‘LOUIS XV’ GILTWOOD PIER TABLE, the
molded serpentine brown and white veined marble top raised on four ‘C-scroll legs joined by stretchers, the frieze and central stretcher profusely carved with ‘C’-scrolls and

acanthus, 381 by 84 by 30in; 98 by 213.5 by 76cm, possibly English, c. 1870

A MAHOGANY PEDESTAL DESK, the top
inset with a tooled writing surface, the frieze with three drawers above two pedestals each with two further drawers, one drawer with a retailers’ label From L. Solomon’s, 30 by

54in; 76 by 137cm, third quarter of the 19th century

AN OAK DAVENPORT, the superstructure with a three-quarter balustrade en-closing a fitted interior, the slope with a writing surface enclosing short drawers, the frieze with four

graduated drawers, the front with fluted turned columns, 40 by 22in; 102 by 56cm, c. 1870

AN OAK METAMORPHIC LIBRARY CHAIR
with a double crossbar pierced with quatrefoils above a hinged seat forming a set of library steps, c. 1870

A MAHOGANY WHATNOT with four tiers, one with a frieze drawer, supported by four molded pillars on turned feet, 50 by 23in; 127 by 58cm, c. 1840

AN EBONIZED MAHOGANY SIDE CABINET,
the superstructure with a glass panel flanked by leather panels above two shelves with tooled leather galleries, flanked by a pair of cupboard doors, each painted with a figure,

one a young man reading a book, the other a jester, above an open shelf on turned legs, the sides with rectangular panels inset with pressed paper panels, 631 by 54in; 161.3 by

137cm, c. 1870

A  PARCEL-GILT  EBONIZED   WOOD   ARM-
CHAIR, the padded over scrolled back with leaf-carved sides above padded arms, each with three turned fluted supports above a sprung seat on turned fluted legs, c. 1870

A MAHOGANY WHATNOT with four shelves joined by fluted columns surmounted by acorn finials, 451 by 21in; 115 by 53cm, second quarter of the 19th century

A   WALNUT   AND   MARQUETRY   CENTRE
TABLE by James Winter, the top inlaid with trails of flowers and leaves, the frieze with a single long drawer, stamped James Winter, 101 Ward our St, on four turned columns with

gadrooned collars above a trestle base joined by а lotus-carved pole stretcher, 70 by 92cm, c. 1870

A GILT PLASTER AND WOOD OVERMANTEL,
in the style of Robert Adam, with а molded dentil pediment above a frieze panel with ribbon-tied laurel swags and paternal above a large rectangular beveled mirror plate flanked

by two further smaller plates, in turn flanked by columns, 88 by 170cm, c. 1880

A WALNUT CENTRE TABLE, the rectangular molded top with an ogee apron, above molded square legs joined by а stretcher, 76in; 193cm long, 24fin; 63cm wide, early 20th century

А   ‘CHINESE   CHIPPENDALE’   MAHOGANY
DISPLAY CABINET, the pagoda cresting above glazed door and sides on square chamfered legs, carved throughout with blind fret, 156 by 66cm, 1880’s

A ‘GEORGE III’ MAHOGANY TOILET MIRROR with a shield top above a serpentine base with three drawers, on ogee bracket feet, 65cm, late 19th century

A PAIR OF ‘GEORGE III’ PEDESTALS, each with an octagonal top cross banded in satinwood above a conforming frieze, on slender square tapering legs with out curved bases joined by

an ‘X’ stretcher centered by a turned finial, 76 by 32cm, c. 1880

A   MAHOGANY   DISPLAY   CABINET,   the
superstructure with beveled mirrored plates and three elaborate pierced and carved foliate cresting’s, the lower part with three glazed display cupboards, on cabriole legs with

claw-and-ball feet, 261.5 by 141cm, c. 1890

A CHINESE EXPORT LACQUERED ВОХ ON
STAND, the top painted with a garden scene, the interior baize-lined, with а molded frieze above a wood stand similarly painted with chamfered square tapering legs, 26in; 62 by

66cm, mid 19th century

А SET OF SIX EARLY ‘GEORGE III’ MAHO-
GANV DINING CHAIRS, each with а
serpentine top-rail, pierced vase splat,
drop-in seat on square tapering legs,
joined by ‘H’ stretcher, late 19th
century

А MAHOGANY CYLINDER BUREAU, the superstructure with three frieze drawers above a solid cylinder front enclosing pigeon-holes and two short drawers above a pull-out writing

surface and two further frieze drawers, one stamped F. Collins on & Со., on square tapering legs with brass castors, cross banded throughout and inlaid with a diamond trellis,

47 by 48in; 119.5 by 122cm, 1880-1900

A ROSEWOOD DESK, the superstructure with drawers and a cupboard above а fitted frieze drawer on turned legs joined by stretchers, inlaid with satin-wood fan medallions and

stringing, 42 by 27in; 107 by 68.5cm, 1890’s

A MAHOGANY ARMCHAIR, the molded frame with a padded back and arms, with sprung serpentine seat, on cabriole legs, c. 1860

A ‘GEORGE III’ CELLARETTE, the octagonal brass coopered body on molded outset legs with castors, 28in; 7lem, third quarter of the 20th century

A SET OF EIGHT MAHOGANY AND SATIN-WOOD  DINING  CHAIRS,   including  two
Armchairs, each with a solid splat and
four crossbars, the sprung seats on
rounded legs, 1934

AN OAK DINING TABLE, the circular top with an inlaid column support and convex base, 56in;

AN OAK BEDROOM SUITE, comprising а
wardrobe, 72lin; 183cm, a bedside
cabinet 16in; 4lem wide, a low cup-
board enclosing fitted sliding shelves
36in; 91.5cm wide, and a trestle mirror,
20in; 51cm, 1934

A GREEN LACQUER CABINET ON STAND,
the rectangular form with a cupboard enclosing small drawers, gilded overall with 32 by 18in; 81 by 47cm, c. 1930

A   MAHOGANY   PEDESTAL   DESK   with   а
tooled green leather writing surface, above three short drawers in the frieze, each pedestal with three graduated drawers, 301 by 54in; 77 by 137cm, mid 20th century